Search results for 'Roland André Delattre' (try it on Scholar)

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  1. Roland André Delattre (1968). Beauty and Sensibility in the Thought of Jonathan Edwards. New Haven, Yale University Press.
     
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  2. Armand A. Maurer & Roland Andre Delattre (1970). Beauty and Sensibility in the Thought of Jonathan Edwards: An Essay in Aesthetics and Theological Ethics. Philosophical Quarterly 20 (81):399.
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  3.  19
    Roland A. Delattre (2003). Aesthetics and Ethics: Jonathan Edwards and the Recovery of Aesthetics for Religious Ethics. Journal of Religious Ethics 31 (2):277 - 297.
    This is a tricentennial riff on the Edwardsean idea that beauty is both the first principle of being and the distinguishing perfection of God. What is really distinctive about Edwards's view of beauty is that it is an ontological reality and consists in joyfully bestowing being and beauty more than in being beautiful, in creative and beautifying activity more than in being beautiful. Edwards was also a pioneer in the way he envisaged a lively universe created by God, not out (...)
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    Jean-Dominique Robert (1979). GRAPPE, André, GUYOT, Roland, Maurice Pradines ou l'épopée de la raison. Laval Théologique et Philosophique 35 (2):213-214.
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    Gerard J. Brault (1995). André de Mandach, Naissance Et Développement de la Chanson de Geste En Europe, 6: Chanson de Roland: Transferts de Mythe Dans le Monde Occidental Et Oriental.(Publications Romanes Et Françaises, 203.) Geneva: Droz, 1993. Paper. Pp. 399; 36 Black-and-White Illustrations. [REVIEW] Speculum 70 (2):358-359.
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  6.  25
    Alan Roland (1996). Cultural Pluralism and Psychoanalysis: The Asian and North American Experience. Routledge.
    The influence of culture and sociohistorical change on all aspects of the psyche and on psychoanalytic theory is the missing dimension in psychoanalysis. This dimension is especially relevant to clinicians in the mental health field--whether psychoanalyst, psychologist, psychiatrist, social worker or marriage counselor--to enable them to understand what is at stake in working with those from various Asian cultures in North America and European societies. It is even more relevant than most clinicians realize to working with those from one's own (...)
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  7.  5
    Roland J. Teske (1976). "Commentaire Litteral de la Logique de Hegel," by Andre Leonard. Modern Schoolman 53 (4):429-430.
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    Roland Galibois (2006). À Propos d'Un Récent Ouvrage d'André Gounelle. Laval Théologique et Philosophique 62 (1):125-132.
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  9. Judith Andre, Leonard M. Fleck & Thomas Tomlinson (2000). On Being Genetically "Irresponsible". Kennedy Institute of Ethics Journal 10 (2):129-146.
    : New genetic technologies continue to emerge that allow us to control the genetic endowment of future children. Increasingly the claim is made that it is morally "irresponsible" for parents to fail to use such technologies when they know their possible children are at risk for a serious genetic disorder. We believe such charges are often unwarranted. Our goal in this article is to offer a careful conceptual analysis of the language of irresponsibility in an effort to encourage more care (...)
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  10.  16
    Philip L. Quinn (2003). Honoring Jonathan Edwards. Journal of Religious Ethics 31 (2):299 - 321.
    In this response to the papers on Jonathan Edwards's ethical thought by Stephen A. Wilson, Gerald R. McDermott, William C. Spohn, and Roland A. Delattre, I comment on their efforts to show that ideas drawn from Edwards can be successfully appropriated for use in contemporary ethics. I conclude that the four authors build a strong cumulative case for the view that some elements of Edwards's thought can serve as resources for our ethical reflections. But I also argue for (...)
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    Paul Ricoeur (1998). Critique and Conviction: Conversations with François Azouvi and Marc de Launay. Columbia University Press.
    _Criticism and Conviction_ offers a rare opportunity to share personally in the intellectual life and journey of the eminent philosopher Paul Ricoeur. Internationally known for his influential works in hermeneutics, theology, psychoanalysis, and aesthetics, until now, Ricoeur has been conspicuously silent on the subject of himself. In this book--a conversation about his life and work with François Azouvi and Marc de Launay--Ricoeur reflects on a variety of philosophical, social, religious, and cultural topics, from the paradoxes of political power to the (...)
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  12.  5
    Thiago Maerki (2015). VAUCHEZ, André. Francisco de Assis, Entre História e Memória. Horizonte 13 (38):1171-1174.
    Resenha da obra: VAUCHEZ, André. Francisco de Assis, Entre História e Memória. Tradução de José David Antunes e Noémia Lopes. Lisboa: Instituto Piaget, 2013. 431 p.
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    Thiago Maerki (2015). VAUCHEZ, André. Francisco de Assis, Entre História e Memória. Horizonte 13 (38):1171-1174.
    Book reviews: VAUCHEZ, André. Francisco de Assis, Entre História e Memória. Tradução de José David Antunes e Noémia Lopes. Lisboa: Instituto Piaget, 2013. 431 p.
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    Anne Boissière (2011). André Schaeffner et les origines corporelles de l'instrument de musique. Methodos 11.
    André Schaeffner (1895-1980), auteur du grand ouvrage Origine des instruments de musique paru en 1936, propose une réflexion sur l’instrument de musique qui est loin d’être confinée au seul champ de l’ethnologie. La considération de la musique de son temps, notamment en l’œuvre de Stravinsky, la méditation sur l’origine du théâtre et sur la tragédie, avec Nietzsche, contribuent à forger une conception de l’instrument qui est inséparable d’une philosophie de la musique. En explorant le thème central des « origines (...)
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  15.  5
    Agnaldo Cuoco Portugal & Abraão Lincoln Ferreria Costa (2011). O Ateísmo Francês Contemporâneo: uma comparação crítica entre Michel Onfray e André Compte-Sponville (Contemporary French Atheism: a Critical Comparison between Michel Onfray and André Comte-Sponville) - DOI: 10.5752/P.2175-5841.2010v8n18p127. [REVIEW] Horizonte 8 (18):127-144.
    Michel Onfray e André Comte-Sponville são os dois mais famosos representantes do ateísmo filosófico francês contemporâneo, que continua uma tradição iniciada no século XVIII de negação irreligiosa da noção monoteísta de Deus. Embora compartilhando várias ideias, como o naturalismo e, obviamente, a rejeição do monoteísmo, suas propostas têm diferenças importantes. Onfray imputa à religião a maioria dos males enfrentados pela humanidade, recusando-se a fazer qualquer concessão à tradição religiosa monoteísta, e propondo uma filosofia libertária de tipo hedonista e materialista. (...)
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  16. Kate Briggs (ed.) (2012). How to Live Together: Novelistic Simulations of Some Everyday Spaces. Cup.
    In _The Preparation of the Novel_, a collection of lectures delivered at a defining moment in Roland Barthes's career, the critic spoke of his struggle to discover a different way of writing and a new approach to life. _The Neutral_ preceded this work, containing Barthes's challenge to the classic oppositions of Western thought and his effort to establish new pathways of meaning. _How to Live Together_ predates both of these achievements, a series of lectures exploring solitude and the degree (...)
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  17. Felicity Colman (2009). Film, Theory and Philosophy: The Key Thinkers. Routledge.
    Philosophy, and in particular continental philosophy, has provided a conceptual underpinning for cinema since its beginnings, especially in the development of cinematic aesthetics. In its turn, film has rethought the abstractions of space and time and the categories of sex and gender and has created new concepts which illuminate phenomenology, metaphysics and epistemology. "Film and Philosophy" brings together leading scholars to provide a detailed overview of the key thinkers who have shaped the field of film philosophy. The thinkers include continental (...)
     
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  18. Felicity Colman (2014). Film, Theory and Philosophy: The Key Thinkers. Routledge.
    Philosophy, and in particular continental philosophy, has provided a conceptual underpinning for cinema since its beginnings, especially in the development of cinematic aesthetics. In its turn, film has rethought the abstractions of space and time and the categories of sex and gender and has created new concepts which illuminate phenomenology, metaphysics and epistemology. "Film and Philosophy" brings together leading scholars to provide a detailed overview of the key thinkers who have shaped the field of film philosophy. The thinkers include continental (...)
     
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  19. Cristina D'ancona Costa, Curzio Chiesa, Léo Freuler & André de Muralt (1999). Métaphysiques Médiévales Études En l'Honneur d'André de Muralt. Revue de Théologie Et de Philosophie.
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  20. Lambros Couloubaritsis, Gilbert Hottois & André Robinet (1987). Penser l'Informatique, Informatiser la Pensée Mélanges Offerts À André Robinet. Monograph Collection (Matt - Pseudo).
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  21. Adam Lowenstein (2014). Dreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media. Cup.
    Video games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many worry film's capacity to record the real is fundamentally changing. Yet the Surrealist movement never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Returning to their interpretation of film's aesthetics and function, this book reads the writing, films, and (...)
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  22. André Mercier, Maja Svilar & A. Held (1983). André Mercier, Physicien Et Métaphysicien. Institut des Sciences Exactes de l'Université de Berne.
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  23. Murray Pomerance & R. Barton Palmer (eds.) (2015). Thinking in the Dark: Cinema, Theory, Practice. Rutgers University Press.
    Today’s film scholars draw from a dizzying range of theoretical perspectives—they’re just as likely to cite philosopher Gilles Deleuze as they are to quote classic film theorist André Bazin. To students first encountering them, these theoretical lenses for viewing film can seem exhilarating, but also overwhelming. _Thinking in the Dark _introduces readers to twenty-one key theorists whose work has made a great impact on film scholarship today, including Rudolf Arnheim, Sergei Eisenstein, Michel Foucault, Siegfried Kracauer, and Judith Butler. Rather (...)
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  24. Murray Pomerance & R. Barton Palmer (eds.) (2015). Thinking in the Dark: Cinema, Theory, Practice. Rutgers University Press.
    Today’s film scholars draw from a dizzying range of theoretical perspectives—they’re just as likely to cite philosopher Gilles Deleuze as they are to quote classic film theorist André Bazin. To students first encountering them, these theoretical lenses for viewing film can seem exhilarating, but also overwhelming. _Thinking in the Dark _introduces readers to twenty-one key theorists whose work has made a great impact on film scholarship today, including Rudolf Arnheim, Sergei Eisenstein, Michel Foucault, Siegfried Kracauer, and Judith Butler. Rather (...)
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  25.  4
    Yves-David Hugot (2013). Où et quand le capitalisme est-il né? Conceptualisations et jeux d'échelle chez Robert Brenner, Immanuel Wallerstein et André Gunder Frank. Actuel Marx 53 (1):76.
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  26. Michael Bishop (2003). Altérités d'André du Bouchet de Hugo, Shakespeare Et Poussin À Celan, Mandelstam Et Giacometti.
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  27. Roger Garaudy & Joseph M. Bernstein (1948). Literature of the Graveyard: Jean-Paul Sartre, François Mauriac, André Malraux, Arthur Koestler. International Publishers.
     
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  28. Louis Marin & Pierre-Antoine Fabre (1999). L''ecriture de Soi Ignace de Loyola, Montaigne, Stendhal, Roland Barthes. Monograph Collection (Matt - Pseudo).
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  29.  4
    Derek Allan (2016). The Death of Beauty: Goya's Etchings and Black Paintings Through the Eyes of André Malraux. History of European Ideas.
    Modern critics often regard Goya's etchings and black paintings as satirical observations on the social and political conditions of the time. In a study of Goya first published in 1950, which seldom receives the attention it merits, the French author and art theorist André Malraux contends that these works have a significance of a much deeper kind. The etchings and black paintings, Malraux argues, represent a fundamental challenge to the European artistic tradition that began with the Renaissance, an essentially (...)
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  30. Achille C. Varzi (2001). Review of André Gallois, Occasions of Identity: The Metaphysics of Persistence, Change, and Sameness. [REVIEW] Australasian Journal of Philosophy 79 (2):291–295.
    Book Information: Occasions of Identity: The Metaphysics of Persistence, Change, and Sameness. By André Gallois. Clarendon Press. Oxford. 1998. Pp. xiii + 296. Hardback, £35.00.
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  31.  86
    Theodore Sider (2001). Occasions of Identity André Gallois. [REVIEW] British Journal for the Philosophy of Science 52 (2):401-405.
    André Gallois’s Occasions of Identity injects a refreshing new perspective into an old debate. Actually, what is new is the advocacy of the perspective: Gallois takes up a view that many consider a non-starter, and shows this reaction to be premature. The debate is over the right way to understand the traditional puzzles involving two things being in the same place at the same time; the perspective is that identity can hold temporarily. Suppose an amoeba, name it AMOEBA, divides (...)
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  32.  5
    Sandrine Bergès (2016). A Republican Housewife: Marie‐Jeanne Phlipon Roland on Women's Political Role. Hypatia 31 (1):107-122.
    In this paper I look at the philosophical struggles of one eighteenth-century woman writer to reconcile a desire and obvious capacity to participate in the creation of republican ideals and their applications on the one hand, and on the other a deeply held belief that women's role in a republic is confined to the domestic realm. I argue that Marie-Jeanne Phlipon Roland's philosophical writings—three unpublished essays, published and unpublished letters, as well as parts of her memoirs—suggest that even though (...)
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  33.  66
    Derek Allan (2009). An Intellectual Revolution: André Malraux and the Temporal Nature of Art. Journal of European Studies 39 (2):198-224.
    Very little has been written in recent decades about the temporal nature of art. The two principal explanations provided by our Western cultural tradition are that art is timeless (`eternal') or that it belongs within the world of historical change. Neither account offers a plausible explanation of the world of art as we know it today, which contains large numbers of works which are self-evidently not timeless because they have been resurrected after long periods of oblivion with significances quite different (...)
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  34.  47
    Leonard J. Waks & Jane Roland Martin (2007). Encounter: The Educational Metamorphoses of Jane Roland Martin. Education and Culture 23 (1):73-83.
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  35. André Gorz (1986). With R. Maischein and M. Jander,'Alienation, Freedom, and Utopia: Interview with André Gorz. Telos: Critical Theory of the Contemporary 67:199-206.
     
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  36.  10
    David Simonetta (2014). Sur le style philosophique d'André Charrak. Remarques autour de Rousseau. De l'empirisme à l'expérienceSur le style philosophique d'André Charrak. Remarques autour de Rousseau. De l'empirisme à l'expérience. [REVIEW] Philosophiques 41 (1):195-214.
    David Simonetta | : À l’occasion de la parution du dernier ouvrage d’André Charrak, Rousseau. De l’empirisme à l’expérience, nous voudrions revenir sur l’itinéraire philosophique de cet auteur, et sur l’évolution qu’a connue sa pensée ces dix dernières années, depuis la parution de son premier livre consacré à l’empirisme continental des Lumières. Cette lecture rétrospective permettra non seulement de mettre en évidence l’enjeu du dernier ouvrage, mais également de tirer les enseignements d’une démarche qui a renouvelé les méthodes de (...)
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  37.  4
    Mark Guglielmetti (2012). Artificial Life, André Bazin and Disney Nature. Philosophy of Photography 3 (1):73-80.
    This article investigates artificial life image-making in relation to and as constituent of the moving image, specifically artificial life visualized in three-dimensional computer-generated space . Of particular interest in this examination is the view or `window', from the virtual camera, into the artificial life computational model or `world' , and how it organizes a dense field of expectations. Analogous to looking through a telescope or microscope, the view into the artificial life world is monocular and often fixed in the world; (...)
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  38.  20
    Derek Allan (2012). 'Les Liaisons Dangereuses' Through the Eyes of André Malraux. Journal of European Studies 42 (2):123-139.
    Choderlos de Laclos’s novel 'Les Liaisons dangereuses', first published in 1782, is regarded as one of the outstanding works of French literature. This article concerns a well known commentary by the twentieth-century writer André Malraux which, though often mentioned by critics, has seldom been studied in detail. The article argues that, while Malraux endorses the favourable modern assessments of 'Les Liaisons dangereuses', his analysis diverges in important respects from prevailing critical opinion. In particular, he regards the work as the (...)
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  39.  9
    Marie Laurence Netter (1999). André GUESLIN, Gens pauvres, Pauvres gens dans la France du XIXe siècle, Paris, Aubier, Collection historique, 1998, 314 p. [REVIEW] Clio 1:22-22.
    Tout au long de ce livre court en filigrane une question récurrente: la pauvreté est-elle un phénomène que l'on peut éradiquer? A ce jour la réponse est non, à l'optimisme des années 60 ayant succédé le constat brutal qu'en cette fin du XXe siècle le nombre des pauvres est en forte augmentation et qu'en la matière, l'Etat-providence a échoué. Le livre d'André Gueslin ne répond pas à cette lancinante question mais montre très bien comment, au XIXe siècle, de nouvelles (...)
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  40.  32
    Derek Allan (2009). 'Reckless Inaccuracies Abounding': André Malraux and the Birth of a Myth. Journal of Aesthetics and Art Criticism 67 (2):147-158..
    After an initial period of popularity in the 1960s and 1970s, André Malraux’s works on the theory of art, "The Voices of Silence" and "The Metamorphosis of the Gods", lapsed into relative obscurity. A major factor in this fall from grace was the frosty reception given to these works by a number of leading art historians, including E.H. Gombrich, who accused Malraux of an irresponsible approach to art history and of "reckless inaccuracies". This essay examines a representative sample of (...)
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  41.  8
    André Couture (1993). PADOUX, André, Vac, the Concept of the Word in Selected Hindu TantrasPADOUX, André, Vac, the Concept of the Word in Selected Hindu Tantras. Laval Théologique et Philosophique 49 (1):168-169.
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  42.  1
    Roland Puccetti (1967). The Loving God—Some Observations on John Hick's Evil and the God of Love: Roland Puccetti. Religious Studies 2 (2):255-268.
    Philosophers of religion divide neatly into two camps on the problem of evil: those who think it fatal to the concept of a loving God and those who do not. The latter have established a wide array of defensive positions down through the centuries, but none that has proved impregnable to sceptical attack. In his new book Mr Hick wisely abandons these older fortifications and falls back on highly mobile reserves. Not for him the ‘Fall of Man’ thesis, with its (...)
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  43.  14
    John Collins Harvey (2004). André Hellegers and Carroll House: Architect and Blueprint for the Kennedy Institute of Ethics. Kennedy Institute of Ethics Journal 14 (2):199-206.
    : The Newman programs established at secular colleges and universities provided an opportunity for intellectual, spiritual, and social growth among the Catholic student population. As a young physician and junior medical faculty member, André Hellegers took part in the early organization and ongoing work of Carroll House, the Newman Center at the Johns Hopkins Medical Institutions. Hellegers's experience at Carroll House enabled him to develop a clear blueprint of an academic center of excellence for the scientific, theological, and philosophical (...)
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  44.  22
    Huib Looren de Jong, Sacha Bem & Maurice Schouten (2004). Theory in Psychology: A Review Essay of Andre Kukla's Methods of Theoretical Psychology. [REVIEW] Philosophical Psychology 17 (2):275 – 295.
    This review essay critically discusses Andre Kukla's Methods of theoretical psychology. It is argued that Kukla mistakenly tries to build his case for theorizing in psychology as a separate discipline on a dubious distinction between theory and observation. He then argues that the demise of empiricism implies a return of some form of rationalism, which entails an autonomous role for theorizing in psychology. Having shown how this theory-observation dichotomy goes back to traditional and largely abandoned ideas in epistemology, an alternative (...)
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  45. Pierre-André Taguieff (1993). An Interview with Pierre-André Taguieff. Telos: Critical Theory of the Contemporary 98 (winter/spring).
     
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  46.  5
    Chiara Piazzesi (2011). La Solitude du Discours Amoureux Aujourd'hui. Réflexions À Partir de Roland Barthes Et Une Critique. Phaenex 6 (2):131-162.
    L’article offre une discussion de l’affirmation qui ouvrait en 1977 les Fragments d’un discours amoureux de Roland Barthes, selon laquelle le discours amoureux se trouvait dans une condition d’extrême solitude. Afin de comprendre cette affirmation, on commence par un aperçu des caractéristiques du discours amoureux, pour montrer en quelle mesure son incohérence et sa fragmentation lui sont constitutives. Ensuite, on analyse le projet barthésien de restituer une dignité à ce discours et à l’expérience qu’il véhicule — de le soustraire (...)
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  47.  3
    Laurent Le Bon & Huesca (2013). Propos autour du catalogue d'expo…. Entretien avec Roland Huesca. le Portique 30 (30).
    Laurent Le Bon, directeur du Centre Pompidou-Metz, dévoile au cours d’un entretien avec Roland Huesca l’histoire, les atours et les enjeux de l’écriture de plusieurs catalogues d’expositions : à l’affiche Dada, Chefs-d’œuvre ?..
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  48.  5
    O. Chateaubriand (2008). Proof and Infinity: Response to André Porto. Manuscrito 31 (1):45-49.
    The main issue André Porto raises in his paper concerns the use of dot notation to indicate an infinite set of hypotheses. Whereas I agree that one cannot extract a unique infinite expansion from a finite initial segment, in my response I argue that this holds for finite expansions as well. I further explain how my remarks on infinite proof structures are neither motivated by the impact of Gödel’s incompleteness theorems on Hilbert’s program, nor by a negative view of (...)
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  49.  4
    André Berger, Jacques-Louis de Beaulieu & Claude Millier (2012). André Berger, de la Théorie Astronomique au Réchauffement Global Et au Développement Durable. Natures Sciences Sociétés 20 (3):343-352.
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  50.  3
    Thomas J. Armbrecht (2014). Performance Degree Zero: Roland Barthes and the Theatre by Timothy Scheie (Review). Substance 43 (2):207-211.
    Timothy Scheie’s book on the importance of the theatre in Roland Barthes’ oeuvre begins with what Scheie poses as an enigma: Barthes wrote frequently of the theatre at the beginning of his career and then ceased to do so, without comment, after 1960. Scheie argues that Barthes’ abandonment of the theatre reveals something important about the development of his thoughts and even about his life. Scheie also considers Barthes’ early theatrical criticism and later use of theatrical metaphors to be (...)
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