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Ranjan Ghosh [15]Ranjan K. Ghosh [5]
  1.  46 DLs
    Ranjan K. Ghosh (1987). Artistic Communication and Symbol: Some Philosophical Reflections. British Journal of Aesthetics 27 (4):319-325.
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  2.  15 DLs
    Ranjan K. Ghosh (2003). Art as Dramatization and the Indian Tradition. Journal of Aesthetics and Art Criticism 61 (3):293-295.
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  3.  14 DLs
    Ranjan Ghosh (2006). Carlyle's “Hero as Poet” and Sri Aurobindo's Poetic Theory. Angelaki 11 (1):35 – 44.
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  4.  6 DLs
    Ranjan K. Ghosh & Richard Shusterman (2003). Discussion. Journal of Aesthetics and Art Criticism 61 (3):293–298.
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  5.  4 DLs
    Ranjan Ghosh (2007). 5. India, Itihasa, and Inter-Historiographical Discourse. History and Theory 46 (2):210–217.
    An effective and enriching discourse on comparative historiography invests itself in understanding the distinctness and identity that have created various civilizations. Very often, infected by bias, ideology, and cultural one-upmanship, we encounter a presumptuousness that is redolent of impatience with the cultural other and of an ingrained refusal to acknowledge what one’s own history and culture fail to provide. This “failure” need not be the inspiration to subsume the other within one’s own understanding of the world and history and, thereby, (...)
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  6.  4 DLs
    Ranjan Ghosh (2012). Lover's Quarrel with the Past: Romance, Representation, Reading. Berghahn Books.
    Although not a professional historian, the author raises several issues pertinent to the state of history today.Qualifying the "non-historian" as an "able" interventionist in historical studies, the author explores the relationship between ...
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  7.  4 DLs
    Ranjan Ghosh (2013). Literature: The "Mattering" and the Matter. Substance 42 (2):33-47.
    How empty and barren would life be if all our art and literature were taken away. What a calamity!Beyond the circle of the reading room are the world's greatest collection of books and the finest works of art from all places and times—sculpture from the Parthenon, Ming vases, Viking jewelry, great stone bulls and lions from Assyria, Egyptian mummies, medieval tapestries—brought together and taken out of context and time, like Keats's Grecian urn, because in themselves and in conjunction they create—they (...)
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  8.  3 DLs
    Ranjan Ghosh (2013). Rendezvous with the Scholar-Gipsy. Substance 42 (2):3-11.
    When Matthew Arnold's wandering scholar-gipsy encounters former colleagues in a country lane who "of his way of life enquired," he replies thatHe spends the rest of his days in this lonely pursuit, "waiting for the spark from heaven to fall." If literature is compared to the scholar gipsy, what would be the politics and dynamics of the "spark"? Both have their presences, but in trying to understand their character—via the normative, aesthetic and cultural ways of understanding how they both matter (...)
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  9.  1 DLs
    Ranjan Ghosh (2012). Globing the Earth: The New Eco-Logics of Nature. Substance 41 (1):3-14.
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  10.  0 DLs
    Ranjan K. Ghosh (1979). Aesthetic Theory and Art: A Study in Susanne K. Langer. Distributors, Ajanta Books International.
     
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  11.  0 DLs
    Ranjan Ghosh (1987). The Logic of Our Talk About the Artist's Intention. Indian Philosophical Quarterly 14 (3):287.
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  12.  0 DLs
    Ranjan Ghosh (2011). Aesthetics of Hunger:(In) Fusion Approach, Literature, and the Other. Symploke 19 (1):143-157.
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  13.  0 DLs
    Ranjan Ghosh (ed.) (2006). Fusion Approach: Theory, Contestation, Limits. Upa.
    fusion theory challenges efforts to see theory as inhibiting by presenting an approach that is innovative, eclectic, and subtle in order to draw out competing and constellating ideas and opinions. This collected volume of essays examines fusion theory and demonstrates how the theory can be applied to the reading of various works of Indian English novelists.
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  14.  0 DLs
    Itihasa India, Inter-Historiographical Discourse & Ranjan Ghosh (2007). Forum: Chinese and Western Historical Thinking. History and Theory 46:210-217.
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  15.  0 DLs
    Ranjan Ghosh (2004). Fine Art, Creativity and Kant: Some Philosophical Reflections. Indian Philosophical Quarterly 31 (1-4):229.
     
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  16.  0 DLs
    Mark Bevir & Ranjan Ghosh (2012). Afterword: The Quarrel Continues? In Ranjan Ghosh (ed.), Lover's Quarrel with the Past: Romance, Representation, Reading. Berghahn Books
     
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  17.  0 DLs
    Ranjan Ghosh (1980). The Alleged Duality In Susanne Langer's Aesthetics : A Reassessment. Indian Philosophical Quarterly 7 (4):501.
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  18.  0 DLs
    Ranjan Ghosh (1977). Susanne K. Langer's Aesthetics of Painting and Some Indian Art. Indian Philosophical Quarterly 4 (3):297-305.
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  19.  0 DLs
    Ranjan K. Ghosh (2006). Great Indian Thinkers on Art: Creativity, Aesthetic Communication, and Freedom. Black & White.
     
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  20.  0 DLs
    Ranjan Ghosh (1978). Communication as Inessential to Art. Indian Philosophical Quarterly 6 (1):13-20.
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