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Ranjan Ghosh [9]Ranjan K. Ghosh [5]
  1. Ranjan Ghosh (2013). Literature: The "Mattering" and the Matter. Substance 42 (2):33-47.
    How empty and barren would life be if all our art and literature were taken away. What a calamity!Beyond the circle of the reading room are the world's greatest collection of books and the finest works of art from all places and times—sculpture from the Parthenon, Ming vases, Viking jewelry, great stone bulls and lions from Assyria, Egyptian mummies, medieval tapestries—brought together and taken out of context and time, like Keats's Grecian urn, because in themselves and in conjunction they create—they (...)
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  2. Ranjan Ghosh (2013). Rendezvous with the Scholar-Gipsy. Substance 42 (2):3-11.
    When Matthew Arnold's wandering scholar-gipsy encounters former colleagues in a country lane who "of his way of life enquired," he replies thatHe spends the rest of his days in this lonely pursuit, "waiting for the spark from heaven to fall." If literature is compared to the scholar gipsy, what would be the politics and dynamics of the "spark"? Both have their presences, but in trying to understand their character—via the normative, aesthetic and cultural ways of understanding how they both matter (...)
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  3. Mark Bevir & Ranjan Ghosh (2012). Afterword: The Quarrel Continues? In Ranjan Ghosh (ed.), Lover's Quarrel with the Past: Romance, Representation, Reading. Berghahn Books.
     
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  4. Ranjan Ghosh (2012). Globing the Earth: The New Eco-Logics of Nature. Substance 41 (1):3-14.
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  5. Ranjan Ghosh (2012). Lover's Quarrel with the Past: Romance, Representation, Reading. Berghahn Books.
    Although not a professional historian, the author raises several issues pertinent to the state of history today.Qualifying the "non-historian" as an "able" interventionist in historical studies, the author explores the relationship between ...
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  6. Ranjan Ghosh (2011). Aesthetics of Hunger:(In) Fusion Approach, Literature, and the Other. Symploke 19 (1):143-157.
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  7. Ranjan Ghosh (2007). 5. India, Itihasa, and Inter-Historiographical Discourse. History and Theory 46 (2):210–217.
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  8. Itihasa India, Inter-Historiographical Discourse & Ranjan Ghosh (2007). Forum: Chinese and Western Historical Thinking. History and Theory 46:210-217.
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  9. Ranjan Ghosh (2006). Carlyle's “Hero as Poet” and Sri Aurobindo's Poetic Theory. Angelaki 11 (1):35 – 44.
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  10. Ranjan K. Ghosh (2006). Great Indian Thinkers on Art: Creativity, Aesthetic Communication, and Freedom. Black & White.
     
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  11. Ranjan K. Ghosh (2003). Art as Dramatization and the Indian Tradition. Journal of Aesthetics and Art Criticism 61 (3):293-295.
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  12. Ranjan K. Ghosh & Richard Shusterman (2003). Discussion. Journal of Aesthetics and Art Criticism 61 (3):293–298.
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  13. Ranjan K. Ghosh (1987). Artistic Communication and Symbol: Some Philosophical Reflections. British Journal of Aesthetics 27 (4):319-325.
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  14. Ranjan K. Ghosh (1979). Aesthetic Theory and Art: A Study in Susanne K. Langer. Distributors, Ajanta Books International.
     
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