Search results for 'Russian literature History and criticism' (try it on Scholar)

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  1. Edith W. Clowes (1988). The Revolution of Moral Consciousness: Nietzsche in Russian Literature, 1890-1914. Northern Illinois University Press.score: 672.0
  2. Anthony M. Mlikotin (ed.) (1979). Western Philosophical Systems in Russian Literature: A Collection of Critical Studies. University of Southern California Press.score: 672.0
     
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  3. Eva L. Corredor (1996). Book Review: A History of Modern Criticism: 1750-1950, Volume 7: German, Russian, and Eastern European Criticism, 1900-1950. [REVIEW] Philosophy and Literature 20 (1):259-260.score: 552.0
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  4. René Wellek (1996). Book Review: A History of Modern Criticism: 1750-1950, Volume 7: German, Russian, and Eastern European Criticism, 1900-1950. [REVIEW] Philosophy and Literature 20 (1).score: 552.0
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  5. Robert C. Williams (2001). "We Are Who We Are": Humanity and Divinity in Russian Literature and History. History and Theory 40 (2):272–279.score: 436.5
  6. Victor Terras (1999). Anyone Contemplating to Write a Narrative History of a National Literature, That is, a Work Which is More Than a Mere Chronicle, Catalogue, or Collection of Articles, Loosely Connected by Their Subject, Will Face Several Questions. Empirically, Such Enterprise Would Seem to Presuppose, at Least, the Existence of a National Language and a Cultural Identity, as Well as, Almost Inevitably, a Certain Amount of Linkage to Political and Social History. In the Case of Russian Literature, All of These .. [REVIEW] Sign Systems Studies 27:271-291.score: 427.5
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  7. Clifford Andenberg (1983). Benedetto Croce: Poetry and Literature: An Introduction to Its Criticism and History. Translated with an Introduction and Notes by Giovanni Gullace. Modern Schoolman 61 (1):56-57.score: 405.0
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  8. Suzanne Gearhart (1987). History as Criticism: The Dialogue of History and Literature. Diacritics 17 (3):56-65.score: 405.0
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  9. V. G. Arslanov (2007). Postmodernizm I Russkiĭ "Tretiĭ Putʹ": Tertium Datur Rossiĭskoĭ Kulʹtury Xx Veka. Kulʹturnai͡a Revoli͡ut͡sii͡a.score: 402.0
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  10. Vissarion Grigoryevich Belinsky (1956/1981). Selected Philosophical Works. Hyperion Press.score: 402.0
     
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  11. N. A. Dobroli͡ubov (1948/1983). Selected Philosophical Essays. Hyperion Press.score: 402.0
     
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  12. Nadezhda Grigorʹeva, Schamma Schahadat & I. P. Smirnov (eds.) (2010). Das Konzept der Synthese Im Russischen Denken: Künste - Medien - Diskurse = Poni͡atie Sinteza V Russkoĭ Mysli: Iskusstva - Media - Diskursy. Otto Sagner.score: 402.0
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  13. Evgeniĭ Sergeevich Gromov (2004). Iskusstvo I Germenevtika: V Ee Ėsteticheskikh I Sot͡siologicheskikh Izmerenii͡akh. Aleteĭi͡a.score: 402.0
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  14. Vilen Serhiĭovych Horsʹkyĭ (ed.) (2004). Davnʹorusʹki Li͡ubomudry. Vydavnychyǐ Dim "Km Akademii͡a".score: 402.0
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  15. Me-lce (2005). Khu Sim Khad Kyis Dkrog. Kan-SuʼU Mi Rigs Dpe Skrun Khaṅ.score: 402.0
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  16. I͡U Nikolaev (2012). Vo Chto Verovali Russkie Pisateli?: Literaturnai͡a Kritika I Religiozno-Filosofskai͡a Publit͡sistika. Rostok.score: 402.0
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  17. Vladislav Otroshenko (2005). Taĭnai͡a Istorii͡a Tvoreniĭ: Kniga Ėsse-Novell. Kulʹturnai͡a Revoli͡ut͡sii͡a.score: 402.0
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  18. E. B. Rashkovskiĭ (2005). Osoznannai͡a Svoboda: Materialy K Istorii Mysli I Kulʹtury Xviii-Xx Stoletiĭ. Novyĭ Khronograf.score: 402.0
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  19. Alekseĭ Zherebin (2004). Vertikalʹnai͡a Linii͡a: Filosofskai͡a Proza Avstrii V Russkoĭ Perspektive. Mir.score: 396.0
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  20. Frederic Will (1988). Thresholds & Testimonies: Recovering Order in Literature and Criticism. Wayne State University Press.score: 373.5
     
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  21. Vishwanath Pandey (ed.) (1976). The Orient: The World of Jainism: Jaina History, Art, Literature, Philosophy and Religion. Pandey.score: 360.0
    Pandey, V. Introduction.--Kalelkar, K. S. Jainism, a familyhood of all religions.--David, M. D. From Risabha to Mahavira.--Chalil, J. E. Glimpses of Southern Jainism.--Gopani, A. S. Life and culture in Jaina narrative literature, 8th, 9th and 10th century A.D.--Gopani, A. S. Position of women in Jaina literature.--Ranka, R. Evolution of Jaina thought.--Pandey, V. Jaina philosophy and religion.--Shah, C. C. Jainism and modern life.--Sankalia, H. D. The great renunciation.--Shah, U. P. Jaina contribution to Indian art.--Gorakshkar, S. Early metal images of (...)
     
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  22. Dorota Heck (2010). Four Dilemmas: Theory, Criticism, History, Faith: Sketches on the Threshold of Literary Anthropology. Księgarnia Akademicka.score: 351.0
    Dilemma one, Between the theoretical concepts and authorial intention -- Dilemma two, Good manners and eristic -- Dilemma three, Between strangeness and familiarity -- Dilemma four, Between scholarly research and faith.
     
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  23. D. N. Shanbhag, K. B. Archak & Michael (eds.) (2007). Science, History, Philosophy, and Literature in Sanskrit Classics: Dr. D.N. Shanbhag Felicitation Volume. Sundeep Prakashan.score: 351.0
     
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  24. D. N. Shanbhag, K. B. Archak & Michael (eds.) (2007). Science, History, Philosophy, and Literature in Sanskrit Classics: Dr. Sundeep Prakashan.score: 351.0
     
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  25. Evert Van Der Zweerde (2001). The Normalization of the History of Philosophy in Post-Soviet Russian Philosophical Culture. The Proceedings of the Twentieth World Congress of Philosophy 12:95-104.score: 261.0
    The notion of ‘philosophical culture’ can be defined as the totality of conditions of philosophical thought and theory. Among these conditions is an awareness of the historical background of the philosophical culture in question. This awareness, which plays an important cognitive and normative role, often takes the form of a relatively independent discipline: history of philosophy. Over the last decade, Russian historians of philosophy have been attempting to make the repressed past accessible to contemporary philosophy, often modifying their (...)
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  26. Martin Paulsen (2008). Literary Critics in a New Era. Studies in East European Thought 60 (3):251 - 260.score: 256.5
    In this article I look at changes in the role of literary criticism in Russian literature since perestroika. The article draws on the research of Sergej Čuprinin and Birgit Menzel. Based on my readings of the debate among literary critics about what literary criticism is and should be, and focusing on the interrelationship in the triangle writer-critic-reader, I establish a typology of contemporary literary criticism: 1. the critic as a master of the “literary process”, 2. (...)
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  27. Bruno Snell (1960/1982). The Discovery of the Mind: In Greek Philosophy and Literature. Dover.score: 252.0
    German classicist's monumental study of the origins of European thought in Greek literature and philosophy. Brilliant, widely influential. Includes "Homer's View of Man," "The Olympian Gods," "The Rise of the Individual in the Early Greek Lyric," "Pindar's Hymn to Zeus," "Myth and Reality in Greek Tragedy," and "Aristophanes and Aesthetic Criticism.".
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  28. Maurice S. Lee (2005). Slavery, Philosophy, and American Literature, 1830-1860. Cambridge University Press.score: 252.0
    Examining the literature of slavery and race before the Civil War, Maurice Lee demonstrates for the first time exactly how the slavery crisis became a crisis of philosophy that exposed the breakdown of national consensus and the limits of rational authority. Poe, Stowe, Douglass, Melville, and Emerson were among the antebellum authors who tried - and failed - to find rational solutions to the slavery conflict. Unable to mediate the slavery controversy as the nation moved toward war, their (...)
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  29. Siegfried J. Schmidt (2011). Transitions: Language, Literature, Media. Peter Lang.score: 252.0
    Precursors of the linguistic turn: German philosophy of language in the late 19th century -- From text to discourse: a shift towards a pragmatic interpretation of "fictionality" -- Projecting a science of literature: on a theoretical basis for a rational science of literature -- The empirical science of literature ESL: a new paradigm -- From literary communication to literary systems -- Implementations: conventions and literary systems -- Unfinished business: literary history -- Changes in epistemology: media revisited (...)
     
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  30. R. G. Collingwood (2005). The Philosophy of Enchantment: Studies in Folktale, Cultural Criticism, and Anthropology. Oxford University Press.score: 225.0
    This is the long-awaited publication of a set of writings by the British philosopher, historian, and archaeologist R.G. Collingwood (1889-1943) on critical, anthropological, and cultural themes only hinted at in his previously available work. At the core are six essays on folktale and magic in which Collingwood applies the principles of his philosophy of history to problems in the long-term evolution of human society and culture. The volume opens with three substantial introductory essays by the editors, authorities in their (...)
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  31. Garry Hagberg & Walter Jost (eds.) (2010). A Companion to the Philosophy of Literature. Wiley-Blackwell.score: 225.0
    This monumental collection of new and recent essays from an international team of eminent scholars represents the best contemporary critical thinking relating to both literary and philosophical studies of literature. Helpfully groups essays into the field's main sub-categories, among them ‘Relations Between Philosophy and Literature’, ‘Emotional Engagement and the Experience of Reading’, ‘Literature and the Moral Life’, and ‘Literary Language’ Offers a combination of analytical precision and literary richness Represents an unparalleled work of reference for students and (...)
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  32. Wiebke Denecke (2010). The Dynamics of Masters Literature: Early Chinese Thought From Confucius to Han Feizi. Distributed by Harvard University Press.score: 225.0
    Introduction: Chinese philosophy and the translation of disciplines -- The faces of masters literature until the Eastern Han -- Scenes of instruction and master bodies in the Analects -- From scenes of instruction to scenes of construction: Mozi -- Interiority, human nature, and exegesis in Mencius -- Authorship, human nature, and persuasion in Xunzi -- The race for precedence: polemics and the vacuum of traditions in Laozi -- Zhuangzi and the art of negation -- The self-regulating state, paranoia, and (...)
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  33. Patrick Colm Hogan (2003). Cognitive Science, Literature, and the Arts: A Guide for Humanists. Routledge.score: 225.0
    Cognitive Science, Literature, and the Arts is the first student-friendly introduction to the uses of cognitive science in the study of literature, written specifically for the non-scientist. Patrick Colm Hogan guides the reader through all of the major theories of cognitive science, focusing on those areas that are most important to fostering a new understanding of the production and reception of literature. This accessible volume provides a strong foundation of the basic principles of cognitive science, and allows (...)
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  34. Timothy J. Reiss (1992). The Meaning of Literature. Cornell University Press.score: 225.0
    Introduction In Rene Wellek wrote that the "political attack on literature is a foolish generalization." He was dismissing those who would deprecate ...
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  35. M. S. C. Okolo (2007). African Literature as Political Philosophy. Zed Books.score: 225.0
    This book looks in particular at Achebe's Anthills of the Savannah and Petals of Blood by Ngugi wa Thiong'o, but situates these within the broader context of developments in African literature over the past half-century, discussing writers from Ayi Kwei Armah to Wole Soyinka. M.S.C. Okolo provides a thorough analysis of the authors' differing approaches and how these emerge from the literature. Okolo argues that these authors have been profoundly affected by the political situation of Africa, but have (...)
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  36. H. G. Narahari (1944). Ātman in Pre-Upanisadic Vedic Literature. Adyar Library.score: 225.0
    77 ff. ; RS Deshmukh, Religion in Vedic Literature, p. 331. Jacobi seems to take the extreme view that the conception of immortality of the Soul was unknown ...
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  37. Nicholas Saul (ed.) (2002). Philosophy and German Literature, 1700-1990. Cambridge University Press.score: 225.0
    Although the importance of the interplay of literature and philosophy in Germany has often been examined within individual works or groups of works by particular authors, little research has been undertaken into the broader dialogue of German literature and philosophy as a whole. Philosophy and German Literature 1700-1990 offers six chapters by leading specialists on the dialogue between the work of German literary writers and philosophers through their works. The volume shows that German literature, far from (...)
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  38. Hsuan L. Hsu (2010). Geography and the Production of Space in Nineteenth-Century American Literature. Cambridge University Press.score: 225.0
    Machine generated contents note: Acknowledgments; Introduction: scales of identification; 1. Democratic expansionism, gothic geographies, and Charles Brockden Brown; 2. Urban apartments, global cities: the enlargement of private space in Poe and James; 3. Cultural orphans: domesticity, missionaries, and China from Stowe to Sui Sin Far; 4. 'The Checkered Globe': cosmopolitan despair in the American Pacific; 5. Literature and regional production; Epilogue: scales of resistance.
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  39. Duncan F. Kennedy (2013). Antiquity and the Meanings of Time: A Philosophy of Ancient and Modern Literature. I.B. Tauris.score: 225.0
    Does Augustine put his finger on time? -- Time for history -- Determination -- Self-determination -- Time, knowledge and truth.
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  40. Laura Inez Deavenport Barge (2009). Exploring Worldviews in Literature: From William Wordsworth to Edward Albee. Abilene Christian University Press.score: 225.0
    Numinous spaces in British literature from William Wordsworth to Samuel Beckett -- Jesus figures in American literature from Ralph Waldo Emerson to Edward Albee -- Using Bakhtin's definitions to discover ethical voices in Solzhenitsyn and Tolstoy -- René Girard's categories of scapegoats in literature of the American South -- Hopkins's metaphysics of nature as sacred disclosure -- The book of job as mirrored in Hopkins's metaphysics -- Beckett's mythos of the absence of God.
     
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  41. Lorna Burns (2012). Contemporary Caribbean Writing and Deleuze: Literature Between Postcolonialism and Post-Continental Philosophy. Continuum.score: 225.0
    Introduction: How newness enters the world -- Surrealism and the Caribbean: a curious line of resemblance -- Writing back to the colonial event: Derek Walcott and Wilson Harris -- Édouard Glissant's poetics of the chaosmos -- Postcolonial literature as health: Robert Antoni and Nalo Hopkinson.
     
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  42. Paul Cefalu (2007). English Renaissance Literature and Contemporary Theory: Sublime Objects of Theology. Palgrave Macmillan.score: 225.0
    Cefalu offers the first sustained assessment of the ways in which recent contemporary philosophy and cultural theory -- including the work of Giorgio Agamben, Alain Badiou, Eric Santner, Slavoj Žižek, and Alenka Zupancic -- can illuminate Early Modern literature and culture. The book argues that when selected Early Modern devotional poets set out to represent subject-God relations, they often encounter some sublime aspect of God that, in Slovenian-Lacanian terms, seems "Other" to himself. This divine Other, while sometimes presented directly (...)
     
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  43. Denis G. Ioffe & Frederick H. White (eds.) (2012). Russian Avant-Garde and Radical Modernism: An Introductory Reader. Academic Studies Press.score: 225.0
    I. An introduction -- II. Russian futurism and the related currents -- III. Russian suprematism and constructivism -- IV. The OBERIU circle (Daniil Kharms and his associates) -- V. Russian experimental performance and theater -- VI. Avant-garde cinematography: Sergei Eisenstein and Dziga Vertov.
     
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  44. Frank Palmer (1992). Literature and Moral Understanding: A Philosophical Essay on Ethics, Aesthetics, Education, and Culture. Clarendon Press.score: 216.0
    Recent philosophical discussion about the relation between fiction and reality pays little attention to our moral involvement with literature. Frank Palmer's purpose is to investigate how our appreciation of literary works calls upon and develops our capacity for moral understanding. He explores a wide range of philosophical questions about the relation of art to morality, and challenges theories that he regards as incompatible with a humane view of literary art. Palmer considers, in particular, the extent to which the values (...)
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  45. Zongqi Cai (ed.) (2004). Chinese Aesthetics: The Ordering of Literature, the Arts, and the Universe in the Six Dynasties. University of Hawai'i Press.score: 216.0
    This singular work presents the most comprehensive and nuanced studies available in any Western language of Chinese aesthetic thought and practice during the ...
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  46. Eileen John & Dominic Lopes (eds.) (2004). Philosophy of Literature: Contemporary and Classic Readings: An Anthology. Blackwell Pub..score: 216.0
    This authoritative volume offers a handy compilation of contributions to the field by its leading figures.
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  47. Jenny Chamarette & Jennifer Higgins (eds.) (2010). Guilt and Shame: Essays in French Literature, Thought and Visual Culture. Peter Lang.score: 216.0
    This collection of essays, on French and francophone prose, poetry, drama, visual art, cinema and thought, assesses guilt and shame in relation to structures of ...
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  48. William Robert Wians (ed.) (2009). Logos and Muthos: Philosophical Essays in Greek Literature. State University of New York Press.score: 216.0
    These essays reveal a dynamic range of interactions, reactions, tensions, and ambiguities, showing how Greek literary creations impacted and provided the ...
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  49. Phyllis Carey (ed.) (1997). Wagering on Transcendence: The Search for Meaning in Literature. Sheed & Ward.score: 216.0
    Through essays, Mount Mary College professors from various disciplines analyze several pieces of literature from a variety of genres and authors to show how ...
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  50. Gert Buelens (ed.) (1997). Enacting History in Henry James: Narrative, Power, and Ethics. Cambridge University Press.score: 216.0
    The Jamesian mode of writing, it has been claimed, actively works against an understanding of the way truth, history and power circulate in his texts. In this collection of essays, leading scholars of James analyse the strategies James used to address these crucial issues. Enacting History in Henry James claims that, because the type of knowledge available in James's fiction is never of a cognitive kind, the reader can never know 'truth' in any verifiable sense. James's writing instead (...)
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