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  1.  143 DLs
    Robert Wicks (1989). Photography as a Representational Art. British Journal of Aesthetics 29 (1):1-9.
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  2.  108 DLs
    Robert Wicks (2003). Literary Truth as Dreamlike Expression in Foucault's and Borges's "Chinese Encyclopedia". Philosophy and Literature 27 (1):80-97.
  3.  64 DLs
    Robert Wicks (1995). Kant on Fine Art: Artistic Sublimity Shaped by Beauty. Journal of Aesthetics and Art Criticism 53 (2):189-193.
    This essay critically examines the view recently set forth by Paul Guyer that Kant's theories of artistic beauty and artistic creativity exclusively coincide with this theory of natural beauty. I note that very great works of art, although they may indeed be beautiful, also tend to be sublime. To acknowledge the sense of awe which attends those great works of art which are also beautiful, I argue that Kant's theory of sublimity must also be included within an accurate interpretation of (...)
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  4.  56 DLs
    Robert Wicks (1999). Kant on Beautifying the Human Body. British Journal of Aesthetics 39 (2):163-178.
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  5.  46 DLs
    Robert Wicks (1992). Supervenience and the "Science of the Beautiful". Journal of Aesthetics and Art Criticism 50 (4):322-324.
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  6.  30 DLs
    Robert Wicks (2005). The Idealization of Contingency in Traditional Japanese Aesthetics. Journal of Aesthetic Education 39 (3):88-101.
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  7.  27 DLs
    Robert Wicks (2007). Routledge Philosophy Guidebook to Kant on Judgment. Routledge.
    Kant’s Critique of Judgment is one of the most important texts in the history of modern aesthetics. This GuideBook discusses the third Critique section by section, and introduces and assesses: Kant's life and the background of the Critique of Judgment the ideas and text of the Critique of Judgment , including a critical explanation of Kant’s theories of natural beauty The continuing relevance of Kant’s work to contemporary philosophy and aesthetics This GuideBook is an accessible introduction to a notoriously difficult (...)
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  8.  22 DLs
    Robert Wicks (2008). Natural Beauty and Optimism in Schopenhauer's Aesthetics. European Journal of Philosophy 16 (2):273-291.
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  9.  21 DLs
    Robert Wicks (1997). The Therapeutic Psychology of "the Tibetan Book of the Dead". Philosophy East and West 47 (4):479-494.
    This well-known Buddhist text sets forth a series of conditions under which a positive "rebirth" can occur. This essay argues in favor of a symbolic conception of "rebirth" that does not necessitate the recognition of after-death states of consciousness. The practical consequence of this strategy is therapeutic and enlightening even to those who doubt or deny the existence of an afterlife.
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  10.  18 DLs
    Robert Wicks (2002). Schopenhauerian Moral Awareness as a Source of Nietzschean Nonmorality. Journal of Nietzsche Studies 23 (1):21-38.
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  11.  17 DLs
    Robert Wicks (2010). Using Artistic Masterpieces as Philosophical Examples: The Case of Las Meninas. Journal of Aesthetics and Art Criticism 68 (3):259-272.
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  12.  17 DLs
    Robert Wicks, Arthur Schopenhauer. Stanford Encyclopedia of Philosophy.
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  13.  17 DLs
    Robert Wicks (2011). Beyond Selflessness: Reading Nietzsche's 'Genealogy' – Christopher Janaway. [REVIEW] Philosophical Quarterly 61 (244):637-640.
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  14.  16 DLs
    Robert Wicks (1988). Supervenience and Aesthetic Judgment. Journal of Aesthetics and Art Criticism 46 (4):509-511.
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  15.  16 DLs
    Robert Wicks (1999). Can Tattooed Faces Be Beautiful?: Limits on the Restriction of Forms in Dependent Beauty. Journal of Aesthetics and Art Criticism 57 (3):361-363.
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  16.  15 DLs
    Robert Wicks (2009). Review: Zuckert, Kant on Beauty and Biology: An Interpretation of the Critique of Judgment. [REVIEW] British Journal for the History of Philosophy 17 (4):884-887.
    Esteticky a teleologicky soud jsou oba zalozene na a priori principu ucelnosti bez ucelu. Ten je subjektivni, tj. nezaklada zadne objektivni poznani. Biolog a estetik se bez toho principu vsak neobejde. Princip je as if: predpokladame, ze v chovani organismu / ruznych vnimatelnych aspektech je jednota, unity of diversity, ze je to non-conceptually ordered whole.
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  17.  15 DLs
    Robert Wicks (1994). Architectural Restoration: Resurrection or Replication? British Journal of Aesthetics 34 (2):163-169.
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  18.  11 DLs
    Robert Wicks, Friedrich Nietzsche. Stanford Encyclopedia of Philosophy.
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  19.  11 DLs
    Robert Wicks (1994). On Schopenhauer's "Fourfold Root of the Principle of Sufficient Reason" (Review). Journal of the History of Philosophy 32 (1):149-151.
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  20.  10 DLs
    Robert Wicks (1993). Schopenhauer's Naturalization of Kant's a Priori Forms of Empirical Knowledge. History of Philosophy Quarterly 10 (2):181 - 196.
  21.  9 DLs
    Robert Wicks (1993). The Eternal Recurrence: Nietzsche's Ideology of the Lion. Southern Journal of Philosophy 31 (1):97-118.
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  22.  9 DLs
    Robert J. Wicks (1988). Clarity and Obscurity. Thought: A Journal of Philosophy 63 (1):77-85.
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  23.  8 DLs
    James Wetzel, Leonard F. Wheat, Robert L. Wicks, Robert R. Williams & David Wolfsdorf (2013). Editions and Translations. Journal of the History of Philosophy 51 (3):503-505.
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  24.  8 DLs
    Robert Wicks (1997). Dependent Beauty as the Appreciation of Teleological Style. Journal of Aesthetics and Art Criticism 55 (4):387-400.
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  25.  7 DLs
    Robert Wicks (2001). Nietzsche's Ethics and His War on 'Morality' (Review). Journal of the History of Philosophy 39 (3):450-451.
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  26.  6 DLs
    Robert Wicks (1998). Foucault and the Possibility of Historical Transcendence. Critical Review of International Social and Political Philosophy 1 (2):85-108.
  27.  6 DLs
    Robert Wicks (1999). Understanding Gadamer. Dialogue 38 (04):827-.
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  28.  5 DLs
    Robert Wicks (2003). Review: Cheetham, Kant, Art, and Art History: Moments of Discipline. [REVIEW] Dialogue 42 (03):604-.
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  29.  5 DLs
    Robert Wicks (2013). Lewis, Peter B., Arthur Schopenhauer. Review of Metaphysics 67 (2):432-434.
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  30.  4 DLs
    Robert Wicks (2004). Being in the Dry Zen Landscape. Journal of Aesthetic Education 38 (1):112-122.
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  31.  3 DLs
    Robert Wicks (2006). Review of Frederick Beiser, Schiller As Philosopher: A Re-Examination. [REVIEW] Notre Dame Philosophical Reviews 2006 (7).
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  32.  2 DLs
    Robert Wicks (2005). Nietzsche's 'Yes' to Life and the Apollonian Neutrality of Existence. Nietzsche-Studien 34 (1):100-123.
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  33.  1 DLs
    Robert Wicks (1996). Hegel's Theory of Aesthetic Judgment. Tijdschrift Voor Filosofie 58 (2):406-407.
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  34.  0 DLs
    Robert Wicks (2003). Modern French Philosophy From Existentialism and Postmodernism.
     
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  35.  0 DLs
    Robert Wicks (1998). Death and Enlightenment. The Therapeutic Psychology of The Tibetan Book of the Dead. In J. E. Malpas & Robert C. Solomon (eds.), Death and Philosophy. Routledge 71--82.
     
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  36.  0 DLs
    Robert Wicks (2011). Arthur Schopenhauer’s Bronze Buddha: Neither Tibetan nor Thai, but Shan. Schopenhauer Jahrbuch:307-316.
     
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  37.  0 DLs
    Robert Wicks (1993). Hegel's Aesthetics: An Overview. In Frederick C. Beiser (ed.), The Cambridge Companion to Hegel. Cambridge University Press 348--78.
     
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  38.  0 DLs
    Robert Wicks (2003). Kant, Art, and Art History. Dialogue 42 (3):604-606.
  39.  0 DLs
    Robert Wicks (2008). Schopenhauer. Blackwell Pub..
    This innovative volume presents an insightful philosophical portrait of the life and work of Arthur Schopenhauer. Focuses on the concept of the sublime as it clarifies Schopenhauer’s aesthetic theory, moral theory and asceticism Explores the substantial relationships between Schopenhauer’s philosophy and Buddhism, Hinduism, and Christianity Defends Schopenhauer’s position that absolute truth can be known and described as a blindly striving, all-permeating, universal “Will” Examines the influence of Asian philosophy on Schopenhauer Describes the relationships between Schopenhauer’s thought and that of Hegel, (...)
     
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  40.  0 DLs
    Robert Wicks (2001). Foucault. In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge
     
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  41.  0 DLs
    Robert L. Wicks (2011). Schopenhauer's the World as Will and Representation: A Reader's Guide. Continuum.
    Schopenhauer's The World as Will and Representation is widely considered to be one fo the most important and influential texts in nineteenth-century German philosophy. The text provides an avenue through which to introduce and explore a rich assortment of philosophical themes and questions, and represents Schopenhauer's widely discussed attempt to find personal meaning amidst a violent, frustrating and seemingly godless world. Since it was published in 1818, the text has influenced generations of musicians, artists, writers and historians, as well as (...)
     
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  42.  0 DLs
    Robert Wicks (1983). Book Review. [REVIEW] Journal of the American Oriental Society 103 (4):803-804.
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