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  1. Ole Martin Skilleas & Douglas Burnham (2012). Patterns of Attention: Project and the Phenomenology of Aesthetic Perception. Rivista di Estetica 51 (1):117-136.
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  2. Douglas Burnham & Ole Martin Skilleås (2008). You'll Never Drink Alone: Wine Tasting and Aesthetic Practice. In Fritz Allhoff (ed.), Wine and Philosophy. Blackwell.
     
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  3. Ole Martin Skilleas (2006). Knowledge and Imagination in Fiction and Autobiography. Metaphilosophy 37 (2):259-276.
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  4. Ole Martin Skilleås (2006). Knowledge and Imagination in Fiction and Autobiography. Metaphilosophy 37 (2):259–276.
    Autobiographies are particularly interesting in the context of moral philosophy because they offer us rare and extended examples of how other people think, feel and reflect, which is of crucial importance in the development of phronesis (practical wisdom). In this article, Martha Nussbaum's use of fictional literature is shown to be of limited interest, and her arguments in Poetic Justice against the use of personal narratives in moral philosophy are shown to be unfounded. An analysis of Aristotle's concept of mimesis (...)
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  5. Ole Martin Skilleås (2004). A Philosophical Study of T. S. Eliot's Four Quartets. British Journal of Aesthetics 44 (2):195-197.
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  6. Ole Martin Skilleås (2003). The Heart of What Matters: The Role for Literature in Moral Philosophy. British Journal of Aesthetics 43 (1):95-97.
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  7. Ole Martin SkilleåS (2001). Aesthetic Order: A Philosophy of Order, Beauty and Art. British Journal of Aesthetics 41 (4):451-453.
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  8. Ole Martin Skilleås (2001). Studies in the Spectator Role: Literature, Painting and Pedagogy. British Journal of Aesthetics 41 (2):227-229.
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  9. Ole Martin Skilleas (1996). Book Reviews. [REVIEW] British Journal of Aesthetics 36 (1):298-299.
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  10. Ole Martin Skilleås (1994). Book Reviews. [REVIEW] British Journal of Aesthetics 34 (2):298-299.
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  11. Ole Martin Skilleås (1993). Book Reviews. [REVIEW] British Journal of Aesthetics 33 (3):298-299.
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  12. Ole Martin Skilleås (1991). Anachronistic Themes and Literary Value: The Tempest. British Journal of Aesthetics 31 (2):122-133.
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