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  1. Ole Martin Skilleås & Douglas Burnham (2014). Categories and Appreciation – A Reply to Sackris. Journal of Value Inquiry 48 (3):551-557.
    In his article “Category Independent Aesthetic Experience: The Case of Wine” in this journal, David Sackris presents arguments against Kendall Walton’s view in the famous article “Categories of Art.”David Sackris, “Category Independent Aesthetic Experience: The Case of Wine,” The Journal of Value Inquiry, 47 (2013), pp. 111–120; Kendall Walton, “Categories of Art,” in Steven M. Cahn and Aaron Meskin (Eds) Aesthetics: A Comprehensive Anthology. (Oxford: Blackwell, 2007), pp. 521–537. [First published in The Philosophical Review, 79 (1970), pp. 334–367.] He claims, (...)
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  2. Ole Martin Skilleas & Douglas Burnham (2012). Patterns of Attention: Project and the Phenomenology of Aesthetic Perception. Rivista di Estetica 51 (1):117-136.
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  3. Douglas Burnham & Ole Martin Skilleås (2008). You'll Never Drink Alone: Wine Tasting and Aesthetic Practice. In Fritz Allhoff (ed.), Wine and Philosophy. Blackwell.
     
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  4. Ole Martin Skilleas (2006). Knowledge and Imagination in Fiction and Autobiography. Metaphilosophy 37 (2):259-276.
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  5. Ole Martin Skilleås (2006). Knowledge and Imagination in Fiction and Autobiography. Metaphilosophy 37 (2):259–276.
    Autobiographies are particularly interesting in the context of moral philosophy because they offer us rare and extended examples of how other people think, feel and reflect, which is of crucial importance in the development of phronesis (practical wisdom). In this article, Martha Nussbaum's use of fictional literature is shown to be of limited interest, and her arguments in Poetic Justice against the use of personal narratives in moral philosophy are shown to be unfounded. An analysis of Aristotle's concept of mimesis (...)
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  6. Ole Martin Skilleås (2004). A Philosophical Study of T. S. Eliot's Four Quartets. British Journal of Aesthetics 44 (2):195-197.
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  7. Ole Martin Skilleås (2003). The Heart of What Matters: The Role for Literature in Moral Philosophy. British Journal of Aesthetics 43 (1):95-97.
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  8. Ole Martin SkilleåS (2001). Aesthetic Order: A Philosophy of Order, Beauty and Art. British Journal of Aesthetics 41 (4):451-453.
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  9. Ole Martin Skilleås (2001). Philosophy and Literature an Introduction. Monograph Collection (Matt - Pseudo).
     
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  10. Ole Martin Skilleås (2001). Studies in the Spectator Role: Literature, Painting and Pedagogy. British Journal of Aesthetics 41 (2):227-229.
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  11. Ole Martin Skilleas (1996). Book Reviews. [REVIEW] British Journal of Aesthetics 36 (1):298-299.
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  12. Ole Martin Skilleås (1994). Book Reviews. [REVIEW] British Journal of Aesthetics 34 (2):298-299.
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  13. Ole Martin Skilleås (1993). Book Reviews. [REVIEW] British Journal of Aesthetics 33 (3):298-299.
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  14. Ole Martin Skilleås, Literature and the Value of Interpretation : The Cases of The Tempest and Heart of Darkness.
    This study examines the value of literary interpretation. A case is argued on the basis of the possibility of literary works being understood as 'about' diverse 'themes'. The process of understanding literature, it is argued, inevitably involves the concerns and the personal and historical situatedness of the interpreter. In the performance history of Shakespeare's The Tempest we see clearly how the thematic focus and the representation of the elements of the work changes, sometimes radically, over time. An interpretation of The (...)
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  15. Ole Martin Skilleås (1991). Anachronistic Themes and Literary Value: The Tempest. British Journal of Aesthetics 31 (2):122-133.
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