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Nathan Andersen [12]Nathan Todd Andersen [1]
  1. Nathan Andersen (2014). Shadow Philosophy: Plato's Cave and Cinema. Routledge.
    Shadow Philosophy: Plato’s Cave and Cinema is an accessible and exciting new contribution to film-philosophy, which shows that to take film seriously is also to engage with the fundamental questions of philosophy. Nathan Andersen brings Stanley Kubrick’s film A Clockwork Orange into philosophical conversation with Plato’s Republic , comparing their contributions to themes such as the nature of experience and meaning, the character of justice, the contrast between appearance and reality, the importance of art, and the impact of images. At (...)
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  2. Nathan Andersen (2013). The Incompleat Eco-Philosopher: Essays From the Edges of Environmental Ethics. Ethics, Policy and Environment 16 (2):221 - 224.
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  3. Nathan Andersen (2010). Exemplars in Environmental Ethics: Taking Seriously the Lives of Thoreau, Leopold, Dillard and Abbey. Ethics, Place and Environment 13 (1):43 – 55.
    It is argued that certain individuals can and should be considered 'morally exemplary' with respect to the environment. This can be so even where there is no universally applicable ethical principle they employ, and no canonical set of virtues they exhibit. The author identifies Henry David Thoreau, Aldo Leopold, Annie Dillard and Edward Abbey as potential 'environmental exemplars,' focusing for the purposes of the essay on individuals who have written compelling autobiographical works in defense of a way of life that (...)
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  4. Nathan Andersen (2010). Filmmaking in the Philosophy Classroom. Teaching Philosophy 33 (4):375-397.
    Film is frequently employed in philosophy classes to illustrate philosophical themes. I argue that making short films or videos in the philosophy classroom can also be a valuable learning exercise for philosophy students. One such assignment, focused on showing the relevance of philosophy to everyday issues, is described and defended here. The exercise is valuable both as a way to clarify the character of philosophical inquiry and its connection to life, and also because questions about film as a medium relate (...)
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  5. Nathan Andersen (2010). The Certainty of Sense-Certainty. Idealistic Studies 40 (3):215-234.
    Commentators on the Phenomenology of Spirit have offered careful but conflicting accounts of Hegel’s chapter on sense-certainty, either defending his starting point and analysis or challenging it on its own terms for presupposing too much. Much of the disagreement regarding both the subject matter and success of Hegel’s chapter on sense-certainty can be traced to misunderstandings regarding the nature and role of certainty itself in the Phenomenology of Spirit. Specifically, such confusions can be traced to a failure to appreciate the (...)
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  6. Jon Anderson, Ulrich Mühe, Dylan Trigg, Nathan Andersen & Cindy Ott (2007). Book Reviews. [REVIEW] Ethics, Place and Environment 10 (2):245 – 255.
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  7. Nathan Andersen (2005). Conscience, Recognition, and the Irreducibility of Difference In Hegel's Conception of Spirit. Idealistic Studies 35 (2-3):119-136.
    Hegel’s conception of Spirit does not subordinate difference to sameness, in a way that would make it unusable for a genuinely intersubjective idealism directed to a comprehensive account of the contemporary world. A close analysis of the logic of recognition and the dialectic of conscience in the Phenomenology of Spirit demonstrates that the unity of Spirit emerges in and through conflict, and is forged in the process whereby particular encounters between differently situated individuals reveal and establish the emerging character and (...)
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  8. Nathan Andersen (2005). Is Film the Alien Other to Philosophy?: Philosophy as Film in Mulhall's On Film. Film and Philosophy 9:1.
     
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  9. Nathan Andersen (2004). Dynamic Boundaries. Graduate Faculty Philosophy Journal 25 (1):5-29.
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  10. Nathan Andersen (2004). Repetition and Re-Enactment: Collingwood on the Relation Between Natural Science and History. Southern Journal of Philosophy 42 (3):291-311.
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  11. Nathan Andersen (2003). Is Film the Alien Other to Philosophy?, on Stephen Mulhall On Film. Film-Philosophy 7 (3).
    Stephen Mulhall _On Film_ London and New York: Routledge, 2002 ISBN 0-415-24796-9 142 pp.
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  12. Nathan Andersen (2001). Hegel's Transcendental Induction. The Owl of Minerva 32 (2):190-195.
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  13. Nathan Todd Andersen (1996). Vicissitudes of the I. Teaching Philosophy 19 (2):206-209.
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