131 found
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  1.  9
    Ronald W. Hepburn, Martin Heidegger, John Macquarrie & Edward Robinson (1964). Being and Time. Philosophical Quarterly 14 (56):276.
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  2. W. K. C. Guthrie, Ian Hacking, Graham Bird, D. R. Cousin, Martha Kneale, Cora Diamon, R. W. Hepburn, J. L. Ackrill & P. F. Strawson (1966). New Books. [REVIEW] Mind 75 (298):293-308.
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  3. Ronald W. Hepburn (1984). "Wonder" and Other Essays : Eight Studies in Aesthetics and Neighbouring Fields. Monograph Collection (Matt - Pseudo).
     
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  4.  80
    R. W. Hepburn & Iris Murdoch (1956). Symposium: Vision and Choice in Morality. Aristotelian Society Supplementary Volume 30 (1):14 - 58.
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  5. Ronald W. Hepburn (1963). Aesthetic Appreciation of Nature. British Journal of Aesthetics 3 (3):195-209.
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  6.  9
    Ronald W. Hepburn (1958). Christianity and Paradox. New York, Pegasus.
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  7. Ronald Hepburn (2010). The Aesthetics of Sky and Space. Environmental Values 19 (3):273-288.
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  8.  76
    Ronald Hepburn (2002). Philosophy, Literature and the Human Good. British Journal of Aesthetics 42 (3):328-331.
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  9.  12
    Ronald W. Hepburn (1960). Our Experience of God. [REVIEW] Journal of Philosophy 57 (24):769-771.
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  10.  65
    R. W. Hepburn (1963). A Fresh Look at Collingwood. British Journal of Aesthetics 3 (3):259-261.
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  11.  14
    Ronald W. Hepburn, Nicolas Cusanus, Germain Heron & D. J. B. Hawkins (1955). Of Learned Ignorance. Philosophical Quarterly 5 (20):283.
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  12.  51
    Ronald Hepburn (2001). Theological Aesthetics: God in Imagination, Beauty, and Art. British Journal of Aesthetics 41 (2):232-234.
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  13.  45
    D. R. Bell, K. Baier, Ronald W. Hepburn, Thomas McPherson, R. D. Bradley, D. D. Raphael, Antony Flew, W. H. F. Barnes, James Griffin, John Wheatley, Heinz-Juergen Schuering, D. P. Henry, Ernest H. Hutten, Anthony Kenny, Mary Warnock, Arthur Thomson & R. F. Holland (1962). New Books. [REVIEW] Mind 71 (284):552-594.
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  14.  15
    Ronald W. Hepburn (1962). Book Reviews. [REVIEW] British Journal of Aesthetics 2 (1):674-676.
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  15.  7
    Ronald W. Hepburn (1996). Landscape and the Metaphysical Imagination. Environmental Values 5 (3):191 - 204.
    Aesthetic appreciation of landscape is by no means limited to the sensuous enjoyment of sights and sounds. It very often has a reflective, cognitive element as well. This sometimes incorporates scientific knowledge, e.g.,geological or ecological; but it can also manifest what this article will call 'metaphysical imagination', which sees or seems to see in a landscape some indication, some disclosure of how the world ultimately is. The article explores and critically appraises this concept of metaphysical imagination, and some of the (...)
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  16.  21
    R. W. Hepburn (1980). The Inaugural Address: Wonder. Aristotelian Society Supplementary Volume 54:1 - 23.
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  17.  44
    Ronald W. Hepburn (1968). ‘Being’ as a Concept of Aesthetics. British Journal of Aesthetics 8 (2):138-146.
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  18.  38
    Ronald Hepburn (2002). Philosophy and Literature: An Introduction. British Journal of Aesthetics 42 (2):209-211.
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  19.  13
    C. H. Whiteley, C. K. Grant, Alan Montefiore, Ronald W. Hepburn, H. J. Paton, P. H. Nowell-Smith, A. D. Woozley & J. A. Faris (1959). New Books. [REVIEW] Mind 68 (272):556-574.
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  20.  25
    R. W. Hepburn (1966). Questions About the Meaning of Life. Religious Studies 1 (2):125 - 140.
    Claims about ‘the meaning of life’ have tended to be made and discussed in conjunction with bold metaphysical and theological affirmations. For life to have meaning, there must be a comprehensive divine plan to give it meaning, or there must be an intelligible cosmic process with a ‘telos’ that a man needs to know if his life is to be meaningfully orientated. Or, it is thought to be a condition of the meaningfulness of life, that values should be ultimately ‘conserved’ (...)
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  21.  2
    R. W. Hepburn (1973). Critical Notice. Canadian Journal of Philosophy 2 (3):403-411.
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  22.  10
    Ronald W. Hepburn (1990). Art, Truth and the Education of Subjectivity. Journal of Philosophy of Education 24 (2):185–198.
  23.  5
    Ronald W. Hepburn (1966). The Concept of Prayer. Philosophical Books 7 (2):23-25.
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  24.  18
    Ronald W. Hepburn (1963). From World to God. Mind 72 (285):40-50.
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  25. Ronald Hepburn (1996). Landscape and the Metaphysical Imagination. Environmental Values 5 (3):191-204.
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  26.  15
    Ronald Hepburn (2003). Brady, Emily, and Jerrold Levinson, Eds. Aesthetic Concepts: Essays After Sibley. Review of Metaphysics 56 (3):635-637.
  27.  8
    Ronald W. Hepburn W. Hepburn (1999). Values and Cosmic Imagination. Nordic Journal of Aesthetics 11 (19):35-51.
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  28.  6
    Ronald W. Hepburn (1999). The Human Habitat - Aesthetic and Axiological Perspectives by Pauline von Bonsdorff. Nordic Journal of Aesthetics 11 (19).
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  29.  8
    Ronald W. Hepburn (2010). The Aesthetics of Sky and Space. Environmental Values 19 (3):273 - 288.
    How can we best understand our aesthetic appreciation of sky and space? This essay begins by outlining the nature of spatial experience through some examples. Then it examines how our responses can be shaped by art and myth. Here we see how themes, such as ascension, that were current in prehistory and developed religions, can be reappropriated as components of a justifiable aesthetic experience. However, the task of finding defensible aesthetic responses to space as both experience and abstract idea does (...)
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  30.  11
    Ronald W. Hepburn (1961). Emotions and Emotional Qualities: Some Attempts at Analysis. British Journal of Aesthetics 1 (4):255-265.
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  31. Rw Hepburn (1988). The Concept of the Sublime: Has It Any Relevance for Philosophy Today? In Art and Philosophy: Mutual Connections and Inspirations. Dialectics and Humanism 15 (1-2):137-155.
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  32.  7
    Ronald Hepburn (1998). Nature Humanised: Nature Respected. Environmental Values 7 (3):267 - 279.
    How far is it true that the aesthetic appreciation of nature obscures, rather than illuminates, its objects? Do we not humanise nature, read our own subjectivity into it, sentimentally distort it, in our aesthetic - as distinct from scientific - approaches? I argue that not all humanising falsifies, and that we can respect nature as well as annex its forms and expressive qualities in our aesthetic appreciation. Respecting/humanising are explored as two of the chief key concepts for an understanding of (...)
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  33.  5
    R. W. Hepburn (1972). Nature in the Light of Art. Royal Institute of Philosophy Lectures 6:242-258.
    Art is without doubt a powerful agent in determining how nature appears to us. Andrew Forge describes seeing tree leaves in sunlight, and ‘thinking Pissarro’. ‘I am wrapped round by Impressionism and the leaves look like brush strokes’. To Harold Osborne, once one has been impressed by Van Gogh's painting of certain objects, ‘it is difficult ever again to see the objects uninfluenced by Van Gogh's vision of them’.
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  34.  1
    Ronald W. Hepburn & J. N. Findlay (1967). The Discipline of the Cave. Philosophical Quarterly 17 (66):86.
    First published in 1966, The Discipline of the Cave is the first series of a course of Gifford lectures on philosophical issues.. J N Findlay’s lectures use the image of the Cave to show how familiarity is full of restrictions, and involves puzzles and discrepancies unable to be resolved or removed. Such philosophical perplexities may be a result of the misunderstanding and abuse of ordinary ways of thinking and speaking. They may also be a way of ‘drawing us towards being’, (...)
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  35.  4
    Ronald W. Hepburn (1992). Religious Imagination. Royal Institute of Philosophy Supplement 32:127-143.
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  36.  4
    Ronald Hepburn (1996). Data and Theory in Aesthetics: Philosophical Understanding and Misunderstanding. Royal Institute of Philosophy Supplement 41:235-252.
    This paper has a twofold structure: both parts concern philosophy's understanding of its data—in the area of aesthetics. The first part considers aesthetics as philosophy of art: the second part considers aesthetics as concerned also with the appreciation of nature.
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  37.  4
    Ronald W. Hepburn (1960). Revelation Through Reason. By Errol E. Harris. (London: George Allen and Unwin Ltd. 1959. Pp. 123. Price 15s.). Philosophy 35 (135):364-.
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  38.  9
    R. Hepburn (2007). Sublimity: The Non-Rational and the Irrational in the History of Aesthetics. British Journal of Aesthetics 47 (2):217-219.
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  39. Ronald W. Hepburn (1967). Moral Arguments for the Existence of God. In Paul Edwards (ed.), The Encyclopedia of Philosophy. New York, Macmillan 381--385.
     
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  40. H. J. Blackham, Ronald Hepburn, Kingsley Martin & Kathleen Nott (1965). Objections to Humanism. Philosophy 40 (153):253-253.
  41. Ronald W. Hepburn & Etienne Gilson (1960). Painting and Reality. Philosophical Quarterly 10 (38):90.
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  42.  8
    Ronald Hepburn (1990). Analytic Aesthetics. Philosophical Books 31 (3):187-188.
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  43.  8
    Ronald Hepburn (1979). The Coherence of Theism By Richard Swinburne Oxford: Clarendon Press, 1977, 302 Pp., £9.00. [REVIEW] Philosophy 54 (207):125-.
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  44. Ronald Hepburn (1955). George Hakewill: The Virility of Nature. Journal of the History of Ideas 16 (1/4):135.
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  45.  3
    R. Hepburn (2005). The Seventh Sense: Francis Hutcheson and Eighteenth-Century British Aesthetics. British Journal of Aesthetics 45 (4):445-447.
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  46.  9
    Ronald Hepburn (1972). Poetry and ‘Concrete Imagination’: Problems of Truth and Illusion. British Journal of Aesthetics 12 (1):3-18.
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  47.  1
    Ronald W. Hepburn (1957). X—New Books. [REVIEW] Mind 66 (263):424-425.
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  48.  7
    R. W. Hepburn (1993). Book Reviews. [REVIEW] Mind 102 (408):674-676.
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  49.  7
    Ronald W. Hepburn (1958). Literary and Logical Analysis. Philosophical Quarterly 8 (33):342-356.
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  50.  5
    Ronald W. Hepburn (1962). The Paradox of Tragedy. By D. D. Raphael. The Mahlon Powell Lectures 1959. (George Allen and Unwin Ltd., London, 1960. Pp. 112. Price 16s.). [REVIEW] Philosophy 37 (139):84-.
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