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  1. Richard Wollheim (2007). Richard Wollheim 140. In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg 140.
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  2. Richard Wollheim & Arthur Danto (2007). Noel Carroll (1947-). In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg 106.
     
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  3. Richard Wollheim (2004/2006). Germs: A Memoir of Childhood. Shoemaker & Hoard.
    Richard Wollheim grew up lonely and sad in London's wealthy suburbs during the 1920s and 1930s, yet his was a childhood more interesting than most. He had an impresario father and a “Gaiety Girl” mother; together they attracted important guests (Diaghilev, Kurt Weill, Serge Lifar) to the grand houses and hotels that punctuated the landscape of Wollheim's early years. Germs is his account of that time, of the years he spent adoring his charming but distant father; of his regret for (...)
     
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  4. Richard Wollheim (2003). In Defense of Seeing-In. In Heiko Hecht, Robert Schwartz & Margaret Atherton (eds.), Looking Into Pictures. The MIT Press 3--16.
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  5. Richard Wollheim (2003). II. The Emotions and Their Philosophy of Mind. Royal Institute of Philosophy Supplement 52:19-38.
    When I was invited by Yale University to deliver the Cassirer lectures, I hesitated for a topic. I wanted something new. I proposed the emotions, and at that time my knowledge of the topic was so slight that I didn't know whether it was something that I had already written on or not. I mention this fact because one thing that I have since learnt about the emotions is that such ignorance is in order. For it is one of those (...)
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  6. Richard Wollheim (2003). Mi pensamiento estético. Daimon: Revista de Filosofia 28:97-106.
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  7. Richard Wollheim (2003). On the Freudian Unconscious. Proceedings and Addresses of the American Philosophical Association 77 (2):23--35.
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  8. Richard Wollheim (2003). What Makes Representational Painting Truly Visual? Aristotelian Society Supplementary Volume 77 (1):131–147.
    [Richard Wollheim] Any experiential view of pictorial meaning will assign to each painting an appropriate experience through which its mean can be recovered. When the meaning is representational, what is the nature of the appropriate experience? If there is agreement that the experience is to be described as seeing-in, disagreement breaks out about how seeing-in is to be understood. This paper challenges two recent interpretations: one in terms of perceived resemblance, the other in terms of imagining seeing. Neither view gives (...)
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  9. Richard Wollheim (2001). On Aesthetics: A Review and Some Revisions. Literature & Aesthetics 11:7-29.
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  10. Richard Wollheim (2001). On Formalism and Pictorial Organization. Journal of Aesthetics and Art Criticism 59 (2):127–137.
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  11. Richard Wollheim (2001). Richard Wollheim on the Art of Painting: Art as Representation and Expression. Cambridge University Press.
    Richard Wollheim is one of the dominant figures in the philosophy of art, whose work has shown not only how paintings create their effects but why they remain important to us. His influential writings have focused on two core, interrelated questions: How do paintings depict? and how do they express feelings? In this collection of new essays a distinguished group of thinkers in the fields of art history and philosophical aesthetics offers a critical assessment of Wollheim's theory of art. Among (...)
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  12. Richard Wollheim (2000). On Pictorial Organization. Department of Philosophy, University of Kansas.
    This is the text of The Lindley Lecture for 2002, given by Richard Wollheim , an British philosopher.
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  13. Richard Wollheim (1999). On the Emotions. Yale University Press.
    Distinguished philosopher Richard Wollheim's rich and thought-provoking account of the emotions considers what emotions are, how they arise in our lives, and how standard and "moral" emotions differ.
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  14. Richard Wollheim (1998). Beeldenverering in een seculiere samenleving. Nexus 21.
    Wollheim onderzoekt beeldenverering in de moderne seculiere samenleving vanuit een rationalistisch, psychologisch standpunt.
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  15. Richard Wollheim (1998). On Pictorial Representation. Journal of Aesthetics and Art Criticism 56 (3):217-226.
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  16. Richard Wollheim (1995). Bradley in the Fifties. Bradley Studies 1 (2):98-106.
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  17. Richard Wollheim (1993). The Mind and its Depths. Harvard University Press.
    This book brings together Wollheim's broad and abiding concerns to illuminate human thought at its furthest reaches of introspection and expression.
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  18. Richard Wollheim (1992). Mark Boxer: An Oblique Memoir. Threepenny Review (50):28--30.
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  19. Richard Wollheim (1991). A Note on Mimesis as Make-Believe. [REVIEW] Philosophy and Phenomenological Research 51 (2):401--406.
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  20. Richard Wollheim (1991). Ayer: The Man, the Philosopher, the Teacher. Royal Institute of Philosophy Supplement 30:17-30.
    I have told elsewhere the story of my first meeting with Freddie Ayer, but I shall re-tell it. It made a great impact on me, though, I believe, none on him. Certainly at no point in our friendship did he ever bring it up. It was mid or late 1946. I was an undergraduate at Balliol, having returned from three years in the army, and I was reading for Part II of the History Schools. Most of my friends, most of (...)
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  21. Richard Wollheim (1991). Review: A Note on Mimesis as Make-Believe. [REVIEW] Philosophy and Phenomenological Research 51 (2):401 - 406.
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  22. Richard Wollheim (1991). The Cabinet of Dr. Lacan. Topoi 10 (2):163--174.
    Obscurity is not the worst failing, and it is philistinism to pretend that it is. In a series of brilliant essays written over the last fifteen years Stanley Cavell has consistently argued that more important than the question whether obscurity could have been avoided is whether it affects our confidence in the author. Confidence raises the issue of intention, and I would have thought that the primary commitment of a psychoanalytic writer was to pass on, and (if he can) to (...)
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  23. Richard Wollheim (1991). The Core of Aesthetics. Journal of Aesthetic Education 25 (1):37--45.
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  24. Richard Wollheim (1991). The Idea of a Common Human Nature. In Isaiah Berlin, Edna Ullmann-Margalit & Avishai Margalit (eds.), Isaiah Berlin: A Celebration. University of Chicago Press 64--79.
     
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  25. Richard Wollheim (1990). Painting as an Art: The A. W. Mellon Lectures in the Fine Arts, 1984. Philosophical Review 99 (2):289-291.
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  26. Richard Wollheim (1990). Reply to the Symposiasts. Journal of Aesthetic Education 24 (2):30--36.
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  27. Richard Wollheim (1989). On Writing a Family Romance. New Literary History 21 (1):59--74.
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  28. Richard Wollheim (1989). Painting as an Art. Journal of Aesthetics and Art Criticism 47 (3):281-284.
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  29. Richard Wollheim (1988). Crime, Punishment and Pale Criminality. Oxford Journal of Legal Studies 8 (1):1--16.
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  30. Anthony Savile & Richard Wollheim (1986). Imagination and Pictorial Understanding. Aristotelian Society Supplementary Volume 60:19 - 60.
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  31. Richard Wollheim (1984). Art, Interpretation, and the Creative Process. New Literary History 15 (2):241--253.
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  32. Richard Wollheim (1984/1999). The Thread of Life. Yale University Press.
    In this distinguished book, first published in 1984, Richard Wollheim offers an original approach to the philosophical understanding of a person.
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  33. Richard Wollheim (1983). Flawed Crystals: James's the Golden Bowl and the Plausibility of Literature as Moral Philosophy. New Literary History 15 (1):185--191.
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  34. Richard Wollheim (1982). The Bodily Ego. In Richard Wollheim & James Hopkins (eds.), Philosophical Essays on Freud. Cambridge University Press 124--138.
     
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  35. Richard Wollheim & James Hopkins (eds.) (1982). Philosophical Essays on Freud. Cambridge University Press.
    Philosophers are increasingly coming to recognize the importance of Freudian theory for the understanding of the mind. The picture Freud presents of the mind's growth and organization holds implications not just for such perennial questions as the relation of mind and body, the nature of memory and personal identity, the interplay of cognitive and affective processes in reasoning and acting, but also for the very way in which these questions are conceived and an interpretation of the mind is sought. This (...)
     
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  36. Richard Wollheim (1980). Art and its Objects: With Six Supplementary Essays. Cambridge University Press.
    What defines a work of art and determines the way in which we respond to it? This classic reflection was written with the belief that the nature of art has to be understood simultaneously from the artist's as well as the spectator's viewpoint.
     
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  37. Richard Wollheim (1980). On Persons and Their Lives. In A. O. Rorty (ed.), Explaining Emotions. Univ of California Pr 299--321.
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  38. Richard Wollheim (1979). Memory, Experiential Memory, and Personal Identity. In Graham F. Macdonald (ed.), Perception and Identity. Cornell University Press 186--234.
     
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  39. Richard Wollheim (1979). The Psychology of Decorative Art. Burlington Magazine 121 (914):322--323.
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  40. Richard Wollheim (1979). The Sheep and the Ceremony. Monograph Collection (Matt - Pseudo).
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  41. Richard Wollheim & Sigmund Freud (1979). Wish-Fulfilment,'. In Ross Harrison (ed.), Rational Action: Studies in Philosophy and Social Science. Cambridge University Press 47--60.
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  42. Richard Wollheim (1977). Peter Gay, "Art and Act. On Causes in History: Manet, Gropius, Mondrian". [REVIEW] History and Theory 16 (3):354.
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  43. Richard Wollheim (1977). Review: 'Art and Act' by Peter Gay. [REVIEW] History and Theory 16 (3):354--360.
  44. Richard Wollheim (1977). Representation: The Philosophical Contribution to Psychology. Critical Inquiry 3 (4):709--723.
    Armed with a theory of representation, or with answers to the two questions, What is a representation? and What is it to represent?, we might imagine ourselves approaching a putative representation and asking of it, Is it a representation?, and then, on the assumption that the answer is yes, going on to ask of it, What does it represent? Now, the answers that such questions receive might be called the applied answers of the theory that we are armed with. It (...)
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  45. Richard Wollheim (1975). Neurosis and the Artist. Leonardo 8 (2):155--157.
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  46. Richard Wollheim (1974). Needs, Desires and Moral Turpitude. Royal Institute of Philosophy Lectures 8:162-179.
    Need and Desire have obvious affinities. In this lecture I shall consider how they are to be distinguished, and how they may be confused: distinguished, that is, within philosophy, and confused in life itself. I shall then consider, very briefly, how this possibility of confusion bears upon morality and moral assessment.
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  47. Richard Wollheim (1974/1983). On Art and the Mind. Harvard University Press.
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  48. Richard Wollheim (1973). Imagination and Identification. Harvard University Press.
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  49. Richard Wollheim (1973). John Stuart Mill and the Limits of State Action. Social Research 40 (1):1--30.
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  50. Richard Wollheim (1973). On Art and the Mind Essays and Lectures. Monograph Collection (Matt - Pseudo).
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