Search results for 'Robert J. Wicks' (try it on Scholar)

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  1. Robert J. Wicks (1988). Clarity and Obscurity. Thought 63 (1):77-85.score: 870.0
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  2. Robert Wicks (1989). Photography as a Representational Art. British Journal of Aesthetics 29 (1):1-9.score: 240.0
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  3. Robert Wicks (2007). Routledge Philosophy Guidebook to Kant on Judgment. Routledge.score: 240.0
    Kant’s Critique of Judgment is one of the most important texts in the history of modern aesthetics. This GuideBook discusses the third Critique section by section, and introduces and assesses: Kant's life and the background of the Critique of Judgment the ideas and text of the Critique of Judgment , including a critical explanation of Kant’s theories of natural beauty The continuing relevance of Kant’s work to contemporary philosophy and aesthetics This GuideBook is an accessible introduction to a notoriously difficult (...)
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  4. Robert Wicks (2005). The Idealization of Contingency in Traditional Japanese Aesthetics. Journal of Aesthetic Education 39 (3):88-101.score: 240.0
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  5. Robert Wicks (2008). Natural Beauty and Optimism in Schopenhauer's Aesthetics. European Journal of Philosophy 16 (2):273-291.score: 240.0
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  6. Robert Wicks (1995). Kant on Fine Art: Artistic Sublimity Shaped by Beauty. Journal of Aesthetics and Art Criticism 53 (2):189-193.score: 240.0
    This essay critically examines the view recently set forth by Paul Guyer that Kant's theories of artistic beauty and artistic creativity exclusively coincide with this theory of natural beauty. I note that very great works of art, although they may indeed be beautiful, also tend to be sublime. To acknowledge the sense of awe which attends those great works of art which are also beautiful, I argue that Kant's theory of sublimity must also be included within an accurate interpretation of (...)
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  7. Robert Wicks (2003). Literary Truth as Dreamlike Expression in Foucault's and Borges's "Chinese Encyclopedia". Philosophy and Literature 27 (1):80-97.score: 240.0
  8. Robert Wicks (1997). The Therapeutic Psychology of "the Tibetan Book of the Dead". Philosophy East and West 47 (4):479-494.score: 240.0
    This well-known Buddhist text sets forth a series of conditions under which a positive "rebirth" can occur. This essay argues in favor of a symbolic conception of "rebirth" that does not necessitate the recognition of after-death states of consciousness. The practical consequence of this strategy is therapeutic and enlightening even to those who doubt or deny the existence of an afterlife.
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  9. Robert Wicks (2010). Using Artistic Masterpieces as Philosophical Examples: The Case of Las Meninas. Journal of Aesthetics and Art Criticism 68 (3):259-272.score: 240.0
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  10. Robert Wicks, Arthur Schopenhauer. Stanford Encyclopedia of Philosophy.score: 240.0
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  11. Robert Wicks (1999). Kant on Beautifying the Human Body. British Journal of Aesthetics 39 (2):163-178.score: 240.0
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  12. Robert Wicks (2011). Beyond Selflessness: Reading Nietzsche's 'Genealogy' – Christopher Janaway. [REVIEW] Philosophical Quarterly 61 (244):637-640.score: 240.0
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  13. Robert Wicks (2009). Kant on Beauty and Biology: An Interpretation of the Critique of Judgment. [REVIEW] British Journal for the History of Philosophy 17 (4):884-887.score: 240.0
    Esteticky a teleologicky soud jsou oba zalozene na a priori principu ucelnosti bez ucelu. Ten je subjektivni, tj. nezaklada zadne objektivni poznani. Biolog a estetik se bez toho principu vsak neobejde. Princip je as if: predpokladame, ze v chovani organismu / ruznych vnimatelnych aspektech je jednota, unity of diversity, ze je to non-conceptually ordered whole.
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  14. Robert Wicks (2002). Schopenhauerian Moral Awareness as a Source of Nietzschean Nonmorality. Journal of Nietzsche Studies 23 (1):21-38.score: 240.0
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  15. Robert Wicks (1988). Supervenience and Aesthetic Judgment. Journal of Aesthetics and Art Criticism 46 (4):509-511.score: 240.0
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  16. Robert Wicks (1994). Architectural Restoration: Resurrection or Replication? British Journal of Aesthetics 34 (2):163-169.score: 240.0
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  17. Robert Wicks (1999). Can Tattooed Faces Be Beautiful?: Limits on the Restriction of Forms in Dependent Beauty. Journal of Aesthetics and Art Criticism 57 (3):361-363.score: 240.0
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  18. Robert Wicks, Friedrich Nietzsche. Stanford Encyclopedia of Philosophy.score: 240.0
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  19. Robert Phillips, R. Edward Freeman & Andrew C. Wicks (2003). What Stakeholder Theory Is Not. Business Ethics Quarterly 13 (4):479-502.score: 240.0
    The term stakeholder is a powerful one. This is due, to a significant degree, to its conceptual breadth. The term means differentthings to different people and hence evokes praise or scorn from a wide variety of scholars and practitioners. Such breadth of interpretation, though one of stakeholder theory’s greatest strengths, is also one of its most prominent theoretical liabilities. The goal of the current paper is like that of a controlled burn that clears away some of the underbrush of misinterpretation (...)
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  20. Robert Wicks (1993). The Eternal Recurrence: Nietzsche's Ideology of the Lion. Southern Journal of Philosophy 31 (1):97-118.score: 240.0
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  21. Robert Wicks (1992). Supervenience and the "Science of the Beautiful". Journal of Aesthetics and Art Criticism 50 (4):322-324.score: 240.0
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  22. Robert Wicks (2001). Nietzsche's Ethics and His War on 'Morality' (Review). Journal of the History of Philosophy 39 (3):450-451.score: 240.0
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  23. Robert Wicks (1994). On Schopenhauer's "Fourfold Root of the Principle of Sufficient Reason" (Review). Journal of the History of Philosophy 32 (1):149-151.score: 240.0
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  24. Robert Wicks (1998). Foucault and the Possibility of Historical Transcendence. Critical Review of International Social and Political Philosophy 1 (2):85-108.score: 240.0
  25. Robert Wicks (1993). Schopenhauer's Naturalization of Kant's a Priori Forms of Empirical Knowledge. History of Philosophy Quarterly 10 (2):181 - 196.score: 240.0
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  26. Robert Wicks (1999). Understanding Gadamer. Dialogue 38 (04):827-.score: 240.0
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  27. Robert Wicks (1997). Dependent Beauty as the Appreciation of Teleological Style. Journal of Aesthetics and Art Criticism 55 (4):387-400.score: 240.0
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  28. Robert Wicks (2003). Review: Cheetham, Kant, Art, and Art History: Moments of Discipline. [REVIEW] Dialogue 42 (03):604-.score: 240.0
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  29. Robert Wicks (2006). Review of Frederick Beiser, Schiller As Philosopher: A Re-Examination. [REVIEW] Notre Dame Philosophical Reviews 2006 (7).score: 240.0
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  30. Robert Wicks (2004). Being in the Dry Zen Landscape. Journal of Aesthetic Education 38 (1):112-122.score: 240.0
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  31. Robert Wicks (2005). Nietzsche's 'Yes' to Life and the Apollonian Neutrality of Existence. Nietzsche-Studien 34 (1).score: 240.0
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  32. C.-T. Chong & M. J. Wicks (eds.) (1983). Southeast Asian Conference on Logic: Proceedings of the Logic Conference, Singapore, 1981. Sole Distributors for the U.S.A. And Canada, Elsevier Science Pub. Co..score: 240.0
     
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  33. James Wetzel, Leonard F. Wheat, Robert L. Wicks, Robert R. Williams & David Wolfsdorf (2013). Editions and Translations. Journal of the History of Philosophy 51 (3):503-505.score: 240.0
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  34. Robert Wicks (1998). Death and Enlightenment. The Therapeutic Psychology of The Tibetan Book of the Dead. In J. E. Malpas & Robert C. Solomon (eds.), Death and Philosophy. Routledge. 71--82.score: 240.0
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  35. P. Wicks & J. A. Heywood (2014). Data Donation Could Power the Learning Health Care System, Including Special Access Programs. American Journal of Bioethics 14 (11):27-29.score: 240.0
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  36. Robert Wicks (2001). Foucault. In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.score: 240.0
     
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  37. Robert Wicks (1993). Hegel's Aesthetics: An Overview. In Frederick C. Beiser (ed.), The Cambridge Companion to Hegel. Cambridge University Press. 348--78.score: 240.0
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  38. Robert Wicks (2003). Kant, Art, and Art History. Dialogue 42 (3):604-606.score: 240.0
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  39. Robert Wicks (2008). Schopenhauer. Blackwell Pub..score: 240.0
    This innovative volume presents an insightful philosophical portrait of the life and work of Arthur Schopenhauer. Focuses on the concept of the sublime as it clarifies Schopenhauer’s aesthetic theory, moral theory and asceticism Explores the substantial relationships between Schopenhauer’s philosophy and Buddhism, Hinduism, and Christianity Defends Schopenhauer’s position that absolute truth can be known and described as a blindly striving, all-permeating, universal “Will” Examines the influence of Asian philosophy on Schopenhauer Describes the relationships between Schopenhauer’s thought and that of Hegel, (...)
     
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  40. Jason Costanzo (2013). Robert L. Wicks, Schopenhauer's The World as Will and Representation: A Reader's Guide . Reviewed By. [REVIEW] Philosophy in Review 33 (3):243–245.score: 140.0
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  41. Robert Guay (2009). Review of Robert Wicks, Schopenhauer. [REVIEW] Notre Dame Philosophical Reviews 2009 (1).score: 126.0
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  42. S. Shapshay (2010). The Philosophy of Schopenhauer, by Dale Jacquette. * Schopenhauer, by Robert Wicks. Mind 119 (475):798-805.score: 120.0
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  43. R. Zuckert (2009). Review: Robert Wicks: Routledge Philosophy Guidebook to Kant on Judgment. [REVIEW] Mind 118 (470):536-539.score: 120.0
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  44. Edvard Lorkovic (2005). Robert Wicks, Modern French Philosophy: From Existentialism to Postmodernism Reviewed By. Philosophy in Review 25 (4):310-312.score: 120.0
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  45. Dennis Vanden Auweele (2011). Review of Robert Wicks: Schopenhauer's 'The World as Will and Representation'. A Reader's Guide. [REVIEW] Tijdschrift Voor Filosofie 73 (4):766-767.score: 120.0
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  46. Michael Fletcher (2005). Dependent Beauty and Perfection in Kant's Aesthetics. Philosophical Writings (29).score: 36.0
    This paper attacks an account of Kant's controversial distinction between "free" and "dependent" beauty. I present three problems—The Lorland problem, The Crawford Problem, and the problem of intrinsic relation—that are shown to be a consequence of various interpretations of Kant's distinction. Next, I reconstruct Robert Wicks' well-known account of dependent beauty as "the appreciation of teleological style" and point out a key equivocation in the statement of Wicks' account: the judgment of dependent beauty can be thought to (...)
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  47. Robert C. Roberts (1991). What Is Wrong with Wicked Feelings? American Philosophical Quarterly 28 (1):13 - 24.score: 12.0
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  48. Warner A. Wick (1948). Book Review:The Categorical Imperative. H. J. Paton. [REVIEW] Ethics 59 (1):63-.score: 12.0
  49. Isabelle Szmigin & Robert Rutherford (2013). Shared Value and the Impartial Spectator Test. Journal of Business Ethics 114 (1):171-182.score: 12.0
    Growing inequality and its implications for democratic polity suggest that corporate social responsibility (CSR) has not proved itself in twenty-first century business, largely as it lacks clear criteria of demarcation for businesses to follow. Today the problem is viewed by many commentators as an ethical challenge to business itself. In response to this challenge, we begin by examining Porter and Kramer’s (Harv Bus Rev 89(January–February):64–77, 2011) call for a shift from a social responsibility to a shared value framework and the (...)
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  50. Warner Wick (1969). Book Review:Pleasure and Pain: A Study in Philosophical Psychology. J. L. Cowan. [REVIEW] Ethics 79 (2):166-.score: 12.0
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