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Profile: Peter Goldie (University of Manchester)
  1. Stephen Davies & Peter Goldie, Cross-Cultural Musical Expressiveness: Theory and the Empirical Programme.
    In sections I-VII of this chapter I outline the theoretical background for a research programme considering whether the expressiveness of a culture’s music can be recognised by people from different musical cultures, that is, by people whose music is syntactically and structurally distinct from that of the target culture. In sections VIII-IX, I examine and assess the cross-cultural studies that have been undertaken by psychologists. Most of these studies are compromised by methodological inadequacies.
     
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  2. Chloë Fitzgerald & Peter Goldie (2012). Thick Concepts and Their Role in Moral Psychology. In Robyn Langdon & Catriona Mackenzie (eds.), Emotions, Imagination, and Moral Reasoning. Psychology Press.
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  3. Stephen Gaukroger, Peter Goldie, C. Stephen Jeager, Thomas Leddy & Uwe Steiner (2012). BUSKIRK, MARTHA. Creative Enterprise: Contemporary Art Between Museum and Marketplace.(London: Continuum). 2012. Pp. 392.£ 22.99 (Pbk). CURRIE, GREG; KOATKO, Petr and POKORNY, MARTIN (Eds.). Mimesis: Metaphysics, Cognition, Pragmatics.(London. [REVIEW] British Journal of Aesthetics 52 (4):439.
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  4. Peter Goldie (2012). Comment on Breithaupt's "A Three-Person Model of Empathy&Quot;. Emotion Review 4 (1):92-93.
    Breithaupt’s central claim is that “empathy can be regarded as a mechanism for strengthening a decision” (2012, p. 87). My concern is that it is not clear what is meant by “strengthen.” Does empathy merely give more motivational “oomph” to a decision already made, or does it strengthen a decision in the normative sense—does it give more reason for the decision?
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  5. Peter Goldie (2012). Loss of Affect in Intellectual Activity. Emotion Review 4 (2):122-126.
    In this article I will consider how loss of affect in our intellectual lives, through depression for example, can be as debilitating as loss of affect elsewhere in our lives. This will involve showing that there are such things as intellectual emotions, that their role in intellectual activity is not merely as an aid to the intellect, and that loss of affect changes not only one’s motivations, but also one’s overall evaluative take on the world.
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  6. Peter Goldie (2012). Moral Emotions and Intuitions. By Sabine Roeser. (Basingstoke: Palgrave Macmillan, 2011. Pp. Xvii + 207. Price £55.). Philosophical Quarterly 62 (246):204-206.
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  7. Peter Goldie (2012). The Mess Inside. Oxford University Press.
    Peter Goldie explores the ways in which we think about our lives--our past, present, and future--in narrative terms. The notion of narrative is highly topical, and highly contentious, in a wide range of fields including philosophy, psychology and psychoanalysis, historical studies, and literature. The Mess Inside engages with all of these areas of discourse, and steers a path between the sceptics who are dismissive of the idea of narrative as having any worthwhile use at all, and those who argue that (...)
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  8. Peter Goldie (2012). The Mess Inside: Narrative, Emotion, and the Mind. Oxford University Press.
    Narrative thinking -- Narrative thinking about one's past -- Grief : a case study -- Narrative thinking about one's future -- Self-forgiveness : a case study -- The narrative sense of self -- Narrative, truth, life, and fiction.
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  9. Peter Goldie (2012). The Narrative Sense of Self. Journal of Evaluation in Clinical Practice 18 (5):1064-1069.
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  10. Peter Goldie (2012). The Self and Its Emotions By Kristján Kristjánsson Cambridge University Press, 2010, Pp. Xiv + 272, £55 HB ISBN: 978052111478-3. [REVIEW] Philosophy 87 (01):137-141.
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  11. Amy Coplan & Peter Goldie (eds.) (2011). Empathy: Philosophical and Psychological Perspectives. Oxford University Press.
    Empathy has for a long time, at least since the eighteenth century, been seen as centrally important in relation to our capacity to gain a grasp of the content of other people's minds, and predict and explain what they will think, feel, and do; and in relation to our capacity to respond to others ethically. In addition, empathy is seen as having a central role in aesthetics, in the understanding of our engagement with works of art and with fictional characters. (...)
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  12. Peter Goldie (2011). Anti-Empathy. In Amy Coplan & Peter Goldie (eds.), Empathy: Philosophical and Psychological Perspectives. Oxford University Press. 302.
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  13. Peter Goldie (2011). Empathy with One's Past. Southern Journal of Philosophy 49 (s1):193-207.
    This paper presents two ideas in connection with the notion of empathic access to one's past, where this notion is understood as consisting of memories of one's past from the inside, plus a fundamental sympathy for those remembered states. The first idea is that having empathic access is a necessary condition for one's personal identity and survival. I give reasons to reject this view, one such reason being that it in effect blocks off the possibility of profound personal progress through (...)
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  14. Peter Goldie (2011). Grief: A Narrative Account. Ratio 24 (2):119-137.
    Grief is not a kind of feeling, or a kind of judgement, or a kind of perception, or any kind of mental state or event the identity of which can be adequately captured at a moment in time. Instead, grief is a kind of process; more specifically, it is a complex pattern of activity and passivity, inner and outer, which unfolds over time, and the unfolding pattern over time is explanatorily prior to what is the case at any particular time. (...)
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  15. Peter Goldie (2011). Intellectual Emotions and Religious Emotions. Faith and Philosophy 28 (1):93-101.
    What is the best model of emotion if we are to reach a good understanding of the role of emotion in religious life? I begin by setting out a simple model of emotion, based on a paradigm emotional experience of fear of an immediate threat in one’s environment. I argue that the simple model neglects many of the complexities of our emotional lives, including in particular the complexities that one finds with the intellectual emotions. I then discuss how our dispositions (...)
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  16. Peter Goldie (2011). Life, Fiction, and Narrative. In Noel Carroll & John Gibson (eds.), Narrative, Emotion, and Insight. Penn State University. 8.
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  17. Peter Goldie (2011). Self-Forgiveneess and the Narrative Sense of Self. In Christel Fricke (ed.), The Ethics of Forgiveness: A Collection of Essays. Routledge.
     
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  18. Elisabeth Schellekens & Peter Goldie (eds.) (2011). The Aesthetic Mind: Philosophy and Psychology. Oxford University Press.
    The Aesthetic Mind breaks new ground in bringing together empirical sciences and philosophy to enhance our understanding of aesthetics and the experience of art.
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  19. Peter Goldie (2010). ALLAN, DEREK. Art and the Human Adventure: Andre Malreaux's Theory of Art.(Amsterdam: Rodopi). 2009. Pp. 342.£ 64.60 (Pbk). BARRETT, ESTELLE and BOLT, BARBARA (Eds). Practice as Research: Approaches to Creative Arts Enquiry.(London: IB Tauris). 2010. Pp. 224.£ 17.99 (Pbk). [REVIEW] British Journal of Aesthetics 50 (2):223.
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  20. Peter Goldie (2010). Love for a Reason. Emotion Review 2 (1):61-67.
    According to Bob Solomon, love is a human emotion, with a complex intentional structure, having its own kind of reasons. I will examine this account, which, in certain respects, tends to mask the deep and important differences between love and other emotions.
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  21. Peter Goldie (ed.) (2010). The Mind’s Bermuda Triangle: Philosophy of Emotions and Empirical Science. Oxford University Press.
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  22. Peter Goldie (2010). Virtues of Art. Philosophy Compass 5 (10):830-839.
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  23. Peter Lamarque & Peter Goldie (2010). Whimsicality in the Films of Eric Rohmer. Midwest Studies in Philosophy 34 (1):306-322.
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  24. Peter Goldie (2009). Getting Feelings Into Emotional Experiences in the Right Way. Emotion Review 1 (3):232-239.
    I argue that emotional feelings are not just bodily feelings, but also feelings directed towards things in the world beyond the bounds of the body, and that these feelings (feelings towards) are bound up with the way we take in the world in emotional experience.
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  25. Peter Goldie (2009). Narrative Thinking, Emotion, and Planning. Journal of Aesthetics and Art Criticism 67 (1):97-106.
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  26. Peter Goldie & Elisabeth Schellekens (2009). Who's Afraid of Conceptual Art? Routledge.
    What is conceptual art? Is it really a kind of art in its own right? Is it clever – or too clever? Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges the (...)
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  27. Peter Goldie (2008). Virtues of Art and Human Well-Being. Aristotelian Society Supplementary Volume 82 (1):179-195.
    What is the point of art, and why does it matter to us human beings? The answer that I will give in this paper, following on from an earlier paper on the same subject, is that art matters because our being actively engaged with art, either in its production or in its appreciation, is part of what it is to live well. The focus in the paper will be on the dispositions—the virtues of art production and of art appreciation—that are (...)
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  28. Peter Goldie (2008). Misleading Emotions. In Georg Brun, Ulvi Dogluoglu & Dominique Kuenzle (eds.), Epistemology and Emotions. Ashgate Publishing Company. 149--165.
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  29. Peter Goldie (2008). Thick Concepts and Emotion. In Daniel Callcut (ed.), Reading Bernard Williams. Routledge.
     
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  30. Peter Goldie (2008). Teaching & Learning Guide For: Emotion. Philosophy Compass 3 (5):1097-1099.
    The emotions were a neglected topic in philosophy twenty or so years ago, but things have now changed. It is now appreciated how important it is to understand the emotions as an independent aspect of our mental economy – one that has to be properly taken into account in any worthwhile philosophising in ethics or moral psychology, in epistemology, in aesthetics, and generally in philosophical issues surrounding value and how the mind engages with value in the world. There is now (...)
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  31. Peter Goldie (2007). Conceptual Art and Knowledge. In Peter Goldie & Elisabeth Schellekens (eds.), Philosophy and Conceptual Art. Oxford University Press. 157.
     
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  32. Peter Goldie (2007). Dramatic Irony, Narrative, and the External Perspective. Royal Institute of Philosophy Supplement 82 (60):69-.
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  33. Peter Goldie (2007). Emotion. Philosophy Compass 2 (6):928–938.
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  34. Peter Goldie (2007). Not Passion's Slave: Emotions and Choice, by Robert C. Solomon and From Passions to Emotions: The Creation of a Secular Psychological Category, by Thomas Dixon. European Journal of Philosophy 15 (1):106–110.
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  35. Peter Goldie (2007). Seeing What is the Kind Thing to Do: Perception and Emotion in Morality. Dialectica 61 (3):347-361.
  36. Peter Goldie (2007). There Are Reasons and Reasons. In. In Daniel D. Hutto & Matthew Ratcliffe (eds.), Folk Psychology Re-Assessed. Kluwer/Springer Press. 103--114.
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  37. Peter Goldie (2007). Towards a Virtue Theory of Art. British Journal of Aesthetics 47 (4):372-387.
    In this paper I sketch a virtue theory of art, analogous to a virtue theory of ethics along Aristotelian lines. What this involves is looking beyond a parochial conception of art understood as work of art, as product, to include intentions, motives, skills, traits, and feelings, all of which can be expressed in artistic activity. The clusters of traits that go to make up the particular virtues of art production and of art appreciation are indeed virtues in part because, when (...)
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  38. Peter Goldie (2007). Book Review: John M. Doris, Lack of Character: Personality and Moral Behaviour (Cambridge: Cambridge University Press, 2002), X + 272 Pp. ISBN 0521631165 (Hbk). Hardback/ Paperback: £48.00/£16.99. [REVIEW] Journal of Moral Philosophy 4 (2):289-291.
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  39. Peter Goldie & Elisabeth Schellekens (2007). Introduction. In Peter Goldie & Elisabeth Schellekens (eds.), Philosophy and Conceptual Art. Oxford University Press.
     
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  40. Peter Goldie & Elisabeth Schellekens (eds.) (2007). Philosophy and Conceptual Art. Oxford University Press.
    This volume is most probably the first collection of papers by analytic Anglo-American philosophers tackling these concerns head-on.
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  41. Peter Goldie (2006). Emotional Experience and Understanding. In Richard Menary (ed.), Radical Enactivism: Intentionality, Phenomenology and Narrative: Focus on the Philosophy of Daniel D. Hutto.
  42. Peter Goldie (2006). Wollheim on Emotion and Imagination. Philosophical Studies 127 (1):1-17.
  43. Peter Goldie (2005). Imagination and the Distorting Power of Emotion. Journal of Consciousness Studies 12 (8-10):127-139.
    _In real life, emotions can distort practical reasoning, typically in ways that it is_ _difficult to realise at the time, or to envisage and plan for in advance. This fea-_ _ture of real life emotional experience raises difficulties for imagining such expe-_ _riences through centrally imagining, or imagining ‘from the inside’. I argue_ _instead for the important psychological role played by another kind of imagin-_ _ing: imagining from an external perspective. This external perspective can draw_ _on the dramatic irony involved (...)
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  44. Peter Goldie (2005). Love's Complications. The Philosophers' Magazine 29 (29):58-61.
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  45. Peter Goldie (2004). Emotion, Feeling, and Knowledge of the World. In Robert C. Solomon (ed.), Thinking About Feeling: Contemporary Philosophers on Emotions. Oxford University Press.
    There is a view of the emotions (I might tendentiously call it ‘cognitivism’) that has at present a certain currency. This view is of the emotions as playing an essential role in our gaining evaluative knowledge of the world. When we are angry at an insult, or afraid of the burglar, our emotions involve evaluative perceptions and thoughts, which are directed towards the way something is in the world that impinges on our well-being, or on the well-being of those that (...)
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  46. Peter Goldie (2004). Emotion, Reason, and Virtue. In D. Evans & Pierre Cruse (eds.), Emotion, Evolution, and Rationality. Oxford University Press. 249--267.
  47. Peter Goldie (2004). On Personality. Routledge.
    Warm, sensitive, creative, outgoing, cheeky, creepy. Scan any personal ads page and it's clear that to get a life you need a personality first. It is also a notion with a long and often bizarre history: in early Greece and medieval Europe, it was thought to depend on the balance of bile in the body. On Personality is a thoughtful and stimulating look under the skin of this widely-used but little understood phenomenon. Peter Goldie points out that we rely on (...)
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  48. Peter Goldie (2004). Recreative Minds: Imagination in Philosophy and Psychology by Gregory Currie and Ian Ravenscroft, Oxford: Clarendon Press, 2002, Pp. 233; ISBN 0 19 823809 6 (Pbb) ??XX.Xx. [REVIEW] Philosophy 79 (2):331-335.
  49. Sven Arvidson, John Barresi, Tim Bayne, Pierre Bovet, Andrew Brook, Andy Clark, Lester Embree, William Friedman, Peter Goldie & David Hunter (2003). Acknowledgement of External Reviewers for 2002. Phenomenology and the Cognitive Sciences 2 (95).
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  50. Peter Goldie (2003). Justifying Emotions: Pride and Jealousy. Mind 112 (447):551-555.
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