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Robert Wicks [34]R. Wicks [3]Robert L. Wicks [1]Robert J. Wicks [1]
  1. James Wetzel, Leonard F. Wheat, Robert L. Wicks, Robert R. Williams & David Wolfsdorf (2013). Editions and Translations. Journal of the History of Philosophy 51 (3):503-505.
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  2. R. Wicks (2013). Hegel on the Modern Arts. British Journal of Aesthetics 53 (2):254-256.
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  3. R. Wicks (2011). The Riddle of the World: A Reconsideration of Schopenhauer's Philosophy, by Barbara Hannan. Mind 120 (479):875-879.
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  4. Robert Wicks (2011). Beyond Selflessness: Reading Nietzsche's 'Genealogy' – Christopher Janaway. [REVIEW] Philosophical Quarterly 61 (244):637-640.
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  5. Robert Wicks (2010). Using Artistic Masterpieces as Philosophical Examples: The Case of Las Meninas. Journal of Aesthetics and Art Criticism 68 (3):259-272.
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  6. R. Wicks (2009). Review: Aaron Ridley: Routledge Philosophy Guidebook to Nietzsche on Art. [REVIEW] Mind 118 (469):204-207.
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  7. Robert Wicks (2009). Kant on Beauty and Biology: An Interpretation of the Critique of Judgment. [REVIEW] British Journal for the History of Philosophy 17 (4):884-887.
    Esteticky a teleologicky soud jsou oba zalozene na a priori principu ucelnosti bez ucelu. Ten je subjektivni, tj. nezaklada zadne objektivni poznani. Biolog a estetik se bez toho principu vsak neobejde. Princip je as if: predpokladame, ze v chovani organismu / ruznych vnimatelnych aspektech je jednota, unity of diversity, ze je to non-conceptually ordered whole.
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  8. Robert Wicks, Arthur Schopenhauer. Stanford Encyclopedia of Philosophy.
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  9. Robert Wicks, Friedrich Nietzsche. Stanford Encyclopedia of Philosophy.
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  10. Robert Wicks (2008). Natural Beauty and Optimism in Schopenhauer's Aesthetics. European Journal of Philosophy 16 (2):273-291.
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  11. Robert Wicks (2008). Schopenhauer. Blackwell Pub..
    This innovative volume presents an insightful philosophical portrait of the life and work of Arthur Schopenhauer. Focuses on the concept of the sublime as it clarifies Schopenhauer’s aesthetic theory, moral theory and asceticism Explores the substantial relationships between Schopenhauer’s philosophy and Buddhism, Hinduism, and Christianity Defends Schopenhauer’s position that absolute truth can be known and described as a blindly striving, all-permeating, universal “Will” Examines the influence of Asian philosophy on Schopenhauer Describes the relationships between Schopenhauer’s thought and that of Hegel, (...)
     
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  12. Robert Wicks (2007). Routledge Philosophy Guidebook to Kant on Judgment. Routledge.
    Kant’s Critique of Judgment is one of the most important texts in the history of modern aesthetics. This GuideBook discusses the third Critique section by section, and introduces and assesses: Kant's life and the background of the Critique of Judgment the ideas and text of the Critique of Judgment , including a critical explanation of Kant’s theories of natural beauty The continuing relevance of Kant’s work to contemporary philosophy and aesthetics This GuideBook is an accessible introduction to a notoriously difficult (...)
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  13. Robert Wicks (2006). Review of Frederick Beiser, Schiller As Philosopher: A Re-Examination. [REVIEW] Notre Dame Philosophical Reviews 2006 (7).
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  14. Robert Wicks (2005). Nietzsche's 'Yes' to Life and the Apollonian Neutrality of Existence. Nietzsche-Studien 34 (1).
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  15. Robert Wicks (2005). The Idealization of Contingency in Traditional Japanese Aesthetics. Journal of Aesthetic Education 39 (3):88-101.
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  16. Robert Wicks (2004). Being in the Dry Zen Landscape. Journal of Aesthetic Education 38 (1):112-122.
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  17. Robert Wicks (2003). Review: Cheetham, Kant, Art, and Art History: Moments of Discipline. [REVIEW] Dialogue 42 (03):604-.
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  18. Robert Wicks (2003). Kant, Art, and Art History. Dialogue 42 (3):604-606.
  19. Robert Wicks (2003). Literary Truth as Dreamlike Expression in Foucault's and Borges's "Chinese Encyclopedia". Philosophy and Literature 27 (1):80-97.
  20. Robert Wicks (2002). Schopenhauerian Moral Awareness as a Source of Nietzschean Nonmorality. Journal of Nietzsche Studies 23 (1):21-38.
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  21. Robert Wicks (2001). Nietzsche's Ethics and His War on 'Morality' (Review). Journal of the History of Philosophy 39 (3):450-451.
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  22. Robert Wicks (2001). Foucault. In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
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  23. Robert Wicks (1999). Can Tattooed Faces Be Beautiful?: Limits on the Restriction of Forms in Dependent Beauty. Journal of Aesthetics and Art Criticism 57 (3):361-363.
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  24. Robert Wicks (1999). Kant on Beautifying the Human Body. British Journal of Aesthetics 39 (2):163-178.
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  25. Robert Wicks (1999). Understanding Gadamer. Dialogue 38 (04):827-.
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  26. Robert Wicks (1998). Death and Enlightenment. The Therapeutic Psychology of The Tibetan Book of the Dead. In J. E. Malpas & Robert C. Solomon (eds.), Death and Philosophy. Routledge. 71--82.
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  27. Robert Wicks (1998). Foucault and the Possibility of Historical Transcendence. Critical Review of International Social and Political Philosophy 1 (2):85-108.
  28. Robert Wicks (1997). Dependent Beauty as the Appreciation of Teleological Style. Journal of Aesthetics and Art Criticism 55 (4):387-400.
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  29. Robert Wicks (1997). The Therapeutic Psychology of "the Tibetan Book of the Dead". Philosophy East and West 47 (4):479-494.
    This well-known Buddhist text sets forth a series of conditions under which a positive "rebirth" can occur. This essay argues in favor of a symbolic conception of "rebirth" that does not necessitate the recognition of after-death states of consciousness. The practical consequence of this strategy is therapeutic and enlightening even to those who doubt or deny the existence of an afterlife.
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  30. Robert Wicks (1995). Kant on Fine Art: Artistic Sublimity Shaped by Beauty. Journal of Aesthetics and Art Criticism 53 (2):189-193.
    This essay critically examines the view recently set forth by Paul Guyer that Kant's theories of artistic beauty and artistic creativity exclusively coincide with this theory of natural beauty. I note that very great works of art, although they may indeed be beautiful, also tend to be sublime. To acknowledge the sense of awe which attends those great works of art which are also beautiful, I argue that Kant's theory of sublimity must also be included within an accurate interpretation of (...)
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  31. Robert Wicks (1994). Architectural Restoration: Resurrection or Replication? British Journal of Aesthetics 34 (2):163-169.
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  32. Robert Wicks (1994). On Schopenhauer's "Fourfold Root of the Principle of Sufficient Reason" (Review). Journal of the History of Philosophy 32 (1):149-151.
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  33. Robert Wicks (1993). Hegel's Aesthetics: An Overview. In Frederick C. Beiser (ed.), The Cambridge Companion to Hegel. Cambridge University Press. 348--78.
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  34. Robert Wicks (1993). Schopenhauer's Naturalization of Kant's a Priori Forms of Empirical Knowledge. History of Philosophy Quarterly 10 (2):181 - 196.
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  35. Robert Wicks (1993). The Eternal Recurrence: Nietzsche's Ideology of the Lion. Southern Journal of Philosophy 31 (1):97-118.
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  36. Robert Wicks (1992). Supervenience and the "Science of the Beautiful". Journal of Aesthetics and Art Criticism 50 (4):322-324.
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  37. Robert Wicks (1989). Photography as a Representational Art. British Journal of Aesthetics 29 (1):1-9.
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  38. Robert Wicks (1988). Supervenience and Aesthetic Judgment. Journal of Aesthetics and Art Criticism 46 (4):509-511.
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  39. Robert J. Wicks (1988). Clarity and Obscurity. Thought 63 (1):77-85.
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