47 found
Order:
  1. Nickolas Pappas (1999). Plato and the Republic. Mind 108 (431):601-606.
     
    Export citation  
     
    My bibliography   3 citations  
  2.  4
    Nickolas Pappas (2016). Two Myths of Philosophy’s Beginnings. Philosophical Inquiry 40 (3):6-22.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  3.  42
    Nickolas Pappas (2012). Plato on Poetry: Imitation or Inspiration? Philosophy Compass 7 (10):669-678.
    A passage in Plato’s Laws offers a fresh look at Plato’s theory of poetry and art. Only here does Plato call poetry both mimêsis “imitation, representation,” and the product of enthousiasmos “inspiration, possession.” The Republic and Sophist examine poetic imitation; the Ion and Phaedrus develop a theory of artistic inspiration; but Plato does not confront the two descriptions together outside this paragraph. After all, mimêsis fuels an attack on poetry, while enthousiasmos is sometimes used to attack it, sometimes to praise (...)
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  4.  13
    Nickolas Pappas (1999). Mimêsis in Aristophanes and Plato. Philosophical Inquiry 21 (3-4):61-78.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  5.  31
    Nickolas Pappas (2005). Morality Gags. The Monist 88 (1):52-71.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  6.  22
    Nickolas Pappas & Mark Zelcer (2013). Plato's Menexenus as a History That Falls Into Patterns. Ancient Philosophy 33 (1):19-30.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  7.  30
    Nickolas Pappas (2013). The Impiety of the Republic's Imitator. Epoché: A Journal for the History of Philosophy 17 (2):219-232.
    The Republic rarely speaks of piety; yet religious concerns inform more of its treatment of poetry than readers acknowledge. A pair of tripartite rankings in Book 10 has puzzled interpreters: first the triad Form-couch-painting, then the ostensibly equivalent triad of a flute’s or bridle’s user-maker-imitator. The tripartitions work better together if one recognizes the divinity at work behind Athena’s gifts the flute and bridle. This mythic reading reveals the imitator to stand, yet again, in opposition to the gods; but it (...)
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  8.  62
    Nickolas Pappas (2008). Fashion Seen as Something Imitative and Foreign. British Journal of Aesthetics 48 (1):1-19.
    Philosophers have recently begun to write about fashion in dress. They acknowledge that philosophy traditionally ignored the subject altogether or else disparaged fashion. They do not observe that those past philosophers who slighted fashion characterized it as mass imitativeness; but in fact that one-sided characterization is what permitted commentators to overlook innovativeness in fashion. Indeed the figure of the foreigner that recurs in philosophical remarks about fashion only makes sense given a reading of fashion as imitative uniformity. The foreigner becomes (...)
    Direct download (6 more)  
     
    Export citation  
     
    My bibliography  
  9.  29
    Nickolas Pappas (1989). Plato's "Ion": The Problem of the Author. Philosophy 64 (249):381 - 389.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  10.  7
    Nickolas Pappas (2014). Blindness and Reorientation. Problems in Plato’s Republic, by C.D.C. Reeve. Ancient Philosophy 34 (2):419-424.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  11.  10
    Nickolas Pappas (2015). Socratic Fallacies? L.S. Pangle Virtue is Knowledge. The Moral Foundations of Socratic Political Philosophy. Pp. X + 276. Chicago and London: The University of Chicago Press, 2014. Cased, £24.50, Us$35. Isbn: 978-0-226-13654-7. [REVIEW] The Classical Review 65 (1):47-49.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  12.  44
    Nickolas Pappas (1997). Fancy Justice: Martha Nussbaum on the Political Value of the Novel. Pacific Philosophical Quarterly 78 (3):278–296.
    Martha Nussbaum's Poetic Justice undertakes a defense of the novel by showing it to develop the sympathetic imagination. Three parts of her argument come in for criticism, with implications for other such political defenses. Nussbaum sometimes interprets the imagination practically, sometimes theoretically; the two forms have different effects on deliberation. Nussbaum credits the novelistic tradition with fostering the imagination; her example of Hard Times interferes with establishing this general point. Nussbaum suggests an aesthetic element in literature that produces its effect, (...)
    Direct download (8 more)  
     
    Export citation  
     
    My bibliography  
  13.  3
    Nickolas Pappas (2016). Review: Myles Burnyeat and Michael Frede, The Pseudo‐Platonic Seventh Letter, Ed. Dominic Scott. Oxford: Oxford University Press, 2015. 224 + Xv Pages; $50.00/Hardcover. [REVIEW] Philosophical Forum 47 (1):39-45.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  14.  12
    Nickolas Pappas (2012). Autochthony in Plato's Menexenus. Philosophical Inquiry 34 (1/2):66-80.
    Translate
      Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  15.  8
    Nickolas Pappas (2008). Plato's Invisible Cities. Ancient Philosophy 13 (2):427 - 430.
  16.  9
    Nickolas Pappas (1991). The Despair That is Ignorant of Being Despair. Archiv für Geschichte der Philosophie 73 (3):281-296.
  17.  9
    Nickolas Pappas (2012). Plato's Myths. Philosophical Inquiry 34 (1/2):101-106.
  18.  9
    Nickolas Pappas (2012). Understanding Plato's Republic. Ancient Philosophy 32 (1):185-190.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  19.  4
    Nickolas Pappas (1989). Plato's Ion: The Problem of the Author. Philosophy 64 (249):381-389.
    Today Plato's Ion , thought one of his weaker works, gets little attention. But in the past it has had its admirers–in 1821, for example, Percy Bysshe Shelley translated it into English. Shelley, like other Romantic readers of Plato, was drawn to the Ion's account of divine inspiration in poetry. He recommended the dialogue to Thomas Love Peacock as a reply to the latter's Four Ages of Poetry: Shelley thought the Ion would refute Peacock's charge that poetry is useless in (...)
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  20.  17
    Nickolas Pappas (2001). Philhellenism and Greek Philosophy. Philosophical Forum 32 (2):165-173.
    Direct download (10 more)  
     
    Export citation  
     
    My bibliography  
  21.  11
    Nickolas Pappas (1993). Plato's Invisible Cities: Discourse and Power in the 'Republic'. Ancient Philosophy 13 (2):427-430.
  22.  18
    Nickolas Pappas (2008). Plato on Pleasure and the Good Life. Ancient Philosophy 28 (1):227-232.
  23.  13
    Nickolas Pappas (1992). The Poetics' Argument Against Plato. Southern Journal of Philosophy 30 (1):83-100.
  24.  16
    Nickolas Pappas (1989). Authorship and Authority. Journal of Aesthetics and Art Criticism 47 (4):325-332.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  25.  4
    Nickolas Pappas (2014). Nietzsche's Apollo. Journal of Nietzsche Studies 45 (1):43-53.
    Two great evaluative questions about The Birth of Tragedy ask how accurate the book is about Greece’s “tragic age,” and how nostalgic it is for that age. Wilamowitz raised the question of accuracy as soon as the book was published, and the issue has never gone away. As for nostalgia, even without accepting extreme versions of the charge, you can still worry that BT portrays Socrates as such a calamity—a monstrosity, and therefore a freakish birth, something that did not have (...)
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  26.  7
    Nickolas Pappas (2012). The Origins of Aesthetic Thought in Ancient Greece: Matter, Sensation, and Experience by Porter,L James I. Journal of Aesthetics and Art Criticism 70 (3):323-326.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  27.  8
    Nickolas Pappas (2005). Review of Pierre Destre, Nicholas D. Smith (Eds.), Socrates' Divine Sign: Religion, Practice and Value in Socratic Philosophy. [REVIEW] Notre Dame Philosophical Reviews 2005 (10).
    Direct download  
     
    Export citation  
     
    My bibliography  
  28.  5
    Nickolas Pappas (2006). The Nick of Time: Politics, Evolution, and the Untimely (Review). Journal of Nietzsche Studies 31 (1):69-71.
  29.  2
    Nickolas Pappas (2012). Greek and Roman Aesthetics. Philosophical Inquiry 34 (1/2):111-114.
    No categories
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  30.  4
    Nickolas Pappas (1991). Knowing and Saying That I Know. Philosophy 66 (258):487 - 502.
    Of course there's every difference in the world between my merely saying something and its being so. My claim that I have a toothache is a far cry from the toothache itself. Words are not things: I neither sit in the word ‘chair’ nor eat the word ‘food.’.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  31.  1
    Nickolas Pappas (1989). Plato's Ion: The Problem of The. Philosophy 64:381.
    Direct download  
     
    Export citation  
     
    My bibliography  
  32.  3
    Nickolas Pappas (2004). Beautiful City: The Dialectical Character of Plato's Republic (Review). Journal of the History of Philosophy 42 (2):218-219.
  33.  2
    Nickolas Pappas (1989). Socrates' Charitable Treatment of Poetry. Philosophy and Literature 13 (2):248-261.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  34. Babette Babbich, Debra Bergoffen, Thomas H. Brobjer, Daniel Conway, Brian Crowley, Brian Domino, Peter Groff, Jennifer Ham, Lawrence Hatab, Kathleen Marie Higgins, Vanessa Lemm, Paul S. Loeb, Nickolas Pappas, Richard Perkins, Gerd Schank, Alan D. Schrift, Gary Shapiro, Tracey Stark, Charles S. Taylor, Jami Weinstein & Martha Kendal Woodruff (2003). A Nietzschean Bestiary: Becoming Animal Beyond Docile and Brutal. Rowman & Littlefield Publishers.
    Nietzsche's use of metaphor has been widely noted but rarely focused to explore specific images in great detail. A Nietzschean Bestiary gathers essays devoted to the most notorious and celebrated beasts in Nietzsche's work. The essays illustrate Nietzsche's ample use of animal imagery, and link it to the dual philosophical purposes of recovering and revivifying human animality, which plays a significant role in his call for de-deifying nature.
     
    Export citation  
     
    My bibliography  
  35. Nickolas Pappas (2001). Aristotle. In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge
     
    Export citation  
     
    My bibliography  
  36. Nickolas Pappas (1996). Commentary on Frede. Proceedings of the Boston Area Colloquium of Ancient Philosophy 12 (1):277-284.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  37.  16
    Nickolas Pappas & Mark Zelcer (2015). Politics and Philosophy in Plato's Menexenus: Education and Rhetoric, Myth and History. Routledge.
  38. Nickolas Pappas & Kimon Lycos (1991). Plato on Justice and Power: Reading Book I of Plato's Republic. Philosophical Review 100 (3):515.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  39. Nickolas Pappas (1987). Plato's Thoughts and Literature. Dissertation, Harvard University
    This dissertation brings Plato's critique of poetry to bear on the issue of how to read his dialogues. Since antiquity commentators on Plato have debated the extent to which he actually meant the philosophical doctrines in his works; since the early nineteenth century this debate has been complicated by the claim that the dialogues count as literature. To treat them as literature is to hold, in a subtler sense, that Plato does not himself assert what their characters say. ;I therefore (...)
     
    Export citation  
     
    My bibliography  
  40.  19
    Nickolas Pappas (1995). Routledge Philosophy Guidebook to Plato and the Republic. Routledge.
    In this second edition of the highly successfulRoutledge Philosophy GuideBook to Plato and theRepublic, Nickolas Pappas extends his exploration of the text to ...
    Direct download  
     
    Export citation  
     
    My bibliography  
  41. Nickolas Pappas (2004). Routledge Philosophy Guidebook to Plato and the Republic. Routledge.
    Plato is one of the most important figures in Western thought; the _Republic_ is his most important, and most widely studied, work. This GuideBook will steer the reader clearly through this work. _Plato and the Republic_ will introduce and assess: * Plato's life and the background to the _Republic_ * The text and ideas of the _Republic_ * Plato's continuing importance to Western thought Ideal for students coming to Plato for the first time, this GuideBook will be vital for all (...)
    No categories
     
    Export citation  
     
    My bibliography  
  42. Nickolas Pappas (2002). Routledge Philosophy Guidebook to Plato and the Republic. Routledge.
    First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
    No categories
     
    Export citation  
     
    My bibliography  
  43. Nickolas Pappas (2003). Routledge Philosophy Guidebook to Plato and the Republic. Routledge.
    Plato's _Republic _is perhaps the most significant and important work of philosophy and is Plato's most famous work. No other work has made such an impact on the history of western thought. In this second edition of the highly successful Routledge Philosophy GuideBook to Plato and the _Republic_, Nickolas Pappas extends his exploration of the text to include substantial revisions and new material. In addition to the existing text, the chapters on Plato's ethics and politics have been revised and enlarged (...)
    No categories
     
    Export citation  
     
    My bibliography  
  44. Nickolas Pappas (1999). Replies to Mass and Golumbia. In Emanuela Bianchi (ed.), Is Feminist Philosophy Philosophy? Northwestern University Press 212.
    No categories
    Direct download  
     
    Export citation  
     
    My bibliography  
  45. Nickolas Pappas (2005). The Nietzsche Disappointment: Reckoning with Nietzsche's Unkept Promises on Origins and Outcomes. Rowman & Littlefield Publishers.
    The Nietzsche Disappointment confronts Nietzsche's recurrent, symptomatic struggles with causal accounts. His explanations of past and future raise high hopes; when they fail they are responsible for profound disappointment.
     
    Export citation  
     
    My bibliography  
  46.  4
    Nickolas Pappas (2013). The Routledge Guidebook to Plato's Pepublic. Routledge.
    Plato, often cited as a founding father of Western philosophy, set out ideas in the Republic regarding the nature of justice, order, and the character of the just individual, that endure into the modern day. The Routledge Guidebook to Plato’s Republic introduces the major themes in Plato’s great book and acts as a companion for reading the work, examining: The context of Plato’s work and the background to his writing Each separate part of the text in relation to its goals, (...)
    Direct download  
     
    Export citation  
     
    My bibliography  
  47. Nickolas Pappas (2013). The Routledge Guidebook to Plato's Republic. Routledge.
    Plato, often cited as a founding father of Western philosophy, set out ideas in the _Republic_ regarding the nature of justice, order, and the character of the just individual, that endure into the modern day. _The_ _Routledge Guidebook to Plato’s Republic_ introduces the major themes in Plato’s great book and acts as a companion for reading the work, examining: The context of Plato’s work and the background to his writing Each separate part of the text in relation to its goals, (...)
    No categories
     
    Export citation  
     
    My bibliography