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- R. P. Winnington-Ingram (1965). Greek Music and Poetry Hermann Koller: Musik Und Dichtung Im Alten Griechenland. Pp. 212; 20 Plates. Bern: Francke, 1963. Cloth, 24.50 Sw. Fr. [REVIEW] The Classical Review 15 (02):193-195.
- R. P. Winnington-Ingram (1962). Aeschylus' Persae H. D. Broadhead: The Persae of Aeschylus. Edited with Introduction, Critical Notes and Commentary. Pp. Lxxiii+350. Cambridge: University Press, 1960. Cloth, 45s. Net. [REVIEW] The Classical Review 12 (02):122-125.
- R. P. Winnington-Ingram (1961). D. W. Lucas: The Greek Tragic Poets. Second Edition. Pp. Xiv + 274. London: Cohen & West, 1959. Cloth, 24s. Net. The Classical Review 11 (02):160-.
- R. P. Winnington-Ingram (1959). The Agamemnon (1) J. D. Denniston and Denys Page: Aeschylus, Agamemnon. Pp. Xxxix + 240. Oxford: Clarendon Press, 1957. Cloth, 21s. Net. (2) Eduard Fraenkel: Der Agamemnon des Aeschylus. Pp. 38. Zürich: Artemis-Verlag, 1957. Paper, 3.80 Sw. Fr. [REVIEW] The Classical Review 9 (01):23-26.
- R. P. Winnington-Ingram (1959). The Loeb Aeschylus. The Classical Review 9 (03):239-.
- R. P. Winnington-Ingram (1959). The Loeb Aeschylus Aeschylus. With an English Translation by Herbert Weir Smyth. Vol. Ii. Reprinted with an Appendix Edited by Hugh Lloyd-Jones. (Loeb Classical Library.) Pp. 611. London: Heinemann, 1957. Cloth, 15s. Net. [REVIEW] The Classical Review 9 (03):239-241.
- R. P. Winnington-Ingram (1957). Dieter Kaufmann Bühler: Begriff Und Funktion der Dike in den Tragödien des Aischylos. Pp. 116. Bonn: Ludwig Röhrscheid, 1955. Paper. [REVIEW] The Classical Review 7 (02):158-159.
- R. P. Winnington-Ingram (1956). The Pentatonic Tuning of the Greek Lyre: A Theory Examined. The Classical Quarterly 6 (3-4):169-.
- R. P. Winnington-Ingram (1955). Music and Metre Émile Martin: (I) Trois Documents de Musique Grecque. Pp. 78; 2 Plates. (2) Essai Sur les Rythmes de la Chanson Grecque Antique. Pp. Viii+365. Paris: Klincksieck, 1953. Paper, 800 Fr., 1, 600 Fr. [REVIEW] The Classical Review 5 (01):83-86.
- R. P. Winnington-Ingram (1955). Two Latin Idioms. The Classical Review 5 (02):139-141.
- R. P. Winnington-Ingram (1954). Aeschylus, Agamemnon 1343–71. The Classical Quarterly 4 (1-2):23-.
- R. P. Winnington-Ingram (1952). Greek Music Otto Johannes Gombosi: Tonarten Und Stimmungen der Antiken Musik. Pp. Xiii+148; 1 Plate. Copenhagen: Munksgaard, 1939 [1950]. Paper, Kr. 25. [REVIEW] The Classical Review 2 (01):34-36.
- R. P. Winnington-Ingram (1952). Greek Tragedy D. W. Lucas: The Greek Tragic Poets. Pp. Ix+253. London: Cohen & West, 1950. Cloth, 15s. Net. The Classical Review 2 (01):21-22.
- R. P. Winnington-Ingram (1951). Augustine's De Musica W. F. Jackson Knight: St. Augustine's De Musica. A Synopsis. Pp. 125. London: Orthological Institute, [1949]. Cloth and Boards, I2J. 6d. Net. [REVIEW] The Classical Review 1 (3-4):200-201.
- R. P. Winnington-Ingram (1951). Fraenkel's Agamemnon Aeschylus: Agamemnon. Edited With A Commentary By Eduard Fraenkel. 3 Vols. Vol. I, Pp. Xvi + 195; Vols. II and III, Pp. Viii + 850. Oxford: Clarendon Press, 1950. Cloth, £4. 4s. Net. [REVIEW] The Classical Review 1 (3-4):147-151.
- R. P. Winnington-Ingram (1949). Characterization in Euripides Walter Zürcher: Die Darstellung des Menschen Im Drama des Euripides. (Schweizerische Beiträge Zur Altertumswissenschaft, Heft 2.) Pp. Xii+197. Basel: Reinhardt, 1947 Paper. [REVIEW] The Classical Review 63 (01):15-16.
- R. P. Winnington-Ingram (1949). Emil Staiger: Euripides, Ion. Deutsch Mit Einer Einleitung. Pp. 66. Bern: Francke, 1947. Boards, 5.50 Sw. Fr. The Classical Review 63 (02):71-.
- R. P. Winnington-Ingram (1949). H. R. Butts: The Glorification of Athens in Greek Drama. (Iowa Studies in Classical Philology, No. XL) Pp. 247. Privately Lithoprinted From 4598-28 Typescript (Copies Obtainable From the Author at 305 East Park St., Vandalia, Missouri), 1947. Paper, $4. [REVIEW] The Classical Review 63 (01):33-.
- R. P. Winnington-Ingram (1949). The Style of Aeschylus F. R. Earp: The Style of Aeschylus. Pp. Vii+175. Cambridge: University Press, 1948. Cloth, 12s. 6d. Net. [REVIEW] The Classical Review 63 (3-4):95-96.
- R. P. Winnington-Ingram (1948). Euripides André Rivier: Essai Sur le Tragique d'Euripide. Pp. 240. Lausanne, Rouge, 1944. Paper, 6 Sw. Fr. The Classical Review 62 (01):17-18.
- R. P. Winnington-Ingram (1940). A Literary Study of Greek Tragedy H. D. F. Kitto: Greek Tragedy: A Literary Study. Pp. X+410. London: Methuen, 1939. Cloth, 15s. [REVIEW] The Classical Review 54 (02):79-80.
- R. P. Winnington-Ingram (1939). The Greek Modes K. Schlesinger: The Greek Aulos. Pp. 1+577; 18 Plates. London: Methuen, 1939. Cloth, 42s. The Classical Review 53 (5-6):185-186.
- R. P. Winnington-Ingram (1937). Euripides, Electra 1292–1307. The Classical Review 51 (02):51-52.
- R. P. Winnington-Ingram (1935). Aeschylus. Eumenides, 674–680. The Classical Review 49 (01):7-8.
- R. P. Winnington-Ingram (1935). Two Passages of Horace. The Classical Review 49 (04):127-128.
- R. P. Winnington-Ingram (1933). The Rôle of Apollo in the Oresteia. The Classical Review 47 (03):97-104.
- R. P. Winnington-Ingram (1932). Aristoxenus and the Intervals of Greek Music. The Classical Quarterly 26 (3-4):195-.
- R. P. Winnington-Ingram (1932). Aulos Und Kithara in der Griechischen Musik Bis Zum Ausgang der Klassischen Zeit. Von Helmut Huchzermeyer. Pp. 76. Emsdetten (Westf.): H. Und J. Lechte, 1931. Paper. [REVIEW] The Classical Review 46 (05):233-.
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