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Philip Alperson [40]Philip Alan Alperson [1]
  1. Stephen Davies & Philip Alperson (2015). The Philosophy of Art. Wiley-Blackwell.
    Now available in a fully revised and updated second edition, this accessible and insightful introduction outlines the central theories and ongoing debates in the philosophy of art. Covers a wide range of topics, including the definition and interpretation of art, the connections between artistic and ethical judgment, and the expression and elicitation of emotions through art Includes discussion of prehistoric, non-Western, and popular mass arts, extending the philosophical conversation beyond the realm of Fine Art Details concrete applications of complex theoretical (...)
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  2. Philip Alperson (1984). On Musical Improvisation. Journal of Aesthetics and Art Criticism 43 (1):17-29.
  3.  8
    Philip Alperson (forthcoming). What Should One Expect From a Philosophy of Music Education? Journal of Aesthetic Education.
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  4. Philip Alperson (1991). When Composers Have to Be Performers. Journal of Aesthetics and Art Criticism 49 (4):369-373.
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  5.  69
    Philip Alperson & Noël Carroll (2008). Music, Mind, and Morality: Arousing the Body Politic. Journal of Aesthetic Education 42 (1):1-15.
  6.  68
    Philip Alperson (2010). A Topography of Improvisation. Journal of Aesthetics and Art Criticism 68 (3):273-280.
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  7.  39
    Philip Alperson (2008). The Instrumentality of Music. Journal of Aesthetics and Art Criticism 66 (1):37–51.
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  8. Philip Alperson (1980). Musical Time" and Music as an "Art of Time. Journal of Aesthetics and Art Criticism 38 (4):407-417.
  9.  69
    Philip Alperson (1981). Schopenhauer and Musical Revelation. Journal of Aesthetics and Art Criticism 40 (2):155-166.
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  10.  68
    Philip Alperson (1992). The Arts of Music. Journal of Aesthetics and Art Criticism 50 (3):217-230.
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  11.  31
    Jerrold Levinson & Philip Alperson (1991). What Is a Temporal Art? Midwest Studies in Philosophy 16 (1):439-450.
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  12.  42
    Philip Alperson (2009). Facing the Music: Voices From the Margins. Topoi 28 (2):91-96.
    Recent philosophy of music in the Anglophone analytic tradition has produced many fine-grained analyses of musical practices within the context of the Western fine-art tradition. It has not for the most part, however, been self-conscious about the normative implications of that orienting tradition. As a result, the achievements of recent philosophical discussions of music have been unnecessarily constricted. The way forward is to enrich the range of musical practices philosophy takes as its target of examination.
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  13. Philip Alperson (forthcoming). Instrumental Music and Instrumental Value. Journal of Aesthetic Education.
     
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  14. Philip Alperson (2004). The Philosophy of Music : Formalism and Beyond. In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Blackwell Pub.
     
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  15. Philip Alperson (1986). Ernest Bloch, Essays on the Philosophy of Music Reviewed By. Philosophy in Review 6 (10):464-467.
     
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  16.  3
    Philip Alperson (2002). Introduction: Diversity and Community. In Diversity and Community: An Interdisciplinary Reader. Blackwell Pub. 1--30.
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  17.  8
    Philip Alperson (2010). Robust Praxialism and the Anti-Aesthetic Turn. Philosophy of Music Education Review 18 (2):171-193.
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  18.  31
    Philip Alperson, B. E. N. Chí & To Ngoc Thanh (2007). The Sounding of the World: Aesthetic Reflections on Traditional Gong Music of Vietnam. Journal of Aesthetics and Art Criticism 65 (1):11–20.
  19.  5
    Philip Alperson (forthcoming). Value Monism, Value Pluralism, and Music Education: Sparshott as Fox. Journal of Aesthetic Education 31 (2).
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  20.  7
    Philip Alperson, Nguyễn Chí Bến & To Ngoc Thanh (2007). The Sounding of the World: Aesthetic Reflections on Traditional Gong Music of Vietnam. Journal of Aesthetics and Art Criticism 65 (1):11 - 20.
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  21.  25
    Philip Alperson (1994). Introduction: New Directions in the Philosophy of Music. Journal of Aesthetics and Art Criticism 52 (1):1-11.
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  22.  14
    Philip Alperson (1993). Editorial Note. Journal of Aesthetics and Art Criticism 51 (4).
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  23.  18
    Philip Alperson (1991). The Arts of Music. Journal of Philosophy 88 (10):555-556.
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  24.  3
    Philip Alperson (2009). Englischsprachige Philosophie der Musik: Ein Blick von Irgendwo. Deutsche Zeitschrift für Philosophie 57 (6):879-884.
    Contemporary Anglophone philosophy of music has eschewed traditional philosophical concerns about the place of music in human affairs, concentrating instead on a more restricted domain of musical meaning related to aesthetic considerations which are ultimately tied to the concept of disinterested aesthetic experience. I argue that this emphasis needs to be supplemented by an attention to the “instrumentality” of music, understanding music in relation to questions of the social and cultural purposes that music might serve and thereby broadening the idea (...)
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  25.  9
    Philip Alperson (2003). Notes From the Editor. Journal of Aesthetics and Art Criticism 61 (1):3–4.
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  26.  2
    Philip Alperson (2003). Creativity in Art. In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press 249--50.
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  27.  22
    Philip Alperson (ed.) (2002). Diversity and Community: An Interdisciplinary Reader. Blackwell Pub..
    _Diversity and Community: An Interdisciplinary Reader_ is a collection of essays exploring the notion of community in its many theoretical, practical, and cultural manifestations. A collection of specially commissioned essays exploring the notion of community in its many theoretical, practical, and cultural manifestations. Discusses the idea of community in its full, cultural context. Deals with issues confronting many diverse groups, including African American, Franco-Canadian, computer-mediated, and gay and lesbian communities. Includes contributions by both eminent schlars and new voices, among them (...)
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  28. Philip Alperson (ed.) (2008). Diversity and Community: An Interdisciplinary Reader. Wiley-Blackwell.
    _Diversity and Community: An Interdisciplinary Reader _is a collection of essays exploring the notion of community in its many theoretical, practical, and cultural manifestations. A collection of specially commissioned essays exploring the notion of community in its many theoretical, practical, and cultural manifestations. Discusses the idea of community in its full, cultural context. Deals with issues confronting many diverse groups, including African American, Franco-Canadian, computer-mediated, and gay and lesbian communities. Includes contributions by both eminent schlars and new voices, among them (...)
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  29. Philip Alperson (ed.) (2008). Diversity and Community: An Interdisciplinary Reader. Wiley-Blackwell.
    _Diversity and Community: An Interdisciplinary Reader _is a collection of essays exploring the notion of community in its many theoretical, practical, and cultural manifestations. A collection of specially commissioned essays exploring the notion of community in its many theoretical, practical, and cultural manifestations. Discusses the idea of community in its full, cultural context. Deals with issues confronting many diverse groups, including African American, Franco-Canadian, computer-mediated, and gay and lesbian communities. Includes contributions by both eminent schlars and new voices, among them (...)
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  30. Philip Alperson (ed.) (2002). Diversity and Community: An Interdisciplinary Reader. Wiley-Blackwell.
    _Diversity and Community: An Interdisciplinary Reader_ is a collection of essays exploring the notion of community in its many theoretical, practical, and cultural manifestations. A collection of specially commissioned essays exploring the notion of community in its many theoretical, practical, and cultural manifestations. Discusses the idea of community in its full, cultural context. Deals with issues confronting many diverse groups, including African American, Franco-Canadian, computer-mediated, and gay and lesbian communities. Includes contributions by both eminent schlars and new voices, among them (...)
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  31. Philip Alperson (ed.) (2002). Diversity and Community: An Interdisciplinary Reader. Wiley-Blackwell.
    _Diversity and Community: An Interdisciplinary Reader_ is a collection of essays exploring the notion of community in its many theoretical, practical, and cultural manifestations. A collection of specially commissioned essays exploring the notion of community in its many theoretical, practical, and cultural manifestations. Discusses the idea of community in its full, cultural context. Deals with issues confronting many diverse groups, including African American, Franco-Canadian, computer-mediated, and gay and lesbian communities. Includes contributions by both eminent schlars and new voices, among them (...)
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  32. Philip Alperson (1986). Ernst Bloch, Essays on the Philosophy of Music. [REVIEW] Philosophy in Review 6:464-467.
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  33. Philip Alperson (1998). Improvisation: An Overview. In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press 2--478.
     
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  34. Philip Alperson (1998). Musical Worlds New Directions in the Philosophy of Music. Monograph Collection (Matt - Pseudo).
     
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  35. Philip Alperson (2003). Notes From the Editor. Journal of Aesthetics and Art Criticism 61 (1):3-4.
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  36.  17
    Philip Alperson (ed.) (1992). The Philosophy of the Visual Arts. Oxford University Press.
    Most instructors who teach introductory courses in aesthetics or the philosophy of arts use the visual arts as their implicit reference for "art" in general, yet until now there has been no aesthetics anthology specifically orientated to the visual arts. This text stresses conceptual and theoretical issues, first examining the very notion of "the visual arts " and then investigating philosophical questions raised by various forms, from painting, the paradigmatic form, to sculpture, photography, film, dance, kitsch, and other forms on (...)
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  37. Philip Alperson (ed.) (1987/1994). What is Music?: An Introduction to the Philosophy of Music. Pennsylvania State University Press.
    Contributors to this volume are Philip Alperson, Francis Sparshott, Nicholas Wolterstorff, Edward T. Cone, Peter Kivy, Jenefer Robinson, Joseph Margolis, Arnold ...
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  38. Philip Alperson (1989). What Is Music? Journal of Aesthetics and Art Criticism 47 (3):292-294.
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  39. Deanne Bogdan, David Carr, Iris M. Yob, Anthony J. Palmer & Philip Alperson (2010). 7. in memoriam. Philosophy of Music Education Review 18 (2).
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  40. Andreas Dorschel & Philip Alperson (2012). Vollkommenes hält sich fern. Ästhetische Näherungen. Universal Edition.
    In ‘Vollkommenes hält sich fern’ (‘Perfection keeps itself aloof’) – the book title is drawn from a verse of American poet Kimberly Johnson (*1971) –, Philip Alperson and Andreas Dorschel discuss issues in the philosophy of music and general aesthetics related to the body, to practices and genres, values and education.
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