Search results for 'Popular culture' (try it on Scholar)

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  1. Robert W. Witkin (2003). Adorno on Popular Culture. Routledge.score: 90.0
    In the decades since his death, Adorno's thinking has lost none of its capacity to unsettle the settled, and has proved hugely influential in social and cultural thought. To most people, the entertainment provided by television, radio, film, newspapers, astrology charts and CD players seem harmless enough. For Adorno, however, the culture industry that produces them is ultimately toxic in its effect on the social process. Here, Robert Witkin unpacks Adorno's notoriously difficult critique of popular culture in (...)
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  2. John Storey (2008). Cultural Theory and Popular Culture: An Introduction. Pearson Longman.score: 90.0
    In this 4th edition of his successful Cultural Theory and Popular Culture: An Introduction, John Storey has extensively revised the text throughout.
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  3. Sharon Crasnow & Joanne Waugh (eds.) (2012). Philosophical Feminism and Popular Culture. Lexington Books.score: 90.0
    The eight essays contained in Philosophical Feminism and Popular Culture explore the portrayal of women and various philosophical responses to that portrayal in contemporary post-civil rights society. The essays examine visual, print, and performance media — stand-up comedy, movies, television, and a blockbuster trilogy of novel. These philosophical feminist analyses of popular culture consider the possibilities, both positive and negative, that popular culture presents for articulating the structure of the social and cultural practices in (...)
     
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  4. Stéphanie Genz (2009). Postfemininities in Popular Culture. Palgrave Macmillan.score: 78.0
    Addressing the contradictions surrounding modern-day femininity and its complicated relationship with feminism and postfeminism, this book examines a range of popular female/feminist icons and paradigms. It offers an innovative and forward-looking perspective on femininity and the modern female self.
     
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  5. John Storey (ed.) (2009). Cultural Theory and Popular Culture: A Reader. Ft Prentice Hall.score: 75.0
    New to this edition: 4 new readings Stuart Hall The rediscovery of 'ideology': return of the repressed in media studies Ernesto Laclau and Chantal Mouffe Post ...
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  6. Margaret S. Hrezo & John M. Parrish (eds.) (2010). Damned If You Do: Dilemmas of Action in Literature and Popular Culture. Lexington Books.score: 75.0
     
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  7. Barry Richards (1994). Disciplines of Delight: The Psychoanalysis of Popular Culture. Free Association Books.score: 75.0
  8. Kees Brants, Joke Hermes & Liesbet van Zoonen (eds.) (1998). The Media in Question: Popular Cultures and Public Interests. Sage Publications.score: 66.0
    Media in Question sets the agenda for a revitalized debate on the hybrid communicative practices that constitute the postmodern media landscape: practices that cross the boundaries between fact and fiction, information and entertainment, public knowledge, and popular culture. In this challenging and provocative collection, the individual contributors rethink key issuesùthe meaning of the public interest, the quality of media performance, and deregulation. In the process they raise questions rarely addressed in normative media theories, for example, the ethics of (...)
     
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  9. Mary Faith Marshall (2004). The Placebo Effect in Popular Culture. Science and Engineering Ethics 10 (1).score: 60.0
    This paper gives an overview of the placebo effect in popular culture, especially as it pertains to the work of authors Patrick O’Brian and Sinclair Lewis. The beloved physician as placebo, and the clinician scientist as villain are themes that respectively inform the novels, The Hundred Days and Arrowsmith. Excerpts from the novels, and from film show how the placebo effect, and the randomized clinical trial, have emerged into popular culture, and evolved over time.
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  10. Daniel P. Malloy (2012). Four Recent Works in Philosophy and Popular Culture. Teaching Philosophy 35 (3):293-304.score: 60.0
    Popular culture is ubiquitous. And referencing popular culture can be an excellent pedagogical tool. Used properly, it provides students with easily accessible examples—in some cases examples they have already been interested in. Given these facts, the creation and expansion of the literature on the intersection of popular culture and philosophy is not surprising. The purpose of these volumes has been controversial since their inception, but they do seem ideally suited as introductory texts. This essay (...)
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  11. William Irwin & David Kyle Johnson (eds.) (2010). Introducing Philosophy Through Pop Culture: From Socrates to South Park, Hume to House. Wiley-Blackwell.score: 54.0
    Introducing Philosophy Through Pop Culture uses popular culture to illustrate important philosophical concepts and the work of the major philosophers.
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  12. Giacomo Borbone (2012). From Cosmopolitism to National-Popular Culture Gramscian Attempt at Overcoming Provincialism. Poznan Studies in the Philosophy of the Sciences and the Humanities 100 (1):87-102.score: 51.0
    Circulation of ideas among philosophers is the core of Philosophy itself. The lack of this circulation can lead to obscurantism and cultural provincialism. The latter, for instance, afflicted Italy during the first half of the 20th century because of the close-minded neo-idealism of Croce and the mutual indifference of science and philosophy. Antonio Gramsci tried to overcome the problem of provincialism. In this essay, I explain how he attempted to overcome it. I focus on his conceptual categories like heg emony, (...)
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  13. Charles W. Colson (2005). Lies That Go Unchallenged in Popular Culture. Tyndale House Publishers.score: 51.0
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  14. Thomas S. Hibbs (1999). Shows About Nothing: Nihilism in Popular Culture From the Exorcist to Seinfeld. Spence Pub..score: 51.0
     
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  15. Thomas S. Hibbs (2011). Shows About Nothing: Nihilism in Popular Culture. Baylor University Press.score: 51.0
    Nihilism, American style -- The quest for evil -- The negative zone : suburban familial malaise in American beauty, Revolutionary road, and Mad men -- Normal nihilism as comic : Seinfeld, Trainspotting, and Pulp fiction -- Romanticism and nihilism -- Defense against the dark arts : from Se7en to the Dark knight and Harry Potter -- God got involved : sacred quests and overcoming nihilism -- Feels like the movies.
     
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  16. Hermann von Helmholtz (1995). Science and Culture: Popular and Philosophical Essays. University of Chicago Press.score: 48.0
    Hermann von Helmholtz was a leading figure of nineteenth-century European intellectual life, remarkable even among the many scientists of the period for the range and depth of his interests. A pioneer of physiology and physics, he was also deeply concerned with the implications of science for philosophy and culture. From the 1850s to the 1890s, Helmholtz delivered more than two dozen popular lectures, seeking to educate the public and to enlighten the leaders of European society and governments about (...)
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  17. Nakia S. Pope (2011). Hit by the Street: Dewey and Popular Culture. Education and Culture 27 (1):26-39.score: 48.0
    The idea for this paper started with an image that is likely wholly imaginary but interesting nonetheless. It's the late 1920s in New York City. John Dewey, after a busy day of teaching and working through the notes that will eventually become Individualism Old and New, leaves his office at Columbia University. Instead of turning south toward home, he turns north and east, into Harlem. He strolls for a bit, turns up 7th Ave., and stops in front of the Regent (...)
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  18. Amrita Basu (2009). Time in Indian Popular Culture. In Priyadarshi Patnaik, Suhita Chopra & D. Suar (eds.), Time in Indian Cultures: Diverse Perspectives. D.K. Printworld.score: 46.0
     
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  19. Fiona Nicoll (2008). What's so Funny About Indian Casinos? : Comparative Notes on Gambling, White Possession and Popular Culture in Australia and the USA. In Nicole Anderson & Katrina Schlunke (eds.), Cultural Theory in Everyday Practice. Oxford University Press.score: 46.0
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  20. Mary Sanders Pollock & Catherine Rainwater (eds.) (2005). Figuring Animals: Essays on Animal Images in Art, Literature, Philosophy, and Popular Culture. Palgrave Macmillan.score: 46.0
    Figuring Animals is a collection of fifteen essays concerning the representation of animals in literature, the visual arts, philosophy, and cultural practice. At the turn of the new century, it is helpful to reconsider our inherited understandings of the species, some of which are still useful to us. It is also important to look ahead to new understandings and new dialogue, which may contribute to the survival of us all. The contributors to this volume participate in this dialogue in a (...)
     
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  21. Tim Shakesby (1997). Falling Down: Intellectuals, Scholars and Popular Culture. Angelaki 2 (3):103 – 123.score: 45.0
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  22. D. D. Todd (2008). Bullshit and Philosophy Gary L. Hardcastle and George Reisch, Editors Popular Culture and Philosophy Chicago: Open Court, 2006, Xxxiii + 272 Pp., $17.95. [REVIEW] Dialogue 47 (01):189-.score: 45.0
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  23. Stefán Snævarr (2007). Pragmatism and Popular Culture: Shusterman, Popular Art, and the Challenge of Visuality. Journal of Aesthetic Education 41 (4).score: 45.0
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  24. Bruce Baugh (1990). Left-Wing Elitism: Adorno on Popular Culture. Philosophy and Literature 14 (1):65-78.score: 45.0
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  25. E. van Den Haag (1957). Notes on American Popular Culture. Diogenes 5 (17):56-73.score: 45.0
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  26. Kim Shahabudin (2008). Greece in Film (G.) Nisbet Ancient Greece in Film and Popular Culture. Pp. Xvi + 170, Ills. Exeter: Bristol Phoenix Press, 2006. Paper, £12.99, US$24.95 (Cased, £40, US$75). ISBN: 978-1-904675-12-9 (978-1-904675-41-9 Hbk). [REVIEW] The Classical Review 58 (02):611-.score: 45.0
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  27. Pantelis Michelakis (2008). Reception (G.) Nisbet Ancient Greece in Film and Popular Culture, Bristol Phoenix Press, 2006. Pp. Xiv + 170, Illus. £40, 9781904675419 (Hbk); £12.99, 9781904675129 (Pbk). [REVIEW] Journal of Hellenic Studies 128:301-.score: 45.0
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  28. Greg Dimitriadis & Cameron McCarthy (1999). Violence in Theory and Practice: Popular Culture, Schooling, and the Boundaries of Pedagogy. Educational Theory 49 (1):125-138.score: 45.0
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  29. Parshia Lee-Stecum (2004). Rome in Popular Culture S. R. Joshel, M. Malamud, D. T. McGuire (Edd.): Imperial Projections. Ancient Rome in Modern Popular Culture . Pp. VIII + 299, Ills. Baltimore and London: The Johns Hopkins University Press, 2002. Cased, £31. Isbn: 0-8018-6742-. [REVIEW] The Classical Review 54 (01):234-.score: 45.0
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  30. Le Thanh Khoi (1986). Popular Culture and Lettered Culture in Ancient Vietnam. Diogenes 34 (133):122-143.score: 45.0
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  31. Peter Milward (2011). The Virgin Mary in Late Medieval and Early Modern English Literature and Popular Culture. By Gary Waller. Heythrop Journal 52 (5):864-865.score: 45.0
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  32. B. Glasser (2001). From Kafka to Casualty: Doctors and Medicine in Popular Culture and the Arts-- A Special Studies Module. Medical Humanities 27 (2):99-101.score: 45.0
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  33. Jon Dovey (2006). Game Cultures: Computer Games as New Media. Open University Press.score: 45.0
    This book introduces the critical concepts and debates that are shaping the emerging field of game studies. Exploring games in the context of cultural studies and media studies, it analyses computer games as the most popular contemporary form of new media production and consumption. The book: Argues for the centrality of play in redefining reading, consuming and creating culture Offers detailed research into the political economy of games to generate a model of new media production Examines the dynamics (...)
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  34. Richard J. Evans (2005). Roman Popular Culture N. Horsfall: The Culture of the Roman Plebs . Pp. 176. London: Duckworth, 2003. Paper, £12.99. ISBN: 0-7156-3238-. [REVIEW] The Classical Review 55 (01):311-.score: 45.0
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  35. Keith M. Harris (2006). Boys, Boyz, Bois: An Ethics of Black Masculinity in Film and Popular Media. Routledge.score: 45.0
    Boys, Boyz, Bois concerns questions of ethics, gender and race in popular American images, national discourse and cultural production by and about black men. The book proposes an ethics of masculinity, as ethnics refers to a system of morality and valuation and as ethics refers to a care of the self and ethical subject formation. The texts of analysis include recent films by black/African American filmmakers, gansta rap and hip-hop and black star persona: texts ranging from Blaxploitation and New (...)
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  36. David Huddart (2010). Paul Bowman, Deconstructing Popular Culture (New York: Palgrave Macmillan, 2008), 224pp, $32.95 (USD), ISBN-10: 023054536X, ISBN-13: 978-0230545366. [REVIEW] Derrida Today 3 (1):164-171.score: 45.0
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  37. J. Dumazedier & E. P. Halperin (1960). The Cinema and Popular Culture. Diogenes 8 (31):103-113.score: 45.0
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  38. Wendy Lynne Lee (2010). Environmentalism in Popular Culture. Environmental Ethics 32 (3):327-330.score: 45.0
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  39. Allyson D. Polsky (2002). Introduction: Biomedical Sciences and Popular Culture: Mutually Constitutive, Not Oppositional. Journal of Medical Humanities 23 (3/4):167-169.score: 45.0
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  40. Jane Duran (1983). Teaching Philosophy as an Exercise in Popular Culture. Teaching Philosophy 6 (2):103-107.score: 45.0
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  41. David Frauenfelder (2005). Popular Culture and Classical Mythology. Classical World 98 (2).score: 45.0
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  42. Stacy Gillis & Joanne Hollows (2010). Feminism, Domesticity, and Popular Culture. In Ann Brooks (ed.), Social Theory in Contemporary Asia. Routledge.score: 45.0
  43. Rosalind Gill & Christina Scharff (eds.) (2011). New Femininities: Postfeminism, Neoliberalism, and Subjectivity. Palgrave Macmillan.score: 45.0
    Machine generated contents note: -- Acknowledgements -- Preface; A.McRobbie -- Notes on Contributors -- Introduction; C.Scharff & R.Gill -- PART I: SEXUAL SUBJECTIVITY AND THE MAKEOVER PARADIGM -- Pregnant Beauty: Maternal Femininities under Neoliberalism; I.Tyler -- The Right to Be Beautiful: Postfeminist Identity and Consumer Beauty Advertising; M.M.Lazar -- Spicing It Up: Sexual Entrepreneurs and The Sex Inspectors; L.Harvey & R.Gill -- '(M)Other-in-Chief: Michelle Obama and the Ideal of Republican Womanhood'; L.Guerrero -- Scourging the Abject Body: Ten Years Younger and (...)
     
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  44. J. Gingell & E. P. Brandon (2000). Popular Culture. Journal of Philosophy of Education 34 (3):461-485.score: 45.0
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  45. John Storey (2011). Postmodernism and Popular Culture. In Stuart Sim (ed.), The Routledge Companion to Postmodernism. Routledge.score: 45.0
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  46. Jon Turney (1998). Frankenstein's Footsteps: Science, Genetics and Popular Culture. Yale University Press.score: 45.0
     
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  47. W. R. Ward (2007). Catholicism, Popular Culture, and the Arts in Germany, 1880–1933. By Margaret Stieg Dalton. Heythrop Journal 48 (2):308–309.score: 45.0
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  48. Yoke-Sum Wong (2013). A Presence of a Constant End: Contemporary Art and Popular Culture in Japan. In Amy Swiffen & Joshua Nichols (eds.), The Ends of History: Questioning the Stakes of Historical Reason. Routledge.score: 45.0
     
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  49. Paul Coates (1994). Film at the Intersection of High and Mass Culture. Cambridge University Press.score: 42.0
    At the Intersection of High and Mass Culture analyses the contradictions and interaction between high and low art, with particular reference to Hollywood and European cinema. Written in the essayist, speculative tradition of Walter Benjamin and Theodore Adorno, this study also includes analyses of several key films of the 1980s. Tracing the boundaries of such genres as film noir, science fiction and melodrama, it demonstrates how these genres were radically expanded by such filmmakers as Neil Jordan, Chris Merker and (...)
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  50. Jeffrey Karnicky (2007). Contemporary Fiction and the Ethics of Modern Culture. Palgrave Macmillan.score: 42.0
    This book argues for the ethical relevancy of contemporary fiction at the beginning of the 21st century. The writers discussed in Contemporary Fiction and the Ethics of Modern Culture pay close attention to the concrete realities of the everyday world, such as the feelings of isolation created in urban environments; the roles played by sports, drugs, advertising, and the media; and the widespread use of computer, telecommunication, and entertainment technologies. Through reading novels by such writers as David Foster Wallace, (...)
     
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  51. Stephen Maddison (2000). Fags, Hags, and Queer Sisters: Gender Dissent and Heterosocial Bonds in Gay Culture. St. Martin's Press.score: 42.0
    Fags, Hags and Queer Sisters is a provocative account of the importance of women and cross-gender identification in "gay" male culture. It offers a range of cultural readings from Tennessee William's classic A Streetcar Named Desire and Forster's 'gay' novel Maurice through Pulp Fiction , queer lifestyle magazines, Roseanne , slash fan fiction, and Jarman's Edward II to Almodovar's camp classic Women on the Verge of a Nervous Breakdown. Theoretically sophisticated, yet passionate, accessible and opinionated, Fags, Hags and Queer (...)
     
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  52. Richard Meltzer (1970/1987). The Aesthetics of Rock. Da Capo.score: 42.0
    This infamous book has enjoyed a lively underground reputation since its first publication in 1970. Richard Meltzer (a.k.a. R. Meltzer) took his training as a young philosopher and applied it with unalloyed enthusiasm to the lyrics, sound, and culture of rock and roll. Never before had anyone noticed the relationship between the philosophy of Heidegger and a tune by Little Anthony and the Imperials, heard the cries of agony in the Shangri Las' “Remember (Walkin' in the Sand)”, or transcribed (...)
     
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  53. Noël Maureen Valis (2002). The Culture of Cursilería: Bad Taste, Kitsch, and Class in Modern Spain. Duke University Press.score: 42.0
    On origins -- Adorning the feminine, or the language of fans -- Salon poets, the Bécquer craze, and Romanticism -- Textual economies : the embellishment of credit -- Fabricating history -- The dream of negation -- The margins of home : modernist cursilería -- The culture of nostalgia, or the language of flowers -- Coda : the metaphor of culture in post-Franco Spain.
     
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  54. Diana Senechal (2011). Republic of Noise: The Loss of Solitude in Schools and Culture. R&L Education.score: 39.0
    Machine generated contents note: Chapter 1 Acknowledgments -- Chapter 2 Introduction: The Chatter of the Present -- Chapter 3 Definitions of Solitude -- Chapter 4 Distraction: The Flip Side of Engagement -- Chapter 5 Antigone: Literature as "Thinking Apart" -- Chapter 6 The Workshop Model in New York City -- Chapter 7 The Folly of the "Big Idea" -- Chapter 8 The Cult of Success -- Chapter 9 Mass Personalization and the "Underground Man" -- Chapter 10 The Need for Loneliness (...)
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  55. Peter Abbs (1979). Reclamations: Essays on Culture, Mass-Culture and the Curriculum. Heinemann Educational Books.score: 39.0
     
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  56. Paul Duncum & Ted Bracey (eds.) (2001). On Knowing: Art and Visual Culture. Canterbury University Press.score: 39.0
     
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  57. Tama Leaver (2011). Artificial Culture: Identity, Technology and Bodies. Routledge.score: 39.0
  58. Rosalind Minsky (1998). Psychoanalysis and Culture: Contemporary States of Mind. Rutgers University Press.score: 39.0
  59. Renée M. Silverman (ed.) (2010). Popular Avant-Garde. Rodopi.score: 39.0
     
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  60. Sumit Sarkar (2004). On Raj Chandavarkar's The Origins of Industrial Capitalism in India: Business Strategies and the Working Classes in Bombay, 1900–1940 and Imperial Power and Popular Politics: Class, Resistance and the State in India, C. 1850–1950, Ian Kerr's Building the Railways of the Raj, Dilip Simeon's The Politics of Labour Under Late Colonialism: Workers, Unions and the State in Chota Nagpur, 1928–1939, Janaki Nair's Miners and Millhands: Work, Culture and Politics in Princely Mysore and Chitra Joshi's Lost Worlds: Indian Labour and its Forgotten Histories. [REVIEW] Historical Materialism 12 (3):285-313.score: 36.0
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  61. Samuel Gerald Collins (2008). All Tomorrow's Cultures: Anthropological Engagements with the Future. Berghahn Books.score: 36.0
    In this book, Samuel Collins argues not only for the importance of the future of culture, but also stresses its centrality in anthropological thought over the ...
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  62. Patrick Riordan, Civil Society, Popular Political Culture, and the Church.score: 36.0
    Conference paper (In Rome, March 2005: The Call to Justice. The Legacy of Gaudium et Spes 40 Years Later.).
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  63. Jill Harries (2011). Christian Politics (P.) Norton Episcopal Elections 250—600. Hierarchy and Popular Will in Late Antiquity. Pp. Xii + 271. Oxford: Oxford University Press, 2007. Cased, £70, US$80. ISBN: 978-0-19-920747-3 (N.) McLynn Christian Politics and Religious Culture in Late Antiquity. Pp. Xii + 491. Farnham, Surrey and Burlington, VT: Ashgate, 2009. Cased, £80. ISBN: 978-0-7546-5992-1. [REVIEW] The Classical Review 61 (02):568-571.score: 36.0
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  64. Richard Shusterman (2000). Performing Live: Aesthetic Alternatives for the Ends of Art. Cornell University Press.score: 33.0
    The end of aesthetic experience -- Don't believe the hype -- The fine art of rap -- Affect and authenticity in country musicals -- The urban aesthetics of absence : pragmatist reflections in Berlin -- Beneath interpretation -- Somaesthetics and the body/media issue -- The somatic turn : care of the body in contemporary culture -- Multiculturalism and the art of living -- Genius and the paradox of self-styling.
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  65. Thomas Richard Fahy (ed.) (2010). The Philosophy of Horror. University Press of Kentucky.score: 30.0
    Inviting readers to ponder this genre's various manifestations since the late 1700s, this collection of probing essays allows fans and philosophy buffs alike to ...
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  66. Diane Negra (2009). What a Girl Wants?: Fantasizing the Reclamation of Self in Postfeminism. Routledge.score: 30.0
    Introduction -- Postfeminism, family values, and the social fantasy of the hometown -- Time crisis and the new postfeminist life cycle -- Postfeminist working girls : new archetypes of the female labor market -- Hyperdomesticity, self-care and the well-lived life in postfeminism.
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  67. Douglas R. Anderson (2006). Philosophy Americana: Making Philosophy at Home in American Culture. Fordham University Press.score: 30.0
    In this engaging book, Douglas Anderson begins with the assumption that philosophy—the Greek love of wisdom—is alive and well in American culture. At the same time, professional philosophy remains relatively invisible. Anderson traverses American life to find places in the wider culture where professional philosophy in the distinctively American tradition can strike up a conversation. How might American philosophers talk to us about our religious experience, or political engagement, or literature—or even, popular music? Anderson’s second aim is (...)
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  68. Massimo Pigliucci (2013). Getting a Rise Out of Genetic Engineering. In John Huss (ed.), Planet of the Apes and Philosophy: Great Apes Think Alike. Open Court.score: 30.0
    What makes humans different from other animals, what humans are entitled to do to other species, whether time travel is possible, what limits should be placed on science and technology, the morality and practicality of genetic engineering—these are just some of the philosophical problems raised by Planet of the Apes. Planet of the Apes and Philosophy looks at all the deeper issues involved in the Planet of the Apes stories. It covers the entire franchise, from Pierre Boulle’s 1963 novel Monkey (...)
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  69. Catherine A. Lugg (1999). Kitsch: From Education to Public Policy. Falmer Press.score: 30.0
    Kitsch-or tacky, simplistic art and art forms-is used by various political actors to shape and limit what we know about ourselves, what we know about our past and our future, as well as what our present-day public policy options might be. Using a plethora of historic and contemporary examples (such as Forrest Gump and Boys Town ), the author maps out how kitsch is employed in various political and educational sites to shape public opinion and understandings. Bibliography. Index.
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  70. Barry Brummett (1999). Rhetoric of Machine Aesthetics. Praeger.score: 30.0
    Introduces a scheme of machine aesthetics, including classical industrial machines, high technology, and decaying machines, and then explores the rhetorical ...
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  71. Tony Schirato (2004). Reading the Visual. Allen & Unwin.score: 30.0
  72. Matthew Wilson Smith (2007). The Total Work of Art: From Bayreuth to Cyberspace. Routledge.score: 30.0
    Total work of art in an age of mechanical reproduction -- Total stage: Wagner's festspielhaus -- Total machine: the Bauhaus theatre -- Total montage: Brecht's reply to Wagner -- Total state: Riefenstahl's triumph of the will -- Total world: Disney's theme parks -- Total vacuum: Warhol's performances -- Total immersion: cyberspace.
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  73. Christopher Hauke (2005). Human Being Human: Culture and the Soul. Routledge.score: 30.0
    Human Being Human explores the classical question What is a human being? and produces original and challenging insights in the process of providing an answer. In examining our human being, Christopher Hauke challenges the notion of human nature, questions the assumed superiority of human consciousness and rational thinking and pays close attention to the contradiction of living simultaneously as an autonomous individual and a member of the collective community. The main chapters include: Whose in Charge Here? Knowledge, Power and Human (...)
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  74. Gillo Dorfles (2008). Horror Pleni: La (in)Civiltà Del Rumore. Castelvecchi.score: 30.0
    E allora - possiamo mantenere, anche nel nostro 'Horror Pleni' quotidiano, una consapevolezza?
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  75. J. Dunning-Davies (2007). Exploding a Myth: "Conventional Wisdom" or Scientific Truth? Horwood.score: 30.0
    In this book Jeremy Dunning-Davies deals with the influence that "conventional wisdom" has on science, scientific research and development. He sets out to explode' the mythical conception that all scientific topics are open for free discussion and argues that no-one can openly raise questions about relativity, dispute the 'Big Bang' theory, or the existence of black holes, which all seem to be accepted facts of science rather than science fiction. In today's modern climate with "Britain's radioactive refuse heap already big (...)
     
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  76. Enrique D. Dussel (2006). Filosofía de la Cultura y la Liberación: Ensayos. Uacm, Universidad Autónoma de la Ciudad de México.score: 30.0
     
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  77. Leora Farber (ed.) (2009). Imaging Ourselves: Visual Identities in Representation. University of Johannesburg, Faculty of Art Design and Architecture.score: 30.0
     
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  78. Daniel Harris (2000). Cute, Quaint, Hungry, and Romantic: The Aesthetics of Consumerism. Basic Books.score: 30.0
    Why has the ring of the telephone become a beep? What ever happened to the bumpers and fenders of cars? Why do food commercials never mention hunger?In this encyclopedia of low-brow aesthetics, Daniel Harris concentrates on the nuances of non-art, the uses of the useless, the politics of product design and advertising. We learn how advertisers exaggerate our sensual responses to eating, how close-up nature photography exaggerates the accessibility of the natural world, and how the mutated physiology of dolls invites (...)
     
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  79. Jane McLoughlin (2009). A World According to Women: An End to Thinking. Quartet.score: 30.0
  80. Sŏng-su Pak (ed.) (2009). Hallyu Wa Han Sasang: Hallyu Ŭi Segyehwa Rŭl Wihan Han Sasang Ŭi Iron Kwa Silche. Mosinŭn Saramdŭl.score: 30.0
     
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  81. Roger Taylor (1978). Art, an Enemy of the People. Harvester Press.score: 30.0
     
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  82. Peter Pericles Trifonas (2003). Good Taste: How What You Choose Defines Who You Are. Icon.score: 30.0
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  83. Gerald Weissmann (2009). Mortal and Immortal Dna: Science and the Lure of Myth. Bellevue Literary Press.score: 30.0
    Mortal and immortal DNA : Craig Venter and the lure of "lamia" -- Homeopathy : Holmes, hogwarts, and the Prince of Wales -- Citizen Pinel and the madman at Bellevue -- The experimental pathology of stress : Hans Selye to Paris Hilton -- Gore's fever and Dante's Inferno : Chikungunya reaches Ravenna -- Giving things their proper names : Carl Linnaeus and W.H. Auden -- Spinal irritation and fibromyalgia : Lincoln's surgeon general and the three graces -- Tithonus and the (...)
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  84. Heather Worth, Maureen Molloy & Laurence Simmons (eds.) (2005). From Z to A: Žižek at the Antipodes. Dunmore Publishing.score: 30.0
  85. Jing Zhang, Zhou Fan & Bo Geng (eds.) (2008). Dang Dai Shen Mei Wen Hua Xin Lun =. Zhongguo Chuan Mei da Xue Chu Ban She.score: 30.0
     
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  86. Qianyi Zhang (2010). Wei Jin Nan Bei Chao Sheng Tian Tu Yan Jiu. Shang Wu Yin Shu Guan.score: 30.0
     
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  87. Karen Fog Olwig & Kirsten Hastrup (eds.) (1997). Siting Culture: The Shifting Anthropological Object. Routledge.score: 27.0
    The idea of culture has been subject to critical debate in anthropology during the past decade as the result of a shift in emphasis from the bounded local culture to transnational cultural flows. But at the very same time that cultural mobility is being emphasized by anthropologists, the people they study are recasting culture as a place of belonging as they construct local identities. Siting Culture argues that it is only through rich ethnographic studies that anthropologists (...)
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  88. Sudhir Kakar (2008). Culture and Psyche: Selected Essays. Oxford University Press.score: 27.0
    Culture and Psyche is a collection of Sudhir Kakar's essays on cultural psychology, which analyses various facets of Indian identity and sexuality through sources as diverse as case studies, Indian myths and legends, and popular cinema. The second edition of this classic includes a new introduction and three additional essays which explore issues like riots, the psychology of Islamist terrorism, among others.
     
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  89. Eduardo R. Cruz (1995). Ralph Wendell Burhoe and the Two Cultures. Zygon 30 (4):591-612.score: 24.0
    Ralph Burhoe developed his proposals for a social reformation at a time when the “two cultures” debate was still active. It is suggested here that Burhoe, sharing with his contemporaries an understanding of culture that was Western and normative in character, overlooked the distinction between the culture of the elites and popular culture, and consequently between religion as presented by theologians and church officials and popular religion. Therefore, his proposals for the revitalization of traditional religions, (...)
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  90. Mike W. Martin (2006). From Morality to Mental Health: Virtue and Vice in a Therapeutic Culture. OUP USA.score: 24.0
    Morality and mental health are now inseparably linked in our view of character. Alcoholics are sick, yet they are punished for drunk driving. Drug addicts are criminals, but their punishment can be court ordered therapy. The line between character flaws and personality disorders has become fuzzy, with even the seven deadly sins seen as mental disorders. In addition to pathologizing wrong-doing, we also psychologize virtue; self-respect becomes self-esteem, integrity becomes psychological integration, and responsibility becomes maturity. Moral advice is now sought (...)
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  91. Ann Brooks (1997). Postfeminisms: Feminism, Cultural Theory, and Cultural Forms. Routledge.score: 24.0
    Once seen as synonymous with "anti-feminism" postfeminism is now understood as the theoretical meeting ground between feminism and anti-foundationalist movements such as postmodernism, post-structuralism and post-colonialsm. In this clear exposition of some of the major debates, theorists and practitioners, Ann Brooks shows how feminism is being redefined for the twenty first century. Individual chapters look at postfeminism in relation to feminist epistemology, Foucault, psychoanalytic theory and semiology, postmodernism and postcolonialism, cultural politics, popular culture, film and media, and sexuality (...)
     
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  92. Matthew Nisbet & Declan Fahy (2013). Bioethics in Popular Science: Evaluating the Media Impact of The Immortal Llife of Henrietta Lacks on the Biobank Debate. BMC Medical Ethics 14 (1):10-.score: 24.0
    Background: The global expansion of biobanks has led to a range of bioethical concerns related to consent, privacy, control, ownership, and disclosure. As an opportunity to engage broader audiences on these concerns, bioethicists have welcomed the commercial success of Rebecca Skloot’s 2010 bestselling book The Immortal Life of Henrietta Lacks. To assess the impact of the book on discussion within the media and popular culture more generally, we systematically analyzed the ethics-related themes emphasized in reviews and articles about (...)
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  93. Matthew C. Nisbet & Declan Fahy (2013). Bioethics in Popular Science: Evaluating the Media Impact of The Immortal Llife of Henrietta Lacks on the Biobank Debate. BMC Medical Ethics 14 (1):1-9.score: 24.0
    BackgroundThe global expansion of biobanks has led to a range of bioethical concerns related to consent, privacy, control, ownership, and disclosure. As an opportunity to engage broader audiences on these concerns, bioethicists have welcomed the commercial success of Rebecca Skloot’s 2010 bestselling book The Immortal Life of Henrietta Lacks. To assess the impact of the book on discussion within the media and popular culture more generally, we systematically analyzed the ethics-related themes emphasized in reviews and articles about the (...)
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  94. Charles Turner (2010). Political Assassination in Popular Fiction and Political Thought: Trotsky, Arendt, and Stephen King. In Margaret S. Hrezo & John M. Parrish (eds.), Damned If You Do: Dilemmas of Action in Literature and Popular Culture. Lexington Books.score: 24.0
  95. C. T. A. Schmidt (2011). Technology and Culture and Possibly Vigilance Too. AI and Society 26 (4):371-375.score: 22.0
    Many have bowed before the recently acquired powers of ‘new technologies’. However, in the shift from tekhnē to tekhnologia, it seems we have lost human values. These values are communicative in nature as technological progress has placed barriers like distance, web pages and ‘miscellaneous extras’ between individuals. Certain values, like the interpersonal pleasures of rendering service, have been lost as their domain of predilection has for many become fully commercially oriented, dominated by the cadence of profitability. Though the popular (...)
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  96. Douglas Kellner, Media Culture and the Triumph of the Spectacle.score: 21.0
    During the past decades, the culture industries have multiplied media spectacles in novel spaces and sites, and spectacle itself is becoming one of the organizing principles of the economy, polity, society, and everyday life. An Internet-based economy has been developing hi-tech spectacle as a means of promotion, reproduction, and the circulation and selling of commodities, using multimedia and increasingly sophisticated technology to dazzle consumers. M edia culture proliferates ever more technologically sophisticated spectacles to seize audiences and augment their (...)
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  97. Aaron Smuts (2012). Popular Art. In The Continuum Companion to Aesthetics. Continuum.score: 21.0
    The common assumption is that works of popular are less serious, less artistically valuable. Popular art is driven by a profit motive; real art, high art, is produced for loftier goals, such as aesthetic appreciation. Further, popular art is formulaic and gravitates toward the lowest common denominator. High art is innovative. It enriches, elevates, and inspires; popular art just entertains. Worse, popular art inculcates cultural biases. It is a corporate tool of ideological indoctrination, making contingent (...)
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  98. Mark Coeckelbergh (2010). The Spirit in the Network: Models for Spirituality in a Technological Culture. Zygon 45 (4):957-978.score: 21.0
    Can a technological culture accommodate spiritual experience and spiritual thinking? If so, what kind of spirituality? I explore the relation between technology and spirituality by constructing and discussing several models for spirituality in a technological culture. I show that although gnostic and animistic interpretations and responses to technology are popular challenges to secularization and disenchantment claims, both the Christian tradition and contemporary posthumanist theory provide interesting alternatives to guide our spiritual experiences and thinking in a technological (...). I analyze how creational, network, and cyborg metaphors defy suggestions of (individual) animation or alienation and instead offer different ways of conceptualizing and experiencing communion between the material and the spiritual. (shrink)
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  99. Joel H. Spring (2006). Wheels in the Head: Educational Philosophies of Authority, Freedom, and Culture From Socrates to Human Rights. L. Erlbaum Associates, Publishers.score: 21.0
    In this popular text, Joel Spring provocatively analyzes the ideas of traditional and non-traditional philosophers, from Plato to Paulo Freire, regarding the contribution of education to the creation of a democratic society. Each section focuses on an important theme: “Autocratic and Democratic Forms of Education;” “Dissenting Traditions in Education;” “The Politics of Culture;” “The Politics of Gender;” and “Education and Human Rights.” This edition features a special emphasis on human rights education. Spring advocates a legally binding right to (...)
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  100. Keya Maitra (2001). An Understanding of the Concept of "Indian Culture": A Naturalist Alternative. Asian Philosophy 11 (1):15 – 22.score: 21.0
    A recent trend in curriculum reform argues that a successful liberal education curriculum must incorporate courses on multiculturalism. Though there is some agreement on what topics to cover in those courses, very little attention has so far been directed to the issue of how those courses must be designed. What is important in addressing this 'how' question is a clear understanding of the concepts involved. The question I explore in this paper is: what is the best way of understanding the (...)
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