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Noël Carroll [140]Noel Edward Carroll [1]
  1.  538 DLs
    Noel Carroll (1984). Hume's Standard of Taste. Journal of Aesthetics and Art Criticism 43 (2):181-194.
  2.  324 DLs
    Noël Carroll (1987). The Nature of Horror. Journal of Aesthetics and Art Criticism 46 (1):51-59.
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  3.  249 DLs
    Noël Carroll (2002). The Wheel of Virtue: Art, Literature, and Moral Knowledge. Journal of Aesthetics and Art Criticism 60 (1):3–26.
    In this essay, then, I would like to address what I believe are the most compelling epistemic arguments against the notion that literature (and art more broadly) can function as an instrument of education and a source of knowledge.
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  4.  240 DLs
    Noël Carroll (2000). Art and Ethical Criticism: An Overview of Recent Directions of Research. Ethics 110 (2):350-387.
  5.  200 DLs
    Noël Carroll (1999). Horror and Humor. Journal of Aesthetics and Art Criticism 57 (2):145-160.
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  6.  166 DLs
    Noël Carroll (2007). Narrative Closure. Philosophical Studies 135 (1):1 - 15.
    In this article, “Narrative Closure,” a theory of the nature of narrative closure is developed. Narrative closure is identified as the phenomenological feeling of finality that is generated when all the questions saliently posed by the narrative are answered. The article also includes a discussion of the intelligibility of attributing questions to narratives as well as a discussion of the mechanisms that achieve this. The article concludes by addressing certain recent criticisms of the view of narrative expounded by this article.
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  7.  164 DLs
    Noël Carroll (1996). Moderate Moralism. British Journal of Aesthetics 36 (3):223-238.
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  8.  152 DLs
    Noël Carroll (2011). Martin Mcdonagh's the Pillowman , or the Justification of Literature. Philosophy and Literature 35 (1):168-181.
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  9.  139 DLs
    Noël Carroll (2010). At the Crossroads of Ethics and Aesthetics. Philosophy and Literature 34 (1):pp. 248-259.
    Art, Emotion, and Ethics is a brilliant book with many important, useful, insightful, and even profound things to say about a range of topics including the relation of the imagination to art, understanding, and ethics, and the paradox of fiction, as well as sensitive and in-depth interpretations of masterpieces by the likes of Rembrandt and Nabokov. It is very convincing in its jousts with autonomists for people like me who favor the view that sometimes ethical blemishes are aesthetic blemishes and (...)
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  10.  138 DLs
    Noel Carroll (1998). Moderate Moralism Versus Moderate Autonomism. British Journal of Aesthetics 38 (4):419-424.
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  11.  135 DLs
    Noël Carroll (1997). The Intentional Fallacy: Defending Myself. Journal of Aesthetics and Art Criticism 55 (3):305-309.
  12.  133 DLs
    Noël Carroll (2008). Review: On the Aesthetic Function of Art. [REVIEW] Philosophical Quarterly 58 (233):732 - 740.
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  13.  131 DLs
    Noël Carroll (1999). Philosophy of Art: A Contemporary Introduction. Routledge.
    Philosophy of Art is a textbook for undergraduate students interested in the topic of philosophical aesthetics. It aims to introduce the techniques of analytic philosophy in addition to a selection of the major topics in this field of inquiry. These include the representational theory of art, formalism, neo-formalism, aesthetic theories of art, neo-Wittgensteinism, the Institutional Theory of Art, as well as historical approaches to the nature of art. Throughout the book, abstract philosophical theories are illustrated by examples of both traditional (...)
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  14.  126 DLs
    Noël Carroll (1995). Enjoying Horror Fictions: A Reply to Gaut. British Journal of Aesthetics 35 (1):67-72.
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  15.  119 DLs
    Noël Carroll (2002). Aesthetic Experience Revisited. British Journal of Aesthetics 42 (2):145-168.
    In this article I divide theories of aesthetic experience into three sorts: the affectoriented approach, the axiologically oriented approach, and the content-oriented approach. I then go on to defend a version of the content-oriented approach.
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  16.  116 DLs
    Noël Carroll (2010). Movies, the Moral Emotions, and Sympathy. Midwest Studies in Philosophy 34 (1):1-19.
  17.  115 DLs
    Noel Carroll (1998). A Philosophy of Mass Art. Clarendon Press.
    Few today can escape exposure to mass art. Nevertheless, despite the fact that mass art provides the primary source of aesthetic experience for the majority of people, mass art is a topic that has been neglected by analytic philosophers of art. The Philosophy of Mass Art addresses that lacuna. It shows why philosophers have previously resisted and/or misunderstood mass art and it develops new frameworks for understanding mass art in relation to the emotions, morality, and ideology.
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  18.  109 DLs
    John Gibson & Noel Carroll (eds.) (2011). Narrative, Emotion, and Insight. Penn State UP.
    While narrative has been one of liveliest and most productive areas of research in literary theory, discussions of the nature of emotional responses to art and of the cognitive value of art tend to concentrate almost exclusively on the problem of fiction: How can we emote over or learn from fictions? Narrative, Emotion, and Insight explores what would happen if aestheticians framed the matter differently, having narratives—rather than fictional characters and events—as the object of emotional and cognitive attention. The book (...)
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  19.  104 DLs
    Noël Carroll (2009). On the Necessity of Theater. Philosophy and Literature 33 (2):pp. 435-441.
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  20.  103 DLs
    Noël Carroll (2010). Art in Three Dimensions. Oxford University Press.
    Art in Three Dimensions is a collection of essays by one of the most eminent figures in philosophy of art.
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  21.  100 DLs
    Cynthia A. Freeland, Thomas E. Wartenberg, Richard Allen, Murray Smith, Noël Carroll & Oxford Clarendon (1999). Is Analytic Philosophy the Cure for Film Theory? Philosophy of the Social Sciences 29 (3):416-440.
  22.  95 DLs
    Noël Carroll (2007). Art and Globalization: Then and Now. Journal of Aesthetics and Art Criticism 65 (1):131–143.
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  23.  93 DLs
    Noël Carroll (1996). Theorizing the Moving Image. Cambridge University Press.
    A selection of essays written by one of the leading critics of film over the last two decades, this volume examines theoretical aspects of film and television through penetrating analyses of such genres as soap opera, documentary, comedy, and such topics as 'sight gags', film metaphor, point-of-view editing, and movie music. Throughout, individual films are considered in depth. Carroll's essays, moreover, represent the cognitivist turn in film studies, containing in-depth criticism of existing approaches to film theory, and heralding a new (...)
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  24.  81 DLs
    Noël Carroll (2006). Ethics and Aesthetics: Replies to Dickie, Stecker, and Livingston. British Journal of Aesthetics 46 (1):82-95.
    Both my deflationary approach to aesthetic experience and what I call moderate moralism have been challenged recently in the pages of the British Journal of Aesthetics by Paisley Livingston, Robert Stecker, and George Dickie. In this essay, I attempt to deal with their objections while also trying to move the debate to new ground.
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  25.  80 DLs
    Noël Carroll (2004). Art and Human Nature. Journal of Aesthetics and Art Criticism 62 (2):95–107.
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  26.  79 DLs
    Susan L. Feagin & Noel Carroll (1992). Monsters, Disgust and Fascination. Philosophical Studies 65 (1-2):75 - 84.
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  27.  77 DLs
    Noël Carroll (2012). Recent Approaches to Aesthetic Experience. Journal of Aesthetics and Art Criticism 70 (2):165-177.
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  28.  76 DLs
    Noël Carroll (1997). Danto's New Definition of Art and the Problem of Art Theories. British Journal of Aesthetics 37 (4):386-392.
  29.  74 DLs
    Noël Carroll (1993). Historical Narratives and the Philosophy of Art. Journal of Aesthetics and Art Criticism 51 (3):313-326.
  30.  74 DLs
    Noël Carroll (1990). The Image of Women in Film: A Defense of a Paradigm. Journal of Aesthetics and Art Criticism 48 (4):349-360.
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  31.  70 DLs
    Noël Carroll (1991). On Jokes. Midwest Studies in Philosophy 16 (1):280-301.
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  32.  70 DLs
    Nöel Carroll (2012). Art in an Expanded Field: Wittgenstein and Aesthetics. Nordic Journal of Aesthetics 42 (42):14-31.
    This article reviews the various ways in which the later writings of Ludwig Wittgenstein have been employed to address the question “What is Art?”. These include the family resemblance model, the cluster concept model and the form of life model. The article defends a version of the form of life approach. Also, addressed the charge that it would have been more profitable had aestheticians explored what Wittgenstein actually said about art instead of trying to extrapolate from his writings an approach (...)
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  33.  65 DLs
    Noel Carroll (2012). History and the Philosophy of Art. Journal of the Philosophy of History 5 (3):370-382.
    Abstract In this essay I trace the role of history in the philosophy of art from the early twentieth century to the present, beginning with the rejection of history by formalists like Clive Bell. I then attempt to show how the arguments of people like Morris Weitz and Arthur Danto led to a re-appreciation of history by philosophers of art such as Richard Wollheim, Jerrold Levinson, Robert Stecker and others.
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  34.  62 DLs
    Noël Carroll (1988). Film/Mind Analogies: The Case of Hugo Munsterberg. Journal of Aesthetics and Art Criticism 46 (4):489-499.
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  35.  62 DLs
    Philip Alperson & Noël Carroll (2008). Music, Mind, and Morality: Arousing the Body Politic. Journal of Aesthetic Education 42 (1):1-15.
  36.  58 DLs
    Noël Carroll (1998). The Essence of Cinema? Philosophical Studies 89 (2-3):323-330.
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  37.  57 DLs
    Noël Carroll (2001). Modernity and the Plasticity of Perception. Journal of Aesthetics and Art Criticism 59 (1):11-17.
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  38.  57 DLs
    Noël Carroll (1993). Anglo-American Aesthetics and Contemporary Criticism: Intention and the Hermeneutics of Suspicion. Journal of Aesthetics and Art Criticism 51 (2):245-252.
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  39.  56 DLs
    Noël Carroll (2004). Non-Perceptual Aesthetic Properties: Comments for James Shelley. British Journal of Aesthetics 44 (4):413-423.
    James Shelley has raised the important question of whether it is possible to have aesthetic experiences of imperceptible artworks. This issue is important for determining whether or not the aesthetic theory of art can deal with certain cases of conceptual art. Shelley has argued that it is possible to have aesthetic experiences of imperceptibilia. And in this article, I concur with him, though for reasons different from his. Nevertheless, I go on to argue that this still fails to vindicate the (...)
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  40.  50 DLs
    Noël Carroll (2009). Les Culs-de-Sac of Enlightenment Aesthetics: A Metaphilosophy of Art. Metaphilosophy 40 (2):157-178.
    Abstract: This article charts the rise and fall of the Modern System of the Arts and the failure of the aesthetic theory of art to define membership in the so-called system, which, instead, I argue, is and has been, for a long time, merely a historically evolved collection. Rather than endorsing the continued attempt to define Art with a capital A in terms of aesthetic experience, I recommend alternative lines of research for contemporary philosophers of the arts.
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  41.  49 DLs
    Noel Carroll (1991). Review: On Kendall Walton's Mimesis as Make-Believe. [REVIEW] Philosophy and Phenomenological Research 51 (2):383 - 387.
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  42.  45 DLs
    Noël Carroll (2007). Art, Mind, and Intention. Philosophy and Literature 31 (2):394-404.
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  43.  41 DLs
    Noël Carroll (1986). Art and Interaction. Journal of Aesthetics and Art Criticism 45 (1):57-68.
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  44.  41 DLs
    Noël Carroll (2006). Philosophizing Through the Moving Image: The Case of Serene Velocity. Journal of Aesthetics and Art Criticism 64 (1):173–185.
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  45.  40 DLs
    Noël Carroll (2004). Mass Art as Art: A Response to John Fisher. Journal of Aesthetics and Art Criticism 62 (1):61-65.
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  46.  40 DLs
    Noël Carroll (2010). On the Historical Significance and Structure of Monroe Beardsley's Aesthetics : An Appreciation. Journal of Aesthetic Education 44 (1):pp. 2-10.
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  47.  39 DLs
    Noël Carroll (1997). The Ontology of Mass Art. Journal of Aesthetics and Art Criticism 55 (2):187-199.
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  48.  39 DLs
    Noël Carroll (2000). McGinn's Ethics, Evil, and Fiction. Noûs 34 (4):648–656.
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  49.  36 DLs
    Noël Carroll (1994). The Paradox of Junk Fiction. Philosophy and Literature 18 (2):225-241.
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  50.  35 DLs
    Noël Carroll (1988). Art, Practice, and Narrative. The Monist 71 (2):140-156.
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