Works by R. A. Sharpe ( view other items matching `R. A. Sharpe`, view all matches )

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  1. R. A. Sharpe (2004). Themes in the Philosophy of Music. International Philosophical Quarterly 44 (1):121-123.
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  2. R. A. Sharpe (2003). Sibley and His Legacy. Philosophical Books 44 (4):310-316.
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  3. R. A. Sharpe (2002). The Tale and the Teller. British Journal of Aesthetics 42 (4):415-418.
    I shall describe yet another problem about fiction, similar in some respects to the ‘paradoxes of fiction’ on which so much ink has been spilt over the last quarter of a century. Since fictions are ‘made up’, what considerations stop us from making up our own endings to a fiction which is incomplete or whose ending we have lost or missed or whose ending is unpalatable?
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  4. R. A. Sharpe (2001). Could Beethoven Have ‘Discovered’ the Archduke Trio? British Journal of Aesthetics 41 (3):325-327.
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  5. R. A. Sharpe (2001). Paradoxes of Emotion and Fiction. British Journal of Aesthetics 41 (2):234-236.
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  6. R. A. Sharpe (2000). A Philosophy of Mass Art. Philosophy Now 27:42-42.
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  7. R. A. Sharpe (2000). Music and Humanism: An Essay in the Aesthetics of Music. Oxford University Press.
    Robert Sharpe examines the humanist conception of music as a language--as expressive and intelligible--which has been a dominant theory in Western culture. He argues against the view that music is expressive by causing certain states in us. Rather, he contends that our beliefs about music are integral to our appreciation of it. Differences in musical taste are then not just irresolvable differences in sensitivity, but the result of variations in circumstance and upbringing, of associations and ideology.
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  8. R. A. Sharpe (2000). The Empiricist Theory of Artistic Value. Journal of Aesthetics and Art Criticism 58 (4):321-332.
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  9. R. A. ShARpe (1999). Book Reviews. [REVIEW] British Journal of Aesthetics 39 (1):78-79.
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  10. R. A. Sharpe (1999). Critical Notice. Philosophical Investigations 22 (2):176–182.
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  11. R. A. ShARpe (1997). Book Reviews. [REVIEW] British Journal of Aesthetics 37 (1):78-79.
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  12. R. A. Sharpe (1997). One Cheer for the Simulation Theory. Inquiry 40 (1):115-31.
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  13. R. A. Sharpe (1995). Book Reviews. [REVIEW] British Journal of Aesthetics 35 (2):78-79.
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  14. R. A. Sharpe (1995). Music, Platonism and Performance: Some Ontological Strains. British Journal of Aesthetics 35 (1):38-48.
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  15. R. A. Sharpe (1994). Book Reviews. [REVIEW] Mind 103 (409):78-79.
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  16. R. A. Sharpe (1994). Making the Past: Mcfee‘s Forward Retroactivism. British Journal of Aesthetics 34 (2):170-173.
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  17. R. A. Sharpe (1993). A Companion to Aesthetics. Cogito 7 (3):250-251.
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  18. R. A. Sharpe (1992). Moral Tales. Philosophy 67 (260):155-.
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  19. R. A. Sharpe (1991). Authenticity Again. British Journal of Aesthetics 31 (2):163-166.
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  20. R. A. Sharpe (1991). Book Reviews. [REVIEW] British Journal of Aesthetics 31 (3):78-79.
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  21. R. A. Sharpe (1991). Minds Made Up. Inquiry 34 (1):91 – 106.
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  22. R. A. Sharpe (1990). Metaphysical Bets. Cogito 4 (2):133-133.
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  23. R. A. Sharpe (1990). Making the Human Mind. Routledge.
    Making the Human Mind is an attack on the widespread assumption that the mind has parts, that the interaction between these parts accounts for some of the most characteristic human behavior, the sorts of irrational behavior displayed in self-deception and weakness of will. The implications of this attack are considerable: Sharpe contests a realism about the mind, the belief that there is an inventory which an all-seeing deity could compile containing answers to all the questions we ask about people, whether (...)
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  24. R. A. Sharpe (1990). The Ontology of Art. Philosophical Books 31 (3):183-185.
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  25. R. A. ShARpe (1989). Book Reviews. [REVIEW] British Journal of Aesthetics 29 (1):78-79.
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  26. R. A. Sharpe (1989). Dennett's Journey Towards Panpsychism. Inquiry 32 (2):233-40.
  27. R. A. Sharpe (1989). Worlds of Art and Works of Art. Cogito 3 (2):122-127.
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  28. R. A. Sharpe (1988). Book-Reviews. British Journal of Aesthetics 28 (1):78-79.
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  29. R. A. Sharpe (1988). Kant's Aesthetic By Mary A. McCloskey London: Macmillan, 1987, Vi + 184 Pp., £27.50. [REVIEW] Philosophy 63 (244):285-.
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  30. R. A. Sharpe (1988). Culture and its Discontents. British Journal of Aesthetics 28 (4):305-316.
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  31. R. A. Sharpe (1987). The Very Idea of a Folk Psychology. Inquiry 30 (December):381-93.
    Three arguments are proposed against the idea that ordinary talk about the mind constitutes a folk psychology, a sort of prescientific theory which explains human behaviour and which is ripe for replacement by a neurological or computational theory with better scientific credentials. First, not all talk of the mind is introduced to explain in the way assumed by those who think that mental talk hypothesizes inner processes to explain behaviour. Second, the individuation of the behaviour which is explained by the (...)
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  32. R. A. ShaRpe (1986). Book Reviews. [REVIEW] British Journal of Aesthetics 26 (2):78-79.
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  33. R. A. Sharpe (1986). Psychoanalysis, Science or Insight?Adolf Grünbaum:The Foundations of Psychoanalysis∗. Inquiry 29 (1-4):121-132.
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  34. R. A. ShARpe (1984). Book Reviews. [REVIEW] British Journal of Aesthetics 24 (1):78-79.
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  35. R. A. Sharpe (1984). Art and Expertise. Proceedings of the Aristotelian Society 85:133 - 147.
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  36. R. A. Sharpe (1983). Contemporary Aesthetics: A Philosophical Analysis. St. Martin's Press.
     
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  37. R. A. Sharpe (1983). How Having the Concept of Pain Depends on Experiencing It. Philosophical Investigations 6 (April):142-144.
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  38. R. A. Sharpe (1982). Book Reviews. [REVIEW] British Journal of Aesthetics 22 (1):78-79.
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  39. R. A. Sharpe (1982). Performing an Interpretation: A Reply. Mind 91 (361):112-114.
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  40. R. A. Sharpe (1981). Book Reviews. [REVIEW] British Journal of Aesthetics 21 (2):78-79.
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  41. R. A. Sharpe & Eva Schaper (1981). Interpreting Art. Aristotelian Society Supplementary Volume 55:19 - 46.
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  42. R. A. Sharpe (1980). Freud and the Freedom of the Sane. Philosophy 55 (214):485-.
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  43. R. A. Sharpe (1980). The Aesthetics of Architecture By Roger Scruton Methuen, 1979, X + 302 Pp., £6.95. [REVIEW] Philosophy 55 (214):567-.
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  44. R. A. Sharpe (1980). Book Reviews. [REVIEW] British Journal of Aesthetics 20 (2):78-79.
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  45. R. A. Sharpe (1979). The Art of the Possible. Philosophy 54 (208):227-.
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  46. R. A. Sharpe (1979). Book Reviews. [REVIEW] British Journal of Aesthetics 19 (3):78-79.
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  47. R. A. Sharpe (1979). Type, Token, Interpretation and Performance. Mind 88 (351):437-440.
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  48. R. A. Sharpe (1978). A Transformation of a Structuralist Theme. British Journal of Aesthetics 18 (2):155-171.
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  49. R. A. Sharpe (1978). Recognising an Opportunity for Action. Erkenntnis 12 (3):359 - 368.
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  50. R. A. Sharpe (1977). Rationality and the Social Sciences Edited by S. I. Benn and G. W. Mortimore 1976, 416 Pp. £8.50. [REVIEW] Philosophy 52 (200):239-.
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  51. R. A. Sharpe (1977). Ii. Attitudes and Action. Inquiry 20 (1-4):131 – 145.
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  52. R. A. Sharpe (1976). Counting Actions. Philosophical Quarterly 26 (104):258-260.
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  53. R. A. Sharpe (1976). Man, the Ideological Animal. Philosophy of the Social Sciences 6 (4):363-368.
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  54. R. A. Sharpe (1975). Hearing As. British Journal of Aesthetics 15 (3):217-225.
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  55. R. A. Sharpe (1975). ‘Hearing As’. British Journal of Aesthetics 15 (3).
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  56. R. A. Sharpe (1974). The Ideology of Philosophy. Inquiry 17 (1-4):249-256.
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  57. R. A. Sharpe (1974). Ideology and Ontology. Philosophy of the Social Sciences 4 (1):55-64.
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  58. R. A. Sharpe (1971). Laws, Coincidences, Counterfactuals and Counter-Identicals. Mind 80 (320):572-582.
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  59. R. A. Sharpe (1971). Music: The Information Theoretic Approach. British Journal of Aesthetics 11 (4):385-401.
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  60. R. A. Sharpe (1970). II. The Business of Anthologies. Inquiry 13 (1-4):468-474.
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  61. R. A. Sharpe (1968). II. A Critique of British Empiricism∗. Inquiry 11 (1-4):430-435.
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  62. R. A. Sharpe (1968). Factual Memory. Mind 77 (January):131-132.
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  63. R. A. Sharpe (1965). The Unexpected Examination. Mind 74 (294):255.
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  64. R. A. Sharpe (1964). The Logical Status of Natural Laws. Inquiry 7 (1-4):414-416.
    In this note I have presented the essentials of a view of how laws are falsified, a view which has been held by some notable philosophers but which is radically opposed to that of Professor Popper. I have not scrupled to ?improve? upon it, so the view of no one philosopher is presented. I try to show that an interesting and convincing account of scientific simplicity is implicit in the theory and I conclude by suggesting how we can bring the (...)
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  65. R. A. Sharpe (1964). Validity and the Paradox of Confirmation. Philosophical Quarterly 14 (55):170-173.
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