Online research in philosophy

“What if the death penalty were a drug?” This question opens the essay and is pursued through two very different kinds of texts. On the one hand, Derrida's 1999–2000 Death Penalty Seminar is brought to bear for its analysis of what is called there the “anesthesial logic” of capital punishment. This logic, Derrida argues, has determined both pro– and anti–death penalty discourses since at least the mid-eighteenth century. On the other hand, the essay gathers evidence of events that led, in (...) 2010, to the unavailability in the United States of sodium thiopental—the anesthetic component of the three-drug protocol of the lethal injection—which forced many death penalty states to halt executions. Current events thus confirm the philosopher's analysis that anesthesia is indeed the lynchpin of the apparatus of state-sanctioned executions. But the analysis of this anesthesial logic also leads one to pose the further question of who is being anesthetized by this protocol and its discursive devices: the sentenced or the sentencers? (shrink)

In the wake of Derrida’s disappearance, this essay asks the question of how to take responsibility, now, for the world one is left to bear. It retraces the path Derrida followed in thinking the event of a coming world and isolates a number of concepts that assumed prominence in his late work: sovereignty, unconditionality, possibility, ipseity. Drawing on the essay “The Reason of the Strongest” in Rogues, it discerns an important distinction made between sovereignty and unconditionality, and situates Derrida’s work (...) as an explicit rethinking of the concept of possibility. It argues that this work offers significant leverage, conceptually and practically, on the legacy of sovereignty as the right of the strongest. (shrink)

This book consists of a series of essays that all turn around questions of the address of speech or writing. They argue and demonstrate that meaning is not just a matter of the active intention of a subject (for example, speaker, writer, or other signatory of a meaningful act) but also of its reception at another's address. The book's main concern is therefore with a theory of meaning and of action that is not centered on the intentional, self-conscious subject. The (...) fifteen chapters explore this problematic within three broad areas: love, jealousy, and sexual difference; fiction or literature; and political or public discourse. The book engages principally with contemporary French thought and includes important new readings of work by Jacques Derrida, He;lène Cixous, Maurice Blanchot, and Jean-Luc Nancy. (shrink)