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Profile: Richard Allen
  1. Richard T. Allen (2009). The Unity of the Person. The Pluralist 4 (1):77 - 84.
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  2. Richard Allen, David Hartley. Stanford Encyclopedia of Philosophy.
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  3. Richard Allen (2007). Some Implications Of The Political Aspects Of Personal Knowledge. Tradition and Discovery 34 (3):8-17.
    The political passages in Polanyi’s Personal Knowledge are an integral part of his arguments against ‘objectivism’ and/or a post-critical, personalist, fiduciary and fallibilist philosophy. This paper elaboratesthe social and political implications of Polanyi’s emphasis upon acceptance of one’s situation and the exercise in it of a sense of responsibility to transcendent ideals, as against attempts to start with a clean slate, to overcome all imperfections and to find some simple rule for political policy. Prescriptive duties and rights, and mutual trust (...)
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  4. Richard Allen (2006). Hitchcock and Cavell. Journal of Aesthetics and Art Criticism 64 (1):43–53.
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  5. David Pimentel, Megan Herz, Michele Glickstein, Mathew Zimmerman, Richard Allen, Katrina Becker, Jeff Evans, Benita Hussain, Ryan Sarsfeld & Anat Grosfeld (2002). Renewable Energy: Current and Potential Issues Renewable Energy Technologies Could, If Developed and Implemented, Provide Nearly 50% of US Energy Needs; This Would Require About 17% of US Land Resources. [REVIEW] BioScience 52 (12):1111-1120.
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  6. David Pimentel, Megan Herz, Michele Glickstein, Mathew Zimmerman, Richard Allen, Katrina Becker, Jeff Evans, Benita Hussain, Ryan Sarsfeld, Anat Grosfeld & Thomas Seidel (2002). Renewable Energy: Current and Potential Issues. BioScience 52 (12):1111.
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  7. Richard Allen (2001). Looking at Motion Pictures (Revised) [. Film-Philosophy 5 (1).
    I shall begin this essay by sketching some Wittgenstein-influenced arguments as to why the causal theory of perception is inadequate. However my main concern is to explore the ramifications for pictorial perception of understanding perception in terms of the causal theory. When 'our ordinary notion of perceiving' is characterized in terms of the existence of a causal connection between an object perceived and our sensory experience of that object the case of pictorial perception generates a paradox.
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  8. Richard Allen & Malcolm Turvey (2001). Wittgenstein's Later Philosophy. In Richard Allen & Malcolm Turvey (eds.), Wittgenstein, Theory, and the Arts. Routledge. 1.
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  9. Richard Allen & Malcolm Turvey (eds.) (2001). Wittgenstein, Theory, and the Arts. Routledge.
    This pioneering work investigates the profound implications of Wittgenstein's philosophy to the practice, theory and criticism of the arts. The essays exemplify Wittgenstein's method of conceptual investigation and highlight his notion of philosophy as a cure.
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  10. Richard D. Allen (2000). The Contractile Vacuole and its Membrane Dynamics. Bioessays 22 (11):1035-1042.
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  11. Cynthia A. Freeland, Thomas E. Wartenberg, Richard Allen, Murray Smith, Noël Carroll & Oxford Clarendon (1999). Is Analytic Philosophy the Cure for Film Theory? Philosophy of the Social Sciences 29 (3):416-440.
  12. Richard Allen (1998). Film Spectatorship: A Reply to Murray Smith. Journal of Aesthetics and Art Criticism 56 (1):61-63.
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  13. Richard Allen & Murray Smith (eds.) (1997). Film Theory and Philosophy. Oxford University Press.
    This volume of new essays energizes a growing movement in film theory which questions and seeks to overturn many of the assumptions that have governed film theory for the last twenty years. The book brings together film scholars and philosophers in a united commitment to the standards of argumentation that characterize analytic philosophy rather than a single doctrinal approach. The essays address such topics as authorship, emotion, ideology, representation, and expression in film.
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  14. Richard Allen (1995). Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge University Press.
    Projecting Illusion offers a systematic analysis of the impression of reality in the cinema and the pleasure it gives to the film spectator. Film provides a compelling experience that can be considered as a form of illusion akin to the experience of day-dream and dream. Examining the concept of illusion and its relationship to fantasy in the experience of visual representation, Richard Allen situates his explanation within the context of an analytical criticism of contemporary film and critical theory. He argues (...)
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  15. C. A. J. Coady, Robert Grant, Richard Allen, Paul Gottfried, Ian Crowther, Francis Dunlop & Noel O'Sullivan (1995). Oakeshott.Polanyi.Carl Schmitt.Chesterton.Scheler.Santayana. Philosophical Quarterly 45 (179):273.
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  16. Richard C. Allen (1993). When Narrative Fails. Journal of Religious Ethics 21 (1):27 - 67.
    This essay examines the ways narratives succeed or fail to provide a life with structure and direction, as exemplified in Louisa May Alcott's "Little Women" and George Eliot's "Middlemarch". Whether a narrative can be a moral compass depends on the presence of what Eliot calls "a coherent social faith." The debate between Edmund Burke and Thomas Paine provides a framework for my analysis of the problematic status of such a social faith in the modern world. This analysis in turn sheds (...)
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  17. Phil Mullins, Walter Gulick & Richard Allen (1991). Submissions for Publication. Tradition and Discovery 17 (1-2):57-57.
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  18. Richard Allen (1985). Rorty and the Scope of Non-Justificatory Philosophy - II. Tradition and Discovery 13 (2):29-33.
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  19. Richard Allen (1985). The Unspecifiable Element in Accounting. Tradition and Discovery 13 (2):33-34.
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  20. Richard T. Allen (1974). Self-Realization, Religion and Contradiction In Ethical Studies. Idealistic Studies 4 (3):276-285.
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  21. Richard Allen (1973). Emotion, Religion and Education. Journal of Philosophy of Education 7 (2):181–194.