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  1.  24
    Richard Wollheim (1993). The Mind and its Depths. Harvard University Press.
    This book brings together Wollheim's broad and abiding concerns to illuminate human thought at its furthest reaches of introspection and expression.
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  2.  79
    Richard Wollheim (1999). On the Emotions. Yale University Press.
    Distinguished philosopher Richard Wollheim's rich and thought-provoking account of the emotions considers what emotions are, how they arise in our lives, and how standard and "moral" emotions differ.
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  3.  57
    Richard Wollheim (1984). The Thread of Life. Yale University Press.
    In this distinguished book, first published in 1984, Richard Wollheim offers an original approach to the philosophical understanding of a person.
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  4.  9
    Richard Wollheim (1989). Painting as an Art. Journal of Aesthetics and Art Criticism 47 (3):281-284.
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  5. Richard Wollheim (1998). On Pictorial Representation. Journal of Aesthetics and Art Criticism 56 (3):217-226.
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  6. Richard Wollheim (1980). Art and its Objects: With Six Supplementary Essays. Cambridge University Press.
    What defines a work of art and determines the way in which we respond to it? This classic reflection was written with the belief that the nature of art has to be understood simultaneously from the artist's as well as the spectator's viewpoint.
     
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  7. Richard Wollheim (2003). What Makes Representational Painting Truly Visual? Aristotelian Society Supplementary Volume 77 (1):131–147.
    [Richard Wollheim] Any experiential view of pictorial meaning will assign to each painting an appropriate experience through which its mean can be recovered. When the meaning is representational, what is the nature of the appropriate experience? If there is agreement that the experience is to be described as seeing-in, disagreement breaks out about how seeing-in is to be understood. This paper challenges two recent interpretations: one in terms of perceived resemblance, the other in terms of imagining seeing. Neither view gives (...)
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  8. Richard Wollheim (1963). Art and Illusion. British Journal of Aesthetics 3 (1):15--37.
  9.  33
    Richard Wollheim (1973). John Stuart Mill and the Limits of State Action. Social Research 40 (1):1--30.
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  10. Richard Wollheim & Isaiah Berlin (1955). Equality. Proceedings of the Aristotelian Society 56:281--326.
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  11.  18
    Richard Wollheim (1990). Painting as an Art: The A. W. Mellon Lectures in the Fine Arts, 1984. Philosophical Review 99 (2):289-291.
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  12.  4
    Richard Wollheim (1974). On Art and the Mind. Harvard University Press.
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  13. Richard Wollheim (1991). The Cabinet of Dr. Lacan. Topoi 10 (2):163--174.
    Obscurity is not the worst failing, and it is philistinism to pretend that it is. In a series of brilliant essays written over the last fifteen years Stanley Cavell has consistently argued that more important than the question whether obscurity could have been avoided is whether it affects our confidence in the author. Confidence raises the issue of intention, and I would have thought that the primary commitment of a psychoanalytic writer was to pass on, and (if he can) to (...)
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  14.  19
    Richard Wollheim (2003). In Defense of Seeing-In. In Heiko Hecht, Robert Schwartz & Margaret Atherton (eds.), Looking Into Pictures. The MIT Press 3--16.
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  15.  10
    Richard Wollheim (1959). F. H. Bradley. Baltimore]Penguin Books.
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  16.  49
    Richard Wollheim (2003). On the Freudian Unconscious. Proceedings and Addresses of the American Philosophical Association 77 (2):23--35.
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  17.  81
    Richard Wollheim (1971). Art and its Objects. New York,Harper & Row.
    What defines a work of art and determines the way in which we respond to it?
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  18.  8
    Richard Wollheim (1970). Art and Its Objects: An Introduction to Aesthetics. Philosophical Review 79 (4):580-582.
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  19. Richard Wollheim & James Hopkins (eds.) (1982). Philosophical Essays on Freud. Cambridge University Press.
    Philosophers are increasingly coming to recognize the importance of Freudian theory for the understanding of the mind. The picture Freud presents of the mind's growth and organization holds implications not just for such perennial questions as the relation of mind and body, the nature of memory and personal identity, the interplay of cognitive and affective processes in reasoning and acting, but also for the very way in which these questions are conceived and an interpretation of the mind is sought. This (...)
     
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  20.  62
    Richard Wollheim (1966). Form, Elements and Modernity: Reply to Michael Podro. British Journal of Aesthetics 6 (4):339--345.
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  21.  57
    Richard Wollheim (1970). Nelson Goodman's Languages of Art. Journal of Philosophy 67 (16):531-539.
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  22.  60
    Richard Wollheim (1970). Freud and the Understanding of Art. British Journal of Aesthetics 10 (3):211--224.
  23.  52
    Richard Wollheim (1984). Art, Interpretation, and the Creative Process. New Literary History 15 (2):241--253.
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  24. Richard Wollheim (1982). The Bodily Ego. In Richard Wollheim & James Hopkins (eds.), Philosophical Essays on Freud. Cambridge University Press 124--138.
     
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  25.  51
    Richard Wollheim (2001). On Formalism and Pictorial Organization. Journal of Aesthetics and Art Criticism 59 (2):127–137.
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  26. Richard Wollheim (1980). On Persons and Their Lives. In A. O. Rorty (ed.), Explaining Emotions. Univ of California Pr 299--321.
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  27.  39
    Richard Wollheim (1955). Critical Notices. Mind 64 (255):410-420.
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  28.  26
    Anthony Savile & Richard Wollheim (1986). Imagination and Pictorial Understanding. Aristotelian Society Supplementary Volume 60 (1):19 - 60.
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  29.  23
    Richard Wollheim (1983). Flawed Crystals: James's the Golden Bowl and the Plausibility of Literature as Moral Philosophy. New Literary History 15 (1):185--191.
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  30.  27
    Richard Wollheim (1991). A Note on Mimesis as Make-Believe. [REVIEW] Philosophy and Phenomenological Research 51 (2):401--406.
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  31.  30
    A. Phillips Griffiths & Richard Wollheim (1960). Symposium: How Can One Person Represent Another? Aristotelian Society Supplementary Volume 34:187 - 224.
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  32. Richard Wollheim (1991). The Idea of a Common Human Nature. In Isaiah Berlin, Edna Ullmann-Margalit & Avishai Margalit (eds.), Isaiah Berlin: A Celebration. University of Chicago Press 64--79.
     
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  33. Richard Wollheim (1985). The Thread of Life. Cambridge University Press.
    This book is based on the William James Lectures delivered at Harvard University in 1982. It offers a new approach to the philosophical understanding of a person, taking as fundamental the process of living as a person, and emphasising the continuity and development across time of an individual life.
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  34.  35
    Richard Wollheim (1955). Review: Feeling and Form by Susanne K. Langer. [REVIEW] Burlington Magazine 97 (633):400--401.
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  35.  13
    Richard Wollheim (2003). II. The Emotions and Their Philosophy of Mind. Royal Institute of Philosophy Supplement 52:19-38.
    When I was invited by Yale University to deliver the Cassirer lectures, I hesitated for a topic. I wanted something new. I proposed the emotions, and at that time my knowledge of the topic was so slight that I didn't know whether it was something that I had already written on or not. I mention this fact because one thing that I have since learnt about the emotions is that such ignorance is in order. For it is one of those (...)
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  36.  33
    Richard Wollheim (1958). Democracy. Journal of the History of Ideas 19 (2):225--242.
  37.  30
    Richard Wollheim (1989). On Writing a Family Romance. New Literary History 21 (1):59--74.
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  38.  9
    Martha Kneale, Richard Wollheim, J. O. Wisdom, W. Mays & Maurice Cranston (1950). New Books. [REVIEW] Mind 59 (236):567-576.
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  39.  9
    Richard Wollheim (1991). Review: A Note on Mimesis as Make-Believe. [REVIEW] Philosophy and Phenomenological Research 51 (2):401 - 406.
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  40. Richard Wollheim (1973). Imagination and Identification. Harvard University Press.
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  41.  22
    Richard Wollheim (1955). Review: The Vocabulary of Politics by T. D. Weldon. [REVIEW] Mind 64 (255):410--420.
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  42.  25
    Richard Wollheim (1991). The Core of Aesthetics. Journal of Aesthetic Education 25 (1):37--45.
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  43.  8
    Richard Wollheim, On Pictorial Organization.
    This is the text of The Lindley Lecture for 2002, given by Richard Wollheim, an British philosopher.
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  44.  20
    Richard Wollheim (1952). Hampshire's Analogy. Mind 61 (October):567-573.
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  45.  3
    Richard Wollheim (1977). Peter Gay, "Art and Act. On Causes in History: Manet, Gropius, Mondrian". [REVIEW] History and Theory 16 (3):354.
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  46. Richard Wollheim (1959). Crime, Sin and Mr. Justice Devlin. Encounter.
     
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  47.  4
    Richard Wollheim (1968). Expression. Royal Institute of Philosophy Lectures 1:227-244.
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  48.  7
    Richard Wollheim (1991). Ayer: The Man, the Philosopher, the Teacher. Royal Institute of Philosophy Supplement 30:17-30.
    I have told elsewhere the story of my first meeting with Freddie Ayer, but I shall re-tell it. It made a great impact on me, though, I believe, none on him. Certainly at no point in our friendship did he ever bring it up. It was mid or late 1946. I was an undergraduate at Balliol, having returned from three years in the army, and I was reading for Part II of the History Schools. Most of my friends, most of (...)
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  49. Richard Wollheim (1979). Memory, Experiential Memory, and Personal Identity. In Graham F. Macdonald (ed.), Perception and Identity. Cornell University Press 186--234.
     
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  50. A. Griffiths & Richard Wollheim (1960). How Can One Person Represent Another? Aristotelian Society Supplementary Volume 34:187-224.
     
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1 — 50 / 96