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  1. Noël Carroll (forthcoming). Avant-Garde Art and the Problem of Theory. Journal of Aesthetic Education.
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  2. Noël Carroll (forthcoming). Can Government Funding of the Arts Be Justified Theoretically? Journal of Aesthetic Education.
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  3. Noël Carroll (forthcoming). Mass Art: The Debate Continues. Journal of Aesthetic Education.
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  4. Noël Carroll (forthcoming). TV and Film: A Philosophical Perspective. Journal of Aesthetic Education.
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  5. John Gibson & Nöel Carroll (eds.) (forthcoming). The Routledge Companion to Philosophy of Literature. Routledge.
     
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  6. Noël Carroll (2014). Humour: A Very Short Introduction. Oup Oxford.
    Humour is a universal feature of human life. In this Very Short Introduction Noel Carroll considers the nature and value of humour, from its leading theories and its relation to emotion and cognition, to ethical questions of its morality and its significance in shaping society.
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  7. Noël Carroll (2013). Rough Heroes: A Response to A.W. Eaton. Journal of Aesthetics and Art Criticism 71 (4):371-376.
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  8. Noel Carroll (2013). Science Fiction, Philosophy and Politics. Ethical Perspectives 20 (3):477-493.
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  9. Noël Carroll & William P. Seeley (2013). Kinesthetic Understanding and Appreciation in Dance. Journal of Aesthetics and Art Criticism 71 (2):177-186.
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  10. Nöel Carroll (2012). Art in an Expanded Field: Wittgenstein and Aesthetics. Nordic Journal of Aesthetics 42 (42):14-31.
    This article reviews the various ways in which the later writings of Ludwig Wittgenstein have been employed to address the question “What is Art?”. These include the family resemblance model, the cluster concept model and the form of life model. The article defends a version of the form of life approach. Also, addressed the charge that it would have been more profitable had aestheticians explored what Wittgenstein actually said about art instead of trying to extrapolate from his writings an approach (...)
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  11. Noel Carroll (2012). History and the Philosophy of Art. Journal of the Philosophy of History 5 (3):370-382.
    Abstract In this essay I trace the role of history in the philosophy of art from the early twentieth century to the present, beginning with the rejection of history by formalists like Clive Bell. I then attempt to show how the arguments of people like Morris Weitz and Arthur Danto led to a re-appreciation of history by philosophers of art such as Richard Wollheim, Jerrold Levinson, Robert Stecker and others.
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  12. Noël Carroll (2012). Recent Approaches to Aesthetic Experience. Journal of Aesthetics and Art Criticism 70 (2):165-177.
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  13. Noël Carroll (2011). Consuming Passion: Sex and the City. Revue Internationale de Philosophie 4:525-546.
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  14. Noël Carroll (2011). Introduction. Revue Internationale de Philosophie 4:471-471.
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  15. Noël Carroll (2011). Martin Mcdonagh's the Pillowman , or the Justification of Literature. Philosophy and Literature 35 (1):168-181.
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  16. Noël Carroll (2011). On Some Affective Relations Between Audiences and the Characters in Popular Fictions. In Amy Coplan & Peter Goldie (eds.), Empathy: Philosophical and Psychological Perspectives. Oxford University Press. 162.
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  17. Noel Carroll (2011). Philosophical Insight, Emotion, and Popular Fiction. In Noel Carroll & John Gibson (eds.), Narrative, Emotion, and Insight. Penn State University. 45.
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  18. Noel Carroll & John Gibson (eds.) (2011). Narrative, Emotion, and Insight. Penn state university.
    While narrative has been one of the liveliest and most productive areas of research in literary theory, discussions of the nature of emotional responses to art and of the cognitive value of art tend to concentrate almost exclusively on the problem of fiction: How can we emote over or learn from fictions? Narrative, Emotion, and Insight explores what would happen if aestheticians framed the matter differently, having narratives—rather than fictional characters and events—as the object of emotional and cognitive attention. The (...)
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  19. Noël Carroll & Margaret Moore (2011). And Music. In Elisabeth Schellekens & Peter Goldie (eds.), The Aesthetic Mind: Philosophy and Psychology. Oxford University Press. 333.
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  20. John Gibson & Noel Carroll (eds.) (2011). Narrative, Emotion, and Insight. Penn State UP.
    While narrative has been one of liveliest and most productive areas of research in literary theory, discussions of the nature of emotional responses to art and of the cognitive value of art tend to concentrate almost exclusively on the problem of fiction: How can we emote over or learn from fictions? Narrative, Emotion, and Insight explores what would happen if aestheticians framed the matter differently, having narratives—rather than fictional characters and events—as the object of emotional and cognitive attention. The book (...)
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  21. Noël Carroll (2010). Art in Three Dimensions. Oxford University Press.
    Art in Three Dimensions is a collection of essays by one of the most eminent figures in philosophy of art.
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  22. Noël Carroll (2010). At the Crossroads of Ethics and Aesthetics. Philosophy and Literature 34 (1):pp. 248-259.
    Art, Emotion, and Ethics is a brilliant book with many important, useful, insightful, and even profound things to say about a range of topics including the relation of the imagination to art, understanding, and ethics, and the paradox of fiction, as well as sensitive and in-depth interpretations of masterpieces by the likes of Rembrandt and Nabokov. It is very convincing in its jousts with autonomists for people like me who favor the view that sometimes ethical blemishes are aesthetic blemishes and (...)
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  23. Noël Carroll (2010). Movies, the Moral Emotions, and Sympathy. Midwest Studies in Philosophy 34 (1):1-19.
  24. Noël Carroll (2010). On the Historical Significance and Structure of Monroe Beardsley's Aesthetics : An Appreciation. Journal of Aesthetic Education 44 (1):pp. 2-10.
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  25. Peter Kivy, Noël Carroll, Susan L. Feagin, Donald Crawford, Richard Shusterman, Estelle R. Jorgensen, Haroldo Abraam Fontaine, Christopher Perricone, Michael Weh & Sk Wertz (2010). 1. Front Matter Front Matter (Pp. Iv). Journal of Aesthetic Education 44 (1).
     
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  26. Noël Carroll (2009). Basic Theatrical Understanding: Considerations for James Hamilton. Journal of Aesthetic Education 43 (3):pp. 15-22.
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  27. Noël Carroll (2009). Introduction. Journal of Aesthetics and Art Criticism 67 (1):1-3.
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  28. Noël Carroll (2009). Les Culs-de-Sac of Enlightenment Aesthetics: A Metaphilosophy of Art. Metaphilosophy 40 (2):157-178.
    Abstract: This article charts the rise and fall of the Modern System of the Arts and the failure of the aesthetic theory of art to define membership in the so-called system, which, instead, I argue, is and has been, for a long time, merely a historically evolved collection. Rather than endorsing the continued attempt to define Art with a capital A in terms of aesthetic experience, I recommend alternative lines of research for contemporary philosophers of the arts.
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  29. Noël Carroll (2009). On Criticism. Routledge.
    Drawing on his knowledge of the worlds of art, criticism, and philosophy, Noèel Carroll argues that appraisal and evaluation of art are an indispensable part of the conversation of life.
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  30. Noël Carroll (2009). On the Necessity of Theater. Philosophy and Literature 33 (2):pp. 435-441.
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  31. Noël Carroll (2009). Tales of Dread in the Twilight Zone. In Noël Carroll & Lester H. Hunt (eds.), Philosophy in the Twilight Zone. Wiley-Blackwell. 26--38.
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  32. Noël Carroll & Lester H. Hunt (eds.) (2009). Philosophy in the Twilight Zone. Wiley-Blackwell.
    This collection of original essays by leading philosophical scholars focuses on particular episodes or examines broader philosophical themes raised in the ...
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  33. Noel Carroll, Lester H. Hunt, Richard Eldridge, Carl Plantinga, Stephen Prickett, Benami Scharfstein, Terry Smith, Okwui Enwezor & Nancy Condee (2009). Halsall, Francis, Jansen, Julia & O'Connor, Tony. British Journal of Aesthetics 49 (3):315.
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  34. Noël Carroll & Margaret Moore (2009). Feeling movement: Music and Dance. Revue Internationale de Philosophie 4:413-435.
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  35. Philip Alperson & Noël Carroll (2008). Music, Mind, and Morality: Arousing the Body Politic. Journal of Aesthetic Education 42 (1):1-15.
  36. Noël Carroll (2008). Narrative and the Ethical Life. In Garry Hagberg (ed.), Art and Ethical Criticism. Blackwell Pub.. 33--62.
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  37. Noel Carroll (2008). Philosophy in the Moving Image: Response to Bruce Russell. Film and Philosophy.
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  38. Noël Carroll (2008). Review: On the Aesthetic Function of Art. [REVIEW] Philosophical Quarterly 58 (233):732 - 740.
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  39. Noël Carroll (2008). The Philosophy of Motion Pictures. Blackwell Pub..
    Philosophy of Motion Pictures is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address.
     
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  40. Lester Hunt & Noel Carroll (eds.) (2008). The Twilight Zone and Philosophy. Blackwell.
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  41. Noël Carroll (2007). Art and Globalization: Then and Now. Journal of Aesthetics and Art Criticism 65 (1):131–143.
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  42. Noël Carroll (2007). Arthur Danto. Filosofia dell'arte e attività critica. Rivista di Estetica 47 (35):67-80.
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  43. Noël Carroll (2007). Call for Papers: The Aesthetics, Poetics, and Philosophy of Narrative. Journal of Aesthetics and Art Criticism 65 (3).
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  44. Noël Carroll (2007). Narrative Closure. Philosophical Studies 135 (1):1 - 15.
    In this article, “Narrative Closure,” a theory of the nature of narrative closure is developed. Narrative closure is identified as the phenomenological feeling of finality that is generated when all the questions saliently posed by the narrative are answered. The article also includes a discussion of the intelligibility of attributing questions to narratives as well as a discussion of the mechanisms that achieve this. The article concludes by addressing certain recent criticisms of the view of narrative expounded by this article.
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  45. Noël Carroll (2007). Art, Mind, and Intention. Philosophy and Literature 31 (2):394-404.
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  46. Noël Carroll & Margaret Moore (2007). Not Reconciled: Comments for Peter Kivy. Journal of Aesthetics and Art Criticism 65 (3):318–322.
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  47. Noël Carroll (2006). Ethics and Aesthetics: Replies to Dickie, Stecker, and Livingston. British Journal of Aesthetics 46 (1):82-95.
    Both my deflationary approach to aesthetic experience and what I call moderate moralism have been challenged recently in the pages of the British Journal of Aesthetics by Paisley Livingston, Robert Stecker, and George Dickie. In this essay, I attempt to deal with their objections while also trying to move the debate to new ground.
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  48. Noël Carroll (2006). Philosophizing Through the Moving Image: The Case of Serene Velocity. Journal of Aesthetics and Art Criticism 64 (1):173–185.
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  49. Noël Carroll (2006). The Fear of Fear Itself: The Philosophy of Halloween. In Richard Greene & K. Silem Mohammed (eds.), The Undead and Philosophy. Open Court. 223--36.
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