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  1. Roberto Diodato (forthcoming). Note on the Interpretation of Spinoza. Rivista di Filosofia Neo-Scolastica.
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  2. Alain Cohen, Rob Spruijt, Erith Jaffe-Berg, Miltos Manetas, Alessandro Lanni, Roberto Diodato, Domenico Parisi, Teresa Iaria, Peter B. Lunenfeld & Ysamur Flores Pena (2013). Aesthetics in Present Future: The Arts and the Technological Horizon. Lexington Books.
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  3. Roberto Diodato (2013). Aura, Vita, Morte. Rivista di Estetica 53 (52):53-67.
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  4. Roberto Diodato (2012). Aesthetics of the Virtual. State University of New York Press.
    Reconfigures classic aesthetic concepts in relation to the novelty introduced by virtual bodies.
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  5. Roberto Diodato (2012). Interfacce virtuali. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 5.
    The essay concerns the notion of interface. From theoretical point of view, interface is a virtual environment develops in the interaction with a user; in this context “virtual” means the dynamic configuration of forces which have the intrinsic tendency of being actualised in a form not entirely pre-existing. The virtual in this case has to do with Aesthetics and its present status as discipline, since it is a field of continuous formal invention and of a particular type of interaction author/user (...)
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  6. Roberto Diodato (2012). Logos Estetico. Morcelliana.
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  7. Roberto Diodato (2009). Deissi. Un Possibile Nesso Linguistica-Estetica-Ontologia. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 2 (1).
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  8. Roberto Diodato (2004). Estetica del corpo virtuale. Rivista di Estetica 44 (27):159-171.
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  9. Roberto Diodato (1986). Note sull'ontologia dell'arte di Etienne Gilson. Rivista di Filosofia Neo-Scolastica 78 (4):606-633.
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