In this article Roberto Balzani, the mayor of Forlì, remembers Roberto Ruffilli, 25 years after his murder. The remembrance reconstructs the steps of his academic career and of his political commitment. Ruffilli graduated at the Catholic University of Milan; his researches in contemporary history placed him in an original position if compared with the Italian studies of the time. The constant attention towards the history of administration and the transformations of the state is the basis on which Ruffilli (...) built his proposals concerning the reform of the insitutional and political system. Balzani concludes the article by affirming that the problems of today aren't any different, that is why Ruffilli's proposals still demonstrate their modernity. (shrink)
El artículo aborda la cuestión de la recepción del concepto agustiniano de natura en tres profesores de la facultad de teología de la universidad de Lovaina: John Driedo (ca. 1480-1535), Michael Bayo (1513-1589) y RobertoBellarmino (1542-1621), haciendo hincapié de manera especial en la forma de agustinianismo que posteriormente fue condenado como bayanismo.
This paper examines the view held by Francesco Piccolomini (1523-1607) on the relation between prime matter and extension. In his discussion of prime matter in the Libri ad scientiam de natura attinentes Piccolomini develops a theory of prime matter that incorporates crucial elements of the viewpoint adhered to by the Neoplatonist Simplicius. The originality of Piccolomini’s undertaking is highlighted by contrasting it with the ideas found in Jacopo Zabarella’s De rebus naturalibus . The case of Piccolomini shows that, in (...) order to classify early modern metaphysical theories of prime matter, the category ‘prime matter as sheer dimensionality’ is indispensable. (shrink)
Abstract The role of actual works of art with philosophical writing is often reduced to the status of example or illustration. As such the materiality of art work is rarely discussed let alone deployed as the basis of philosophical reflection. In this paper works by Francesco Mosca, and Bernini are used to question Heidegger's writings on sculpture. What such an approach opens up is the possibility that art may set the measure for philosophy.
El siguiente documento es el resultado de un seminario de investigación sobre novela policíaca latinoamericana reciente, desarrollado en el curso de Novela Latinoamericana, de la Facultad de Filosofía y Letras en la Universidad de La Salle. La fundamentación teórica del seminario tuvo como marco general la Estética de la Recepción fundada en la Escuela de Constanza, Alemania, por Hans Robert Jauss y Wolfgang Iser. Para el caso concreto de la teoría literaria sobre novela policíaca vista en perspectiva sociológica, preferimos apelar (...) a las reflexiones fundacionales de Roger Caillios (1942), las que tiene un sugestivo subtítulo, a saber, La novela policíaca. –De cómo la inteligencia se retira del mundo para consagrarse a sus juegos y de cómo la sociedad introduce sus problemas en éstos. Por otra parte, elegimos la novela corta de Roberto Bolaño, La pista de hielo; y sobre esta elaboramos distintas hipótesis de trabajo, hasta lograr, al juicio de nuestros lectores, una propuesta de teoría literaria, que dé cuenta de la nueva narrativa policíaca. (shrink)
This article underlines and draws attention to critical insights Esposito makes regarding the prospects of rethinking community in a globalized world. Alongside Agamben and Nancy, Esposito challenges the property prejudice found in mainstream models of community. In identity politics, collective identity is converted into a form of communal property. Borders, sovereign territories, and exclusive rights are fiercely defended in the name of communal property. Esposito responds to this problem by developing what I call a “deontological communal contract” where being and (...) ethics are prioritized over having and economics. I examine this new perspective on community in relation to mainstream models found in contemporary and classical social theory. (shrink)
This paper is a brief introduction to the short treatise De veritate propositionis by Robert Grosseteste (XIIIth century), accompanied by an unpublished translation of the treatise, available in Spanish for the first time. In there Grosseteste comments on the problem of future contingents as it was raised by Aristotle in On Interpretation, chapter IX. Solutions due to Aristotle and Grosseteste are similar, although Grosseteste’s notion of necessity rests upon eternity rather than temporality.
It seems fairly straightforward to describe what should and should not count as a disability into two separate and opposing categories. In this paper we will challenge this assumption and critically reflect on the narrow relations between the concepts of 'talent' and 'disability'. We further relate such matters of terminology and classification to issues of justice in what is conceived of as disability sport. Do current systems of classification do justice to the performances of disabled athletes? Is the organisation of (...) a just and fair competition similar for abled as it is for disabled sport? Two cases (of Francesco Lentini and Oscar Pistorius) will be explored to further illustrate the complexities of these questions, in particular when related to notions of normality and extraordinary performances. (shrink)
The article is the consequence of some critical notes to the contribution of Paolo Bellan, arising from reading of essays of Francesco Emmolo and Carlo Sini and the assumption of a purely phenomenological perspective in the interpretation of the processes of acquisition of scientific knowledge.
La nota entra in dialogo con il saggio di Francesco Emmolo e cerca di comprendere la proposta di Enzo Paci all’interno di una domanda sul “soggetto della conoscenza”. Di esso la storia della filosofia ha presentato molteplici immagini, che entrano in un confronto critico con la comprensione “quotidiana” della relazione conoscitiva.
We introduce a generalization of MV algebras motivated by the investigations into the structure of quantum logical gates. After laying down the foundations of the structure theory for such quasi-MV algebras, we show that every quasi-MV algebra is embeddable into the direct product of an MV algebra and a “flat” quasi-MV algebra, and prove a completeness result w.r.t. a standard quasi-MV algebra over the complex numbers.
Francesco Patrizi da Cherso's Discussiones peripateticae (1581) are one of the most comprehensive analyses of the whole of Aristotelian philosophy to be published before Werner Jaeger's Aristoteles. The main thrust of the argument in the Discussiones is that whatever Aristotle had said that was true was not new, and that whatever he had said that was new was not true. The article shows how Patrizi proves this with respect to the Organon, and deals with the implications for the history (...) af ancient philosophy in general implied by his stance. (shrink)
We investigate an expansion of quasi-MV algebras () by a genuine quantum unary operator. The variety of such quasi-MV algebras has a subquasivariety whose members—called cartesian—can be obtained in an appropriate way out of MV algebras. After showing that cartesian . quasi-MV algebras generate ,we prove a standard completeness theorem for w.r.t. an algebra over the complex numbers.
This paper considers Roberto Unger's views on legal reasoning. His account is defended against two misplaced attacks. The first critique is by Emilios Christodoulidis. Using the language of systems theory, Christodoulidis contends that Unger's programme of democratic experimentalism cannot be achieved through law, as the constitutive structure of the legal system is immune to politics. Christodoulidis accuses Unger of attempting to reduce law to politics. It will be argued, however, that Unger does no such thing. The second attack holds (...) that Unger's criticisms of objectivism apply to his own democratic vision and that, as a result, he cannot promote this vision without self-contradiction. Again, it will be argued that this criticism rests on a misunderstanding of Unger's views. The paper concludes with a tentative objection to the substantive proposals of Unger's work, suggesting that they ought to be replaced by a pluralist account of value. (shrink)
We argue that planning and control may not be separable entities, either at the behavioural level or at the neurophysiological level. We review studies that show the involvement of superior and inferior parietal cortex in both planning and control. We propose an alternative view to the localization theory put forth by Glover.
Roberto Frega’s Practice, Judgement, and the Challenge of Moral and Political Disagreement is exegetically, as well as systematically, ambitious: it explores several key texts of Charles Peirce and John Dewey in order to develop a pragmatist conception of practical rationality in the context of contemporary moral and political philosophy. Frega’s book differs from other recent comparable contributions, such as those of Cheryl Misak, Eric MacGilvray, and Robert Talisse, by drawing most heavily on Dewey’s works. Yet, similar to Misak, MacGilvray (...) and Talisse, Frega puts pragmatism to the test by applying it to deep moral disagreements in modern societies and does so without relying on facts about American cultural .. (shrink)
El desarrollo creciente de la novela negra neo-detectivesca en Chile es una prueba más de que atravesamos por un cambio artístico fundamental. Tecnológica y estéticamente impecables, las variantes de esta novela suelen ser producidas por escritores rigurosamente profesionales. Sin embargo y a pesar de los factores mencionados, ésta no está exenta de popularidad y éxito de ventas. Elalemán de Atacama de Roberto Ampuero es la segunda de la saga de su detective ficcional Cayetano Brulet. Como otras de sus novelas, (...) ésta conlleva una reflexión sobre el entreguismo de la nación-estado, los efectos devastadores de la economía global, la precariedad de los grupos étnicos y la destrucción ecológica. (shrink)
continent. 1.4 (2011): 286—310. This mad play of writing —Stéphane Mallarmé Somewhere in between mathematics and theory, light and dark, physicality and projection, oscillates the poetry of Alessandro De Francesco. The texts hold no periods or commas, not even a capital letter for reference. Each piece stands as an individual construction, and yet the poetry flows in and out of the frame. Images resurface from one poem to the next, haunting the reader with reincarnations of an object lost in (...) the grass or a representation of a pear in a Dutch still life, embedded in cycles of cinematic close ups and multiple dimensions. As a whole, De Francesco’s oeuvre suggests, to use the title of one of his works, a redefinition —linguistic, epistemological, personal. The poem The End (un’agenda) (The End (an agenda)) opens with a quote by literary theorist Maurice Blanchot, which may be translated as follows: Speaking is not seeing. Speaking frees thought from this optical imperative that in the Western tradition, for thousands of years, has subjugated out approach to things, and induced us to think under the guaranty of light or under the threat of its absence. In writing, De Francesco seeks to redefine our approach to things. His poems, like Blanchot’s writings, speak to both illuminate and to obscure. The reader hangs in an absence of reality within language that necessitates an attempt at interpretation, yet renders such a search ultimately futile. De Francesco draws the anonymous images that appear in this poem from the city of Paris, his current home. The fragmented narrative depicts an inner doubt of realness, calling for a confirmation of a physical existence beyond verbalization and cogitation. Cyclical references to film throw into question the reliability of the reality he creates. The light, sometimes red and safe, other times absent and murky, cannot necessarily be trusted as a guaranteed means of illumination. Blanchot’s distinction between language and visualization, and the relationship of each to reality, though linked specifically to The End (un’agenda) , can be a lens through which to read any of the three works that follow. assente obliqua (absent oblique) is composed of descriptions of six still life paintings, ranging from Dutch masterpieces of the seventeenth century to 1960s minimalism. The actual images of the paintings are absent, and the text is the sole source and object of a virtual reality created around the artwork. “Absent oblique” refers to the light source placed outside of the frame, which both informs and distracts viewing of the scene. Although mere description can be unreliable and unsatisfying in its necessary limitation, the representational act of description is shown as more than just a human want. It is a need, a means by which to grapple with an unsure reality. As the illustrations progress, they descend into abstraction and chaos. The precariously placed plate triggers the movement: the bottle bursts and the objects collapse into the movement of a tracking film camera. corpo estraneo in moto ascensionale (foreign body in ascending motion) is prose poetry in action. Its objective tone of description is skewed by the subjectivity of the narrative as horrific images are relayed in fragmented but matter-of-fact manner. A “foreign body” is both a mass of cancerous cells, and a corporeal description, and the poem takes the reader on a journey back and forth between the two, destination unclear. Beyond a questioning of the real, corpo estraneo in moto ascensionale is an examination of the possible. De Francesco’s poetry becomes a camera obscura through which to observe the constant flux of light and dark that blurs our reality. His work is colored by the idea of apo koinou , a Greek term meaning “from the common” that involves a construction of two clauses with a shared word or phrase. Through such melting of meaning, De Francesco creates a fluid ambiguity that is nonetheless grounded in bodily concepts. In assente obliqua , the reader is confronted with a description of a still life that rapidly transforms into a more chilling scene: the membrane of the mushroom in the basket emerges behind the white cloth a body could hide itself that asks for help In the realm of pure description, there is a mushroom that peeks out from behind a white cloth in a basket. Behind the white cloth, too, there could be a body, hiding, asking for help. Such an elision elicits disorienting mistrust in temporality, but also expands the planar possibilities of syntactical meaning. A white cloth is not merely a construct in still life painting, but veil that both shields and reveals potential mysteries. It is a proposed alternative to a traditional Western binary of subjectivity and objectivity. The apo koinou construction is rare in modern English, having slipped out of use after its resurgence in Old English poetry. De Francesco reintroduces this blur of object and subject relations into a modern light. He draws inspiration from a device used by Gruppo 63 founder and avant-garde poet Antonio Porta tended toward repetition of phrases in third person perspective. In Italian, it is perfectly grammatically correct to omit the subject, including only a verb conjugation. Gender, even humanity unknown, the subject dissolves into the action, thus giving to the poetry the power to change the reader’s perception of who or what is actually acting. To further push the relative boundaries of experience, De Francesco expands his written poetry into what he calls “reading environments.” In these sound experiments, De Francesco’s voice reading his poetry is manipulated by real time digital voice processing. The written is transformed to the spoken, and then injected with currents of electric sound. “At each activation of word in the darkness,” (from The End (un’agenda) ) language is permutated into a nonphysical yet all-encompassing being. In these projects, realized all over Europe, De Francesco continues his examination of the word’s potency beyond the page and into an “n-dimensional space,” where the lines between nature and affect are intertwined. To publish excerpts of De Francesco’s oeuvre is to show screen shots of full-length film, to read pull quotes from a philosophy treatise. In these poems, there are questions, not to be answered, but to be questioned again. The words will oscillate in and out of the square construction found in his poems, out of the borders of the page, out of the rectangle of the laptop screen. NOTES (1) Blanchot, Maurice. The Infinite Conversation . Trans. Susan Hanson. Minneapolis: University of Minnesota Press, 1993. 27. EDITORS' NOTE The .pdf above contains about twenty pages of translation and the original Italian poetry. Below we provide only a brief account. The End (an agenda) Parler, ce n’est pas voir. Parler libère la pensée de cette exigence optique qui, dans la tradition occidentale, soumet depuis des millénaires notre approche des choses et nous invite à penser sous la garantie de la lumière ou sous la menace de l’absence de lumière. —Maurice Blanchot in this n-dimensional space i could spy on myself from the cracks while going back and forth from the summer to the wardrobe from the night to the parking lot but something filters in through the half-closed shutters becomes an event enunciation we stay without explanation like parallel curves on the back of a solid growing older she enters the garden always repeats certain phrases the elevator to be redone the neighbor’s music the steps the pavement furls like the leaves of a fern when touched she is framed from behind while she moves rocking she covers distances slowly a bag overflows from the wardrobe something stirs inside but then the suitcase comes open not even by my hand it’s the objects that are starting to filter out the little red haired monster watches idling the appointments written on one of your agendas two years old still seem urgent each letter holds itself upright on the page with flourishes and arabesques each angle has its own geography i’m trying to describe the path the fingers trace on the carpet the zipper takes the opposite route we are suspended on the stairs above the water in the center is the summer seen from above the darkness of the city passes from one headlight to the next the surfaces of our arms cohere and are shiny underneath the blinking of a sign each pore is an open expanse the body dreams the hair gives form to the possible some daring swimmers were throwing themselves into the seine they swam upstream up to the first quay look there could exist behind the screen a room where even when the lamp is out and the curtains drawn even when the suitcase wasn’t closed everything seemed red everything calm construction of a four-dimensional tetrahedron by R. Courant – H. Robbins, What is Mathematics? Oxford University Press, 1941  . (shrink)
"La democracia neopopulista es incluyente de la plebe, de los de abajo", mientras que, en tiempos de globalización, la democracia liberal tiende a conformar "la fachada gestional de las políticas del gran capital internacional", sostiene Roberto Follari, pensando en el presente latinoamericano. Doct..
Francesco guicciardini rather than niccolo machiavelli was the first significant theorist to consider the role of interest in moral and political life, But the idea of interest rose to normative status because traditional natural law ethics, Which repressed the pursuit of interest in the name of right reason, Was transformed in the early modern period. The transformed version, It is proposed, Legitimized the pursuit of interest by introducing a philosophy of ethical egoism.
Son numerosos los filósofos que han tratado sobre las acciones humanas, sobre la relación con la ley natural y la causalidad, así como sobre la relación entre conocimiento y el ser. Roberto Grosseteste, en su obra sobre el Libre arbitrio; está especialmente preocupado, a través de más de la mitad de su obra, de la relación entre la libertad y la subsiguiente necesidad de conocimiento divino. Sus reflexiones son un paso más hacia esta cuestión, y pueden ser relacionadas con (...) las respuestas que se han dado posteriormente acerca de este tema siempre actual. (shrink)
La psicología y los psicólogos han dedicado bastante esfuerzo para conseguir una comprensión mejor y más profundea de las emociones y los sentimientos. Roberto Colom con sus respuestas nos ofrece una visión de primera mano de todas esas aportaciones así como el punto de vista de un psicólogo sobre el valos y la importancia de las emociones, los sntimientos y la vida afectiva en general para la personalidad humana.
Rule and Norm describe the distinctive ways in which power relates with human life either in Ancient Regime or in Modernity as Foucault described it. In its Foucauldian aception biopolitics is the management of Human being as a species. More recent account by Roberto Esposito makes of it a biologization of politics. This article discusses the strengths on Foucault’s approach to biopolitics.
En este pequeño libro, Daniela Calabrò realiza una reconstrucción minuciosa del recorrido que sigue el pensamiento de Roberto Esposito desde sus primeros escritos hasta la actualidad. Con una capacidad de síntesis admirable, la profesora de la Universidad de Salerno identifica y comenta cada uno de las problemáticas y conceptos fundamentales de la obra de Esposito, desde lo impolítico a lo impersonal.
Wonder, miracle, occult science, poetry, and the epistemological implications in Renaissance authors: Marsilio Ficino, Giovanni Pico, Pietro Pomponazzi, Agrippa of Nettesheim, Giordano Bruno, Francesco Patrizi, Tommaso Campanella, Francisco Suárez.