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  1. Nelson Goodman, Goodman.
    The visual system is persistent, inventive, and sometimes rather perverse in building a world according to its own lights; the supplementation is deft, flexible, and often elaborate. [JL: Our eyes/consciousness could “fill in” things that are not there; they can also delete things that are there].
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  2. Nelson Goodman (forthcoming). Introduction: Aims and Claims. Journal of Aesthetic Education.
     
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  3. Frederic B. Fitch, J. B. Rosser, A. R. Turquette, R. M. Martin, Nelson Goodman, Soren Hallden & Paul Bernays (2013). The Journal of Symbolic Logic Publishes Original Scholarly Work in Symbolic Logic. Founded in 1936, It has Become the Leading Research Journal in the Field. The Journal Aims to Represent Logic Broadly, Including its Connections with Mathematics and Philosophy as Well as Newer Aspects Related to Computer Science and Linguistics. [REVIEW] Journal of Symbolic Logic 106 (107).
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  4. Nelson Goodman (2008). In Verteidigung des Irrealismus. Deutsche Zeitschrift für Philosophie 56 (6):989-989.
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  5. Nelson Goodman (2008). Vorrang der Materie vor dem Geist. Deutsche Zeitschrift für Philosophie 56 (6):991-991.
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  6. Nelson Goodman (2006). Linguagens da arte símbolos. Critica.
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  7. Nelson Goodman (2006). Quando há arte? Critica.
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  8. Nelson Goodman (2005). Arte e autenticidade. Critica.
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  9. Nelson Goodman (2005). La Structure de L’Apparence. Vrin.
    Dans La structure de l’apparence, Nelson Goodman met en place les principaux thèmes philosophiques qui feront de lui un penseur singulier : constructivisme, nominalisme, phénoménalisme et pluralisme s’entrecroisent ici dans l’élaboration d’une pensée aussi subtile que complexe. Ce livre propose une première traduction d’un texte fondateur de la philosophie analytique.
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  10. Nelson Goodman, Jakob Steinbrenner, Oliver R. Scholz & Gerhard Ernst (eds.) (2005). Symbole, Systeme, Welten: Studien Zur Philosophie Nelson Goodmans. Synchron.
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  11. Nelson Goodman (2003). ¿ Cuándo es Arte? A Parte Rei: Revista de Filosofía 26:2.
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  12. Nelson Goodman (2003). Zmiana perspektywy. Principia 34.
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  13. Derrida Wittgenstein, Nelson Goodman & Richard Rorty (2002). Knowledge and Cognitive Practices in Eco's Labyrinths of Intertextuality. In Jorge J. E. Gracia, Carolyn Korsmeyer & Rodolphe Gasché (eds.), Literary Philosophers?: Borges, Calvino, Eco. Routledge. 165.
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  14. Nelson Goodman (2000). The New Riddle of Induction. In Sven Bernecker & Fred I. Dretske (eds.), Knowledge: Readings in Contemporary Epistemology. Oup Oxford.
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  15. Nelson Goodman (1997). De la mente y otras materias Harvard University Press, 1984. Visor, 1995. Enrahonar 27:193-197.
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  16. Nelson Goodman (1997). Some Reflections on My Philosophies. Philosophia Scientiae 2 (1):15-20.
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  17. Nelson Goodman (1996). Conditional Plurality of Pluralisms'. Dialectica 3:69-80.
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  18. Nelson Goodman (1993). Other Arts and Sciences: Reconceiving or Recycling? In This Joint Work," Reconceptions In Philosophy And Other Arts And Sciences", Nelson Goordman and Catherine Elgin, Appear in Short, to Be Offering Us a Critique of Esthetics From an Analytical Point of View, Together. Revue Internationale de Philosophie 47:355.
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  19. Nelson Goodman (1993). On Some Worldly Worries. Synthese 95 (1):9 - 12.
    Israel Scheffler and others have had trouble accepting such drastic theses in my work as that worlds, even old ones, are made by right versions, even new ones, and that two conflicting versions may both be right. But further explication shows how such theses have advantages over the more usual common-sense alternatives.
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  20. Ulrich Majer, Jean-Paul Van Bendegem, Nelson Goodman & Catherine Elgin (1993). Paul Gochet, Introduction 249 Hourya Sinaceur, Du formalisme à la constructivité: le finitisme 251 Michael Detlefsen, Hilbert's Formalism 285 Yvon Gauthier, Hilbert et la logique interne des mathématiques 305. [REVIEW] Revue Internationale de Philosophie 47:247.
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  21. Nelson Goodman (1990). A Study of Qualities. Garland.
     
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  22. Nelson Goodman & Aline B. Saarinen (1989). 1. The Perfect Fake. In Richard Kostelanetz (ed.), Esthetics Contemporary. Prometheus Books. 132.
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  23. Nelson Goodman (1988). On What Should Not Be Said About Representation. Journal of Aesthetics and Art Criticism 46 (3):419.
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  24. Nelson Goodman (1988). Reconceptions in Philosophy and Other Arts and Sciences. Routledge.
    Knowing and Making 1. Obstacles to Knowing The theory of knowledge to be sketched here rejects both absolutism and nihilism, both unique truth and the ...
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  25. Nelson Goodman (1988). Variations Upon Variation, or Picasso Back to Bach. In Veikko Rantala, Lewis Eugene Rowell & Eero Tarasti (eds.), Essays on the Philosophy of Music. Distributed by Akateeminen Kirjakauppa. 43--167.
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  26. Catherine Z. Elgin & Nelson Goodman (1987). Changing the Subject. Journal of Aesthetics and Art Criticism 46:219-223.
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  27. Nelson Goodman, Fernand J. Vandamme, Rix Pinxten & Lars Aagaard-Mogensen (1987). Worldmaking's Ways.
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  28. С Elgin & Nelson Goodman (1986). Interpretation and Identity'. Critical Inquiry 12:562-575.
     
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  29. Nelson Goodman (1986). A Note on Copies. Journal of Aesthetics and Art Criticism 44 (3):291-292.
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  30. Nelson Goodman & Catherine Z. Elgin (1986). Interpretation and Identity: Can the Work Survive the World? Critical Inquiry 12 (3):564.
    Predictions concerning the end of the world have proven less reliable than your broker’s recommendations or your fondest hopes. Whether you await the end fearfully or eagerly, you may rest assured that it will never come—not because the world is everlasting but because it has already ended, if indeed it ever began. But we need not mourn, for the world is indeed well lost, and with it the stultifying stereotypes of absolutism: the absurd notions of science as the effort to (...)
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  31. Nelson Goodman (1985). How Buildings Mean. Critical Inquiry 11 (4):642.
    Arthur Schopenhauer ranked the several arts in a hierarchy, with literary and dramatic arts at the top, music soaring in a separate even higher heaven, and architecture sinking to the ground under the weight of beams and bricks and mortar.1 The governing principle seems to be some measure of spirituality, with architecture ranking lowest by vice of being grossly material.Nowadays such rankings are taken less seriously. Traditional ideologies and mythologies of the arts are undergoing deconstruction and disvaluation, making way for (...)
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  32. Nelson Goodman (1985). Statements and Pictures. Erkenntnis 22 (1-3):265 - 269.
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  33. Nelson Goodman (1985). The End of the Museum? Journal of Aesthetic Education 19 (2):53.
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  34. Nelson Goodman (1984). Of Mind and Other Matters. Harvard University Press.
    Essays discuss cognition, perception, art, science, truth, metaphor, education, philosophy, and cognitive psychology.
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  35. Nelson Goodman (1983). Fact, Fiction, and Forecast. Harvard University Press.
    In his new foreword to this edition, Hilary Putnam forcefully rejects these nativist claims.
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  36. Nelson Goodman (1983). Notes on the Well-Made World. Erkenntnis 19 (1-3):99 - 107.
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  37. Nelson Goodman (1983). Prospects for a Theory of Projection. In Peter Achinstein (ed.), The Concept of Evidence. Oxford University Press.
     
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  38. Nelson Goodman & Menachem Brinker (1983). Representation and Realism in Art: A Debate (in Hebrew). Iyyun 32:216-222.
    These two short essays are a hebrew translation of an exchange that followed the publication of "verisimilitude, conventions and beliefs" by menachem brinker which contained a criticism of nelson goodman's theory of representation and realism in "languages of art" (1969). (edited).
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  39. Nelson Goodman (1982). Fiction for Five Fingers. Philosophy and Literature 6 (1-2):162-164.
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  40. Nelson Goodman (1982). Implementation of the Arts. Journal of Aesthetics and Art Criticism 40 (3):281-283.
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  41. Nelson Goodman (1981). Replies. Journal of Aesthetics and Art Criticism 39 (3):273-280.
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  42. Nelson Goodman (1981). Routes of Reference. Critical Inquiry 8 (1):121.
    Yet while all features of reality are dependent upon discourse, are there perhaps some features of discourse that are independent of reality the differences, for example, between the ways two discourses may say exactly the same thing? The old and ugly notion of synonomy rattles a warning here: Can there ever be two different discourses that say exactly the same thing in different ways, or does every difference between discourses make a difference in what is said? Luckily, we can pass (...)
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  43. Nelson Goodman (1981). The Telling and the Told. Critical Inquiry 7 (4):799.
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  44. Nelson Goodman (1981). Twisted Tales; or Story, Study, and Symphony. Synthese 46 (3):331 - 349.
    In sum, flashbacks and foreflashes are commonplace in narrative, and such rearrangements in the telling of a story seem to leave us not only with a story but with very much the same story.1 . . . Will no disparity between the order of telling and the order of occurrence destroy either the basic identity or the narrative status of any story? An exception seems ready at hand: suppose we simply run our film...backwards. The result, though indeed a story, seems (...)
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  45. Nelson Goodman (1980). On Starmaking. Synthese 45 (2):211 - 215.
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  46. Nelson Goodman (1979). Credence, Credibility, Comprehension. Journal of Philosophy 76 (11):618-619.
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  47. Nelson Goodman (1979). Metaphor as Moonlighting. Critical Inquiry 6 (1):125.
    The acknowledged difficulty and even impossibility of finding a literal paraphrase for most metaphors is offered by [Donald] Davidson1 as evidence that there is nothing to be paraphrased - that a sentence says nothing metaphorically that it does not say literally, but rather functions differently, inviting comparisons and stimulating thought. But paraphrase of many literal sentences also is exceedingly difficult, and indeed we may seriously question whether any sentence can be translated exactly into other words in the same or any (...)
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  48. Nelson Goodman (1978). Replies. Erkenntnis 12 (1):273-280.
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  49. Nelson Goodman (1978). Reply to Breitkopf. Erkenntnis 12 (2):289 - 290.
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  50. Nelson Goodman (1978). Reply to Beardsley. Erkenntnis 12 (1):169 - 173.
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