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  1. Cynthia A. Freeland, Thomas E. Wartenberg, Richard Allen, Murray Smith, Noël Carroll & Oxford Clarendon (1999). Is Analytic Philosophy the Cure for Film Theory? Philosophy of the Social Sciences 29 (3):416-440.
  2. Richard Allen & Murray Smith (eds.) (1997). Film Theory and Philosophy. Oxford University Press.
    This volume of new essays energizes a growing movement in film theory which questions and seeks to overturn many of the assumptions that have governed film theory for the last twenty years. The book brings together film scholars and philosophers in a united commitment to the standards of argumentation that characterize analytic philosophy rather than a single doctrinal approach. The essays address such topics as authorship, emotion, ideology, representation, and expression in film.
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  3.  56
    Richard Allen (2007). Some Implications Of The Political Aspects Of Personal Knowledge. Tradition and Discovery 34 (3):8-17.
    The political passages in Polanyi’s Personal Knowledge are an integral part of his arguments against ‘objectivism’ and/or a post-critical, personalist, fiduciary and fallibilist philosophy. This paper elaboratesthe social and political implications of Polanyi’s emphasis upon acceptance of one’s situation and the exercise in it of a sense of responsibility to transcendent ideals, as against attempts to start with a clean slate, to overcome all imperfections and to find some simple rule for political policy. Prescriptive duties and rights, and mutual trust (...)
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  4.  39
    Phil Mullins, Walter Gulick & Richard Allen (1991). Submissions for Publication. Tradition and Discovery 17 (1-2):57-57.
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  5.  16
    Richard Allen (2001). Looking at Motion Pictures (Revised) [. Film-Philosophy 5 (1).
    I shall begin this essay by sketching some Wittgenstein-influenced arguments as to why the causal theory of perception is inadequate. However my main concern is to explore the ramifications for pictorial perception of understanding perception in terms of the causal theory. When 'our ordinary notion of perceiving' is characterized in terms of the existence of a causal connection between an object perceived and our sensory experience of that object the case of pictorial perception generates a paradox.
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  6.  14
    Richard T. Allen (2009). The Unity of the Person. The Pluralist 4 (1):77 - 84.
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  7.  37
    Richard Allen & Malcolm Turvey (eds.) (2001). Wittgenstein, Theory, and the Arts. Routledge.
    This pioneering work investigates the profound implications of Wittgenstein's philosophy to the practice, theory and criticism of the arts. The essays exemplify Wittgenstein's method of conceptual investigation and highlight his notion of philosophy as a cure.
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  8.  4
    Richard Allen (1985). Rorty and the Scope of Non-Justificatory Philosophy - II. Tradition and Discovery 13 (2):29-33.
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  9.  38
    Richard Allen (1998). Film Spectatorship: A Reply to Murray Smith. Journal of Aesthetics and Art Criticism 56 (1):61-63.
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  10.  8
    Richard T. Allen (1974). Self-Realization, Religion and Contradiction In Ethical Studies. Idealistic Studies 4 (3):276-285.
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  11.  2
    Richard D. Allen (2000). The Contractile Vacuole and its Membrane Dynamics. Bioessays 22 (11):1035-1042.
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  12.  63
    Richard Allen (1995). Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge University Press.
    Projecting Illusion offers a systematic analysis of the impression of reality in the cinema and the pleasure it gives to the film spectator. Film provides a compelling experience that can be considered as a form of illusion akin to the experience of day-dream and dream. Examining the concept of illusion and its relationship to fantasy in the experience of visual representation, Richard Allen situates his explanation within the context of an analytical criticism of contemporary film and critical theory. He argues (...)
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  13.  3
    Richard C. Allen (1993). When Narrative Fails. Journal of Religious Ethics 21 (1):27 - 67.
    This essay examines the ways narratives succeed or fail to provide a life with structure and direction, as exemplified in Louisa May Alcott's "Little Women" and George Eliot's "Middlemarch". Whether a narrative can be a moral compass depends on the presence of what Eliot calls "a coherent social faith." The debate between Edmund Burke and Thomas Paine provides a framework for my analysis of the problematic status of such a social faith in the modern world. This analysis in turn sheds (...)
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  14.  21
    Richard Allen (2006). Hitchcock and Cavell. Journal of Aesthetics and Art Criticism 64 (1):43–53.
  15.  13
    Richard Allen (1973). Emotion, Religion and Education. Journal of Philosophy of Education 7 (2):181–194.
  16.  1
    Richard Allen (1985). The Unspecifiable Element in Accounting. Tradition and Discovery 13 (2):33-34.
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  17.  2
    Richard Allen & Malcolm Turvey (2001). Wittgenstein's Later Philosophy. In Richard Allen & Malcolm Turvey (eds.), Wittgenstein, Theory, and the Arts. Routledge 1.
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  18.  1
    C. A. J. Coady, Robert Grant, Richard Allen, Paul Gottfried, Ian Crowther, Francis Dunlop & Noel O'Sullivan (1995). Oakeshott.Polanyi.Carl Schmitt.Chesterton.Scheler.Santayana. Philosophical Quarterly 45 (179):273.
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  19.  1
    Richard Allen, David Hartley. Stanford Encyclopedia of Philosophy.
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  20. Richard Allen (1974). Art and Ethics in Hrafnkel's Saga. [REVIEW] Speculum 49 (1):138-140.
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  21. Richard Allen (2001). David Hartley's New Words for Action: 'Automatic' and 'Decomplex'. Enlightenment and Dissent 20:1-22.
  22. Richard Allen (1999). David Hartley on Human Nature. Monograph Collection (Matt - Pseudo).
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  23. Richard Allen (2009). David Hartley’s ‘Observations on the Progress to Happiness’ Discovered. Enlightenment and Dissent 25:340-342.
     
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  24. Richard Allen (1995). Film, Fiktion und psychoanalytische Theorie. Deutsche Zeitschrift für Philosophie 43 (3):507-520.
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  25. Richard Allen (2008). O Filosofie A Diversităţii. R. G. Collingwod Şi Lucian Blaga. Annals of the University of Craiova, Series: Philosophy:26-38.
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  26. Richard Allen & Malcolm Turvey (eds.) (2011). Wittgenstein, Theory and the Arts. Routledge.
    This is the first full exploration of the implications of Wittgenstein's philosophy for understanding the arts and cultural criticism. These original essays by philosophers and critics address key philosophical topics in the study of the arts and culture, such as humanism, criticism, psychology, painting, film and ethics. All exemplify Wittgenstein's method of conceptual investigation and highlight his notion of philosophy as a cure.
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  27. Richard Allen & Malcolm Turvey (eds.) (2001). Wittgenstein, Theory and the Arts. Routledge.
    This is the first full exploration of the implications of Wittgenstein's philosophy for understanding the arts and cultural criticism. These original essays by philosophers and critics address key philosophical topics in the study of the arts and culture, such as humanism, criticism, psychology, painting, film and ethics. All exemplify Wittgenstein's method of conceptual investigation and highlight his notion of philosophy as a cure.
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  28. Richard Gelwick & Richard Allen (2005). Tributes to Joan Crewdson. Appraisal 5.
     
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