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  1. Robert Gooding-Williams (forthcoming). Zarathustra's descent: Incipit tragoedia, incipit parodia. Journal of Nietzsche Studies.
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  2. Stephanie Lewis, Rosalind Ladd, David A. Crocker, Edwin Curley, Frank Dilley, Robert Gooding-Williams, Terry Bynum, James Moor, Leslie Francis & Ofelia Schutte (forthcoming). Reports of APA Committees. Proceedings and Addresses of the American Philosophical Association.
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  3. Robert Gooding-Williams & Chike Jeffers (2013). Introduction to “The Development of a People”. Ethics 123 (3):521-524.
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  4. Henry S. Richardson, Chike Jeffers, Kieran Oberman, Mark Lance, Rebecca Kukla, Sebastian Köhler, William MacAskill, Robert Gooding-Williams, We Burghardt du Bois & Ty Raterman (2013). 10. Gillian Russell, Truth in Virtue of Meaning: A Defence of the Analytic/Synthetic Distinction Gillian Russell, Truth in Virtue of Meaning: A Defence of the Analytic/Synthetic Distinction (Pp. 586-592). [REVIEW] Ethics 123 (3).
     
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  5. Robert Gooding-Williams (2012). Comments on Bernd Magnus's “A Bridge Too Far. Southern Journal of Philosophy 37 (Supplement):113-118.
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  6. Robert Gooding-Williams (2010). After Identity: Rethinking Race, Sex, and Gender by Georgia Warnke. Constellations 17 (4):589-594.
  7. Robert Gooding-Williams (2007). Ruminations and Rejoinders: Eternal Recurrence, Nietzsche's Noble Plato, and the Existentialist Zarathustra. [REVIEW] Journal of Nietzsche Studies 34 (1):96-112.
  8. Robert Gooding-Williams (2007). Special Section: Lorenzo Simpson' S the Unfinished Project : Sensibilities in Conflict: The Thought of Lorenzo Simpson. Philosophy and Social Criticism 33 (3):275-287.
    In the remarks that follow I concentrate on Lorenzo Simpson's two books, Technology, Time and the Conversations of Modernity (cited as TTC ) and The Unfinished Project: Toward a Postmetaphysical Humanism (cited as UP ). Common to both works — what unites them, I believe — is a philosophical orientation that has been deeply influenced by Gadamerian hermeneutics. I begin with a discussion of UP.
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  9. Robert Gooding-Williams, Robert Bernasconi, Kenneth Baynes, David M. Rasmussen & Lorenzo C. Simpson (2007). Special Sectio Lorenzo Simpson's the Unfinished Project: Toward a Postmetaphysical Humanism. Philosophy and Social Criticism 33 (3).
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  10. Robert Gooding-Williams (2006). Aesthetics and Receptivity : Kant, Nietzsche, Cavell, and Astaire. In Andrew John Norris (ed.), The Claim to Community: Essays on Stanley Cavell and Political Philosophy. Stanford University Press.
  11. Robert Gooding-Williams (2006). Critical Affinities: Nietzsche and African American Thought. State University of New York Press.
    Explores convergences between the ideas of Friedrich Nietzsche and African American thought.
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  12. Robert Gooding-Williams (2005). Look, a Negro!: Philosophical Essays on Race, Culture, and Politics. Routledge.
    First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
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  13. Robert Gooding-Williams (2004). Egos, Monsters, and Bodies. International Studies in Philosophy 36 (3):117-125.
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  14. Robert Gooding-Williams (2004). Politics, Racial Solidarity,. Journal of Speculative Philosophy 18 (2).
  15. Robert Gooding-Williams (2004). Politics, Racial Solidarity, Exodus! Journal of Speculative Philosophy 18 (2):118 - 128.
  16. Robert Gooding-Williams (2003). Zarathustra Contra Zarathustra. International Studies in Philosophy 35 (4):192-193.
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  17. Robert Gooding-Williams (2001). Comment on J.J.E. Gracia's Hispanic/Latino Identity. Philosophy and Social Criticism 27 (2):3-10.
  18. Robert Gooding-Williams (2001). Zarathustra's Dionysian Modernism. Stanford University Press.
    The author shows that literary fiction can do the work of philosophy, arguing that Nietzsche's Thus Spoke Zarathustra is a philosophical explanation of the possibility of modernism. Nietzsche takes up the problem of modernism by inventing Zarathustra, a self-styled cultural innovator who aspires to subvert the culture of modernity (the repressive culture of the 'last man') by creating new values. By showing how Zarathustra can become a creator of new values, notwithstanding the forces that hinder his will to innovate, Nietzsche (...)
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  19. Robert Gooding-Williams (1999). Comments on Bernd Magnus's “A Bridge Too Far: Asceticism and Eternal Recurrence”. Southern Journal of Philosophy 37 (S1):113-118.
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  20. Robert Gooding-Williams (1995). Keeping Faith. Philosophical Review 104 (4):601-603.
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  21. Robert Gooding-Williams (1988). The Drama of Nietzsche's Zarathustra. International Studies in Philosophy 20 (2):105-116.
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  22. Robert Gooding-Williams (1986). Literary Fiction as Philosophy: The Case of Nietzsche's Zarathustra. Journal of Philosophy 83 (11):667-675.
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