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Peter Lamarque [81]Peter Vaudreuil Lamarque [3]
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Profile: Peter Lamarque (University of York)
  1. Peter Lamarque & Stein Haugom Olsen (1994). Truth, Fiction, and Literature: A Philosophical Perspective. Oxford University Press.
    This book examines the complex and varied ways in which fictions relate to the real world, and offers a precise account of how imaginative works of literature can use fictional content to explore matters of universal human interest. While rejecting the traditional view that literature is important for the truths that it imparts, the authors also reject attempts to cut literature off altogether from real human concerns. Their detailed account of fictionality, mimesis, and cognitive value, founded on the methods of (...)
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  2. Peter Lamarque (2004). On Not Expecting Too Much From Narrative. Mind and Language 19 (4):393–408.
    The paper offers a mildly deflationary account of narrative, drawing attention to the minimal, thus easily satisfied, conditions of narrativity and showing that many of the more striking claims about narrative are either poorly supported or refer to distinct classes of narrative—usually literary or fictional—which provide a misleading paradigm for narration in general. An enquiry into structural, referential, pragmatic, and valuebased features of narrative helps circumscribe the limits of narration and the test case of the narrative definition of the (...)
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  3. Peter Lamarque (1981). How Can We Fear and Pity Fictions? British Journal of Aesthetics 21 (4):291-304.
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  4.  2
    Peter Lamarque (2009). The Philosophy of Literature. Blackwell Pub..
    The latest volume in the Foundations of the Philosophy of the Arts series is a comprehensive study of a relatively new but increasingly influential branch of aesthetics.
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  5.  62
    Peter Lamarque (2010). The Uselessness of Art. Journal of Aesthetics and Art Criticism 68 (3):205-214.
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  6.  56
    Peter Lamarque (2002). Work and Object. Proceedings of the Aristotelian Society 102 (2):141–162.
    The paper considers what kinds of things are musical, literary, pictorial and sculptural works, how they relate to physical objects or abstract types, and what their identity and survival conditions are. Works are shown to be cultural objects with essential intentional and relational properties. These essential properties are connected to conditions of production and conditions of reception, of both a generic and work-specific kind. It is argued that work-identity is value-laden, whereby essential to the survival of a work is the (...)
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  7.  3
    Peter Lamarque (1979). The Rule of Metaphor: Multi-Disciplinary Studies of the Creation of Meaning in Language. [REVIEW] Philosophical Quarterly 29 (115):188.
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  8. Peter Lamarque (2007). Aesthetics and Literature: A Problematic Relation? Philosophical Studies 135 (1):27 - 40.
    The paper argues that there is a proper place for literature within aesthetics but that care must be taken in identifying just what the relation is. In characterising aesthetic pleasure associated with literature it is all too easy to fall into reductive accounts, for example, of literature as merely “fine writing”. Belleslettrist or formalistic accounts of literature are rejected, as are two other kinds of reduction, to pure meaning properties and to a kind of narrative realism. The idea is developed (...)
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  9.  35
    Peter Lamarque (2010). Work and Object: Explorations in the Metaphysics of Art. Oxford University Press.
    Issues about the creation of works, what is essential and inessential to their identity, their distinct kinds of properties, including aesthetic properties, ...
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  10.  0
    Peter Lamarque (1996). Fictional Points of View. Monograph Collection (Matt - Pseudo).
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  11. Peter Lamarque (1990). The Death of the Author: An Analytical Autopsy. British Journal of Aesthetics 30 (4):319-331.
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  12.  42
    Peter Lamarque (2009). Poetry and Abstract Thought. Midwest Studies in Philosophy 33 (1):37-52.
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  13. Peter Lamarque (2006). Cognitive Values in the Arts: Marking the Boundaries. In Matthew Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell Pub. 127--39.
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  14. Peter Lamarque (2001). Literature. In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge
     
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  15.  67
    Peter Lamarque (1995). Tragedy and Moral Value. Australasian Journal of Philosophy 73 (2):239 – 249.
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  16.  84
    Peter Lamarque (2003). Making Sense: A Theory of Interpretation. [REVIEW] British Journal of Aesthetics 43 (1):80-84.
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  17.  70
    Peter Lamarque (2009). The Elusiveness of Poetic Meaning. Ratio 22 (4):398-420.
    Various aspects of poetic meaning are discussed, centred on the relation of form and content. A C Bradley's thesis of form-content identity, suitably reformulated, is defended against criticisms by Peter Kivy. It is argued that the unity of form-content is not discovered in poetry so much as demanded of it when poetry is read 'as poetry'. A shift of emphasis from talking about 'meaning' in poetry to talking about 'content' is promoted, as is a more prominent role for 'experience' in (...)
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  18.  71
    Peter Lamarque (1984). Bits and Pieces of Fiction. British Journal of Aesthetics 24 (1):53-58.
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  19.  62
    Peter Lamarque (2010). Précis of the Philosophy of Literature. British Journal of Aesthetics 50 (1):77-80.
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  20.  21
    Peter Lamarque (2000). Objects of Interpretation. Metaphilosophy 31 (1-2):96-124.
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  21.  50
    Peter Lamarque (2007). On the Distance Between Literary Narratives and Real-Life Narratives. Royal Institute of Philosophy Supplement 82 (60):117-.
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  22.  11
    Peter Lamarque (1987). The Puzzle of the Flash Stockman: A Reply to David Lewis. Analysis 47 (2):93 - 95.
    This is a short note on a problem arising from lewis's account of 'truth in fiction'. In the case of the unreliable narrator, A writer, On lewis's view, Must pretend to pretend. An explanation is offered for this in terms of mimicry or impersonation, And some consequences drawn about fictional ontology.
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  23.  52
    Peter Lamarque (1989). Expression and the Mask: The Dissolution of Personality in Noh. Journal of Aesthetics and Art Criticism 47 (2):157-168.
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  24. Peter Lamarque & Stein Haugom Olsen (2004). The Philosophy of Literature : Pleasure Restored. In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Blackwell Pub.
     
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  25.  51
    Peter Lamarque (2004). Review: Beyond Aesthetics: Philosophical Essays. [REVIEW] Mind 113 (450):323-326.
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  26.  3
    Peter Lamarque (2004). Beyond Aesthetics: Philosophical Essays. [REVIEW] Mind 113 (450):323-326.
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  27. Peter Lamarque (2001). Aesthetic Essentialism. In Emily Brady & Jerrold Levinson (eds.), Aesthetic Concepts: Essays After Sibley. Oxford University Press 100--122.
     
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  28.  42
    Peter Lamarque (2003). The Range of Interpretation. [REVIEW] British Journal of Aesthetics 43 (1):80-84.
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  29.  30
    Peter Lamarque (2009). Much Ado About Nonexistence: Fiction and Reference. [REVIEW] Philosophical Review 118 (3):406-409.
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  30.  8
    Peter Lamarque (2009). Artistic Value. In John Shand (ed.), Central Issues in Philosophy. Wiley-Blackwell
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  31.  7
    Peter Lamarque (1978). Truth and Art in Iris Murdoch's The Black Prince. Philosophy and Literature 2 (2):209-222.
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  32.  12
    Peter Lamarque (1990). Reasoning to What is True in Fiction. Argumentation 4 (3):333-346.
    The paper discusses the principle by which we reason to what is ‘true in fiction’. The focus is David Lewis's article ‘Truth in Fiction’ (1978) which proposes an analysis in terms of counterfactuals and possible worlds. It is argued thatLewis's account is inadequate in detail and also in principle in that it conflicts radically with basic and familiar tenets of literary criticism. Literary critical reasoning about fiction concerns not the discovery of facts in possible worlds but the recovery of meanings (...)
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  33.  23
    Peter Lamarque & Peter Goldie (2010). Whimsicality in the Films of Eric Rohmer. Midwest Studies in Philosophy 34 (1):306-322.
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  34.  21
    Peter Lamarque (2010). Replies to Attridge, Blackburn, Feagin, and Harcourt. British Journal of Aesthetics 50 (1):99-106.
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  35.  5
    Peter Lamarque (1976). Presupposition and the Delimitation of Semantics.Presuppositions and Non-Truth-Conditional Semantics. [REVIEW] Philosophical Quarterly 26 (105):379.
  36.  6
    Peter Lamarque (1989). Knowledge, Fiction and Imagination (Review). Philosophy and Literature 13 (2):365-374.
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  37.  1
    Peter Lamarque (1999). The High Price of Evading Boredom: A Reply to Erik Bjerck Hagen. Nordic Journal of Aesthetics 11 (18).
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  38.  3
    Peter Lamarque (1987). Metaphor and Religious Language. [REVIEW] Philosophical Books 28 (1):59-61.
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  39.  15
    Peter Lamarque (1999). Arguing About Art. [REVIEW] European Journal of Philosophy 7 (1):89–100.
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  40.  8
    Peter Lamarque (2005). Object, Work, and Interpretation. Philosophy in the Contemporary World 12 (1):1-7.
    The paper offers an overview of, and critical comments on, Michael Krausz’s Limits of Rightness. It focuses on three key aspects of the book’s intellectual framework: the ideals of interpretation, the objects of interpretation, and the ontological commitments of interpretation. The paper discusses how exactly these aspects are related Krausz’s views on constructive realism, in particular its relation to objects of interpretation, become crucial. His comments on Paul Thom’s theory of interpretations provide a context for examining the role of ‘construction’ (...)
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  41.  2
    Peter Lamarque (2011). On Keeping Psychology Out of Literary Criticism. In Elisabeth Schellekens & Peter Goldie (eds.), The Aesthetic Mind: Philosophy and Psychology. Oxford University Press 299-312.
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  42.  2
    Peter Lamarque (1988). Book Reviews. [REVIEW] British Journal of Aesthetics 28 (3):84-86.
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  43.  5
    Peter Lamarque (1983). Iris Murdoch: Work for the Spirit (Review). Philosophy and Literature 7 (1):131-132.
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  44.  2
    Peter Lamarque (1998). Aesthetic Value, Experience, and Indiscernibles. Nordic Journal of Aesthetics 10 (17).
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  45. Peter Lamarque (2010). Literature and Truth. In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell
     
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  46.  3
    Peter Lamarque (1985). Spreading the Word: Groundings in the Philosophy of Language (Review). Philosophy and Literature 9 (2):212-225.
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  47.  1
    Peter Lamarque (1986). Book Reviews. [REVIEW] British Journal of Aesthetics 26 (3):84-86.
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  48.  1
    Peter Lamarque (1993). Book Reviews. [REVIEW] British Journal of Aesthetics 33 (3):84-86.
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  49.  1
    Peter Lamarque (1989). "På Liksom", Aspektbundethet Og Ontologi. Nordic Journal of Aesthetics 2 (3).
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  50.  3
    Peter Lamarque (1992). Book Reviews. [REVIEW] British Journal of Aesthetics 32 (4):84-86.
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