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  1. Richard Shusterman (forthcoming). Aesthetic and Practical Interests and Their Bodily Ground. William James Studies.
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  2. Richard Shusterman (forthcoming). Home Alone? Self and Other in Somaesthetics and" Performing Live". Journal of Aesthetic Education.
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  3. Richard Shusterman (forthcoming). L'esthetique postmoderne du rap. Rue Descartes.
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  4. Richard Shusterman (forthcoming). Remembering Hulme: A Neglected Philosopher-Critic-Poet. Journal of the History of Ideas.
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  5. Richard Shusterman (2012). Back to the Future: Aesthetics Today. Nordic Journal of Aesthetics 23 (43).
    This paper originated as the keynote address at the conference “Aesthetics Today” organized by the Finnish Society of Aesthetics to mark its 40th anniversary and was delivered at the University of Helsinki on March 1, 2012. Written for that particular occasion the sense of an oral presentation has been maintained. Shusterman’s point of departure is the thesis that contemporary aesthetics can be characterized by a number of leading themes that mark a return to older aesthetic perspectives, after these perspectives have (...)
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  6. Richard Shusterman (2012). Photography as Performative Process. Journal of Aesthetics and Art Criticism 70 (1):67-78.
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  7. Richard Shusterman (2012). Thinking Through the Body: Essays in Somaesthetics. Cambridge University Press.
    Thinking through the body: educating for the humanities -- The body as background -- Self-knowledge and its discontents: from Socrates to somaesthetics -- Muscle memory and the somaesthetic pathologies of everyday life -- Somaesthetics in the philosophy classroom: a practical approach -- Somaesthetics and the limits of aesthetics -- Somaesthetics and Burke's sublime -- Pragmatism and cultural politics: from textualism to somaesthetics -- Body consciousness and performance -- Somaesthetics and architecture: a critical option -- Photography as performative process -- Asian (...)
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  8. Hans-Peter Krüger & Richard Shusterman (2011). Schwerpunkt: Leiblichkeit und Reflexion. Deutsche Zeitschrift für Philosophie 59 (4):538-538.
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  9. Richard Shusterman (2011). Enhanced Cognition, Ethics, and Some Problems of Self-Knowledge. Journal of Speculative Philosophy 25 (1):3-21.
    Advances in neuroscience and its related technologies promise significant forms of cognitive enhancement, chiefly through the development of drugs, genetic engineering and screening, and electronic devices for augmenting brain functions. Such advances, however, raise a complex cluster of ethical questions that should increasingly concern us in the future as these technologies become more prevalent, powerful, and wide ranging in their effects. Most ethical dilemmas and debates about enhanced cognition seem to focus on our relation to others. These ethical controversies typically (...)
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  10. Richard Shusterman (2011). Feeling Beyond the Text: Reflections on The Rorty Reader. Contemporary Pragmatism 8 (2):205-212.
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  11. Richard Shusterman (2011). Somatic Style. Journal of Aesthetics and Art Criticism 69 (2):147-159.
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  12. Richard Shusterman (2011). Soma, Self, and Society: Somaesthetics as Pragmatist Meliorism. Metaphilosophy 42 (3):314-327.
    Abstract: This article explains the pragmatist project of somaesthetics in five different ways. First, it clarifies the notion of soma as encompassing both subjective intentionality and material objectivity in the world. Second, it highlights the social dimensions of somaesthetics, building on the basic insight that the soma is always shaped by the social and physical environments in which it is nested. Third, it examines the similarities and differences between somaesthetics and the Merleau-Ponty tradition of somatic phenomenology, while answering some of (...)
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  13. Richard Shusterman (2011). Soma und Psyche. Deutsche Zeitschrift für Philosophie 59 (4):539-552.
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  14. Richard Shusterman & Brigitte Rollet (2011). Le corps et les arts : le besoin de soma-esthétique. Diogène 233 (1):9.
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  15. John J. Stuhr, Richard Shusterman, Mary Magada-Ward, Jessica Wahman, William S. Lewis, Michael Hg Hoffmann, Eric Thomas Weber & Jacquelyn Ak Kegley (2011). 1. Front Matter Front Matter (Pp. I-Iv). Journal of Speculative Philosophy 25 (1).
     
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  16. Peter Kivy, Noël Carroll, Susan L. Feagin, Donald Crawford, Richard Shusterman, Estelle R. Jorgensen, Haroldo Abraam Fontaine, Christopher Perricone, Michael Weh & Sk Wertz (2010). 1. Front Matter Front Matter (Pp. Iv). Journal of Aesthetic Education 44 (1).
     
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  17. Richard Shusterman (2010). Dewey's Art as Experience : The Psychological Background. Journal of Aesthetic Education 44 (1):pp. 26-43.
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  18. Richard Shusterman (2010). Fallibilizm i wiara. Studia Philosophica Wratislaviensia:189-196.
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  19. Richard Shusterman (2010). Philosophy as Literature and More Than Literature. In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.
     
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  20. Richard Shusterman (2010). Soma and Psyche. Journal of Speculative Philosophy 24 (3):205-223.
    In the ancient legend of Cupid and Psyche, Venus was jealous of Psyche’s beauty and plotted to punish her by binding her through love to a hideous creature that would appear once Cupid scratched Psyche with his arrow of desire while she slept, so that she would fall in love with the next thing she saw upon awakening. But when Cupid saw her beauty, he was so overwhelmed that he accidentally wounded himself with his own arrow and thus fell deeply (...)
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  21. Richard Shusterman, Gernot Böhme, Thomas Fuchs, Hans-Peter Krüger, Gesa Lindemann, Millay Hyatt, Andreas Heinz & Ulrike Kluge (2010). 1. Front Matter Front Matter. Journal of Speculative Philosophy 24 (3).
     
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  22. Richard Shusterman (2009). Body Consciousness and Performance: Somaesthetics East and West. Journal of Aesthetics and Art Criticism 67 (2):133-145.
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  23. Richard Shusterman (2009). Book Review: Alain L. Locke: The Biography of a Philosopher. [REVIEW] Education and Culture 25 (1):10.
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  24. Richard Shusterman (2009). Context and Cultural Understanding. Nordic Journal of Aesthetics 20 (36-37).
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  25. Richard Shusterman (2009). Körperbewusstsein und Handeln. Deutsche Zeitschrift für Philosophie 57 (6):831-844.
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  26. Richard Shusterman (2009). Paying Attention. The Philosophers' Magazine 45 (45):82-82.
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  27. Richard Shusterman (2009). Pragmatist Aesthetics and Confucianism. Journal of Aesthetic Education 43 (1):pp. 18-29.
  28. Richard Shusterman (2009). Somaesthetics and C. S. Peirce. Journal of Speculative Philosophy 23 (1):pp. 8-27.
  29. Richard M. Shusterman (2009). Alain L. Locke: The Biography of a Philosopher. Education and Culture 25 (1):pp. 76-79.
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  30. Richard Marc Shusterman (2009). Embodied Meaning and Aesthetic Experience. Phenomenology and the Cognitive Sciences 8 (2):261-265.
  31. Richard Shusterman (2008). Art and Religion. Journal of Aesthetic Education 42 (3):pp. 1-18.
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  32. Richard Shusterman (2008). Body Consciousness: A Philosophy of Mindfulness and Somaesthetics. Cambridge University Press.
    Contemporary culture increasingly suffers from problems of attention, over-stimulation, and stress, and a variety of personal and social discontents generated by deceptive body images. This book argues that improved body consciousness can relieve these problems and enhance one’s knowledge, performance, and pleasure. The body is our basic medium of perception and action, but focused attention to its feelings and movements has long been criticized as a damaging distraction that also ethically corrupts through self-absorption. In Body Consciousness, Richard Shusterman refutes such (...)
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  33. Richard Shusterman (2008). Dewey's Somatic Philosophy. Revue Internationale de Philosophie 3:293-311.
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  34. Richard Shusterman (2008). Somaesthetics at the Limits. Nordic Journal of Aesthetics 19 (35).
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  35. Richard Shusterman (2008). The Good Life, The Examined Life, and the Embodied Life. Human Affairs 18 (2).
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  36. Richard Shusterman (2007). Asian Ars Erotica and the Question of Sexual Aesthetics. Journal of Aesthetics and Art Criticism 65 (1):55–68.
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  37. Richard Shusterman (2007). Fallibilism and Faith. Common Knowledge 13 (2):379-384.
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  38. Richard M. Shusterman (2007). Somaesthetics and the Revival of Aesthetics. Filozofski Vestnik 2.
    This paper examines the ten-year history of somaesthetics – describing the field's origins and genealogical roots, explaining its terminology, analyzing its structure, tracing its reception, exploring its most interesting applications, and responding to the most important criticisms that have been directed at it. Somaesthetics, as the paper shows, emerges from the framework of my work in pragmatist aesthetics which sought to revive aesthetics by bringing art closer to life and bridging the presumed divide between the aesthetic and the practical while (...)
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  39. Richard Shusterman & Adele Tomlin (2007). Aesthetic Experience. In Michael Beaney (ed.), The Analytic Turn: Analysis in Early Analytic Philosophy and Phenomenology. Routledge.
    consist (in part) in our taking pleasure in the awe or wonder we feel towards them.'' But although forms of awe and wonder are feelings that at least some ...
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  40. Richard Shusterman (2006). Aesthetics. In John R. Shook & Joseph Margolis (eds.), A Companion to Pragmatism. Blackwell Pub..
     
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  41. Richard Shusterman (2006). A Body of Knowledge. The Philosophers' Magazine 36 (36):18-24.
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  42. Richard Shusterman (2006). Auf der Suche nach der ästhetischen Erfahrung. Von der Analyse zum Eros. Deutsche Zeitschrift für Philosophie 54 (1/2006).
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  43. Richard Shusterman (2006). Aesthetic Experience: From Analysis to Eros. Journal of Aesthetics and Art Criticism 64 (2):217–229.
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  44. Richard Shusterman (2006). Thinking Through the Body, Educating for the Humanities: A Plea for Somaesthetics. Journal of Aesthetic Education 40 (1):1-21.
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  45. Richard Shusterman (2005). Aesthetics and Postmodernism. In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oup Oxford.
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  46. Richard Shusterman (2005). Making Sense and Changing Lives: Directions in Contemporary Pragmatism. Journal of Speculative Philosophy 19 (1):63-72.
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  47. Richard Shusterman (2005). Rap Aesthetics: Violence and the Art of Keeping It Real. In D. Darby & T. Shelby (eds.), Hip Hop and Philosophy. Open Court.
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  48. Richard Shusterman (2005). Somaesthetics and Burke's Sublime. British Journal of Aesthetics 45 (4):323-341.
    Burke is an important exception to Nietzsche's claim that philosophical aesthetics ignores physiology and the role of practical interest. Grounded on the powerful interest of survival, Burke's theory of the sublime also offers a physiological explanation of our feelings of sublimity that explicitly defines certain conditions of our nerves as the ‘efficient cause’ of such feelings. While his general account of sublimity is widely appreciated, its somatic dimension has been dismissed as hopelessly misguided. In examining Burke's views in relation to (...)
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  49. Richard Shusterman (2005). William James, Somatic Introspection, and Care of the Self. Philosophical Forum 36 (4):419–440.
  50. Richard Shusterman (2004). Introduction. Metaphilosophy 35 (1-2):1-12.
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