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  1. R. W. Beardsmore (1995). Art and Family Resemblances. Philosophical Investigations 18 (3):199-215.
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  2. R. W. Beardsmore (1992). John Dewey's Theory of Art, Experience and Nature. Idealistic Studies 22 (3):220-221.
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  3. R. W. Beardsmore (1992). The Theory of Family Resemblances. Philosophical Investigations 15 (2):131-146.
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  4. R. W. Beardsmore (1991). Wittgenstein on Tolstoi's What is Art? Philosophical Investigations 14 (3):187-204.
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  5. R. W. Beardsmore (1989). Autobiography and the Brain: Mary Warnock on Memory. British Journal of Aesthetics 29 (3):261-269.
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  6. R. W. Beardsmore (1988). Book-Reviews. British Journal of Aesthetics 28 (1):81-83.
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  7. R. W. Beardsmore (1988). "The Reasons of Art: Artworks and Transformations of Philosophy": Edited by Peter J. McCormick. [REVIEW] British Journal of Aesthetics 28 (1):81.
     
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  8. R. W. BeaRdsmore (1986). Book Reviews. [REVIEW] British Journal of Aesthetics 26 (4):81-83.
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  9. R. W. Beardsmore (1986). Common-Sense Morality and Consequentialism. Philosophical Books 27 (2):116-118.
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  10. R. W. Beardsmore (1986). "Tolstoy's 'What Is Art?"': T. J. Diffey. [REVIEW] British Journal of Aesthetics 26 (4):399.
     
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  11. R. W. Beardsmore (1985). Book Reviews. [REVIEW] British Journal of Aesthetics 25 (1):81-83.
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  12. R. W. Beardsmore (1985). "The Object of Literary Criticism": Richard Shusterman. [REVIEW] British Journal of Aesthetics 25 (1):86.
     
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  13. R. W. Beardsmore (1983). Literary Examples and Philosophical Confusion. Royal Institute of Philosophy Lectures 16:59-73.
    It is by no means unusual in works of philosophy for writers to make use of examples from literature or to bemoan the lack of literary examples in the work of other philosophers. Nor is it unusual for philosophers to write substantial tomes without ever mentioning any work of literature or to condemn the use of literary examples as a threat to clarity of thought. This contradiction in practice and principle might lead us to suspect that what we are here (...)
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  14. R. W. Beardsmore (1983). MARTIN, G. D. The Architecture of Experience: The Role of Language and Literature in the Construction of the World. [REVIEW] Philosophy 58:271.
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  15. R. W. Beardsmore (1983). The Censorship of Works of Art. In Peter Lamarque (ed.), Philosophy and Fiction: Essays in Literary Aesthetics. Aberdeen University Press.
     
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  16. R. W. Beardsmore (1983). The Architecture of Experience: The Role of Language and Literature in the Construction of the World By G. D. Martin Edinburgh University Press, 1981, Vi+201 Pp., £12.00. [REVIEW] Philosophy 58 (224):271-.
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  17. R. W. Beardsmore (1982). Book Reviews. [REVIEW] British Journal of Aesthetics 22 (2):81-83.
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  18. R. W. Beardsmore (1982). "Culture and Value": Ludwig Wittgenstein. [REVIEW] British Journal of Aesthetics 22 (2):172.
     
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  19. R. W. Beardsmore (1980). "Art, An Enemy of the People": Roger L. Taylor. [REVIEW] British Journal of Aesthetics 20 (2):182.
     
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  20. R. W. Beardsmore (1980). Book Reviews. [REVIEW] British Journal of Aesthetics 20 (2):81-83.
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  21. R. W. Beardsmore (1980). MORAWETZ, THOMAS "Wittgenstein and Knowledge: The Importance of" On Certainty. [REVIEW] Philosophy 55:130.
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  22. R. W. Beardsmore (1980). The Limits of Imagination. British Journal of Aesthetics 20 (2):99-114.
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  23. R. W. Beardsmore (1980). Wittgenstein and Knowledge: The Importance of 'On Certainty' By Thomas Morawetz University of Massachusetts Press, 1978, 159 Pp., $10.00. [REVIEW] Philosophy 55 (211):130-.
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  24. R. W. Beardsmore (1973). Two Trends in Contemporary Aesthetics. British Journal of Aesthetics 13 (4):346-366.
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  25. M. R. Haight & R. W. Beardsmore (1973). Art and Morality. Philosophical Quarterly 23 (91):187.
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  26. R. W. Beardsmore (1972). Learning From a Novel. Royal Institute of Philosophy Lectures 6:23-46.
  27. R. W. Beardsmore (1969). Consequences and Moral Worth. Analysis 29 (6):177 - 186.
  28. R. W. Beardsmore (1969). Moral Reasoning. New York, Schocken Books.
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