Search results for 'R. P. Ingram-Winnington' (try it on Scholar)

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  1. J. S. Morrison (1949). The Bacchae R. P. Winnington-Ingram: Euripides and Dionysus: An Interpretation of the Bacchae. Pp. Viii+190. Cambridge: University Press, 1948. Cloth, 15s. [REVIEW] The Classical Review 63 (3-4):96-98.score: 990.0
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  2. H. D. F. Kitto (1936). Mode in Ancient Greek Music R. P. Winnington-Ingram : Mode in Ancient Greek Music. Pp. Viii+90. (Cambridge Classical Studies, II.) Cambridge: University Press, 1936. Cloth, 7s. 6d. [REVIEW] The Classical Review 50 (05):184-186.score: 990.0
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  3. B. M. W. Knox (1982). Sophocles R. P. Winnington-Ingram: Sophocles: An Interpretation. Pp. Xii + 346. Cambridge University Press. 1980. £25 (Paper, £8.50). [REVIEW] The Classical Review 32 (01):8-12.score: 990.0
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  4. A. F. Garvie (1985). Studies in Aeschylus R. P. Winnington-Ingram: Studies in Aeschylus. Pp. Xiv + 225. Cambridge University Press, 1983. £25 (Paper, £9.95). [REVIEW] The Classical Review 35 (01):7-8.score: 990.0
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  5. E. K. Borthwick (1956). The Oslo Musical Fragment S. Eitrem Leiv Amundsen, and R. P. Winnington-Ingram: Fragments of Unknown Greek Tragic Texts with Musical Notation. Pp. 87; 2 Plates. Oslo: Brøgger, 1955. Paper. [REVIEW] The Classical Review 6 (3-4):211-213.score: 990.0
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  6. D. W. Lucas (1962). Euripidean Problems H. Diller, J. C. Kamerbeek, A. Lesky, V. Martin, A. Rivier, R. P. Winnington-Ingram, G. Zuntz: Euripide. (Entretiens Hardt, Tome Vi.) Pp. 290. Cambridge: Heffer, 1960. Cloth, £2. 10s. Net. [REVIEW] The Classical Review 12 (02):126-129.score: 990.0
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  7. R. P. Winnington-Ingram (1949). The Style of Aeschylus F. R. Earp: The Style of Aeschylus. Pp. Vii+175. Cambridge: University Press, 1948. Cloth, 12s. 6d. Net. [REVIEW] The Classical Review 63 (3-4):95-96.score: 258.0
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  8. R. P. Winnington-Ingram (1949). H. R. Butts: The Glorification of Athens in Greek Drama. (Iowa Studies in Classical Philology, No. XL) Pp. 247. Privately Lithoprinted From 4598-28 Typescript (Copies Obtainable From the Author at 305 East Park St., Vandalia, Missouri), 1947. Paper, $4. [REVIEW] The Classical Review 63 (01):33-.score: 258.0
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  9. R. P. Winnington-Ingram (1951). Fraenkel's Agamemnon Aeschylus: Agamemnon. Edited With A Commentary By Eduard Fraenkel. 3 Vols. Vol. I, Pp. Xvi + 195; Vols. II and III, Pp. Viii + 850. Oxford: Clarendon Press, 1950. Cloth, £4. 4s. Net. [REVIEW] The Classical Review 1 (3-4):147-151.score: 198.0
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  10. R. P. Winnington-Ingram (1952). Greek Tragedy D. W. Lucas: The Greek Tragic Poets. Pp. Ix+253. London: Cohen & West, 1950. Cloth, 15s. Net. The Classical Review 2 (01):21-22.score: 198.0
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  11. R. P. Winnington-Ingram (1959). The Agamemnon (1) J. D. Denniston and Denys Page: Aeschylus, Agamemnon. Pp. Xxxix + 240. Oxford: Clarendon Press, 1957. Cloth, 21s. Net. (2) Eduard Fraenkel: Der Agamemnon des Aeschylus. Pp. 38. Zürich: Artemis-Verlag, 1957. Paper, 3.80 Sw. Fr. [REVIEW] The Classical Review 9 (01):23-26.score: 198.0
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  12. R. P. Winnington-Ingram (1962). Aeschylus' Persae H. D. Broadhead: The Persae of Aeschylus. Edited with Introduction, Critical Notes and Commentary. Pp. Lxxiii+350. Cambridge: University Press, 1960. Cloth, 45s. Net. [REVIEW] The Classical Review 12 (02):122-125.score: 198.0
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  13. R. P. Winnington-Ingram (1932). Aristoxenus and the Intervals of Greek Music. Classical Quarterly 26 (3-4):195-.score: 198.0
  14. R. P. Winnington-Ingram (1932). Aulos und Kithara in der griechischen Musik bis zum Ausgang der klassischen Zeit. Von Helmut Huchzermeyer. Pp. 76. Emsdetten (Westf.): H. und J. Lechte, 1931. Paper. [REVIEW] The Classical Review 46 (05):233-.score: 198.0
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  15. R. P. Winnington-Ingram (1956). The Pentatonic Tuning of the Greek Lyre: A Theory Examined. Classical Quarterly 6 (3-4):169-.score: 198.0
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  16. R. P. Winnington-Ingram (1965). Greek Music and Poetry Hermann Koller: Musik und Dichtung im alten Griechenland. Pp. 212; 20 plates. Bern: Francke, 1963. Cloth, 24.50 Sw. fr. [REVIEW] The Classical Review 15 (02):193-195.score: 198.0
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  17. R. P. Winnington-Ingram (1939). The Greek Modes K. Schlesinger: The Greek Aulos. Pp. 1+577; 18 Plates. London: Methuen, 1939. Cloth, 42s. The Classical Review 53 (5-6):185-186.score: 198.0
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  18. J. F. M. & R. P. Winnington-Ingram (1937). Mode in Ancient Greek Music. Journal of Hellenic Studies 57:105.score: 198.0
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  19. R. P. Winnington-Ingram (1948). Euripides André Rivier: Essai sur le Tragique d'Euripide. Pp. 240. Lausanne, Rouge, 1944. Paper, 6 Sw. fr. The Classical Review 62 (01):17-18.score: 198.0
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  20. R. P. Winnington-Ingram (1952). Greek Music Otto Johannes Gombosi: Tonarten Und Stimmungen der Antiken Musik. Pp. Xiii+148; 1 Plate. Copenhagen: Munksgaard, 1939 [1950]. Paper, Kr. 25. [REVIEW] The Classical Review 2 (01):34-36.score: 198.0
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  21. R. P. Winnington-Ingram, K. Ziegler & Francois Lasserre (1956). Plutarch, de musicaPlutarque de la Musique. Journal of Hellenic Studies 76:118.score: 198.0
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  22. A. M. Dale, S. Eitrem, L. Amundsen & R. P. Winnington-Ingram (1957). Fragments of Unknown Greek Tagic Texts with Musical Notation. Journal of Hellenic Studies 77:325.score: 198.0
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  23. J. A. Davison, R. P. Winnington-Ingram, Euripides & Dionysus (1947). Euripides and Dionysus: An Interpretation of the Bacchae. Journal of Hellenic Studies 67:139.score: 198.0
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  24. R. P. Winnington-Ingram (1949). Characterization in Euripides Walter Zürcher: Die Darstellung des Menschen Im Drama des Euripides. (Schweizerische Beiträge Zur Altertumswissenschaft, Heft 2.) Pp. Xii+197. Basel: Reinhardt, 1947 Paper. [REVIEW] The Classical Review 63 (01):15-16.score: 198.0
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  25. R. P. Winnington-Ingram (1937). Euripides, Electra 1292–1307. The Classical Review 51 (02):51-52.score: 198.0
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  26. R. P. Winnington-Ingram (1949). Emil Staiger: Euripides, Ion. Deutsch mit einer Einleitung. Pp. 66. Bern: Francke, 1947. Boards, 5.50 Sw. fr. The Classical Review 63 (02):71-.score: 198.0
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  27. R. P. Winnington-Ingram (1961). The Danaid Trilogy of Aeschylus. Journal of Hellenic Studies 81:141.score: 198.0
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  28. R. P. Winnington-Ingram & Kathleen Schlesinger (1939). The Greek Aulos. Journal of Hellenic Studies 59:305.score: 198.0
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  29. R. P. Winnington-Ingram & Alister Cameron (1970). The Identity of Oedipus the King: Five Essays on the Oedipus Tyrannus. Journal of Hellenic Studies 90:204.score: 198.0
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  30. R. A. Higgins & R. P. Winnington-Ingram (1965). Lute-Players in Greek Art. Journal of Hellenic Studies 85:62.score: 198.0
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  31. Jon Solomon, T. J. Mathiesen, R. P. Winnington-Ingram, A. Barker, W. S. Hett, H. S. Macran, L. Rowell, L. Pearson, C. B. Gulick & C. Bower (1986). Προεπιλογή Πυθαγόρα, Το «Πείραμα» Με Τα Σφυριά, Ελικών. American Journal of Philology 107 (4):455-479.score: 198.0
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  32. O. Taplin, P. Victorius, So H. Weil & R. P. Winnington-Ingram (2006). Apollo's Last Words in Aeschylus'eumenides. Classical Quarterly 56:12-18.score: 198.0
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  33. R. P. Winnington-Ingram (1951). Augustine's De Musica W. F. Jackson Knight: St. Augustine's De Musica. A Synopsis. Pp. 125. London: Orthological Institute, [1949]. Cloth and Boards, I2J. 6d. Net. [REVIEW] The Classical Review 1 (3-4):200-201.score: 198.0
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  34. R. P. Winnington-Ingram (1940). A Literary Study of Greek Tragedy H. D. F. Kitto: Greek Tragedy: A Literary Study. Pp. X+410. London: Methuen, 1939. Cloth, 15s. [REVIEW] The Classical Review 54 (02):79-80.score: 198.0
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  35. R. P. Winnington-Ingram & Helen H. Bacon (1963). Barbarians in Greek Tragedy. Journal of Hellenic Studies 83:162.score: 198.0
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  36. R. P. Winnington-Ingram & T. Georgiades (1950). Der griechische Rhythmus: Musik, Reigen, Vers und Sprache. Journal of Hellenic Studies 70:82.score: 198.0
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  37. R. P. Winnington-Ingram (1957). Dieter Kaufmann Bühler: Begriff und Funktion der Dike in den Tragödien des Aischylos. Pp. 116. Bonn: Ludwig Röhrscheid, 1955. Paper. [REVIEW] The Classical Review 7 (02):158-159.score: 198.0
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  38. R. P. Winnington-Ingram & M. Wegner (1951). Das Musikleben der Griechen. Journal of Hellenic Studies 71:266.score: 198.0
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  39. R. P. Winnington-Ingram (1961). D. W. Lucas: The Greek Tragic Poets. Second Edition. Pp. Xiv + 274. London: Cohen & West, 1959. Cloth, 24s. Net. The Classical Review 11 (02):160-.score: 198.0
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  40. R. P. Winnington-Ingram & A. M. Dale (1973). Metrical Analyses of Tragic Choruses. Fasc. 1. Dactylo-Epitrite. Journal of Hellenic Studies 93:240.score: 198.0
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  41. R. P. Winnington-Ingram (1959). The Loeb Aeschylus. The Classical Review 9 (03):239-.score: 198.0
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  42. R. P. Winnington-Ingram (1959). The Loeb Aeschylus Aeschylus. With an English Translation by Herbert Weir Smyth. Vol. Ii. Reprinted with an Appendix Edited by Hugh Lloyd-Jones. (Loeb Classical Library.) Pp. 611. London: Heinemann, 1957. Cloth, 15s. Net. [REVIEW] The Classical Review 9 (03):239-241.score: 198.0
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  43. R. P. Winnington-Ingram (1935). Two Passages of Horace. The Classical Review 49 (04):127-128.score: 198.0
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  44. G. O. Hutchinson & R. P. Winnington Ingram (1985). Studies in Aeschylus. Journal of Hellenic Studies 105:179.score: 198.0
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  45. R. P. Ingram-Winnington (1946). Choephori 691–9 (687–95). The Classical Review 60 (02):58-60.score: 198.0
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  46. P. G. Mason & R. P. Winnington- Ingram (1982). Sophocles: An Interpretation. Journal of Hellenic Studies 102:247.score: 198.0
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  47. R. P. Winnington-Ingram (1954). Aeschylus, Agamemnon 1343–71. Classical Quarterly 4 (1-2):23-.score: 198.0
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  48. R. P. Winnington-Ingram (1935). Aeschylus. Eumenides, 674–680. The Classical Review 49 (01):7-8.score: 198.0
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  49. R. P. Winnington-Ingram (1954). A Religious Function of Greek Tragedy: A Study in the Oedipus Coloneus and the Oresteia. Journal of Hellenic Studies 74:16.score: 198.0
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  50. R. P. Winnington-Ingram (1948). Clytemnestra and the Vote of Athena. Journal of Hellenic Studies 68:130.score: 198.0
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