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Oleg V. Bychkov [10]Oleg Victorowitch Bychkov [1]
  1.  20
    Oleg V. Bychkov (2008). What Does Beauty Have to Do with the Trinity? From Augustine to Duns Scotus. Franciscan Studies 66 (1):197 - 212.
    The issue of why God, the Trinity and Christ in Christianity can be called "beautiful" has been muddled in literature on theological aesthetics. John Duns Scotus’s detailed discussion of relations within the Trinity helps resolve this issue. The Trinity can be called "beautiful" in at least three senses, depending on whether one considers Trinitarian relations at all, whether one looks at the relation of equality, or whether one analyzes relations of origin.
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  2.  9
    Marilyn McCord Adams, Louise M. Antony, Andrew Beards, Simon Blackburn, Linda Aw Brakel, Jeffrey Brand-Ballard, Oleg V. Bychkov, Anne Sheppard & David E. Cartwright (2010). Abell, Catharine, and Bantinaki, Katerina (Eds.) Philosophical Perspectives on Depiction, Oxford University Press, 2010. 241pp,£ 40 Adams, Carol J. The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory, Continuum, 2010. 344pp,£ 12.99. [REVIEW] Thought: A Journal of Philosophy 288:65.
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  3.  4
    Oleg V. Bychkov (2009). Neoplatonic Aesthetics (V.O.) Lobsien, (C.) Olk (Edd.) Neuplatonismus Und Ästhetik. Zur Transformationsgeschichte des Schönen. (Transformationen der Antike 2.) Pp. Viii + 256. Berlin and New York: Walter de Gruyter, 2007. Cased, €78, US$105.30. ISBN: 978-3-11-019225-. [REVIEW] The Classical Review 59 (02):436-.
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  4.  21
    Oleg V. Bychkov (1996). The Reflection of Some Traditional Stoic Ideas in the Thirteenth-Century. Vivarium 34 (2):141-160.
  5.  3
    Oleg V. Bychkov (2007). Büttner (S.) Antike Ästhetik. Eine Einführung in die Prinzipien des Schönen. Pp. 211, ills. Munich: C.H. Beck, 2006. Paper, €12.90. ISBN: 978-3-406-54092-. [REVIEW] The Classical Review 57 (02):308-309.
  6. Oleg V. Bychkov (2001). Decor ex praesentia mali. Recherches de Theologie Et Philosophie Medievales 68 (2):245-269.
    One of the important theological issues for ancient and medieval thought was to account for the existence of evil. Augustine provided an aesthetic explanation: evil exists for contrast, to let the good stand out more prominently. Thus, just as a painting that uses both dark and bright colors, the universe that contains both good and evil is beautiful as a whole. The argument was debated in the twelfth and thirteenth centuries. Alexander of Hales, as well as the Franciscan tradition in (...)
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  7. Oleg V. Bychkov & Anne Sheppard (eds.) (2012). Greek and Roman Aesthetics. Cambridge University Press.
    This anthology of philosophical texts by Greek and Roman authors brings together works from the late fifth century BC to the sixth century AD that comment on major aesthetic issues such as the perception of beauty and harmony in music and the visual arts, structure and style in literature, and aesthetic judgement. It includes important texts by Plato and Aristotle on the status and the role of the arts in society and in education, and Longinus' reflections on the sublime in (...)
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  8. Oleg V. Bychkov & Anne Sheppard (eds.) (2010). Greek and Roman Aesthetics. Cambridge University Press.
    This anthology of philosophical texts by Greek and Roman authors brings together works from the late fifth century BC to the sixth century AD that comment on major aesthetic issues such as the perception of beauty and harmony in music and the visual arts, structure and style in literature, and aesthetic judgement. It includes important texts by Plato and Aristotle on the status and the role of the arts in society and in education, and Longinus' reflections on the sublime in (...)
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  9. Oleg V. Bychkov (2015). “Metaphysics as Aesthetics”: Aquinas' Metaphysics in Present-Day Theological Aesthetics. Modern Theology 31 (1):147-178.
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  10. Oleg V. Bychkov (1996). The Reflection of Some Traditional Stoic Ideas in the Thirteenth-Century Scholastic Theories of Beauty. Vivarium 34 (2):141-160.