Online research in philosophy

In this article, the author analyses Cernuda’s long poem “Lazaro”, in order to elucidate the inner relation between desire and reality that is central in his entire work. That relation is important not only in order to understand how imagination influences poetical creation, but also how poetical creativity acquires its autonomy and independency.

We describe a number of puzzling phenomena and use them as evidence for a hypothesis about why bodily continuity matters for personal identity. The phenomena all belong to a particular kind of symbolisation: each of them illustrates how an entity (object or person) sometimes acquires symbolic significance in virtue of a material link with the symbolised entity. Relics are the most obvious example of what happens here: they are cherished, desired or respected, not because of their intrinsic features, but because (...) of their material link with some significant individual person. Crucial for the hypothesis we wish to defend, is the fact that a human being can in some cases and for some others function as a relic of what she used to be; in these cases a human individual has a specific significance in virtue of a material link (bodily continuity) with her own past. We argue that this phenomenon can be extended and that the importance of bodily continuity for personal identity is constituted by the kind of symbolisation upon which the existence of relics is based.1. (shrink)

With his notion of absolute consciousness, Sartre tries to rethink the relation between consciousness and the self. What is the origin of subjectivity in relation to a consciousness that is characterized as impersonal and as a radical lucidity? In this article, I attempt to question that origin and the nature as such of the subject in its relation to a consciousness that in its essence is not yet subjective. On the contrary, it is characterized by a selfpresence that is so (...) radical that it threatens every form of self-knowledge. (shrink)

In The Transcendence of the Ego Sartre deals with the idea of the self and of its relation to what he calls 'pure consciousness'. Pure consciousness is an impersonal transcendental field, in which the self is produced in such a way that consciousness thereby disguises its 'monstrous spontaneity'. I want to explore to what extent the ego is to be understood as a result of absolute consciousness. I also claim that the idea of the self Sartre has in mind is (...) Bergson's 'moi profond'. Since this 'deeper self' has to be understood as a result of an impersonal transcendental field, it loses its central position in consciousness. Sartre claims that the ego is not transcendental, as Husserl had claimed, but transcendent to consciousness. But can the role of Husserl's transcendental ego be reduced to that transcendent Bergsonian 'deeper self'? Isn't there something irreducible in Husserl's transcendental ego? (shrink)