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  1. Philip Alperson (forthcoming). Instrumental Music and Instrumental Value. Journal of Aesthetic Education.
     
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  2. Philip Alperson (forthcoming). Value Monism, Value Pluralism, and Music Education: Sparshott as Fox. Journal of Aesthetic Education 31 (2).
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  3. Philip Alperson (forthcoming). What Should One Expect From a Philosophy of Music Education? Journal of Aesthetic Education.
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  4. Philip Alperson (2010). Robust Praxialism and the Anti-Aesthetic Turn. Philosophy of Music Education Review 18 (2):171-193.
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  5. Philip Alperson (2010). A Topography of Improvisation. Journal of Aesthetics and Art Criticism 68 (3):273-280.
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  6. Deanne Bogdan, David Carr, Iris M. Yob, Anthony J. Palmer & Philip Alperson (2010). 7. in memoriam. Philosophy of Music Education Review 18 (2).
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  7. Philip Alperson (2009). Englischsprachige Philosophie der Musik: Ein Blick von Irgendwo. Deutsche Zeitschrift für Philosophie 57 (6):879-884.
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  8. Philip Alperson (2009). Facing the Music: Voices From the Margins. Topoi 28 (2):91-96.
    Recent philosophy of music in the Anglophone analytic tradition has produced many fine-grained analyses of musical practices within the context of the Western fine-art tradition. It has not for the most part, however, been self-conscious about the normative implications of that orienting tradition. As a result, the achievements of recent philosophical discussions of music have been unnecessarily constricted. The way forward is to enrich the range of musical practices philosophy takes as its target of examination.
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  9. Philip Alperson (2008). The Instrumentality of Music. Journal of Aesthetics and Art Criticism 66 (1):37–51.
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  10. Philip Alperson & Noël Carroll (2008). Music, Mind, and Morality: Arousing the Body Politic. Journal of Aesthetic Education 42 (1):1-15.
  11. Philip Alperson, Nguyễn Chí Bến & To Ngoc Thanh (2007). The Sounding of the World: Aesthetic Reflections on Traditional Gong Music of Vietnam. Journal of Aesthetics and Art Criticism 65 (1):11 - 20.
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  12. Philip Alperson, B. E. N. Chí & To Ngoc Thanh (2007). The Sounding of the World: Aesthetic Reflections on Traditional Gong Music of Vietnam. Journal of Aesthetics and Art Criticism 65 (1):11–20.
  13. Philip Alperson (2004). The Philosophy of Music : Formalism and Beyond. In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Blackwell Pub..
     
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  14. Philip Alperson (2003). Creativity in Art. In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press. 249--50.
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  15. Philip Alperson (2003). Notes From the Editor. Journal of Aesthetics and Art Criticism 61 (1):3–4.
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  16. Philip Alperson (ed.) (2002). Diversity and Community: An Interdisciplinary Reader. Blackwell Pub..
    Throughout, the volume deals with issues confronting many diverse communities including African, African-American, Asian-American, Native American, Latin ...
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  17. Philip Alperson (2002). Introduction: Diversity and Community. In , Diversity and Community: An Interdisciplinary Reader. Blackwell Pub.. 1--30.
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  18. Philip Alperson (1998). Improvisation: An Overview. In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press. 2--478.
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  19. Philip Alperson (1994). Introduction: New Directions in the Philosophy of Music. Journal of Aesthetics and Art Criticism 52 (1):1-11.
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  20. Kenneth Alpern, Philip Alperson, G. Bock, J. Marsh, Alexander Broadie, Jacques Brunschwig, Martha Nussbaum, Paul Crowther, Steven Davis & Vincent Descombes (1993). Appearance in This List Does Not Preclude a Future Review of the Book. Where They Are Known Prices Are Either Given in $ US or in£ UK. Adorno, Theodor, Hegel: Three Studies, Cambridge, Massachusetts, USA, The MIT Press, 1993, Pp. 160,£ 19.95. Allen, RT, The Structure of Value, Aldershot, UK, Avebury, 1993, Pp. 162,£ 32.50. [REVIEW] Mind 102.
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  21. Philip Alperson (1993). Editorial Note. Journal of Aesthetics and Art Criticism 51 (4).
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  22. Philip Alperson (1992). The Arts of Music. Journal of Aesthetics and Art Criticism 50 (3):217-230.
  23. Philip Alperson (ed.) (1992). The Philosophy of the Visual Arts. Oxford University Press.
    Most instructors who teach introductory courses in aesthetics or the philosophy of arts use the visual arts as their implicit reference for "art" in general, yet until now there has been no aesthetics anthology specifically orientated to the visual arts. This text stresses conceptual and theoretical issues, first examining the very notion of "the visual arts" and then investigating philosophical questions raised by various forms, from painting, the paradigmatic form, to sculpture, photography, film, dance, kitsch, and other forms on the (...)
     
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  24. Philip Alperson (1991). The Arts of Music. Journal of Philosophy 88 (10):555-556.
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  25. Philip Alperson (1991). When Composers Have to Be Performers. Journal of Aesthetics and Art Criticism 49 (4):369-373.
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  26. Jerrold Levinson & Philip Alperson (1991). What Is a Temporal Art? Midwest Studies in Philosophy 16 (1):439-450.
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  27. Philip Alperson (ed.) (1987/1994). What is Music?: An Introduction to the Philosophy of Music. Pennsylvania State University Press.
    Contributors to this volume are Philip Alperson, Francis Sparshott, Nicholas Wolterstorff, Edward T. Cone, Peter Kivy, Jenefer Robinson, Joseph Margolis, Arnold ...
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  28. Philip Alperson (1986). Ernest Bloch, Essays on the Philosophy of Music Reviewed By. Philosophy in Review 6 (10):464-467.
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  29. Philip Alperson (1984). On Musical Improvisation. Journal of Aesthetics and Art Criticism 43 (1):17-29.
  30. Philip Alperson (1981). Schopenhauer and Musical Revelation. Journal of Aesthetics and Art Criticism 40 (2):155-166.
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  31. Philip Alperson (1980). Musical Time" and Music as an "Art of Time. Journal of Aesthetics and Art Criticism 38 (4):407-417.