Search results for 'Music Social aspects' (try it on Scholar)

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  1. Viorica Barbu Iuraşcu (2010). The Social and Relational Aspects of Music Making. Linguistic and Philosophical Investigations 9:341-346.
     
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  2.  3
    Jochen Eisentraut (2012). The Accessibility of Music Participation, Reception, and Contact. Cambridge University Press.
    An outline topography of musical accessibility. What is musical accessibility? ; Society, atonality, psychology -- Accessibility discourse in rock, and cultural change. Case study 1 : 'Prog' rock/punk rock : sophistication, directness and shock ; Zeitgeist : accessibility in flux -- A valiant failure? : new art music and the people. Case study 2 : Vaughan Williams' national music in context ; Art music, vernacular music and accessibility -- Accessibility, identity and social action. Case study (...)
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  3.  26
    Martin Clayton, Trevor Herbert & Richard Middleton (eds.) (2003). The Cultural Study of Music: A Critical Introduction. Routledge.
    The Cultural Study of Music is an anthology of new writings that will serve as a basic textbook on music and culture. Increasingly, music is being studied as it relates to specific cultures-not only by ethnomusicologists, but by traditional musicologists as well. Drawing on writers from music, anthropology, sociology, and the related fields, the book both defines the field-i.e., "What is the relation between music and culture?"-and then presents case studies of particular issues in world (...)
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  4.  11
    Alphons Silbermann (1963/1977). The Sociology of Music. Greenwood Press.
    PRELIMINARIES Hysterical trading in art AT THE PRESENT TIME, when a great amount of music is being both composed and heard, a great deal is also being ...
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  5.  9
    Daniel Barenboim (2004). Parallels and Paradoxes: Explorations in Music and Society. Vintage Books.
    These free-wheeling, often exhilarating dialogues—which grew out of the acclaimed Carnegie Hall Talks—are an exchange between two of the most prominent figures in contemporary culture: Daniel Barenboim, internationally renowned conductor and pianist, and Edward W. Said, eminent literary critic and impassioned commentator on the Middle East. Barenboim is an Argentinian-Israeli and Said a Palestinian-American; they are also close friends. As they range across music, literature, and society, they open up many fields of inquiry: the importance of a sense of (...)
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  6.  42
    Carolyn Beckingham (2009). Moribund Music: Can Classical Music Be Saved? Sussex Academic Press.
    What's wrong with music? -- A century of cultural earthquakes -- Crossover music : help or hindrance? -- Opera : a special case? -- Are schools the solution? -- Where do we go from here?
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  7. Nicholas Cook (2010). Music: A Brief Insight. Sterling.
    Musical values -- Back to Beethoven -- A state of crisis? -- An imaginary object -- A matter of representation -- Music and the academy -- Music and gender.
     
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  8.  16
    Eduardo de la Fuente & Peter Murphy (eds.) (2010). Philosophical and Cultural Theories of Music. Brill.
    This collection brings together philosophers, sociologists, musicologists and students of culture who theorize music through cultural practices as diverse as ...
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  9.  9
    Joshua Fineberg (2006). Classical Music Why Bother?: Hearing the World of Contemporary Culture Through a Composer's Ears. Routledge.
    The famous quip "I don't know much about art, but I know what I like" sums up many people's ideas about how to judge a work of art; but there are inherent limitations if we rely on immediate impressions in judging what should be enduring products of our culture. While some might criticize this as a return to "elitism," Joshua Fineberg argues that without some way of determining intrinsic value, there can be no movement forward for creators or their audience. (...)
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  10.  66
    Kathleen Marie Higgins (2012). The Music Between Us: Is Music a Universal Language? The University of Chicago Press.
    Other people's music -- Musical animals -- What's involved in sounding human? -- Cross-cultural understanding -- The music of language -- Musical synesthesia -- A song in your heart -- Comfort and joy -- Beyond ethnocentrism.
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  11.  39
    Julian Johnson (2002). Who Needs Classical Music?: Cultural Choice and Musical Value. Oxford University Press.
    During the last few decades, most cultural critics have come to agree that the division between "high" and "low" art is an artificial one, that Beethoven's Ninth and "Blue Suede Shoes" are equally valuable as cultural texts. In Who Needs Classical Music?, Julian Johnson challenges these assumptions about the relativism of cultural judgements. The author maintains that music is more than just "a matter of taste": while some music provides entertainment, or serves as background noise, other (...) claims to function as art. This book considers the value of classical music in contemporary society, arguing that it remains distinctive because it works in quite different ways to most of the other music that surrounds us. This intellectually sophisticated yet accessible book offers a new and balanced defense of the specific values of classical music in contemporary culture. Who Needs Classical Music? will stimulate readers to reflect on their own investment (or lack of it) in music and art of all kinds. (shrink)
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  12.  6
    Joshua S. Walden (ed.) (2013). Representation in Western Music. Cambridge University Press.
    This volume assembles leading scholars to provide a comprehensive study of representation in music from the nineteenth century to today.
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  13.  5
    Arved Mark Ashby (2010). Absolute Music, Mechanical Reproduction. University of California Press.
    The recorded musical text -- Recording, repetition, and meaning in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/pornography -- Mahler as imagist.
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  14. Catherine M. Cameron (1996). Dialectics in the Arts: The Rise of Experimentalism in American Music. Praeger.
     
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  15. Joachim Ernst Berendt (1987). Nada Brahma: The World is Sound: Music and the Landscape of Consciousness. Distributed by Harper & Row.
  16. Frank Stewart Howes (1948/1970). Man, Mind and Music. Freeport, N.Y.,Books for Libraries Press.
     
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  17. Werner Jauk (2009). Pop/Music + Medien/Kunst: Der Musikalisierte Alltag der Digital Culture. Electronic Publishing.
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  18. Christopher Norris (ed.) (1989). Music and the Politics of Culture. St. Martin's Press.
     
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  19. David Tame (1984). The Secret Power of Music. Turnstone Press.
     
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  20. John Wall (ed.) (2007). Music, Metamorphosis and Capitalism: Self, Poetics and Politics. Cambridge Scholars Publishing.
     
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  21. Joshua S. Walden (ed.) (2013). Representation and Meaning in Western Music. Cambridge University Press.
     
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  22.  11
    Jesse R. Steinberg & Abrol Fairweather (eds.) (2012). Blues -- Philosophy for Everyone: Thinking Deep About Feeling Low. Wiley-Blackwell.
    _The philosophy of the blues_ From B.B. King to Billie Holiday, Blues music not only sounds good, but has an almost universal appeal in its reflection of the trials and tribulations of everyday life. Its ability to powerfully touch on a range of social and emotional issues is philosophically inspiring, and here, a diverse range of thinkers and musicians offer illuminating essays that make important connections between the human condition and the Blues that will appeal to music (...)
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  23.  5
    Bogdan Stancu, Georgel Rednic, Nicolae Ovidiu Grad, Ion Aurel Mironiuc & Claudia Diana Gherman (2016). Medical, Social and Christian Aspects in Patients with Major Lower Limb Amputations. Journal for the Study of Religions and Ideologies 15 (43):82-101.
    Lower limb major amputations are both life-saving procedures and life-changing events. Individual responses to limb loss are varied and complex, some individuals experience functional, psychological and social dysfunction, many others adjust and function well. Some patients refuse amputation for religious and/or cultural reasons. One of the greatest difficulties for a person undergoing amputation surgery is overcoming the psychological stigma that society associates with the loss of a limb. Persons who have undergone amputations are often viewed as incomplete individuals. The (...)
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  24.  8
    Steven M. Flipse, Maarten C. A. Sanden & Patricia Osseweijer (2013). The Why and How of Enabling the Integration of Social and Ethical Aspects in Research and Development. Science and Engineering Ethics 19 (3):703-725.
    New and Emerging Science and Technology (NEST) based innovations, e.g. in the field of Life Sciences or Nanotechnology, frequently raise societal and political concerns. To address these concerns NEST researchers are expected to deploy socially responsible R&D practices. This requires researchers to integrate social and ethical aspects (SEAs) in their daily work. Many methods can facilitate such integration. Still, why and how researchers should and could use SEAs remains largely unclear. In this paper we aim to (...)
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  25.  3
    Steven M. Flipse, Maarten Ca van der Sanden & Patricia Osseweijer (2013). The Why and How of Enabling the Integration of Social and Ethical Aspects in Research and Development. Science and Engineering Ethics 19 (3):703-725.
    New and Emerging Science and Technology (NEST) based innovations, e.g. in the field of Life Sciences or Nanotechnology, frequently raise societal and political concerns. To address these concerns NEST researchers are expected to deploy socially responsible R&D practices. This requires researchers to integrate social and ethical aspects (SEAs) in their daily work. Many methods can facilitate such integration. Still, why and how researchers should and could use SEAs remains largely unclear. In this paper we aim to (...)
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  26.  9
    Harris M. Berger (2009). Stance: Ideas About Emotion, Style, and Meaning for the Study of Expressive Culture. Wesleyan University Press.
    Locating stance -- Structures of stance in lived experience -- Stance and others, stance and lives -- The social life of stance and the politics of expressive culture.
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  27.  5
    D. E. Wittkower (ed.) (2008). Ipod and Philosophy. Open Court.
    "Essays examine philosophical aspects of the iPod portable audio player, focusing on its status as a cultural icon and object with many meanings"--Provided by ...
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  28.  12
    Steve Goodman (2010). Sonic Warfare: Sound, Affect, and the Ecology of Fear. MIT Press.
    An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe.
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  29.  13
    Nora M. Alter & Lutz P. Koepnick (eds.) (2004). Sound Matters: Essays on the Acoustics of Modern German Culture. Berghahn Books.
    ... composed by Herms Niel as a Durchhaltefanfare, a fanfare of perseverance, for the German troops that had been surrounded on the Crimea peninsula by ...
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  30. Marcel Belvianes (1950/1951). Sociologie De La Musique. Paris, Payot.
     
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  31. Alessandro Bertirotti & Maria Rosaria Strollo (eds.) (2007). Traghettare Il Pensiero: La Musica Come Variabile Caronte: Contributi Pedagogici E Sociologici. F. Angeli.
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  32. Claudia Bullerjahn & Wolfgang Löffler (eds.) (2004). Musikermythen: Alltagstheorien, Legenden Und Medieninszenierungen. Olms.
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  33. Hermann Danuser (2009). Weltanschauungsmusik. Ed. Argus.
    Einleitung. Auftakt ; Welt, Anschauung, Weltanschauung : Begriffshorizonte für Musik ; Weltanschauung und Kunst ; Der Begriff "Weltanschauung" ; Zur Konzeption des Buches : Ästhetisch-kulturelle Inbilder der Moderne ; Ästhetische und gesellschaftlische Moderne -- Gemeinschaft. Eine Idee und ihre Korruption : zur Einführung ; Das Finale von Beethovens neunter Symphonie -- Bildung. Anagogische Formationen : zur Einführung ; Symphonische Mythen bei Franz Liszt ; Musiklyrische Schicksalsformen bei Johannes Brahms -- Religion. Religion, Nation, Kunst : zur Einführung ; Geistliche Weltanschauungmusik von (...)
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  34. Maÿlis Dupont (2011). Le Bel Aujourd'hui: Bach Ou Boulez, des Oeuvres à Faire. Cerf.
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  35. Giulia Gangi (2009). L'ascolto Sociomusicologico Nel Pensiero di Th.W. Adorno. Altrimedia.
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  36.  4
    Anne-Marie Green (2006). De la Musique En Sociologie. L'harmattan.
    Cherche à mettre en évidence les principes théoriques qui peuvent être au fondement de toute recherche ou réflexion en sociologie de la musique.
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  37. Christian Kaden (2004). Das Unerhörte Und Das Unhörbare: Was Musik Ist, Was Musik Sein Kann. Metzler.
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  38. Till Knipper (ed.) (2005). Form Follows Function: Zwischen Musik, Form Und Funktion: Beiträge Zum 18. Internationalen Studentischen Symposium des Dvsm (Dachverband der Studierenden der Musikwissenschaft) in Hamburg 2003. Von Bockel.
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  39. Till Knipper (ed.) (2005). Form Follows Function: Zwischen Musik, Form Und Funktion: Beiträge Zum 18. Von Bockel.
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  40. S. B. Kozhaeva (2005). Antinomii͡a "Sakralʹnogo"--"Obydennogo" I Ee Voploshchenie V Zapadnoĭ I Russkoĭ Muzykalʹnoĭ Tradit͡sii. Volgogradskiĭ Gos. Universitet.
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  41. Hartmut Lück & Dieter Senghaas (eds.) (2005). Vom Hörbaren Frieden. Suhrkamp.
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  42. V. I. Martynov (2005). Zona Opus Posth, Ili Rozhdenie Novoĭ Realʹnosti. Klassika-Xxi.
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  43. Michael Schramm (ed.) (2008). Dokumentation Zum Symposium Funktionalisierung Und Idealisierung in der Musik. Militärmusikdienst der Bundeswehr.
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  44.  8
    Godfrey Baldacchino (ed.) (2011). Island Songs: A Global Repertoire. Scarecrow Press.
    "Through the close analysis of musical performance and tradition, the scholarly contributiors to Island Songs provide a global review of how island songs, their lyrics, and their singers engage with the challenges of modernity, migration , ...
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  45.  5
    Tracey Nicholls (2012). An Ethics of Improvisation: Aesthetic Possibilities for a Political Future. Lexington Books.
    Introduction : our political present -- Possibilities for a political future -- Respecting resistance -- Aesthetic perspectives -- Aesthetic pitfalls -- Political perspectives -- Political pitfalls -- Improvising communities.
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  46.  76
    Francois Berger, Sjef Gevers, Ludwig Siep & Klaus-Michael Weltring (2008). Ethical, Legal and Social Aspects of Brain-Implants Using Nano-Scale Materials and Techniques. NanoEthics 2 (3):241-249.
    Nanotechnology is an important platform technology which will add new features like improved biocompatibility, smaller size, and more sophisticated electronics to neuro-implants improving their therapeutic potential. Especially in view of possible advantages for patients, research and development of nanotechnologically improved neuro implants is a moral obligation. However, the development of brain implants by itself touches many ethical, social and legal issues, which also apply in a specific way to devices enabled or improved by nanotechnology. For researchers developing (...)
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  47.  83
    Leonard B. Meyer (1956). Emotion and Meaning in Music. [Chicago]University of Chicago Press.
    Analyzes the meaning expressed in music, the social and psychological sources of meaning, and the methods of musical communication This is a book meant for ...
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  48.  2
    Irma Niurka Falcón Fariñas, Aylín Nordelo Valdivia, Odalys Escalante Padrón & Ana C. Campal Espinosa (2016). Social aspects of the application of the Heberprot-P in the Angiology service at Manuel Ascunce Domenech Hospital. Humanidades Médicas 16 (1):98-114.
    En la actualidad Cuba desarrolla un Programa de Atención Integral al Paciente con Úlcera de Pie Diabético mediante el uso del Heberprot-P, esencial para disminuir la amputación y la discapacidad. El trabajo tiene el objetivo de realizar un diagnóstico sobre la aplicación del Heberprot-P en el Servicio de Angiología del Hospital Provincial Universitario Manuel Ascunce Domenech de Camagüey. Se realizaron encuestas a pacientes para identificar necesidades sentidas relacionadas con el tratamiento y para las actitudes manifiestas, y se hicieron entrevistas al (...)
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  49.  6
    Li Che-Hou (1974). The Objective and the Social Aspects of Beauty: Comments on the Aesthetics of Chu Kuang-Ch'ien and Ts'ai I. Contemporary Chinese Thought 6 (2):54-68.
    After reading the essays of Mr. Ts'ai and Mr. Chu, I have a few immature opinions. Generally speaking, I feel that in dealing with the errors of their opponents, both Ts'ai I in his criticism of Huang Yüeh-mien and Chu Kuang-ch'ien in his criticism of Ts'ai I are quite accurate and convincing. However, in presenting their own arguments of what is right, both of them are on shaky ground and in error. That is because in one way or another, consciously (...)
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  50.  28
    David Clarke & Eric F. Clarke (eds.) (2011). Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford University Press.
    What is consciousness? Why and when do we have it? Where does it come from, and how does it relate to the lump of squishy grey matter in our heads, or to our material and social worlds? While neuroscientists, philosophers, psychologists, historians, and cultural theorists offer widely different perspectives on these fundamental questions concerning what it is like to be human, most agree that consciousness represents a 'hard problem'. -/- The emergence of consciousness studies as a multidisciplinary discourse addressing (...)
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