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  1. Roberto Diodato (forthcoming). Note on the Interpretation of Spinoza. Rivista di Filosofia Neo-Scolastica.
     
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  2. Alain Cohen, Rob Spruijt, Erith Jaffe-Berg, Miltos Manetas, Alessandro Lanni, Roberto Diodato, Domenico Parisi, Teresa Iaria, Peter B. Lunenfeld & Ysamur Flores Pena (2013). Aesthetics in Present Future: The Arts and the Technological Horizon. Lexington Books.
    The theme of Aesthetics in Present Future concerns the new chances the arts have and the deep changes they are undergoing, due to the new media, and the digital world in which we are growingly immersed. That this world is to be understood from an aesthetic point of view, become clear if we think of how much of what we produce, and observe and study is offered through images in particular and perceptual means in general.
     
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  3. Roberto Diodato (2013). Aura, Vita, Morte. Rivista di Estetica 53 (52):53-67.
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  4. Roberto Diodato (2012). Aesthetics of the Virtual. State University of New York Press.
    Reconfigures classic aesthetic concepts in relation to the novelty introduced by virtual bodies.
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  5. Roberto Diodato (2012). Interfacce virtuali. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 5.
    The essay concerns the notion of interface. From theoretical point of view, interface is a virtual environment develops in the interaction with a user; in this context “virtual” means the dynamic configuration of forces which have the intrinsic tendency of being actualised in a form not entirely pre-existing. The virtual in this case has to do with Aesthetics and its present status as discipline, since it is a field of continuous formal invention and of a particular type of interaction author/user (...)
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  6. Roberto Diodato (2012). Logos Estetico. Morcelliana.
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  7. Roberto Diodato (2009). Deissi. Un Possibile Nesso Linguistica-Estetica-Ontologia. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 2 (1).
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  8. Roberto Diodato (2004). Estetica del corpo virtuale. Rivista di Estetica 44 (27):159-171.
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  9. Roberto Diodato (1986). Note sull'ontologia dell'arte di Etienne Gilson. Rivista di Filosofia Neo-Scolastica 78 (4):606-633.
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