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Profile: Nicholas Cook (Grand Valley State University)
  1. Nicholas Cook (2010). Music: A Brief Insight. Sterling.
    Musical values -- Back to Beethoven -- A state of crisis? -- An imaginary object -- A matter of representation -- Music and the academy -- Music and gender.
     
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  2. Nicholas Cook (2000). Analysing Musical Multimedia. Oxford University Press.
    This book is the first to put forward a general theory of the manner in which different media--music, words, moving picture, and dance--work together to create multimedia. Beginning with a study of the way in which meaning is mediated in television commercials, the book concludes with in-depth readings of Disney's Fantasia, Madonna's video Material Girl, and Armide (Godard's sequence from the collaborative film Aria). Analysing Musical Multimedia not only shows how approaches deriving from music theory can contribute to the understanding (...)
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  3. Nicholas Cook (1994). Perception: A Perspective From Music Theory. In Rita Aiello & John A. Sloboda (eds.), Musical Perceptions. Oxford University Press. 64--95.
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  4. Nicholas Cook (1990). Music, Imagination, and Culture. Oxford University Press.
    Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, Cook here defines the difference between music...
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  5. Nicholas Cook (1987). Musical Form and the Listener. Journal of Aesthetics and Art Criticism 46 (1):23-29.
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