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Philip Graham [3]Philip W. Graham [1]
  1. William F. Thompson, Philip W. Graham & Frank A. Russo (2005). Seeing Music Performance: Visual Influences on Perception and Experience. Semiotica 156 (1/4):203-227.
    Drawing from ethnographic, empirical, and historical/cultural perspectives, we examine the extent to which visual aspects of music contribute to the communication that takes place between performers and their listeners. First, we introduce a framework for understanding how media and genres shape aural and visual experiences of music. Second, we present case studies of two performances, and describe the relation between visual and aural aspects of performance. Third, we report empirical evidence that visual aspects of performance reliably influence perceptions of musical (...)
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  2. Philip Graham & David Rooney (2001). A Sociolinguistic Approach to Applied Epistemology: Examining Technocratic Values in Global 'Knowledge' Policy. Social Epistemology 15 (3):155 – 169.
    This special issue presents an excellent opportunity to study applied epistemology in public policy. This is an important task because the arena of public policy is the social domain in which macro conditions for ‘knowledge work’ and ‘knowledge industries’ are defined and created. We argue that knowledge-related public policy has become overly concerned with creating the politico-economic parameters for the commodification of knowledge. Our policy scope is broader than that of Fuller (1988), who emphasizes the need for a social epistemology (...)
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  3. Philip Graham (1991). Genetic Explanations of Environment Explain Little. Behavioral and Brain Sciences 14 (3):395-396.
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