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Profile: Peter Hanly (Boston College)
  1. Peter Hanly (2013). Passionate Deceptions: Nicole and Racine on the Theatre. Evental Aesthetics 2 (1):21-41.
    This paper is an attempt to re-consider the aesthetics of tragedy in the work of the seventeenth-century dramatist Jean Racine. The purpose of the essay is twofold. On the one hand, the intention is to re-invigorate the reading of a dramatist whose work is too easily buried beneath labels such as “French Classicism.” On the other, an attempt is made to use this re-reading to cast new light on some of the central questions of representation, pleasure and tragedy that were (...)
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  2. Catherine Chalier & Peter Hanly (2010). The Keenness of Hope. Levinas Studies 5:117-131.
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  3. Peter Hanly (2010). Strange Lands. Epoché: A Journal for the History of Philosophy 14 (2):321-334.
    A gradual intertwinement of beauty and concept can be seen to determine, in no small measure, the direction of the first half of the Critique of Judgment. This paper considers the decisive influence of this intertwinement on the work of Hölderlin. Links are forged between the productive indeterminacy of the “aesthetic ideas” and the development of Hölderlin’s poetics, particularly in regard to his understanding of the relation between the natural world and its naming. The focus of attention will be on (...)
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  4. Peter Hanly (2009). Hegel's Voice: Vibration and Violence. Research in Phenomenology 39 (3):359-373.
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