119 found
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  1.  12
    R. A. Sharpe & Charles Taylor (1992). Sources of the Self. Philosophical Quarterly 42 (167):234.
    'Most of us are still groping for answers about what makes life worth living, or what confers meaning on individual lives', writes Charles Taylor in Sources of the Self. 'This is an essentially modern predicament.' Charles Taylor's latest book sets out to define the modern identity by tracing its genesis, analysing the writings of such thinkers as Augustine, Descartes, Montaigne, Luther, and many others. This then serves as a starting point for a renewed understanding of modernity. Taylor argues that modern (...)
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  2.  46
    R. A. Sharpe (1980). Book Reviews. [REVIEW] British Journal of Aesthetics 20 (2):78-79.
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  3.  42
    R. A. ShaRpe (1986). Book Reviews. [REVIEW] British Journal of Aesthetics 26 (2):78-79.
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  4.  40
    R. A. Sharpe (1982). Book Reviews. [REVIEW] British Journal of Aesthetics 22 (1):78-79.
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  5.  38
    R. A. ShARpe (1999). Book Reviews. [REVIEW] British Journal of Aesthetics 39 (1):78-79.
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  6.  37
    R. A. Sharpe (1981). Book Reviews. [REVIEW] British Journal of Aesthetics 21 (2):78-79.
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  7. R. A. Sharpe (1964). The Logical Status of Natural Laws. Inquiry 7 (1-4):414-416.
    In this note I have presented the essentials of a view of how laws are falsified, a view which has been held by some notable philosophers but which is radically opposed to that of Professor Popper. I have not scrupled to ?improve? upon it, so the view of no one philosopher is presented. I try to show that an interesting and convincing account of scientific simplicity is implicit in the theory and I conclude by suggesting how we can bring the (...)
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  8.  46
    R. A. ShARpe (1997). Book Reviews. [REVIEW] British Journal of Aesthetics 37 (1):78-79.
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  9.  39
    R. A. ShARpe (1989). Book Reviews. [REVIEW] British Journal of Aesthetics 29 (1):78-79.
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  10.  26
    R. A. Sharpe (2000). The Empiricist Theory of Artistic Value. Journal of Aesthetics and Art Criticism 58 (4):321-332.
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  11.  35
    R. A. Sharpe (1994). Book Reviews. [REVIEW] Mind 103 (409):78-79.
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  12.  33
    R. A. Sharpe (1979). Book Reviews. [REVIEW] British Journal of Aesthetics 19 (3):78-79.
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  13.  33
    R. A. Sharpe (1987). The Very Idea of a Folk Psychology. Inquiry 30 (December):381-93.
    Three arguments are proposed against the idea that ordinary talk about the mind constitutes a folk psychology, a sort of prescientific theory which explains human behaviour and which is ripe for replacement by a neurological or computational theory with better scientific credentials. First, not all talk of the mind is introduced to explain in the way assumed by those who think that mental talk hypothesizes inner processes to explain behaviour. Second, the individuation of the behaviour which is explained by the (...)
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  14.  22
    R. A. ShARpe (1984). Book Reviews. [REVIEW] British Journal of Aesthetics 24 (1):78-79.
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  15.  83
    R. A. Sharpe (1995). Music, Platonism and Performance: Some Ontological Strains. British Journal of Aesthetics 35 (1):38-48.
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  16.  21
    R. A. Sharpe (1991). Book Reviews. [REVIEW] British Journal of Aesthetics 31 (3):78-79.
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  17.  48
    R. A. Sharpe (1994). Making the Past: Mcfee‘s Forward Retroactivism. British Journal of Aesthetics 34 (2):170-173.
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  18. R. A. Sharpe (2004). Philosophy of Music: An Introduction. Routledge.
    This lively and lucid introduction to the philosophy of music concentrates on the issues that illuminate musical listening and practice. It examines the conceptual debates relevant to the understanding and performing of music and grounds the philosophy to practical matters throughout. Ideal for a beginning readership with little philosophical background, the author provides an overview of the central debates enlivened by a real sense of enthusiasm for the subject and why it matters. The book begins by filling in the historical (...)
     
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  19.  2
    R. A. Sharpe (1992). Moral Tales: R. A. Sharpe. Philosophy 67 (260):155-168.
    In the 11th chapter of the second book of Samuel, we read how King David saw Bathsheba in the evening: ‘v.2. And it came to pass in an eveningtide, that David arose from off his bed, and walked upon the roof of the king's house: and from the roof he saw a woman washing herself; and the woman was very beautiful to look upon.’.
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  20.  55
    R. A. Sharpe (1991). Authenticity Again. British Journal of Aesthetics 31 (2):163-166.
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  21.  7
    R. A. Sharpe (1998). Review of Levinson, The Pleasures of Aesthetics. [REVIEW] Philosophical Quarterly 48 (193):555-556.
  22.  14
    R. A. Sharpe (1995). Book Reviews. [REVIEW] British Journal of Aesthetics 35 (2):78-79.
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  23.  29
    R. A. Sharpe (1978). A Transformation of a Structuralist Theme. British Journal of Aesthetics 18 (2):155-171.
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  24.  25
    R. A. Sharpe (1989). Dennett's Journey Towards Panpsychism. Inquiry 32 (2):233-40.
  25.  6
    R. A. Sharpe (1991). Minds Made Up. Inquiry 34 (1):91 – 106.
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  26.  7
    R. A. Sharpe (1965). The Unexpected Examination. Mind 74 (294):255.
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  27.  3
    R. A. Sharpe (1992). Moral Tales. Philosophy 67 (260):155 - 168.
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  28.  8
    R. A. Sharpe & Marx W. Wartofsky (1969). Conceptual Foundations of Scientific Thought. Philosophical Quarterly 19 (77):374.
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  29.  35
    R. A. Sharpe (1988). Book-Reviews. British Journal of Aesthetics 28 (1):78-79.
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  30.  4
    R. A. Sharpe (1982). Performing an Interpretation: A Reply. Mind 91 (361):112-114.
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  31.  37
    R. A. Sharpe (2001). Paradoxes of Emotion and Fiction. British Journal of Aesthetics 41 (2):234-236.
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  32.  29
    R. A. Sharpe (2001). Could Beethoven Have ‘Discovered’ the Archduke Trio? British Journal of Aesthetics 41 (3):325-327.
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  33.  27
    R. A. Sharpe (1968). Factual Memory. Mind 77 (January):131-132.
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  34.  4
    R. A. Sharpe (1993). A Companion to Aesthetics. Cogito 7 (3):250-251.
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  35.  8
    R. A. Sharpe (1989). Worlds of Art and Works of Art. Cogito 3 (2):122-127.
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  36.  6
    R. A. Sharpe (1997). One Cheer for the Simulation Theory. Inquiry 40 (1):115-31.
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  37.  28
    R. A. Sharpe (1971). Laws, Coincidences, Counterfactuals and Counter-Identicals. Mind 80 (320):572-582.
  38.  7
    R. A. Sharpe (1990). Metaphysical Bets. Cogito 4 (2):133-133.
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  39.  18
    R. A. Sharpe (1979). Type, Token, Interpretation and Performance. Mind 88 (351):437-440.
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  40.  12
    R. A. Sharpe (1980). The Aesthetics of Architecture By Roger Scruton Methuen, 1979, X + 302 Pp., £6.95. [REVIEW] Philosophy 55 (214):567-.
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  41.  15
    R. A. Sharpe (1964). Validity and the Paradox of Confirmation. Philosophical Quarterly 14 (55):170-173.
  42.  9
    R. A. Sharpe (2000). A Philosophy of Mass Art. Philosophy Now 27:42-42.
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  43.  13
    R. A. Sharpe (1971). Music: The Information Theoretic Approach. British Journal of Aesthetics 11 (4):385-401.
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  44.  14
    R. A. Sharpe (1974). Ideology and Ontology. Philosophy of the Social Sciences 4 (1):55-64.
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  45.  3
    R. A. Sharpe (1979). The Art of the Possible. Philosophy 54 (208):227 - 230.
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  46.  2
    Colin Lyas & R. A. Sharpe (1984). Contemporary Aesthetics. Philosophical Quarterly 34 (137):511.
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  47. R. A. Sharpe (1975). On the Causal Theory of Knowledge. Ratio 17 (2):206.
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  48.  1
    R. A. Sharpe (2003). Sibley and His Legacy. Philosophical Books 44 (4):310-316.
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  49.  8
    R. A. Sharpe (1988). Culture and its Discontents. British Journal of Aesthetics 28 (4):305-316.
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  50.  7
    R. A. Sharpe (1975). Hearing As. British Journal of Aesthetics 15 (3):217-225.
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