Search results for 'Music Interpretation (Phrasing, dynamics, etc' (try it on Scholar)

4 found
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  1. Nils-Göran Sundin (1994). Aesthetic Criteria for Musical Interpretation: A Study of the Contemporary Performance of Western Notated Instrumental Music After 1750. University of Jyväskylä.
     
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  2.  11
    Daniel Barenboim (2004). Parallels and Paradoxes: Explorations in Music and Society. Vintage Books.
    These free-wheeling, often exhilarating dialogues—which grew out of the acclaimed Carnegie Hall Talks—are an exchange between two of the most prominent figures in contemporary culture: Daniel Barenboim, internationally renowned conductor and pianist, and Edward W. Said, eminent literary critic and impassioned commentator on the Middle East. Barenboim is an Argentinian-Israeli and Said a Palestinian-American; they are also close friends. As they range across music, literature, and society, they open up many fields of inquiry: the importance of a sense of (...)
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  3. Gilbert Fischer (2001). More Than Meets the Ear: A Study of the Semantics of Music. University Press of America.
     
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  4. Martina Krause (2008). Bedeutung Und Bedeutsamkeit: Interpretation von Musik in Musikpädagogischer Dimensionierung. Georg Olms.
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