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  1.  1
    Robert S. Lehman (2016). Letters for the Blind. Substance 45 (1):81-97.
    Nowhere do things flourish which are not a combination of inert elements, and nowhere can we perceive matter as other than that constant nourishment which thought directs, regulates, and controls, but on which it is dependent. In the autumn of 1798, Immanuel Kant published what was his final work, The Conflict of the Faculties. The latter comprises three essays, which ostensibly address the conflicts between the lower faculty of philosophy and the higher faculties of, respectively, theology, law, and medicine. Each (...)
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  2.  8
    Robert S. Lehman (2010). Between the Science of the Sensible and the Philosophy of Art: Finitude in Alain Badiou's Inaesthetics. Angelaki 15 (2):171-185.
  3.  34
    Robert S. Lehman (2011). Between the Science of the Sensible and the Philosophy of Art. Angelaki 15 (2):171-185.
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  4.  8
    Robert S. Lehman (2008). Toward a Speculative Realism. Theory and Event 11 (1).
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  5.  4
    Robert S. Lehman (forthcoming). Beauty That Must Die: Hägglund's Dying for Time. Theory and Event 16 (1).
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  6.  2
    Robert S. Lehman (2009). Finite States: Toward a Kantian Theory of the Event. Diacritics 39 (1):61-74.
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  7. Robert S. Lehman (2015). Eli Friedlander,Expressions of Judgment: An Essay on Kant’s Aesthetics. Cambridge, Mass.: Harvard University Press, 2015. 144 Pp. [REVIEW] Critical Inquiry 42 (1):221-223.
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