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  1. Paul Silas Peterson (2013). Friedrich Hermanni's Metaphysics. Neue Zeitschrift Für Systematische Theologie Und Religionsphilosophie 55 (4):526-538.
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  2. Paul Silas Peterson (2010). Anti-Modernism and Anti-Semitism in Hans Urs von Balthasar's Apokalypse der deutschen Seele. Neue Zeitschrift Für Systematische Theologie Und Religionsphilosophie 52 (3):302-318.
    SUMMARYThis article analyzes Hans Urs von Balthasar's account of the rise of modernism in his Apokalypse der deutschen Seele . Balthasar's narration of the history of eschatology and the rise of the modern age is critical preparation for his rejection of modernism. It is also a forerunner for his definition of German culture through anti-Semitic adversary-markers. According to Balthasar, in the 18th century there was a fall from a romantic age when German culture was Christian. In the 19th and 20th (...)
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  3. Paul Silas Peterson (2010). On Nature and Bioethics. Human Reproduction and Genetic Ethics 16 (1):74-86.
    The account of nature and humanity’s relationship to nature are of central importance for bioethics. The Scientific Revolution was a critical development in the history of this question and many contemporary accounts of nature find their beginnings here. While the innovative approach to nature going out of the seventeenth century was reliant upon accounts of nature from the early modern period, the Middle Ages, late-antiquity and antiquity, it also parted ways with some of the understandings of nature from these epochs. (...)
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  4. Paul Silas Peterson (2010). The Unquantifiable Value of Imago Trinitatis: Theological Anthropology and the Bioethical Discourse on Human Dignity. Human Reproduction and Genetic Ethics 14 (2):27-38.
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  5. Paul Silas Peterson, Amos Yong, James Kraft, Edwin Koster, David Reiter & Nathanael Johnston (2009). Creatio Ex Pulchritudine. Ars Disputandi 9:1566-5399.
    In the Enneads Plotinus articulates an account of ‘creation’ following in the tradition, albeit critically, of Plato’s Timaeus. This article compares Hart’s account of creation, as expressed in The Beauty of the Infinite: The Aesthetics of Christian Truth , and other secondary literature, with that of Plotinus’s. Some significant differences and interesting parallels are highlighted.
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