Search results for 'Russian literature History and criticism' (try it on Scholar)

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  1. Edith W. Clowes (1988). The Revolution of Moral Consciousness: Nietzsche in Russian Literature, 1890-1914. Northern Illinois University Press.
  2. Anthony M. Mlikotin (ed.) (1979). Western Philosophical Systems in Russian Literature: A Collection of Critical Studies. University of Southern California Press.
     
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  3.  11
    Eva L. Corredor (1996). Book Review: A History of Modern Criticism: 1750-1950, Volume 7: German, Russian, and Eastern European Criticism, 1900-1950. [REVIEW] Philosophy and Literature 20 (1):259-260.
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  4.  7
    René Wellek (1996). Book Review: A History of Modern Criticism: 1750-1950, Volume 7: German, Russian, and Eastern European Criticism, 1900-1950. [REVIEW] Philosophy and Literature 20 (1).
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  5.  2
    Milan Subotic (2011). Moscow, the Third Rome: A Contribution to History of Russian Messianism, 2nd Part. Filozofija I Društvo 22 (2):105-128.
    In the second part of the text about the Filofei’s doctrine of “Moscow, Third Rome,” the author deals with its reception in later periods of Russian intellectual and political history. Although this doctrine in its original form had no explicit imperial or foreign-political connotation, this paper analyzes the interpretations of the “Third Rome idea” that had significant political consequences. Internally, this idea was used by Prince Kurbskii for the criticism of Ivan the Terrible’s politics , as well (...)
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  6. Giovanni Gullace (ed.) (1981). Benedetto Croce, Poetry and Literature: An Introduction to its Criticism and History. Southern Illinois University Press.
    Benedetto Croce’s influence pervades Anglo-Saxon culture, but, ironically, before Giovanni Gullace heeded the call of his colleagues and provided this urgently needed translation of _La Poesia, _speakers of English had no access to Croce’s major work and final rendering of his esthetic theory.__ __ _Aesthetic, _published in 1902 and translated in 1909, represents most of what the English-speaking world knows about Croce’s theory. It is, asserts Gullace, “no more than a first sketch of a thought that developed, clarified, and corrected (...)
     
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  7.  50
    Robert C. Williams (2001). "We Are Who We Are": Humanity and Divinity in Russian Literature and History. History and Theory 40 (2):272–279.
  8.  1
    Bluitgen KÃ¥re (2009). Picturing the Prophets: Should Art Create Doubt?: Children's Literature -- History and Criticism. Journal of the History of Philosophy 47 (3):10-14.
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  9.  15
    Victor Terras (1999). Anyone Contemplating to Write a Narrative History of a National Literature, That is, a Work Which is More Than a Mere Chronicle, Catalogue, or Collection of Articles, Loosely Connected by Their Subject, Will Face Several Questions. Empirically, Such Enterprise Would Seem to Presuppose, at Least, the Existence of a National Language and a Cultural Identity, as Well as, Almost Inevitably, a Certain Amount of Linkage to Political and Social History. In the Case of Russian Literature, All of These .. [REVIEW] Sign Systems Studies 27:271-291.
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  10. Horace W. Dewey (1961). History of Russian Literature From the Eleventh Century to the End of the BaroqueDmitrij Čiz̆evskij. Speculum 36 (4):645-646.
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  11.  17
    Clifford Andenberg (1983). Benedetto Croce: Poetry and Literature: An Introduction to Its Criticism and History. Translated with an Introduction and Notes by Giovanni Gullace. Modern Schoolman 61 (1):56-57.
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  12. Pieranna Garavaso, W. G. Regier, Benedetto Croce & Giovanni Gullace (1983). Poetry and Literature: An Introduction to Its Criticism and History. Substance 12 (4):95.
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  13. Suzanne Gearhart (1987). History as Criticism: The Dialogue of History and Literature. Diacritics 17 (3):56-65.
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  14. Wesley Morris (2015). Chapter II. Literary History and Literary Criticism Literature's Dual Mode o£ Existence. In Toward a New Historicism. Princeton University Press 14-32.
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  15. V. G. Arslanov (2007). Postmodernizm I Russkiĭ "Tretiĭ Putʹ": Tertium Datur Rossiĭskoĭ Kulʹtury Xx Veka. Kulʹturnai͡a Revoli͡ut͡sii͡a.
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  16. Vissarion Grigoryevich Belinsky (1956). Selected Philosophical Works. Hyperion Press.
     
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  17. N. A. Dobroli͡ubov (1948). Selected Philosophical Essays. Hyperion Press.
     
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  18. Nadezhda Grigorʹeva, Schamma Schahadat & I. P. Smirnov (eds.) (2010). Das Konzept der Synthese Im Russischen Denken: Künste - Medien - Diskurse = Poni͡atie Sinteza V Russkoĭ Mysli: Iskusstva - Media - Diskursy. Otto Sagner.
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  19. Evgeniĭ Sergeevich Gromov (2004). Iskusstvo I Germenevtika: V Ee Ėsteticheskikh I Sot͡siologicheskikh Izmerenii͡akh. Aleteĭi͡a.
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  20. Vilen Serhiĭovych Horsʹkyĭ (ed.) (2004). Davnʹorusʹki Li͡ubomudry. Vydavnychyǐ Dim "Km Akademii͡a".
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  21. Me-lce (2005). Khu Sim Khad Kyis Dkrog. Kan-SuʼU Mi Rigs Dpe Skrun Khaṅ.
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  22. I͡U Nikolaev (2012). Vo Chto Verovali Russkie Pisateli?: Literaturnai͡a Kritika I Religiozno-Filosofskai͡a Publit͡sistika. Rostok.
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  23. Vladislav Otroshenko (2005). Taĭnai͡a Istorii͡a Tvoreniĭ: Kniga Ėsse-Novell. Kulʹturnai͡a Revoli͡ut͡sii͡a.
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  24. E. B. Rashkovskiĭ (2005). Osoznannai͡a Svoboda: Materialy K Istorii Mysli I Kulʹtury Xviii-Xx Stoletiĭ. Novyĭ Khronograf.
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  25. Alekseĭ Zherebin (2004). Vertikalʹnai͡a Linii͡a: Filosofskai͡a Proza Avstrii V Russkoĭ Perspektive. Mir.
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  26. Frederic Will (1988). Thresholds & Testimonies: Recovering Order in Literature and Criticism. Wayne State University Press.
     
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  27. Vishwanath Pandey (ed.) (1976). The Orient: The World of Jainism: Jaina History, Art, Literature, Philosophy and Religion. Pandey.
    Pandey, V. Introduction.--Kalelkar, K. S. Jainism, a familyhood of all religions.--David, M. D. From Risabha to Mahavira.--Chalil, J. E. Glimpses of Southern Jainism.--Gopani, A. S. Life and culture in Jaina narrative literature, 8th, 9th and 10th century A.D.--Gopani, A. S. Position of women in Jaina literature.--Ranka, R. Evolution of Jaina thought.--Pandey, V. Jaina philosophy and religion.--Shah, C. C. Jainism and modern life.--Sankalia, H. D. The great renunciation.--Shah, U. P. Jaina contribution to Indian art.--Gorakshkar, S. Early metal images of (...)
     
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  28. Dorota Heck (2010). Four Dilemmas: Theory, Criticism, History, Faith: Sketches on the Threshold of Literary Anthropology. Księgarnia Akademicka.
    Dilemma one, Between the theoretical concepts and authorial intention -- Dilemma two, Good manners and eristic -- Dilemma three, Between strangeness and familiarity -- Dilemma four, Between scholarly research and faith.
     
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  29. D. N. Shanbhag, K. B. Archak & Michael (eds.) (2007). Science, History, Philosophy, and Literature in Sanskrit Classics: Dr. D.N. Shanbhag Felicitation Volume. Sundeep Prakashan.
     
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  30. D. N. Shanbhag, K. B. Archak & Michael (eds.) (2007). Science, History, Philosophy, and Literature in Sanskrit Classics: Dr. Sundeep Prakashan.
     
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  31.  12
    Richard Hellie (2005). The Structure of Russian Imperial History. History and Theory 44 (4):88–112.
    Path dependency is a most valuable tool for understanding Russian history since 1480, which coincides with the ending of the “Mongol yoke,” Moscow’s annexation of northwest Russia, formerly controlled by Novgorod, and the introduction of a new method for financing the cavalry—the core of a new service class. The cavalry had to hold off formidable adversaries for Muscovy to retain its independence. Russia in 1480 was a poor country lacking subsurface mineral resources and with a very poor climate (...)
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  32.  3
    David Couzens Hoy (1979). The Critical Circle. Literature, History, and Philosophical Hermeneutics. Journal of Aesthetics and Art Criticism 37 (3):360-363.
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  33.  6
    Thomas Docherty (1999). Criticism and Modernity: Aesthetics, Literature, and Nations in Europe and its Academies. OUP Oxford.
    Can subjective taste regulate social norms or political practices? This book argues that from the late seventeenth century to the present national cultures have sought to regulate the democratic subject through the academic form of arguments about the proper relations of aesthetics to ethics and politics. In so doing it offers a radical reconsideration of the history of modernity, tracing the emergence of criticism as a socio-cultural practice across all the major European nations, and drawing on an extensive (...)
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  34.  4
    A. A. Galaktionov & P. F. Nikandrov (1967). Slavophilism, its National Roots and its Place in the History of Russian Thought. Russian Studies in Philosophy 6 (2):22-32.
    At present, large teams are at work in virtually all branches of Soviet historical scholarship writing major works of synthesis that present the results of long years of research into the history of literature, economic and political thought, ethics, esthetics, philosophy, and sociology. These works deal with currents that have played any significant role whatever in the history of Russian thought. The greatest attention is given to the Decembrists, the Revolutionary Democrats, the Narodniks, and the (...) Marxists. These trends in the intellectual and socio-political movements have been studied in greater or lesser detail, with the exception perhaps of the Narodnik movement, to which, however, the attention of many historians is now being directed. (shrink)
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  35.  16
    Evert Van Der Zweerde (2001). The Normalization of the History of Philosophy in Post-Soviet Russian Philosophical Culture. The Proceedings of the Twentieth World Congress of Philosophy 12:95-104.
    The notion of ‘philosophical culture’ can be defined as the totality of conditions of philosophical thought and theory. Among these conditions is an awareness of the historical background of the philosophical culture in question. This awareness, which plays an important cognitive and normative role, often takes the form of a relatively independent discipline: history of philosophy. Over the last decade, Russian historians of philosophy have been attempting to make the repressed past accessible to contemporary philosophy, often modifying their (...)
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  36.  3
    Evert van der Zweerde (2001). The Normalization of the History of Philosophy in Post-Soviet Russian Philosophical Culture. The Proceedings of the Twentieth World Congress of Philosophy 2001:95-104.
    The notion of ‘philosophical culture’ can be defined as the totality of conditions of philosophical thought and theory. Among these conditions is an awareness of the historical background of the philosophical culture in question. This awareness, which plays an important cognitive and normative role, often takes the form of a relatively independent discipline: history of philosophy. Over the last decade, Russian historians of philosophy have been attempting to make the repressed past accessible to contemporary philosophy, often modifying their (...)
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  37. Robert Markley (1989). What Isn't History: The Snares of Demystifying Ideological Criticism. Critical Inquiry 15 (3):647-657.
    Oscar Kenshur’s “Demystifying the Demystifiers: Metaphysical Snares of Ideological Criticism” should go a long way toward convincing most readers that the cure for “ideological” criticism is worse than the disease. His attempt to uncouple ideology and epistemology in Thomas Hobbes’ Leviathan and Michael Ryan’s Marxism and Deconstruction belongs to an increasingly popular subgenre of metacriticism, the “more-historical-than-thou” offensive against Marxists and new historicists for their alleged essentialist procedures.1 There is no question that Kenshur raises significant issues about the (...)
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  38. David Simpson (1988). Literary Criticism and the Return to "History". Critical Inquiry 14 (4):721-747.
    If any emergent historical criticism will tend by its own choice toward inclusiveness and eclecticism, it is also likely to be constrained by more subtle forms of complicity with the theoretical subculture within which it seeks its audience. It is not in principle impossible that we might choose to set going an initiative that is very different indeed from the methods and approaches already in place. But is nonetheless clear that we must be aware, in some propaedeutic way, of (...)
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  39.  17
    Martin Paulsen (2008). Literary Critics in a New Era. Studies in East European Thought 60 (3):251 - 260.
    In this article I look at changes in the role of literary criticism in Russian literature since perestroika. The article draws on the research of Sergej Čuprinin and Birgit Menzel. Based on my readings of the debate among literary critics about what literary criticism is and should be, and focusing on the interrelationship in the triangle writer-critic-reader, I establish a typology of contemporary literary criticism: 1. the critic as a master of the “literary process”, 2. (...)
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  40.  98
    Bruno Snell (1960). The Discovery of the Mind: In Greek Philosophy and Literature. Dover.
    German classicist's monumental study of the origins of European thought in Greek literature and philosophy. Brilliant, widely influential. Includes "Homer's View of Man," "The Olympian Gods," "The Rise of the Individual in the Early Greek Lyric," "Pindar's Hymn to Zeus," "Myth and Reality in Greek Tragedy," and "Aristophanes and Aesthetic Criticism.".
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  41. John M. Burke (1989). The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault and Derrida. Dissertation, The University of Edinburgh (United Kingdom)
    Available from UMI in association with The British Library. Requires signed TDF. ;This thesis proposes that the death of the author is neither a desirable, nor properly attainable goal of criticism, and that the concept of the author remained profoundly active even--and especially--as its disappearance was being articulated. ;As the phrase implies, the death of the author is seen to repeat the Nietzschean deicide. In Barthes, the idea of the author is explicitly connected to that of God, for Foucault (...)
     
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  42.  18
    Maurice S. Lee (2005). Slavery, Philosophy, and American Literature, 1830-1860. Cambridge University Press.
    Examining the literature of slavery and race before the Civil War, Maurice Lee demonstrates for the first time exactly how the slavery crisis became a crisis of philosophy that exposed the breakdown of national consensus and the limits of rational authority. Poe, Stowe, Douglass, Melville, and Emerson were among the antebellum authors who tried - and failed - to find rational solutions to the slavery conflict. Unable to mediate the slavery controversy as the nation moved toward war, their writings (...)
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  43. Siegfried J. Schmidt (2011). Transitions: Language, Literature, Media. Peter Lang.
    Precursors of the linguistic turn: German philosophy of language in the late 19th century -- From text to discourse: a shift towards a pragmatic interpretation of "fictionality" -- Projecting a science of literature: on a theoretical basis for a rational science of literature -- The empirical science of literature ESL: a new paradigm -- From literary communication to literary systems -- Implementations: conventions and literary systems -- Unfinished business: literary history -- Changes in epistemology: media revisited (...)
     
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  44.  16
    Patrick Colm Hogan (2003). Cognitive Science, Literature, and the Arts: A Guide for Humanists. Routledge.
    Cognitive Science, Literature, and the Arts is the first student-friendly introduction to the uses of cognitive science in the study of literature, written specifically for the non-scientist. Patrick Colm Hogan guides the reader through all of the major theories of cognitive science, focusing on those areas that are most important to fostering a new understanding of the production and reception of literature. This accessible volume provides a strong foundation of the basic principles of cognitive science, and allows (...)
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  45.  5
    Dimitri Bayuk (2002). Literature, Music, and Science in Nineteenth Century Russian Culture: Prince Odoyevskiy’s Quest for a Natural Enharmonic Scale. Science in Context 15 (2).
    Known today mostly as an author of Romantic short stories and fairy tales for children, Prince Vladimir Odoyevskiy was a distinguished thinker of his time, philosopher and bibliophile. The scope of his interests includes also history of magic arts and alchemy, German Romanticism, Church music. An attempt to understand the peculiarity of eight specific modes used in chants of Russian Orthodox Church led him to his own musical theory based upon well-known writings by Zarlino, Leibniz, Euler, Prony. He (...)
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  46.  98
    Frank Palmer (1992). Literature and Moral Understanding: A Philosophical Essay on Ethics, Aesthetics, Education, and Culture. Clarendon Press.
    Recent philosophical discussion about the relation between fiction and reality pays little attention to our moral involvement with literature. Frank Palmer's purpose is to investigate how our appreciation of literary works calls upon and develops our capacity for moral understanding. He explores a wide range of philosophical questions about the relation of art to morality, and challenges theories that he regards as incompatible with a humane view of literary art. Palmer considers, in particular, the extent to which the values (...)
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  47. R. G. Collingwood (2005). The Philosophy of Enchantment: Studies in Folktale, Cultural Criticism, and Anthropology. Oxford University Press.
    This is the long-awaited publication of a set of writings by the British philosopher, historian, and archaeologist R.G. Collingwood (1889-1943) on critical, anthropological, and cultural themes only hinted at in his previously available work. At the core are six essays on folktale and magic in which Collingwood applies the principles of his philosophy of history to problems in the long-term evolution of human society and culture. The volume opens with three substantial introductory essays by the editors, authorities in their (...)
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  48.  21
    Wiebke Denecke (2010). The Dynamics of Masters Literature: Early Chinese Thought From Confucius to Han Feizi. Distributed by Harvard University Press.
    Introduction: Chinese philosophy and the translation of disciplines -- The faces of masters literature until the Eastern Han -- Scenes of instruction and master bodies in the Analects -- From scenes of instruction to scenes of construction: Mozi -- Interiority, human nature, and exegesis in Mencius -- Authorship, human nature, and persuasion in Xunzi -- The race for precedence: polemics and the vacuum of traditions in Laozi -- Zhuangzi and the art of negation -- The self-regulating state, paranoia, and (...)
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  49.  7
    Richard Shusterman (1988). T.S. Eliot and the Philosophy of Criticism. Columbia University Press.
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  50.  2
    Nathalia Jabur (2010). Education as Resistance in Literary Criticism and Journalism: Between Professionalization and Democratization of Literature. Cosmos and History: The Journal of Natural and Social Philosophy 6 (2):148-161.
    Professionalization and political engagement are usually placed as incompatible in the case of journalism and the mainstream press, resulting in an identification of cultural resistance exclusively with alternative/amateur vehicles. I will use the concept of journalistic field as introduced by Pierre Bourdieu to review these assumptions and to discuss a form of political resistance that acts in one’s own area of knowledge, is not overtly political and whose effects are not immediately accountable for.Drawing examples from my research on two literary (...)
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