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Nancy Sue Love [4]Nancy S. Love [3]
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Profile: Nancy Sue Love (Appalachian State University)
  1. Nancy S. Love (2004). Book Review: Jacqueline Stevens. Reproducing the State. Princeton: Princeton University Press, 1999. [REVIEW] Hypatia 19 (2):198-200.
  2. Nancy Sue Love (2004). Reproducing the State (Review). Hypatia 19 (2):198-200.
  3. Nancy S. Love (2003). Rawlsian Harmonies: Overlapping Consensus Symphony Orchestra. Theory, Culture and Society 20 (6):121-140.
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  4. Nancy Sue Love (2002). "Singing for Our Lives": Women's Music and Democratic Politics. Hypatia 17 (4):71-94.
    : Although democratic theorists often employ musical metaphors to describe their politics, musical practices are seldom analyzed as forms of political communication. In this article, I explore how the music of social movements, what is called "movement music," supplements deliberative democrats' concept of public discourse as rational argument. Invoking energies, motions, and voices beyond established identities and institutions anticipates a different, more musical democracy. I argue that the "women's music" of Holly Near, founder of Redwood Records and Redwood Cultural Work, (...)
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  5. Nancy Sue Love (1999). Why Do The Sirens Sing?: Figuring the Feminine in Dialectic of Enlightenment. Theory and Event 3 (1).
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  6. Nancy S. Love (1987). Class or Mass: Marx, Nietzsche, and Liberal Democracy. Studies in East European Thought 33 (1):43-64.
  7. Nancy Sue Love (1986). Marx, Nietzsche, and Modernity. Columbia University Press.