Search results for 'Music theory Mathematics' (try it on Scholar)

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  1. Edward Rothstein (1995/2006). Emblems of Mind: The Inner Life of Music and Mathematics. University of Chicago Press.score: 119.0
    One is a science, the other an art; one useful, the other seemingly decorative, but mathematics and music share common origins in cult and mystery and have been linked throughout history. Emblems of Mind is Edward Rothstein’s classic exploration of their profound similarities, a journey into their “inner life.” Along the way, Rothstein explains how mathematics makes sense of space, how music tells a story, how theories are constructed, how melody is shaped. He invokes the poetry (...)
     
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  2. G. Mazzola (2002). The Topos of Music: Geometric Logic of Concepts, Theory, and Performance. Birkhauser Verlag.score: 115.0
    The Topos of Music is the upgraded and vastly deepened English extension of the seminal German Geometrie der Töne. It reflects the dramatic progress of mathematical music theory and its operationalization by information technology since the publication of Geometrie der Töne in 1990. The conceptual basis has been vastly generalized to topos-theoretic foundations, including a corresponding thoroughly geometric musical logic. The theoretical models and results now include topologies for rhythm, melody, and harmony, as well as a classification (...)
     
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  3. Suzannah Clark & Alexander Rehding (eds.) (2005). Music Theory and Natural Order From the Renaissance to the Early Twentieth Century. Cambridge University Press.score: 84.0
    Music theorists of almost all ages employ a concept of "Nature" to justify observations or statements about music. The understanding of what "Nature" is, however, is subject to cultural and historical differences. In tracing these explanatory strategies and their changes in music theories between c. 1600 and 1900, these essays explore (for the first time in a book-length study) how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on (...)
     
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  4. Anthony Pople (ed.) (1994/2006). Theory, Analysis and Meaning in Music. Cambridge University Press.score: 76.0
    Recent encounters with structuralist and poststructuralist critical theory, linguistics, and cognitive sciences have brought the theory and analysis of music into the orbit of important developments in present-day intellectual history. Without seeking to impose an explicit redefinition of either theory or analysis, this book explores the limits of both. Essays on decidability, ambiguity, metaphor, music as text, and music analysis as cognitive theory are complemented by studies of works by Debussy, Schoenberg, Birtwistle and (...)
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  5. Lazare Saminsky (1957). Physics and Metaphysics of Music and Essays on the Philosophy of Mathematics. The Hague, M. Nijhoff.score: 63.0
    A green philosopher's peripeteia.--Physics and metaphysics of music.--The roots of arithmetic.--Critique of new geometrical abstractions.--The philosophical value of science.
     
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  6. William B. Conner (1983). Math's Metasonics: Creativity Through Calculator Harmonic Braiding. Tesla Book Co..score: 60.0
     
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  7. M. J. Grant (2001). Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe. Cambridge University Press.score: 54.0
    Serial music was one of the most important aesthetic movements to emerge in post-war Europe, but its uncompromising music and modernist aesthetic has often been misunderstood. This book focuses on the controversial journal die Reihe, whose major contributors included Stockhausen, Eimert, Pousseur, Dieter Schnebel and G. M. Koenig, and discusses it in connection with many lesser-known sources in German musicology. It traces serialism's debt to the theories of Klee and Mondrian, and its relationship to developments in concrete art, (...)
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  8. Byron Almén (2008). A Theory of Musical Narrative. Indiana University Press.score: 52.0
    A theory of musical narrative. An introduction to narrative analysis : Chopin's prelude in G major, op. 28, no. 3 ; Perspectives and critiques ; A theory of musical narrative : conceptual considerations ; A theory of musical narrative : analytical considerations ; Narrative and topic -- Archetypal narratives and phases. Romance narratives and Micznik's degrees of narrativity ; Tragic narratives : an extended analysis of Schubert, piano sonata in B flat major, D. 960, first movement ; (...)
     
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  9. Michele Barontini & Tito M. Tonietti (2010). ʿumar Al-Khayyām's Contribution to the Arabic Mathematical Theory of Music. Arabic Sciences and Philosophy 20 (02):255-280.score: 51.0
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  10. Tito M. Tonietti (2010). ʿumar Al-Khayyām's Contribution to the Arabic Mathematical Theory of Music. Arabic Sciences and Philosophy 20 (2):255-280.score: 51.0
  11. Henry Chadwick (1981). Boethius, the Consolations of Music, Logic, Theology, and Philosophy. Oxford University Press.score: 49.0
    The Consolations of Philosophy by Boethius, whose English translators include King Alfred, Geoffrey Chaucer, and Queen Elizabeth I, ranks among the most remarkable books to be written by a prisoner awaiting the execution of a tyrannical death sentence. Its interpretation is bound up with his other writings on mathematics and music, on Aristotelian and propositional logic, and on central themes of Christian dogma. -/- Chadwick begins by tracing the career of Boethius, a Roman rising to high office under (...)
     
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  12. Jean-Pierre Marquis (1995). Category Theory and the Foundations of Mathematics: Philosophical Excavations. Synthese 103 (3):421 - 447.score: 48.0
    The aim of this paper is to clarify the role of category theory in the foundations of mathematics. There is a good deal of confusion surrounding this issue. A standard philosophical strategy in the face of a situation of this kind is to draw various distinctions and in this way show that the confusion rests on divergent conceptions of what the foundations of mathematics ought to be. This is the strategy adopted in the present paper. It is (...)
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  13. Andrew Arana (2010). Proof Theory in Philosophy of Mathematics. Philosophy Compass 5 (4):336-347.score: 48.0
    A variety of projects in proof theory of relevance to the philosophy of mathematics are surveyed, including Gödel's incompleteness theorems, conservation results, independence results, ordinal analysis, predicativity, reverse mathematics, speed-up results, and provability logics.
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  14. Steven French (2000). The Reasonable Effectiveness of Mathematics: Partial Structures and the Application of Group Theory to Physics. Synthese 125 (1-2):103 - 120.score: 48.0
    Wigner famously referred to the `unreasonable effectiveness' of mathematics in its application to science. Using Wigner's own application of group theory to nuclear physics, I hope to indicate that this effectiveness can be seen to be not so unreasonable if attention is paid to the various idealising moves undertaken. The overall framework for analysing this relationship between mathematics and physics is that of da Costa's partial structures programme.
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  15. Gerhard Preyer, Philosophy of Mathematics: Set Theory, Measuring Theories, and Nominalism.score: 48.0
    The ten contributions in this volume range widely over topics in the philosophy of mathematics. The four papers in Part I (entitled "Set Theory, Inconsistency, and Measuring Theories") take up topics ranging from proposed resolutions to the paradoxes of naïve set theory, paraconsistent logics as applied to the early infinitesimal calculus, the notion of "purity of method" in the proof of mathematical results, and a reconstruction of Peano's axiom that no two distinct numbers have the same successor. (...)
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  16. Elaine Landry (1999). Category Theory: The Language of Mathematics. Philosophy of Science 66 (3):27.score: 48.0
    In this paper I argue that category theory ought to be seen as providing the language for mathematical discourse. Against foundational approaches, I argue that there is no need to reduce either the content or structure of mathematical concepts and theories to the constituents of either the universe of sets or the category of categories. I assign category theory the role of organizing what we say about the content and structure of both mathematical concepts and theories. Insofar, then, (...)
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  17. Sébastien Gandon (2009). Toward a Topic-Specific Logicism? Russell's Theory of Geometry in the Principles of Mathematics. Philosophia Mathematica 17 (1):35-72.score: 48.0
    Russell's philosophy is rightly described as a programme of reduction of mathematics to logic. Now the theory of geometry developed in 1903 does not fit this picture well, since it is deeply rooted in the purely synthetic projective approach, which conflicts with all the endeavours to reduce geometry to analytical geometry. The first goal of this paper is to present an overview of this conception. The second aim is more far-reaching. The fact that such a theory of (...)
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  18. J. M. Dieterle (2010). Social Construction in the Philosophy of Mathematics: A Critical Evaluation of Julian Cole's Theory. Philosophia Mathematica 18 (3):311-328.score: 48.0
    Julian Cole argues that mathematical domains are the products of social construction. This view has an initial appeal in that it seems to salvage much that is good about traditional platonistic realism without taking on the ontological baggage. However, it also has problems. After a brief sketch of social constructivist theories and Cole’s philosophy of mathematics, I evaluate the arguments in favor of social constructivism. I also discuss two substantial problems with the theory. I argue that unless and (...)
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  19. Christopher Pincock (2010). Mathematics, Science, and Confirmation Theory. Philosophy of Science 77 (5):959-970.score: 48.0
    This paper begins by distinguishing intrinsic and extrinsic contributions of mathematics to scientific representation. This leads to two investigations into how these different sorts of contributions relate to confirmation. I present a way of accommodating both contributions that complicates the traditional assumptions of confirmation theory. In particular, I argue that subjective Bayesianism does best accounting for extrinsic contributions, while objective Bayesianism is more promising for intrinsic contributions.
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  20. Douglas Bridges & Steeve Reeves (1999). Constructive Mathematics in Theory and Programming Practice. Philosophia Mathematica 7 (1):65-104.score: 48.0
    The first part of the paper introduces the varieties of modern constructive mathematics, concentrating on Bishop's constructive mathematics (BISH). it gives a sketch of both Myhill's axiomatic system for BISH and a constructive axiomatic development of the real line R. The second part of the paper focusses on the relation between constructive mathematics and programming, with emphasis on Martin-L6f 's theory of types as a formal system for BISH.
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  21. Frank Waaldijk (2005). On the Foundations of Constructive Mathematics – Especially in Relation to the Theory of Continuous Functions. Foundations of Science 10 (3).score: 48.0
    We discuss the foundations of constructive mathematics, including recursive mathematics and intuitionism, in relation to classical mathematics. There are connections with the foundations of physics, due to the way in which the different branches of mathematics reflect reality. Many different axioms and their interrelationship are discussed. We show that there is a fundamental problem in BISH (Bishop’s school of constructive mathematics) with regard to its current definition of ‘continuous function’. This problem is closely related to (...)
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  22. Alison Pease, Alan Smaill, Simon Colton & John Lee (2009). Bridging the Gap Between Argumentation Theory and the Philosophy of Mathematics. Foundations of Science 14 (1-2):111-135.score: 48.0
    We argue that there are mutually beneficial connections to be made between ideas in argumentation theory and the philosophy of mathematics, and that these connections can be suggested via the process of producing computational models of theories in these domains. We discuss Lakatos’s work (Proofs and Refutations, 1976) in which he championed the informal nature of mathematics, and our computational representation of his theory. In particular, we outline our representation of Cauchy’s proof of Euler’s conjecture, in (...)
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  23. John Dempsher (1980). A Bio-Physical Basis of Mathematics in Synaptic Function of the Nervous System: A Theory. Acta Biotheoretica 29 (3-4).score: 48.0
    The purpose of this paper is to present a bio-physical basis of mathematics. The essence of the theory is that function in the nervous system is mathematical. The mathematics arises as a result of the interaction of energy (a wave with a precise curvature in space and time) and matter (a molecular or ionic structure with a precise form in space and time). In this interaction, both energy and matter play an active role. That is, the interaction (...)
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  24. Gerhard Jäger & Thomas Strahm (2001). Upper Bounds for Metapredicative Mahlo in Explicit Mathematics and Admissible Set Theory. Journal of Symbolic Logic 66 (2):935-958.score: 48.0
    In this article we introduce systems for metapredicative Mahlo in explicit mathematics and admissible set theory. The exact upper proof-theoretic bounds of these systems are established.
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  25. Irène Deliège (ed.) (2000). Musique Contemporaine: Théories Et Philosophie: Textes d'Étude = Contemporary Music: Theories and Philosophy: Working Papers. Escom Publications.score: 48.0
     
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  26. Mary Tiles (1989/2004). The Philosophy of Set Theory: An Historical Introduction to Cantor's Paradise. Dover Publications.score: 45.0
    David Hilbert famously remarked, “No one will drive us from the paradise that Cantor has created.” This volume offers a guided tour of modern mathematics’ Garden of Eden, beginning with perspectives on the finite universe and classes and Aristotelian logic. Author Mary Tiles further examines permutations, combinations, and infinite cardinalities; numbering the continuum; Cantor’s transfinite paradise; axiomatic set theory; logical objects and logical types; independence results and the universe of sets; and the constructs and reality of mathematical structure. (...)
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  27. Juliette Kennedy & Roman Kossak (eds.) (2012). Set Theory, Arithmetic, and Foundations of Mathematics: Theorems, Philosophies. Cambridge University Press.score: 45.0
    Machine generated contents note: 1. Introduction Juliette Kennedy and Roman Kossak; 2. Historical remarks on Suslin's problem Akihiro Kanamori; 3. The continuum hypothesis, the generic-multiverse of sets, and the [OMEGA] conjecture W. Hugh Woodin; 4. [omega]-Models of finite set theory Ali Enayat, James H. Schmerl and Albert Visser; 5. Tennenbaum's theorem for models of arithmetic Richard Kaye; 6. Hierarchies of subsystems of weak arithmetic Shahram Mohsenipour; 7. Diophantine correct open induction Sidney Raffer; 8. Tennenbaum's theorem and recursive reducts James (...)
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  28. Jason L. Megill, Tim Melvin & Alex Beal (forthcoming). On Some Properties of Humanly Known and Humanly Knowable Mathematics. Axiomathes:1-8.score: 45.0
    We argue that the set of humanly known mathematical truths (at any given moment in human history) is finite and so recursive. But if so, then given various fundamental results in mathematical logic and the theory of computation (such as Craig’s in J Symb Log 18(1): 30–32(1953) theorem), the set of humanly known mathematical truths is axiomatizable. Furthermore, given Godel’s (Monash Math Phys 38: 173–198, 1931) First Incompleteness Theorem, then (at any given moment in human history) humanly known (...) must be either inconsistent or incomplete. Moreover, since humanly known mathematics is axiomatizable, it can be the output of a Turing machine. We then argue that any given mathematical claim that we could possibly know could be the output of a Turing machine, at least in principle. So the Lucas-Penrose (Lucas in Philosophy 36:112–127, 1961; Penrose, in The Emperor’s new mind. Oxford University Press, Oxford (1994)) argument cannot be sound. (shrink)
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  29. Rob Clifton, Introductory Notes on the Mathematics Needed for Quantum Theory.score: 42.0
    These are notes designed to bring the beginning student of the philosophy of quantum mechanics 'up to scratch' on the mathematical background needed to understand elementary finite-dimensional quantum theory. There are just three chapters: Ch. 1 'Vector Spaces'; Ch. 2 'Inner Product Spaces'; and Ch. 3 'Operators on Finite-Dimensional Complex Inner Product Spaces'. The notes are entirely self-contained and presuppose knowledge of only high school level algebra.
     
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  30. Eero Tarasti (ed.) (1995). Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton De Gruyter.score: 42.0
    Method and system Francois- Bernard Mdche I want to raise the issue of the possible significance of the use of digital machines for a composer whose work is ...
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  31. Dale Jacquette (2008). Object Theory Logic and Mathematics: Two Essays by Ernst Mally. History and Philosophy of Logic 29 (2):167-182.score: 42.0
    Presented here are translations of two essays of the Austrian logician, philosopher and experimental psychologist Ernst Mally, originally delivered at the Third International Congress of Philosophy in Heidelberg, Germany. Both essays conclude with discussion between Mally and Kurt Grelling. Mally was a student of Alexius Meinong and a contributor to logical investigations in the field of object theory (Gegenstandstheorie). In these essays, Mally introduces a vital distinction between formal and extra-formal ?determinations? (Bestimmungen), and he argues that formal determinations are (...)
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  32. James M. Buchanan (2001). Game Theory, Mathematics, and Economics. Journal of Economic Methodology 8 (1):27-32.score: 42.0
  33. Elizabeth Gould (2011). Feminist Imperative(s) in Music and Education: Philosophy, Theory, or What Matters Most. Educational Philosophy and Theory 43 (2):130-147.score: 42.0
    A historically feminized profession, education in North America remains remarkably unaffected by feminism, with the notable exception of pedagogy and its impact on curriculum. The purpose of this paper is to describe characteristics of feminism that render it particularly useful and appropriate for developing potentialities in education and music education. As a set of flexible methodological tools informed by Gilles Deleuze's notions of philosophy and art, I argue feminism may contribute to education's becoming more efficacious, reflexive, and reflective of (...)
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  34. John Vignaux Smyth (1998). Music Theory in Late Kafka. Angelaki 3 (2):169 – 181.score: 42.0
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  35. Andrew Barker (1982). Aristides Quintilianus and Constructions in Early Music Theory. The Classical Quarterly 32 (01):184-.score: 42.0
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  36. Augusto Mazzoni (1998). Perspectives of Music Theory in Waldemar Conrad's Aesthetics. Axiomathes 9 (1-2).score: 42.0
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  37. E. Kerr Borthwick (1985). Aristides Quintilianus Thomas J. Mathiesen: Aristides Quintilianus, On Music. Translation with Introduction, Commentary and Annotations. (Music Theory Translation Series.) Pp. Xiii + 217. New Haven and London: Yale University Press, 1983. £24.50. [REVIEW] The Classical Review 35 (02):258-259.score: 42.0
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  38. Claire Detels (1994). Autonomist/Formalist Aesthetics, Music Theory, and the Feminist Paradigm of Soft Boundaries. Journal of Aesthetics and Art Criticism 52 (1):113-126.score: 42.0
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  39. David S. Gunderson (2010). Handbook of Mathematical Induction: Theory and Applications. Chapman & Hall/Crc.score: 42.0
  40. Renee Cox Lorraine (2001). Music, Tendencies, and Inhibitions: Reflections on a Theory of Leonard Meyer. Scarecrow Press.score: 42.0
     
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  41. Sushil Kumar Saxena (1981). Aesthetical Essays: Studies in Aesthetic Theory, Hindustani Music, and Kathak Dance. Chanakya Publications.score: 42.0
     
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  42. Robin Maconie (1990). The Concept of Music. Oxford University Press.score: 40.0
    What is music for? How does it work? What can it teach us? Intuitively, we feel there must be answers to such questions, but they tend to be scattered throughout a wide range of different areas of study, from acoustics to music history, from psychology to composition. In this brilliant and thought-provoking book Maconie seeks the answers to these and other fundamental questions about music, integrating music and appropriate scientific research in a new evaluation of his (...)
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  43. Thomas A. Regelski (2005). Music and Music Education: Theory and Praxis for 'Making a Difference'. Educational Philosophy and Theory 37 (1):7–27.score: 39.0
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  44. J. P. Mayberry (2000). The Foundations of Mathematics in the Theory of Sets. Cambridge University Press.score: 39.0
    This book will appeal to mathematicians and philosophers interested in the foundations of mathematics.
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  45. Dee Russell (1998). Cultivating the Imagination in Music Education: John Dewey's Theory of Imagination and its Relation to the Chicago Laboratory School. Educational Theory 48 (2):193-210.score: 39.0
  46. Lawrence A. Scaff (1993). Life Contra Ratio: Music and Social Theory. Sociological Theory 11 (2):234-240.score: 39.0
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  47. Frede V. Nielsen (2005). Didactology as a Field of Theory and Research in Music Education. Philosophy of Music Education Review 13 (1):5-19.score: 39.0
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  48. Don Ross (2007). Game Theory as Mathematics for Biology: Evolutionary Dynamics and Extensive Form Games Ross Cressman Cambridge, MA: MIT Press, 2003 (330 Pp; $48.00 Hbk; ISBN 0262033054); Moral Sentiments and Material Interests Herbert Gintis , Samuel Bowles , Robert Boyd and Ernst Fehr , Eds Cambridge, MA: MIT Press, 2005 (416 Pp; $50.00 Hbk; ISBN 0262072521). [REVIEW] Biological Theory 2 (1):104-107.score: 39.0
  49. Sophie Haroutunian-Gordon (2005). Response to Frede V. Nielsen's "Didactology as a Field of Theory and Research in Music Education&Quot. Philosophy of Music Education Review 13 (1):95-98.score: 39.0
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  50. Vladimir Tasic (2012). Mathematics and Revolutionary Theory: Reading Castoriadis After Badiou. Cosmos and History 8 (2):60-77.score: 39.0
    The article offers a comparative analysis of the uses of set theory in Castoriadis's "The Imaginary Institution of Society" and Badiou's "Being and Event".
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  51. Alicia Peñalba Acitores (2011). Towards a Theory of Proprioception as a Bodily Basis for Consciousness in Music. In David Clarke & Eric F. Clarke (eds.), Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford University Press.score: 39.0
     
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  52. Patrik N. Juslin & John Sloboda (eds.) (2011). Handbook of Music and Emotion: Theory, Research, Applications. OUP Oxford.score: 39.0
    Music's ability to express and arouse emotions is a mystery that has fascinated both experts and laymen at least since ancient Greece. The predecessor to this book 'Music and Emotion' (OUP, 2001) was critically and commercially successful and stimulated much further work in this area. In the years since publication of that book, empirical research in this area has blossomed, and the successor to 'Music and Emotion' reflects the considerable activity in this area. The Handbook of (...) and Emotion offers an 'up-to-date' account of this vibrant domain. It provides comprehensive coverage of the many approaches that may be said to define the field of music and emotion, in all its breadth and depth. The first section offers multi-disciplinary perspectives on musical emotions from philosophy, musicology, psychology, neurobiology, anthropology, and sociology. The second section features methodologically-oriented chapters on the measurement of emotions via different channels (e.g., self report, psychophysiology, neuroimaging). Sections three and four address how emotion enters into different aspects of musical behavior, both the making of music and its consumption. Section five covers developmental, personality, and social factors. Section six describes the most important applications involving the relationship between music and emotion. In a final commentary, the editors comment on the history of the field, summarize the current state of affairs, as well as propose future directions for the field. The only book of its kind, The Handbook of Music and Emotion will fascinate music psychologists, musicologists, music educators, philosophers, and others with an interest in music and emotion (e.g., in marketing, health, engineering, film, and the game industry). It will be a valuable resource for established researchers in the field, a developmental aid for early-career researchers and postgraduate research students, and a compendium to assist students at various levels. In addition, as with its predecessor, it will also attract interest from practising musicians and lay readers fascinated by music and emotion. (shrink)
     
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  53. Jean-Pierre Marquis (2006). A Path to the Epistemology of Mathematics: Homotopy Theory. In Jeremy Gray & Jose Ferreiros (eds.), Architecture of Modern Mathematics. Oxford University Press.score: 39.0
     
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  54. Marja Heimonen (2005). In Dialogue: Response to Frede V. Nielsen, ?Didactology as a Field of Theory and Research in Music Education? Philosophy of Music Education Review 13 (1):98-102.score: 39.0
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  55. Marja Heimonen (2005). Response to Frede V. Nielsen,"Didactology as a Field of Theory and Research in Music Education&Quot. Philosophy of Music Education Review 13 (1):98-102.score: 39.0
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  56. Jamie Croy Kassler (2001). Music, Science, Philosophy: Models in the Universe of Thought. Ashgate.score: 37.0
     
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  57. Charles Parsons (1990). On Constructive Interpretation of Predicative Mathematics. Garland Pub..score: 37.0
  58. Max Weber (1958). The Rational and Social Foundations of Music. [Carbondale]Southern Illinois University Press.score: 37.0
     
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  59. Andrew Wohlgemuth (1990/2011). Introduction to Proof in Abstract Mathematics. Dover Publications.score: 37.0
  60. Iannis Xenakis (1971). Formalized Music. Bloomington,Indiana University Press.score: 37.0
     
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  61. Leonard B. Meyer (1957). Meaning in Music and Information Theory. Journal of Aesthetics and Art Criticism 15 (4):412-424.score: 36.0
  62. P. B. Andrews (2002). An Introduction to Mathematical Logic and Type Theory: To Truth Through Proof. Kluwer Academic Publishers.score: 36.0
    This introduction to mathematical logic starts with propositional calculus and first-order logic. Topics covered include syntax, semantics, soundness, completeness, independence, normal forms, vertical paths through negation normal formulas, compactness, Smullyan's Unifying Principle, natural deduction, cut-elimination, semantic tableaux, Skolemization, Herbrand's Theorem, unification, duality, interpolation, and definability. The last three chapters of the book provide an introduction to type theory (higher-order logic). It is shown how various mathematical concepts can be formalized in this very expressive formal language. This expressive notation facilitates (...)
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  63. Daniel W. Smith (2003). Mathematics and the Theory of Multiplicities: Badiou and Deleuze Revisited. Southern Journal of Philosophy 41 (3):411-449.score: 36.0
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  64. John Bigelow (1988). The Reality of Numbers: A Physicalist's Philosophy of Mathematics. Oxford University Press.score: 36.0
    Challenging the myth that mathematical objects can be defined into existence, Bigelow here employs Armstrong's metaphysical materialism to cast new light on mathematics. He identifies natural, real, and imaginary numbers and sets with specified physical properties and relations and, by so doing, draws mathematics back from its sterile, abstract exile into the midst of the physical world.
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  65. J. L. Bell (1981). Category Theory and the Foundations of Mathematics. British Journal for the Philosophy of Science 32 (4):349-358.score: 36.0
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  66. Jaakko Hintikka (1984). Kant's Transcendental Method and His Theory of Mathematics. Topoi 3 (2):99-108.score: 36.0
  67. Anne Newstead (2008). Intertwining Metaphysics and Mathematics: The Development of Georg Cantor's Set Theory 1871-1887. Review of Contemporary Philosophy 7:35-55.score: 36.0
  68. W. W. Tait, G¨Odel's Correspondence on Proof Theory and Constructive Mathematics.score: 36.0
    The volumes of G¨ odel’s collected papers under review consist almost entirely of a rich selection of his philosophical/scientific correspondence, including English translations face-to-face with the originals when the latter are in German. The residue consists of correspondence with editors (more amusing than of any scientific value) and five letters from G¨ odel to his mother, in which explains to her his religious views. The term “selection” is strongly operative here: The editors state the total number of items of personal (...)
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  69. Howard Stein (1990). Eudoxos and Dedekind: On the Ancient Greek Theory of Ratios and its Relation to Modern Mathematics. Synthese 84 (2):163 - 211.score: 36.0
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  70. A. Prestel (2011). Mathematical Logic and Model Theory: A Brief Introduction. Springer.score: 36.0
    Therefore, the text is divided into three parts: an introduction into mathematical logic (Chapter 1), model theory (Chapters 2 and 3), and the model theoretic ...
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  71. Hilary Putnam (1979). Mathematics, Matter, and Method. Cambridge University Press.score: 36.0
    Professor Hilary Putnam has been one of the most influential and sharply original of recent American philosophers in a whole range of fields. His most important published work is collected here, together with several new and substantial studies, in two volumes. The first deals with the philosophy of mathematics and of science and the nature of philosophical and scientific enquiry; the second deals with the philosophy of language and mind. Volume one is now issued in a new edition, including (...)
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  72. Irving A. Taylor & Frances Paperte (1958). Current Theory and Research in the Effects of Music on Human Behavior. Journal of Aesthetics and Art Criticism 17 (2):251-258.score: 36.0
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  73. Paul Livingston (forthcoming). Badiou, Mathematics, and Model Theory. MonoKL.score: 36.0
  74. Richard L. Crocker (1963). Pythagorean Mathematics and Music. Journal of Aesthetics and Art Criticism 22 (2):189-198.score: 36.0
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  75. D. Fine & A. Fine (1997). Gauge Theory, Anomalies and Global Geometry: The Interplay of Physics and Mathematics. Studies in History and Philosophy of Science Part B 28 (3):307-323.score: 36.0
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  76. W. R. de Jong (1997). Kant's Theory of Geometrical Reasoning and the Analytic-Synthetic Distinction. On Hintikka's Interpretation of Kant's Philosophy of Mathematics. Studies in History and Philosophy of Science Part A 28 (1):141-166.score: 36.0
  77. Paul Feyerabend (1983). Some Observations on Aristotle's Theory of Mathematics and of the Continuum. Midwest Studies in Philosophy 8 (1):67-88.score: 36.0
  78. Robin James (2005). On Popular Music in Postcolonial Theory. Philosophia Africana 8 (2):171-187.score: 36.0
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  79. Robert E. Butts (1981). Rules, Examples and Constructions Kant's Theory of Mathematics. Synthese 47 (2):257 - 288.score: 36.0
  80. Roy T. Cook (2003). Review of J. Mayberry, The Foundations of Mathematics in the Theory of Sets. [REVIEW] British Journal for the Philosophy of Science 54 (2):347-352.score: 36.0
  81. Jaakko Hintikka (1981). Kant's Theory of Mathematics Revisited. Philosophical Topics 12 (2):201-215.score: 36.0
  82. Alfred Pike (1967). The Theory of Unconscious Perception in Music: A Phenomenological Criticism. Journal of Aesthetics and Art Criticism 25 (4):395-400.score: 36.0
  83. Charles Castonguay, Meaning and Existence in Mathematics : On the Use and Abuse of the Theory of Models in the Philosophy of Mathematics.score: 36.0
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  84. Jordi Cat (2012). Into the 'Regions of Physical and Metaphysical Chaos': Maxwell's Scientific Metaphysics and Natural Philosophy of Action (Agency, Determinacy and Necessity From Theology, Moral Philosophy and History to Mathematics, Theory and Experiment). Studies in History and Philosophy of Science Part A 43 (1):91-104.score: 36.0
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  85. David A. White (1992). Toward a Theory of Profundity in Music. Journal of Aesthetics and Art Criticism 50 (1):23-34.score: 36.0
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  86. Lee B. Brown (1991). The Theory of Jazz Music "It Don't Mean a Thing...". Journal of Aesthetics and Art Criticism 49 (2):115-127.score: 36.0
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  87. Douglas S. Robertson (2003). Phase Change: The Computer Revolution in Science and Mathematics. Oxford University Press.score: 36.0
    Robertson's earlier work, The New Renaissance projected the likely future impact of computers in changing our culture. Phase Change builds on and deepens his assessment of the role of the computer as a tool driving profound change by examining the role of computers in changing the face of the sciences and mathematics. He shows that paradigm shifts in understanding in science have generally been triggered by the availability of new tools, allowing the investigator a new way of seeing into (...)
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  88. W. W. Tait (2002). Review: J. P. Mayberry, The Foundations of Mathematics in the Theory of Sets. [REVIEW] Bulletin of Symbolic Logic 8 (3):424-426.score: 36.0
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  89. Douglas M. Jesseph (2009). Review of Gerhard Preyer, Georg Peter (Eds.), Philosophy of Mathematics: Set Theory, Measuring Theories, and Nominalism. [REVIEW] Notre Dame Philosophical Reviews 2009 (4).score: 36.0
  90. O. Bradley Bassler (2005). Book Review: J. P. Mayberry. Foundations of Mathematics in the Theory of Sets. [REVIEW] Notre Dame Journal of Formal Logic 46 (1):107-125.score: 36.0
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  91. Vasco Brattka & Guido Gherardi (2011). Effective Choice and Boundedness Principles in Computable Analysis. Bulletin of Symbolic Logic 17 (1):73-117.score: 36.0
    In this paper we study a new approach to classify mathematical theorems according to their computational content. Basically, we are asking the question which theorems can be continuously or computably transferred into each other? For this purpose theorems are considered via their realizers which are operations with certain input and output data. The technical tool to express continuous or computable relations between such operations is Weihrauch reducibility and the partially ordered degree structure induced by it. We have identified certain choice (...)
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  92. Editor (1973). Is Mathematics an “Anomaly” in the Theory of “Scientific Revolutions” ? Philosophia Mathematica (1):92-101.score: 36.0
  93. Andrew Warwick (1992). Cambridge Mathematics and Cavendish Physics: Cunningham, Campbell and Einstein's Relativity 1905–1911 Part I: The Uses of Theory. [REVIEW] Studies in History and Philosophy of Science Part A 23 (4):625-656.score: 36.0
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  94. Rudolf Arnheim (1997). Schönberg's Thought and the Theory of Music. British Journal of Aesthetics 37 (4):403-406.score: 36.0
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  95. F. David Martin (1967). The Power of Music and Whitehead's Theory of Perception. Journal of Aesthetics and Art Criticism 25 (3):313-322.score: 36.0
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  96. John Mayberry (1977). On the Consistency Problem for Set Theory: An Essay on the Cantorian Foundations of Classical Mathematics (I). British Journal for the Philosophy of Science 28 (1):1-34.score: 36.0
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  97. John Mayberry (1977). The Consistency Problem for Set Theory: An Essay on the Cantorian Foundations of Mathematics (II). British Journal for the Philosophy of Science 28 (2):137-170.score: 36.0
  98. Antonio Rauti (2004). Propositional Structure and B. Russell's Theory of Denoting inThe Principles of Mathematics. History and Philosophy of Logic 25 (4):281-304.score: 36.0
  99. Norman Cazden (1951). Towards a Theory of Realism in Music. Journal of Aesthetics and Art Criticism 10 (2):135-151.score: 36.0
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  100. W. W. Tait (2006). Godel's Correspondence on Proof Theory and Constructive Mathematics: Kurt Godel. Collected Works. Volume IV: Selected Correspondence a-G; Volume V: Selected Correspondence H-Z. Solomon Feferman, John W. Dawson, Warren Goldfarb, Charles Parsons, and Wilfried Sieg, Eds. Oxford: Oxford University Press, 2002. Pp. XI + 662; XXIII + 664. Isbn 0-19-850073-4; 0-19-850075-. [REVIEW] Philosophia Mathematica 14 (1):76-111.score: 36.0
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