17 found
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  1.  2
    Eunice Yang, Jan Brascamp, Min-Suk Kang & Randolph Blake (2014). On the Use of Continuous Flash Suppression for the Study of Visual Processing Outside of Awareness. Frontiers in Psychology 5.
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  2.  38
    Chai-Youn Kim & Randolph Blake (2005). Psychophysical Magic: Rendering the Visible 'Invisible'. Trends in Cognitive Sciences 9 (8):381-388.
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  3.  39
    Frank Tong, Ming Meng & Randolph Blake (2006). Neural Bases of Binocular Rivalry. Trends in Cognitive Sciences 10 (11):502-511.
  4.  76
    Randolph Blake, Duje Tadin, Kenith V. Sobel, Tony A. Raissian & Sang Chul Chong (2006). Strength of Early Visual Adaptation Depends on Visual Awareness. Pnas Proceedings of the National Academy of Sciences of the United States of America 103 (12):4783-4788.
  5.  23
    Randolph Blake, Thomas J. Palmeri, Rene Marois & Chai-Youn Kim (2005). On the Perceptual Reality of Synesthetic Color. In Robertson, C. L. & N. Sagiv (eds.), Synesthesia: Perspectives From Cognitive Neuroscience. Oxford University Press
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  6. Pierre Pica, Stuart Jackson, Randolph Blake & Nikolaus Troje (2011). Comparing Biological Motion in Two Distinct Human Societies. PLoS ONE 6 (12):e28391.
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  7.  12
    Robert Sekuler, Scott Nj Watamaniuk & Randolph Blake (2002). Perception of Visual Motion. Stevens Handbook of Experimental Psychology 1.
  8.  24
    Suhkyung Kim, Randolph Blake & Chai-Youn Kim (2013). Is “Σ” Purple or Green? Bistable Grapheme-Color Synesthesia Induced by Ambiguous Characters. Consciousness and Cognition 22 (3):955-964.
    People with grapheme-color synesthesia perceive specific colors when viewing different letters or numbers. Previous studies have suggested that synesthetic color experience can be bistable when induced by an ambiguous character. However, the exact relationship between processes underlying the identity of an alphanumeric character and the experience of the induced synesthetic color has not been examined. In the present study, we explored this by focusing on the temporal relation of inducer identification and color emergence using inducers whose identity could be rendered (...)
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  9.  20
    David Alais & Randolph Blake (2002). Minimizing Rivalry in San Miniato. Trends in Cognitive Sciences 6 (10):407-408.
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  10. Randolph Blake (1989). A Neural Theory of Binocular Rivalry. Psychological Review 96 (1):145-167.
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  11.  11
    Robert Sekuler, Scott Nj Watamaniuk & Randolph Blake (2002). Motion Perception. In J. Wixted & H. Pashler (eds.), Stevens' Handbook of Experimental Psychology. Wiley
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  12.  7
    Chai-Youn Kim & Randolph Blake (2005). Measuring Visual Awareness. Trends in Cognitive Sciences 9 (8):381-388.
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  13.  12
    G. Keith Humphrey & Randolph Blake (2001). Introduction. Brain and Mind 2 (1):1-4.
  14.  1
    Chai-Youn Kim & Randolph Blake (2013). Revisiting the Perceptual Reality of Synesthetic Color. In Julia Simner & Edward Hubbard (eds.), Oxford Handbook of Synesthesia. Oxford University Press 283.
    Colour synaesthesia is the mental experience involving a strong association between specific colours and specific auditory stimuli, such as words, or achromatic visual stimuli, such as numerals or letters. In the contemporary literature on colour synaesthesia, the majority view treats the phenomenon as one arising from some of the same neural events mediating colour perception triggered by genuinely coloured objects; this view that synaesthesia is perceptually based, however, is not universally endorsed. What strategies have been utilized to evaluate the perceptual (...)
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  15. Randolph Blake & Robert P. O'Shea (1988). "Abnormal Fusion" of Stereopsis and Binocular Rivalry. Psychological Review 95 (1):151-154.
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  16. Randolph Blake (2012). Binocular Rivalry and Stereopsis Revisited. In Jeremy M. Wolfe & Lynn C. Robertson (eds.), From Perception to Consciousness: Searching with Anne Treisman. Oxford University Press
  17. Randolph Blake (1994). Gibson's Inspired but Latent Prelude to Visual Motion Perception. Psychological Review 101 (2):324-328.
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