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  1. Oliver Conolly & Bashshar Haydar (2008). Literature, Politics, and Character. Philosophy and Literature 32 (1):87-101.
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  2. Oliver Conolly & Bashshar Haydar (2008). The Case Against Faction. Philosophy and Literature 32 (2):347-358.
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  3. Oliver Conolly & Bashar Haydar (2007). Literature, Knowledge, and Value. Philosophy and Literature 31 (1):111-124.
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  4. Oliver Conolly (2005). Pleasure and Pain in Literature. Philosophy and Literature 29 (2):305-320.
  5. Oliver Conolly & Bashshar Haydar (2005). Irreversible Generalism: A Reply to Dickie. British Journal of Aesthetics 45 (3):289-295.
    Irreversible generalism, the view that reasons given for the evaluation of art are general and do not admit of exceptions, is defended from the criticisms levelled against it by George Dickie in ‘Reading Sibley’. The authors' view that Frank Sibley adhered to a form of reversible generalism, the view that reasons given for the evaluation of art are general but can sometimes become reasons to disvalue artworks, according to which there a criterion for distinguishing valenced from neutral aesthetic properties, is (...)
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  6. Oliver Conolly (2004). Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy and Culture of the Fin de Siècle in Europe. British Journal of Aesthetics 44 (2):199-202.
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  7. Oliver Conolly (2003). Reports on Philosophy, No. 19, 1999: Reconsidering Aesthetics. British Journal of Aesthetics 43 (2):201-203.
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  8. Oliver Conolly & Bashshar Haydar (2003). Aesthetic Principles. British Journal of Aesthetics 43 (2):114-125.
    We give reasons for our judgements of works of art. (2) Reasons are inherently general, and hence dependent on principles. (3) There are no principles of aesthetic evaluation. Each of these three propositions seems plausible, yet one of them must be false. Illusionism denies (1). Particularism denies (2). Generalism denies (3). We argue that illusionism depends on an unacceptable account of the use of critical language. Particularism cannot account for the connection between reasons and verdicts in criticism. Generalism comes in (...)
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  9. Oliver Conolly & Bashshar Haydar (2001). Narrative Art and Moral Knowledge. British Journal of Aesthetics 41 (2):109-124.
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  10. Oliver Conolly (1998). Pity, Tragedy and the Pathos of Distance. European Journal of Philosophy 6 (3):277–296.
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