Like Hobbes and unlike Locke, Kant denied the possibility of a right to rebellion. But unlike Hobbes, Kant did not argue for a unitary head of state in whom legislative, judicial, and executive powers are inseparable, and thus did not believe that the executive power in a state to whom must be conceded a monopoly of coercion also defines all rights in the state. Instead, Kant insisted upon the necessary division of authority in a state into a separate legislature, executive, (...) and judiciary, and thus, while rejecting the idea that a people could ever rightfully overthrow their entire constitution or government, he could and did hold that a people represented by a parliament have genuine rights against the executive power within their state even though that executive power properly has a monopoly on the coercive enforcement of the parliament's laws. (shrink)
In his notes and lectures on anthropology, Kant explicitly refers to Alexander Gerard's 1774 Essay on Genius, and his own position that genius is necessary for art but not for science is clearly a response to Gerard. Kant does not explicitly mention Gerard's 1759 Essay on Taste, but it was probably an influence on his own conception of free play, and in any case a comparison of the two theories of aesthetic response is instructive. Gerard's development of a version of (...) the theory of free play without Kant's assumptions that aesthetic judgments must be independent of concepts and yet always intersubjectively valid allows him to accommodate a variety of facts about aesthetic experience in general and our experience of the fine arts in particular more readily and more fully than Kant can, especially those concerning the affective dimension of our experience of art. (shrink)
Immanuel Kant's Critique of Pure Reason, first published in 1781, is one of the landmarks of Western philosophy, a radical departure from everything that went before and an inescapable influence on all philosophy since its publication. This Companion is the first collective commentary on this work in English. The seventeen chapters have been written by an international team of scholars, including some of the best-known figures in the field as well as emerging younger talents. The first two chapters situate Kant's (...) project against the background of continental rationalism and British empiricism, the dominant schools of early modern philosophy. Eleven chapters then expound and assess all the main arguments of the Critique. Finally, four chapters recount the enormous influence of the Critique on subsequent philosophical movements, including German Idealism and Neo-Kantianism, twentieth-century continental philosophy, and twentieth-century Anglo-American analytic philosophy. The book concludes with an extensive bibliography. (shrink)
, Stephanie Ross argues that four of Hume's five criteria for qualified critics in "Of the Standard of Taste’, namely practise, comparison, freedom from prejudice, and good sense, should be understood as conditions for improving the basic constituent of taste, namely delicacy of perception, in real critics whose judgments can be canonical or guiding for the rest of us, but that delicacy of perception needs to be supplemented by what she calls imaginative fluency and emotional responsiveness to provide a fuller (...) conception of the basic constituents of taste. I support Ross's approach by showing that Hume's immediate successors in Scottish aesthetics Alexander Gerard and James Beattie understood his conception of the qualifications of good critics and supplemented his conception of the basic constituents of taste in precisely the same way that Ross does. CiteULike Connotea Del.icio.us What's this? (shrink)
During the 1760s and 1770s, Kant entertained a naturalistic approach to ethics based on the supposed psychological fact of a human love for freedom. During the critical period, especially in the Groundwork for the Metaphysics of Morals, Kant clearly rejected such an approach. But his attempt at a metaphysical foundation for ethics in section III of the Groundwork was equally clearly a failure. Kant recognized this in his appeal to the "fact of reason" argument in the Critique of Practical Reason, (...) but thereby gave up on any attempt to ground the fundamental principle of morality at all. So it is of interest to see how far we might now proceed along the lines of his original naturalistic approach. (shrink)
Immanuel Kant (1724-1804) is arguably the most influential of the Enlightenment Philosophers. In this outstanding introduction, Paul Guyer introduces and assesses all the major aspects of Kant's thought. Beginning with a helpful overview of Kant's life and times, Guyer introduces the "Copernican revolution" Kant brought about in metaphysics and epistemology, carefully introducing his arguments about the nature of experience, space and time in his most influential but difficult work, The Critique of Pure Reason. He gives a much-needed explanation of Kant's (...) famous theory of transcendental idealism, a cornerstone of his philosophy as a whole. He then examines Kant's moral philosophy, clearly explaining Kant's celebrated "categorical imperative" and his theories of duty, freedom of the will, and rights. Finally, he covers Kant's aesthetics, in particular his arguments about the nature of beauty and the sublime and their relation to human freedom and happiness. A concluding chapter considers Kant's legacy and his influence on the shape of contemporary philosophy. Kant is an ideal starting point for anyone coming to the philosopher for the first time, as well as those studying Kant in related disciplines. (shrink)
The philosophy of Immanuel Kant is the watershed of modern thought, which irrevocably changed the landscape of the field and prepared the way for all the significant philosophical movements of the nineteenth and twentieth centuries. This volume, which complements The Cambridge Companion to Kant, covers every aspect of Kant's philosophy, with a particular focus on his moral and political philosophy. It also provides detailed coverage of Kant's historical context and of the enormous impact and influence that his work has had (...) on the subsequent history of philosophy. The bibliography also offers extensive and organized coverage of both classical and recent books on Kant. This volume thus provides the broadest and deepest introduction currently available on Kant and his place in modern philosophy, making accessible the philosophical enterprise of Kant to those coming to his work for the first time. (shrink)
The essays in this volume, including two published here for the first time, explore various aspects ofKant's conception of the system of nature, the system of ...
Values of Beauty discusses major ideas and figures in the history of aesthetics from the beginning of the eighteenth century to the end of the twentieth century. The core of the book features Paul Guyer's most recent essays on the epochal contribution of Immauel Kant, and sets Kant's work in the context of predecessors, contemporaries, and successors including David Hume, Alexander Gerard, Archibald Alison, Arthur Schopenhauer, and John Stuart Mill All of the essays emphasize the complexity rather than isolation of (...) our aesthetic experience of both nature and art; and the interconnection of aesthetic values such as beauty and sublimity on the one hand, and prudential and moral values on the other. Guyer emphasizes that the idea of the freedom of the imagination as the key to both artistic creation and aesthetic experience has been a common thread throughout the modern history of aesthetics, although the freedom of the imagination has been understood and connected to other forms of freedom in a variety of ways. (shrink)
Contrary to Eckart Förster, I argue that the Opus postumum represents more of an evolution than a revolution in Kant's thought. Among other points, I argue that Kant's Selbstsetzungslehre, or theory of self-positing, according to which we cannot have knowledge of the spatio-temporal world except through recognition of the changes we initiate in it by our own bodies, does not constitute a radicalization of Kant's transcendental idealism, but is a development of the realist line of argument introduced by the "Refutation (...) of Idealism" of 1787-90; and I argue that Kant's concept of the highest good, which according to Förster was only revised to connect virtue to collective rather than individual happiness in 1790-93 and was then in any case withdrawn in the Opus postumum, was uninterruptedly focused on collective happiness from the first edition of the first Critique, and that there is no reason to believe that ever Kant retracted it. (shrink)
as a Kantian model of aesthetic experience a free play of the cognitive faculties with beliefs or propositions. This is false to Kant, whose conception is better interpreted as a free play with elements of cognition such as intuitions and concepts. More importantly, an account closer to Kant's original provides a less restrictive model of aesthetic experience than Matravers's interpretation does, and therefore one that more readily fits a much larger number of cases.
Kant is often portrayed as the author of a rigid system of ethics in which adherence to a formal and universal principle of morality - the famous categorical imperative - is an end itself, and any concern for human goals and happiness a strictly secondary and subordinate matter. Such a theory seems to suit perfectly rational beings but not human beings. The twelve essays in this collection by one of the world's preeminent Kant scholars argue for a radically different account (...) of Kant's ethics. They explore an interpretation of the moral philosophy according to which freedom is the fundamental end of human action, but an end that can only be preserved and promoted by adherence to moral law. By radically revising the traditional interpretation of Kant's moral and political philosophy and by showing how Kant's coherent liberalism can guide us in current debates, Paul Guyer will find an audience across moral and political philosophy, intellectual history, and political science. (shrink)
This collection of essays, the first of its kind in nearly thirty years, introduces the reader to some of the most important studies of the book from the past ...
Kant and the Claims of Taste, published here for the first time in paperback in a revised version, has become, since its initial publication in 1979, the standard commentary on Kant's aesthetic theory. The book offers a detailed account of Kant's views on judgments of taste, aesthetic pleasure, imagination and many other topics. For this new edition, Paul Guyer has provided a new foreword and has added a chapter on Kant's conception of fine art. This re-issue will complement the author's (...) companion volume, Kant and the Experience of Freedom, which places Kant's aesthetics in its historical context and examines the fundamental connection between Kant's aesthetics and his moral theory. (shrink)
This collection of essays by one of the preeminent Kant scholars of our time transforms our understanding of both Kant's aesthetics and his ethics. Guyer shows that at the very core of Kant's aesthetic theory, disinterestedness of taste becomes an experience of freedom and thus an essential accompaniment to morality itself. At the same time he reveals how Kant's moral theory includes a distinctive place for the cultivation of both general moral sentiments and particular attachments on the basis of the (...) most rigorous principle of duty. Kant's thought is placed in a rich historical context including such figures as Shaftesbury, Hutcheson, Hume, Burke, Kames, as well as Baumgarten, Mendelssohn, Schiller, and Hegel. Other topics treated are the sublime, natural versus artistic beauty, genius and art history, and duty and inclination. These essays (half being published for the first time) extend and enrich the account of Kant's aesthetics in the author's earlier book, Kant and the Claims of Taste (1979). (shrink)
The fundamental task of philosophy since the seventeenth century has been to determine whether the essential principles of both knowledge and action can be discovered by human beings unaided by an external agency. No one philosopher contributed more to this enterprise than Kant, whose Critique of Pure Reason (1781) shook the very foundations of the intellectual world. Kant argued that the basic principles of the natural sciences are imposed on reality by human sensibility and understanding, and thus that human beings (...) are also free to impose their own free and rational agency on the world. This volume is the only systematic and comprehensive account of the full range of Kant's writings available, and the first major overview of his work to be published in more than a dozen years. An internationally recognized team of Kant scholars explore Kant's conceptual revolution in epistemology, metaphysics, philosophy of science, moral and political philosophy, aesthetics, and the philosophy of religion. The volume also traces the historical origins and consequences of Kant's work. (shrink)
This book offers a radically new account of the development and structure of the central arguments of Kant's Critique of Pure Reason: the defense of the objective validity of such categories as substance, causation, and independent existence. Paul Guyer makes far more extensive use than any other commentator of historical materials from the years leading up to the publication of the Critique and surrounding its revision, and he shows that the work which has come down to us is the result (...) of some striking and only partially resolved theoretical tensions. Kant had originally intended to demonstrate the validity of the categories by exploiting what he called 'analogies of appearance' between the structure of self-knowledge and our knowledge of objects. The idea of a separate 'transcendental deduction', independent from the analysis of the necessary conditions of empirical judgements, arose only shortly before publication of the Critique in 1781, and distorted much of Kant's original inspiration. Part of what led Kant to present this deduction separately was his invention of a new pattern of argument - very different from the 'transcendental arguments' attributed by recent interpreters to Kant - depending on initial claims to necessary truth. (shrink)
