Search results for 'Music Psychological aspects' (try it on Scholar)

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  1. David Clarke & Eric F. Clarke (eds.) (2011). Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford University Press.score: 369.0
    What is consciousness? Why and when do we have it? Where does it come from, and how does it relate to the lump of squishy grey matter in our heads, or to our material and social worlds? While neuroscientists, philosophers, psychologists, historians, and cultural theorists offer widely different perspectives on these fundamental questions concerning what it is like to be human, most agree that consciousness represents a 'hard problem'. -/- The emergence of consciousness studies as a multidisciplinary discourse addressing these (...)
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  2. Carroll C. Pratt (1931/1968). The Meaning of Music: A Study in Psychological Aesthetics. New York, Johnson Reprint Corp..score: 360.0
     
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  3. Leonard B. Meyer (1956). Emotion and Meaning in Music. [Chicago]University of Chicago Press.score: 261.0
    Analyzes the meaning expressed in music, the social and psychological sources of meaning, and the methods of musical communication This is a book meant for ...
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  4. Nicholas Cook (1990). Music, Imagination, and Culture. Oxford University Press.score: 261.0
    Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, Cook here defines the difference between music...
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  5. Carl E. Seashore (1981). In Search of Beauty in Music: A Scientific Approach to Musical Esthetics. Greenwood Press.score: 243.0
    In Search of Beauty in Music A SCIENTIFIC APPROACH TO MUSICAL ESTHETICS by CARL E. SEASHORE PROFESSOR OF PSYCHOLOGY AND DEAN EMERITUS OF THE GRADUATE SCHOOL, ...
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  6. Benjamin Ives Gilman (1892). On Some Psychological Aspects of the Chinese Musical System. Philosophical Review 1 (1):54-78.score: 238.3
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  7. Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.score: 234.0
    In order to promote new ways of thinking about musical meaning, this volume brings together scholars in music theory, musicology, and the philosophy of music, ...
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  8. Malcolm Budd (1985). Music and the Emotions: The Philosophical Theories. Routledge & Kegan Paul.score: 234.0
    The most fundamental debate in the philosophy of music involves the question of whether there is an artistically important connection between music and the ...
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  9. Laird Addis (1999). Of Mind and Music. Cornell University Press.score: 234.0
    In this account of the way in which we understand music, Laird Addis explains how sounds can have such profound effects on those listening to them.
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  10. R. A. Sharpe (2000). Music and Humanism: An Essay in the Aesthetics of Music. Oxford University Press.score: 234.0
    Robert Sharpe examines the humanist conception of music as a language--as expressive and intelligible--which has been a dominant theory in Western culture. He argues against the view that music is expressive by causing certain states in us. Rather, he contends that our beliefs about music are integral to our appreciation of it. Differences in musical taste are then not just irresolvable differences in sensitivity, but the result of variations in circumstance and upbringing, of associations and ideology.
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  11. Mark Andrew DeBellis (1995). Music and Conceptualization. Cambridge University Press.score: 234.0
    This book is a philosophical study of the relations between hearing and thinking about music. The central problem it addresses is as follows: how is it possible to talk about what a listener perceives in terms that the listener does not recognise? By applying the concepts and techniques of analytic philosophy the author explores the ways in which musical hearing may be described as nonconceptual, and how such mental representation contrasts with conceptual thought. The author is both philosopher and (...)
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  12. David Schwarz (1997). Listening Subjects: Music, Psychoanalysis, Culture. Duke University Press.score: 234.0
    In Listening Subjects, David Schwarz uses psychoanalytic techniques to probe the visceral experiences of music listeners.
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  13. Carl Stumpf (2012). The Origins of Music. Oxford University Press.score: 234.0
    Within the book, he discussed the origin and forms of musical activity as well as various theories on the origin of music. This is the first time that this important work is available in English.
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  14. Joseph Nathan Straus (2011). Extraordinary Measures: Disability in Music. Oxford University Press.score: 234.0
    Composers with disabilities and the critical reception of their music -- Musical narratives of disability overcome : Beethoven -- Musical narratives of disability accommodated : Schubert -- Musical narratives of balance lost and regained : Schoenberg and Webern -- Musical narratives of the fractured body : Schoenberg, Stravinsky, Bartók, and Copland -- Disability within music-theoretical traditions -- Performing music and performing disability -- Prodigious hearing, normal hearing, and disablist hearing.
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  15. Jeanette Bicknell (2009). Why Music Moves Us. Palgrave Macmillan.score: 234.0
    The tears of Odysseus -- History : music gives voice to the ineffable -- Tears, chills, and broken bones -- The music itself -- Explaining strong emotional responses to music I -- Explaining strong emotional responses to music II -- The sublime, revisited -- Conclusion : values.
     
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  16. Peter Kivy (2007). Music, Language, and Cognition: And Other Essays in the Aesthetics of Music. Oxford University Press.score: 234.0
    I. History. Mainwaring's Handel : its relation to British aesthetics -- Herbert Spencer and a musical dispute -- II. Opera and film. Handel's operas : the form of feeling and the problem of appreciation -- Anti-semitism in Meistersinger? -- Speech, song, and the transparency of medium : on operatic metaphysics -- III. Performance. On the historically informed performance -- Ars perfecta : toward perfection in musical performance? -- IV. Interpretation. Another go at the meaning of music : Koopman, Davies, (...)
     
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  17. Jerrold Levinson (1997). Music in the Moment. Cornell University Press.score: 228.0
    Does aural understanding depend upon reflective awareness of musical architecture or large-scale musical structure? Jerrold Levinson thinks not.
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  18. Richard Kramer (2008). Unfinished Music. Oxford University Press.score: 225.0
    First things -- Emanuel Bach and the allure of the irrational -- Between enlightenment and romance -- Beethoven : confronting the past -- Fragments -- Death masks.
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  19. Marcel Cobussen (2012). Music and Ethics. Ashgate.score: 225.0
    Listening -- Discourse -- Interaction -- Affect -- Voice -- Engagement.
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  20. Leo Apostel, Herman Sabbe & Fernand J. Vandamme (eds.) (1986). Reason, Emotion, and Music: Towards a Common Structure for Arts, Sciences, and Philosophies, Based on a Conceptual Framework for the Description of Music. Communication & Cognition.score: 225.0
  21. Maureen McCarthy Draper (2001). The Nature of Music: Beauty, Sound, and Healing. Riverhead Books.score: 225.0
     
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  22. Harold E. Fiske (1993). Music Cognition and Aesthetic Attitudes. E. Mellen Press.score: 225.0
     
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  23. Frank Stewart Howes (1948/1970). Man, Mind and Music. Freeport, N.Y.,Books for Libraries Press.score: 225.0
     
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  24. Vernon Lee (1932). Music and its Lovers. London, G. Allen & Unwin, Ltd..score: 225.0
     
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  25. Carl E. Seashore (1947). In Search of Beauty in Music. New York, the Ronald Press Company.score: 225.0
     
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  26. Stephen Davies (1994). Musical Meaning and Expression. Cornell University Press.score: 204.0
    But what does music mean, and how does it mean?Stephen Davies addresses these questions in this sophisticated and knowledgeable overview of current theories in ...
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  27. J. K. Trivedi, H. Sareen & M. Dhyani (2009). Psychological Aspects of Widowhood and Divorce. Mens Sana Monographs 7 (1):37.score: 202.0
    _Despite advances in standard of living of the population, the condition of widows and divorced women remains deplorable in society. The situation is worse in developing nations with their unique social, cultural and economic milieu, which at times ignores the basic human rights of this vulnerable section of society. A gap exists in life expectancies of men and women in both developing and developed nations. This, coupled with greater remarriage rates in men, ensures that the number of widows continues to (...)
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  28. Bruce Adolphe (1999). Of Mozart, Parrots and Cherry Blossoms in the Wind: A Composer Explores Mysteries of the Musical Mind. Limelight Editions.score: 195.0
    The exhilarating mix of humor, philosophy, fact and whimsy that marks these essays derives from more than 200 lectures Bruce Adolphe has given over most of the ...
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  29. Erich Sorantin (1932). The Problem of Musical Expression. Nashville, Tenn.,Marshall & Bruce Co..score: 195.0
     
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  30. Alexander J. Cvetko (2006). --Durch Gesänge Lehrten Sie--: Johann Gottfried Herder Und Die Erziehung Durch Musik: Mythos - Ideologie - Rezeption. Lang.score: 180.0
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  31. Max Graf (1947/1969). From Beethoven to Shostakovich. New York, Greenwood Press.score: 180.0
     
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  32. Edmund Gurney (1880/1966). The Power of Sound. New York, Basic Books.score: 180.0
     
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  33. Hanns-Werner Heister (ed.) (2007). Mimetische Zeremonien: Musik Als Spiel, Ritual, Kunst. Weidler.score: 180.0
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  34. Sebastian Leikert (2005). Die Vergessene Kunst: Der Orpheusmythos Und Die Psychoanalyse der Musik. Psychosozial-Verlag.score: 180.0
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  35. Thomas Carson Mark (2012). Motion, Emotion, and Love: The Nature of Artistic Performance. Gia Publications.score: 180.0
     
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  36. Suvarṇṇa Nalappāṭṭ (2008). Rāgacikitsā =. Readworthy Publications.score: 180.0
    Mārgi Saṅgīta in Upaniṣadic times -- Emotion, aesthetics, bioenergy fields : a brief introduction of the archetypal/historical/living singer effect in the Indian psyche -- Indian aesthetics : the personal and impersonal.
     
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  37. Cesare Natoli (2013). Il Suono Dell'anima: Musica E Metafisica Nella Riflessione Filosofica E Teologica. Aracne.score: 180.0
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  38. Michael Schramm (ed.) (2008). Dokumentation Zum Symposium Funktionalisierung Und Idealisierung in der Musik. Militärmusikdienst der Bundeswehr.score: 180.0
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  39. Axel Schünemann (2007). Was Sie Noch Nie Über Musik Wissen Wollten Und Deshalb Auch Nicht Fragen Würden: Antike Musikmythen: Musik, Gedächtnis, Schlaf, Geschlecht Und Verlautung. Die Blaue Eule.score: 180.0
    Machen Schlafmittel musikalisch? -- Warum macht Musik hungrig und ein voller Bauch müde? -- Musikgenealogie--was ist das eigentlich? -- Träumen Musiker anders? -- Warum haben manche Frauen und Männer Verlautungsschwierigkeiten? -- Treffen die Botschaften der Mythen und Träume, die von Musik handeln, auch wirklich zu? -- Was geschieht in Menschen, die der Musik verfallen sind?
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  40. Yong Shi (2008). Zhongguo Ren Yin Yue Shen Mei Xin Li Gai Lun. Shanghai Yin Yue Chu Ban She.score: 180.0
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  41. Rita Steblin (2002). A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries. University of Rochester Press.score: 180.0
  42. Wolfram Steinbeck & Rüdiger Schumacher (eds.) (2011). Selbstreflexion in der Musik/Wissenschaft: Referate des Kölner Symposions 2007: Im Gedenken an Rüdiger Schumacher. Gustav Bosse Verlag.score: 180.0
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  43. Greg Hainge (2013). Noise Matters: Towards an Ontology of Noise. Bloomsbury Academic.score: 174.0
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  44. Victor Margolis (1995). The Plate Spinner: Playing with Time. Marik Pub..score: 174.0
     
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  45. T. Raspail & Gérard Wormser (eds.) (2006). L'expérience de la Durée. Sens Public.score: 174.0
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  46. Bruno Osimo (2002). On Psychological Aspects of Translation. Sign Systems Studies 30 (2):607-626.score: 164.0
    Translation science is going through a preliminary stage of self-definition. Jakobson’s essay “On linguistic aspects of translation”, whose title is re-echoed in the title of this article, despite the linguistic approach suggested, opened, in 1959, the study of translation to disciplines other than linguistics, semiotics to start with. Many developments in the semiotics of translation — particularly Torop’s theory of total translation — take their cue from the celebrated category “intersemiotic translation or transmutation” outlined in that 1959 article. I (...)
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  47. Jacob A. Belzen (2013). Music and Religion: Psychological Perspectives and Their Limits. Archive for the Psychology of Religion 35 (1):1-29.score: 146.0
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  48. Terry Dowdall (1996). Psychological Aspects of the Truth and Reconciliation Commission. In H. Russel Botman & Robin M. Petersen (eds.), To Remember and to Heal: Theological and Psychological Reflections on Truth and Reconciliation. Thorold's Africana Books [Distributor]. 27--36.score: 146.0
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  49. Aruna Haldar (1981). Some Psychological Aspects of Early Buddhist Philosophy Based on Abhidharmakośa of Vasubandhu. Asiatic Society.score: 144.0
     
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  50. Vassilis Saroglou (2003). Trans-Cultural/Religious Constants Vs. Cross-Cultural/ Religious Differences in Psychological Aspects of Religion. Archive for the Psychology of Religion 25 (1):71-87.score: 142.0
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