In an incendiary 2010 Nature article, M. A. Nowak, C. E. Tarnita and E. O. Wilson present a savage critique of the best known and most widely used framework for the study of social evolution, W. D. Hamilton’s theory of kin selection. Over a hundred biologists have since rallied to the theory’s defence, but Nowak et al. maintain that their arguments ‘stand unrefuted’. Here I consider the most contentious claim Nowak et al. defend: that Hamilton’s rule, the core explanatory principle (...) of kin selection theory, ‘almost never holds’. I first distinguish two versions of Hamilton’s rule in contemporary theory: a special version (HRS) that requires restrictive assumptions, and a general version (HRG) that does not. I then show that Nowak et al. are most charitably construed as arguing that HRS almost never holds, while HRG buys its generality at the expense of explanatory power. While their arguments against HRS are fairly uncontroversial, their arguments against HRG are more contentious, yet these have been largely overlooked in the ensuing furore. I consider the arguments for and against the explanatory value of HRG, with a view to assessing what exactly is at stake in the debate. I suggest that the debate hinges on issues concerning the causal interpretability of regression coefficients, and concerning the explanatory function Hamilton’s rule is intended to serve. (shrink)
Such thinkers as John Stuart Mill, Gerald Dworkin, and Richard Doerflinger have appealed to the value of freedom to explain both what is wrong with slavery and what is wrong with selling oneself into slavery. Practical ethicists, including Dworkin and Doerflinger, sometimes use selling oneself into slavery in analogies intended to illustrate justifiable forms of paternalism. I argue that these thinkers have misunderstood the moral problem with slavery. Instead of being a central value in itself, I argue that freedom is (...) a means of serving the real value of autonomy. Moreover, I argue that autonomy is ambiguous. In cases of conflict, autonomous choice, here called "shallow autonomy", can justifiably be limited to serve "deep autonomy", or self-rule. I use these notions to give a better understanding of the problem with selling oneself into slavery, and argue that the work of Dworkin has to be seriously revised, and Doerflinger's position has to be given up altogether.\\\ John Stuart Mill, Gerald Dworkin y Richard Doerflinger han recurrido al valor de la libertad para explicar tanto porque está mal moralmente la esclavitud como venderse uno mismo como esclavo. Los teóricos de la ética práctica, incluidos Dworkin y Doerflinger, a veces utilizan el caso de venderse uno mismo como esclavo en analogias que pretenden ilustrar formas justificables de paternalismo. Sostengo que estos pensadores han malinterpretado el problema moral con la esclavitud. Argumento que en lugar de ser un valor fundamental en si mismo, la libertad es un medio para el valor real de la autonomia. Arguyo, por otra parte, que la autónomia es ambigua. En casos de conflicto, la elección autonóma, denominada aqui "autonomia superficial", puede justificadamente estar limitada a servir a la "autonomia profunda", o autogobierno. Utilizo estas nociones para ofrecer una mejor interpretatión del problema moral con venderse uno mismo como esclavo, y sostengo que la obra de Dworkin se debe revisar con seriedad, y que se debe abandonar por completo la postura de Doerflinger. (shrink)
La argumentación de Frege contra la definibilidad de la verdad pretende mostrar que una definición de verdad es circular o nos involucra en un regreso al infinito. En la obra de Frege cabe distinguir dos nociones de verdad: la verdad expresada mediante el termine “verdadero” y la verdad expresada mediante la aserción. La argumentación de Frege no muestra que el términe “verdadero” sea indefinible, pero, si se acepta la concepción de Frege acerca de la aserción, de su argumentación, adecuadamente reformulada, (...) cabe concluir la indefinibilidad de la verdad en su segunda acepción.Frege’s argumentation against the definability of truth aims to show that a definition of truth is circular or involves us in an infinite regress. In Frege’s work two notions of truth can be distinguished: truth expressed by the word “true” and truth conveyed by the assertion. Frege’s argumentation does not show that the word “true” is undefinable, but, if Frege’s view on assertion is accepted, then from his argumentation, suitably reformulated, the undefinability of truth in the second sense can be concluded. (shrink)
En esta nota crítica (i) se hace una breve descripción de cada uno de los artículos que componen Orayen: de la forma lógica al significado, (ii) se señalan algunas cuestiones que no están claras en ellos o en las réplicas de Orayen y, (iii) en la medida de lo posible, se indica si los autores desarrollan ulteriormente los problemas abordados en sus artículos. The aim of this critical note is threefold: (i) it briefly describes and comments on each of the (...) articles of Orayen: de la forma lógica al significado; (ii) identifies some issues that may not be clear enough or not fully developed whether in the articles or even in Orayen's replies; (iii) as far as possible, it refers to further studies made by the authors themselves on the same, or quite related, subjects addressed by them in their papers. (shrink)
En este artículo me propongo analizar el punto de partida epistemológico de un reciente libro de Philip Kitcher (The Advancement of Science) a través de su discusión con las concepciónes ‘escépticas’. Podemos distinguir entre dos tipos de escepticismo en Ia trama deI libro de Kitcher: uno débil y otro radical. Intentamos difinir el tipo de realismo que Kitcher defiende, para finalmente mostrar que tal tipo de realismo es posible para Kitcher en Ia medida que no toma en cuenta el escepticismo (...) en su versión radical. En efecto, Kitcher sólo se enfrenta al escepticismo débil. Y es precisamente debido a esta restricción que es capaz de mantenerse al margen de una alternativa que sigue siendo crucial: realismo fuerte o realismo “de espíritu kantiano”.The purpose of this article is to carry out an analysis of the epistemologic standpoint on a recent book by Philip Kitcher (The Advancement of Science) by discussing the sceptic ideas which are dealt with there. We can discriminate between two kinds of scepticism appearing on Kitcher’s book: a weak and a radical one. Then we work towards a definition of the kind of realism held by this author and, finally, we try to show that such a viewpoint as Kitcher’s is possible to hold provided that we do not take the radical scepticism into account for that question. Kitcher only objects by means of the weak scepticism. And it is precisely because of that restriction that he is capable of not giving a definition of a crucial alternative: strong realism or realism in “Kantian spirit”. (shrink)
La argumentación de Frege contra la definibilidad de la verdad pretende mostrar que una definición de verdad es circular o nos involucra en un regreso al infinito. En la obra de Frege cabe distinguir dos nociones de verdad: la verdad expresada mediante el termine “verdadero” y la verdad expresada mediante la aserción. La argumentación de Frege no muestra que el términe “verdadero” sea indefinible, pero, si se acepta la concepción de Frege acerca de la aserción, de su argumentación, adecuadamente reformulada, (...) cabe concluir la indefinibilidad de la verdad en su segunda acepción.Frege’s argumentation against the definability of truth aims to show that a definition of truth is circular or involves us in an infinite regress. In Frege’s work two notions of truth can be distinguished: truth expressed by the word “true” and truth conveyed by the assertion. Frege’s argumentation does not show that the word “true” is undefinable, but, if Frege’s view on assertion is accepted, then from his argumentation, suitably reformulated, the undefinability of truth in the second sense can be concluded. (shrink)
En este artículo me propongo analizar el punto de partida epistemológico de un reciente libro de Philip Kitcher (The Advancement of Science) a través de su discusión con las concepciónes ‘escépticas’. Podemos distinguir entre dos tipos de escepticismo en Ia trama deI libro de Kitcher: uno débil y otro radical. Intentamos difinir el tipo de realismo que Kitcher defiende, para finalmente mostrar que tal tipo de realismo es posible para Kitcher en Ia medida que no toma en cuenta el escepticismo (...) en su versión radical. En efecto, Kitcher sólo se enfrenta al escepticismo débil. Y es precisamente debido a esta restricción que es capaz de mantenerse al margen de una alternativa que sigue siendo crucial: realismo fuerte o realismo “de espíritu kantiano”.The purpose of this article is to carry out an analysis of the epistemologic standpoint on a recent book by Philip Kitcher (The Advancement of Science) by discussing the sceptic ideas which are dealt with there. We can discriminate between two kinds of scepticism appearing on Kitcher’s book: a weak and a radical one. Then we work towards a definition of the kind of realism held by this author and, finally, we try to show that such a viewpoint as Kitcher’s is possible to hold provided that we do not take the radical scepticism into account for that question. Kitcher only objects by means of the weak scepticism. And it is precisely because of that restriction that he is capable of not giving a definition of a crucial alternative: strong realism or realism in “Kantian spirit”. (shrink)
En este artículo explico el problema de la circularidad, tradicionalmente achacado a la metafísica cartesiana, destacando la importancia que, según Descartes, reviste esta cuestión. Argumento que las versiones del cartesianismo que ofrecen algunos de los comentarios más populares, utilizados en lengua castellana (los de Margaret Wilson y John Cottingham), resultan incompatibles con las posiciones que Descartes mantiene en una serie de textos. Teorías de ese corte sólo podrían justificarse por su valor filosófico intrínseco, pero también sostengo que ambas reconstrucciones presentan (...) debilidades conceptuales que las llevan al fracaso, sea como pretendida solución, en el caso de Wilson; o bien como intento por desplazar o disolver el problema central, en el caso de Cottingham. The problem of logical circularity, which traditionally has been blamed on Cartesian metaphysics, was clearly seen by Descartes himself, who moreover advertised its avoidance (or its solution) as a crucial merit of his own philosophy. On this subject two of the most popular commentaries on Descartes -those of Margaret Wilson and John Cottingham, which are widely used in teaching at least in Spanish- are criticized. Some of the objections I set here against both readings are textual in nature, while other ones hinge, as I argue, on their respective conceptual weaknesses. Wilson's proposed solution is shown to the botched, while Cottingham is shown to fail in his attempt to dissolve the problem. (shrink)
The confusion/non-consequential thinking explanation proposed by Newstead, Girotto, and Legrenzi (1995) for poor performance on Wason's THOG problem (a hypothetico-deductive reasoning task) was examined in three experiments with 300 participants. In general, as the cognitive complexity of the problem and the possibility of non-consequential thinking were reduced, correct performance increased. Significant but weak facilitation (33-40% correct) was found in Experiment 1 for THOG classification instructions that did not include the indeterminate response option. Substantial facilitation (up to 75% correct) was obtained (...) in Experiment 2 with O'Brien et al.'s (1990) one-other-THOG classification instruction. In Experiment 3, a revised version of O'Brien et al.'s pre-test problem format also led to substantial facilitation, even with the use of the standard three-choice THOG classification instruction. These findings are discussed in terms of Newstead et al.'s theoretical proposal and possible attentional factors. (shrink)
Although no scholarly consensus exists on the issue, the claim that a substantive reconfiguration of the Internet has occurred in the beginning of the 2000s has settled firmly in public common sense. The label tentatively chosen for the new turn in the medium’s evolution is Web 2.0. The developments constituting this turn have been contemplated from different perspectives in technical and business publications (O’Reilly 2005), in treatises on convergence or participatory culture (Jenkins 2006; Jenkins et al. 2009), and could be (...) usefully interrogated by means of political economy concepts such as the social factory and free labor (Terranova 2004). Marked, or rather symbolically constructed, by these discursive pickets lies a field of practice that the members of the participatory culture, the produsers (Bruns 2008) of open journalism, blogs, social networking sites and other characteristic Web 2.0 applications inhabit and animate with their everyday thought, decision making and action. This paper undertakes a theoretical exploration of the user practices emerging and consolidating around the new technological and organizational models making up Web 2.0. It is informed by a qualitative study of bloggers and Facebook users conducted through focus group methodology, although the concrete empirical data are not presented here. Rather, the analysis employs the concept of technologies of the self by Foucault (1988) as a heuristic device in order to situate Web 2.0 use, first, in a long history of culturally evolved forms of self-constitution and, second, in a complex matrix of relationships with other types of technologies, namely, those of production, sign systems and power. This conceptual choice, we argue, furnishes a study of Web 2.0 use, which holds in balance its liberatory potential and its susceptibility to new forms of domination, rationalization and commodification. (shrink)
Machine generated contents note: -- 1. Introduction -- Consciousness and Sensorimotor Dynamics: Methodological Issues -- 2. Computational consciousness, D. Ballard -- 3. Explaining what people say about sensory qualia, J. Kevin O'Regan -- 4. Perception, action, and experience: unraveling the golden braid, A. Clark -- The Two-Visual Systems Hypothesis -- 5. Cortical visual systems for perception and action, A.D. Milner and M.A. Goodale -- 6. Hermann Lotze's Theory of 'Local Sign': evidence from pointing responses in an illusory figure, (...) D.R. Melmoth -- Understanding Agency and Object Perception -- 7. Two visual systems and the feeling of presence, M. Matthen -- 8. Spatial coordinates and phenomenology in the two-visual systems model, P. Jacob and F. de Vignemont -- 9. Perceptual experience and the capacity to act, S. Schellenberg -- Perception and Action: Studies in Cognitive Neuroscience -- 10. Why does the perception-action functional dichotomy not match the ventral-dorsal streams in anatomical segregation: optic ataxia and the function of the dorsal stream, Y. Rossetti et al -- 11. Mapping the neglect syndrome onto neurofunctional streams, G. Vallar and F. Mancini -- 12. Motor representations and the perception of space: perceptual judgments of the boundary of action space, Y. Delevoye-Turrell -- The Role of Action and Sensorimotor Knowledge in Sensorimotor Theories of Perception -- 13. Vision without representation, A. Noe -- 14. Sensorimotor knowledge and the contents of experience, J. Kiverstein -- Boundaries of the Agent -- 15. Extended vision, R. A. Wilson. (shrink)
One way to think about Lewis’s portrayal of appraisal-emotion interactions is by comparison with dynamic sensorimotor approaches to perception and action (Varela et al. 1991; O’Regan & Noë 2001; Hurley & Noë 2003). According to these approaches, perception is as much a motor process as a sensory one. At the neural level, there is “common coding” of sensory and motor processes (e.g., Prinz 1997; Rizzolatti et al. 1997). At the psychological level, action and perception are not simply instrumentally related, as (...) means-to-end, but are constitutively interdependent (Hurley 1998). These and other findings can be described by saying that perception is enactive: it is a kind of action (Varela et al. 1991; Noë 2004). (shrink)
Altruism is a central concept in evolutionary biology. Evolutionary biologists still disagree about its meaning (E.O. Wilson 2005; Fletcher et al. 2006; D.S. Wilson 2008; Foster et al. 2006a, b; West et al. 2007a, 2008). Semantic disagreement appears to be quite robust and not easily overcome by attempts at clarification, suggesting that substantive conceptual issues lurk in the background. Briefly, group selection theorists define altruism as any trait that makes altruists losers to selfish traits within groups, and makes groups of (...) altruists fitter than groups of non-altruists. Inclusive fitness theorists reject a definition based on within- and between-group fitness. Traits are altruistic only if they cause a direct and absolute fitness loss to the donor. The latter definition is more restrictive and rejects as cases of altruism behaviors that are accepted by the former. Fletcher and Doebeli (2009) recently proposed a simple, direct and individually based fitness approach, which they claim returns to first principles: carriers of the genotype of interest “must, on average, end up with more net direct fitness benefits than average population members.” This seductively simple proposal uses the concept of assortment to explain how diverse kinds of altruists end up on average with more net fitness than their non-altruistic rivals. In this paper I shall argue that their approach implies a new concept of altruism that contrasts with and improves on the concept of the inclusive fitness approach. (shrink)
Abstract Studying a concept as complex as moral distress is an ongoing challenge for those engaged in empirical ethics research. Qualitative studies of nurses have illuminated the experience of moral distress and widened the contours of the concept, particularly in the area of root causes. This work has led to the current understanding that moral distress can arise from clinical situations, factors internal to the individual professional, and factors present in unit cultures, the institution, and the larger health care environment. (...) Corley et al. ( 2001 ) was the first to publish a quantitative measure of moral distress, and her scale has been adapted for use by others, including studies of other disciplines (Hamric and Blackhall 2007 ; Schwenzer and Wang 2006 ). Other scholars have proposed variations on Jameton’s core definition (Sporrong et al. 2006 , 2007 ), developing measures for related concepts such as moral sensitivity (Lutzen et al. 2006 ), ethics stress (Raines 2000 ), and stress of conscience (Glasberg et al. 2006 ). The lack of consistency and consensus on the definition of moral distress considerably complicates efforts to study it. Increased attention by researchers in disciplines other than nursing has taken different forms, some problematic. Cultural differences in the role of the nurse and understanding of actions that represent threats to moral integrity also challenge efforts to build a cohesive research-based understanding of the concept. In this paper, research efforts to date are reviewed. The importance of capturing root causes of moral distress in instruments, particularly those at unit and system levels, to allow for interventions to be appropriately targeted is highlighted. In addition, the issue of studying moral distress and interaction over time with moral residue is discussed. Promising recent work is described along with the potential these approaches open for research that can lead to interventions to decrease moral distress. Finally, opportunities for future research and study are identified, and recommendations for moving the research agenda forward are offered. Content Type Journal Article Pages 1-11 DOI 10.1007/s10730-012-9177-x Authors Ann B. Hamric, School of Nursing, Virginia Commonwealth University, P.O. Box 980567, Richmond, VA 23298-0567, USA Journal HEC Forum Online ISSN 1572-8498 Print ISSN 0956-2737. (shrink)
Until the end of the 14th century, the sources of Hebrew mathematical writings were almost exclusively in Arabic. This was particularly true of texts that contained elements of algebra or algebraic developments. The testimonies we present and analyze here are due to Jewish authors living in Italy, primarily in the 15th century, who made use of the most varied sources, in addition to Arabic: in Castilian, in Italian, and perhaps in Latin. These testimonies constitute both an indication, and a product, (...) of the circulation of Arab algebraic traditions in Renaissance Italy. Simon Mo[tdotu ]o[tdotu ]’s book on The Calculation of Algebra stems from the Italian tradition of ‘‘treatises on the abacus’’. Mordekhay Finzi of Mantua is the author of a Hebrew version of the great work on algebra by Abu Kamil (9th century), as well as of a version, distinct from the preceding, of the Arabic scholar’s introductory exposition. Beginning in 1473, Finzi also translated from Italian to Hebrew the important treatise on algebra by Maestro Dardi of Pisa (1344). We also indicate some 16th century continuations of Hebrew mathematical production, which contain algebraic developments. (Published Online February 12 2007) Footnotes1 Dans un précédent article, nous avons présenté un tableau des tout premiers textes algébriques composés en hébreu, entre les XIIe et XIVe siècles: “L'algèbre arabe dans les textes hébraïques (I). Un ouvrage inédit d'Isaac ben Salomon al-Ahdab (XIVe siècle)”, Arabic Sciences and Philosophy, 13 (2003): 269–301. Nous avons exposé plusieurs résultats de notre recherche dans le cadre du séminaire “Histoire de l'algèbre”, organisé par le Centre d'histoire des sciences et des philosophies arabes et médiévales (CNRS), à Villejuif, au cours des années 2003–2005. (shrink)
L’intento del lavoro è di problematizzare alcuni aspetti, generalmente ritenuti emblematici, della relazione tra i litterati medievali e il libro – nelle sue declinazioni di Testo sacro, Libro della natura e auctoritates . L’impiego, come strumenti di lavoro, di concetti di recente elaborazione e di osservazioni di pensatori contemporanei sull’argomento, non è finalizzato ad attualizzare tale relazione, quanto piuttosto ad ampliare i punti di vista su di essa e a metterne alla prova la capacità di offrire originali spunti di riflessione. (...) Le proposte teoriche di Jacques Derrida, Michel Foucault e Roland Barthes sono qui adoperate come esemplificazioni di un’interpretazione che ha storicamente reso quasi paradigmatico il modo di leggere dei docti , specialmente altomedievali. Tuttavia, alcune definizioni della Scrittura – il libro per eccellenza – proposte da questi ultimi, nonché la teorizzazione del suo quadruplice senso sembrano smussare la radicalità di queste osservazioni. Concetti quali “funzione-autore” di Foucault e “testo” di Barthes sono invece adottati per considerare all’interno di una diversa cornice teorica il confronto dei doctores , in particolare bassomedievali, con le cosiddette auctoritates . Nella visione ordinaria la reverenza nei confronti dell’autore, divino o umano, la ricerca e la riproposizione fedele di un significato univoco dell’opera aldilà dei segni, naturali o culturali, che lo veicolano costituiscono tratti tipici dell’atteggiamento dei lettori medievali. A fronte di questi aspetti, tuttavia, è possibile sottolinearne altri eterodossi e perlopiù trascurati, quali la rilevanza attribuita all’interpretazione, prassi ineludibile e da disciplinare, al ruolo del lettore e alla sua fruizione attiva e produttiva dei testi. The aim of the work is to problematize some aspects generally considered representative of the relationship between medieval savants and the book - in its variations of Bible, Book of Nature and so-called auctoritates . The use, as tools, of newly developed concepts and observations of contemporary thinkers on this subject, is not aimed at updating this relationship, but rather at expanding the points of view on it and testing its ability to adduce original food for thought. The theoretical suggestions of Jacques Derrida, Michel Foucault and Roland Barthes are used here as examples of an interpretation that has historically made almost paradigmatic the way of reading of early medieval writers. However, some definitions of Scripture - the book by definition - proposed by them and the theory of its fourfold sense seem to blunt these drastic observations. Concepts such as Foucault’s "author-function" or Barthes’ "text" are used to consider in a different theoretical context the relation between late medieval thinkers and the so-called auctoritates . In ordinary vision the reverence for the divine or human author, the research and the revival of a true single meaning of his work beyond its natural or cultural signs are typical features of the attitude of medieval readers. In relation to these aspects, however, it is possible to highlight other heterodox and less considered ones, such as the importance given to the interpretation, inescapable practice that has to be regulated, to the reader’s role and to his active and productive use of texts. (shrink)
The Philosopher and the Moviemaker.Merleau-Ponty and the Thinking of CinemaAs its subtitle indicates, the present article is devoted to the relations between Maurice Merleau-Ponty’s philosophy and the thinking of cinema. The first section focuses on two topics, each underlying the lecture on cinema given by Merleau-Ponty in 1945. On the one hand, we find the reflection about the peculiarities of expression in film and cinematic image; on the other, we see the convergence between the inspiration of cinema and that of (...) philosophy, which Merleau-Ponty sees as a significant characteristic of his time. This is a convergence in which the nouvelle vague’s cinema will recognise itself and which Christian Metz will retrospectively confirm. Moreover, by developing both of these topics, the author finds a way to interpret Merleau-Ponty’s lecture as an undeclared polemical response to Henri Bergson’s famous negative judgement on cinema. The second section focuses on the question of movement in cinema, putting together further references to cinema made by Merleau-Ponty in posthumous or unpublished writings such as the notes for the 1952-53 course on “The Sensible World and the World of Expression.” The third section focuses on Merleau-Ponty’s later reflection about vision and images. This section shows how the peculiar noveltyof cinema is more and more understood by Merleau-Ponty not only as historically convergent with a new way of conceiving philosophy, but as a symptom of the new ontology he was trying to formulate philosophically.Il filosofo e il cineasta.Merleau-Ponty e il pensiero del cinemaCome sottolinea il suo sottotitolo, il presente articolo è dedicato alle relazioni fra la filosofi a di Maurice Merleau-Ponty e il pensiero del cinema. La prima sezione si concentra su due argomenti, ognuno ravvisabile nella conferenza sul cinema tenuta da Merleau-Ponty nel 1945. Da una parte, troviamo la riflessione sulle peculiarità dell’espressione filmica e dell’immagine cinematografica; dall’altra, la convergenza fra l’ispirazione del cinema e quella della filosofia, che Merleau-Ponty vede come una significativa caratteristica del proprio tempo: una convergenza in cui il cinema della nouvelle vague riconoscerà se stesso e che Christian Metz retrospettivamente confermerà. Inoltre, sviluppando entrambi gli argomenti, l’autore trova modo di interpretare la conferenza di Merleau-Ponty come una non dichiarata risposta polemica al celebre giudizio negativo sul cinema formulato da Henri Bergson. La seconda sezione si concentra sulla questione del movimento nel cinema, riunendo ulteriori riferimenti di Merleau-Ponty al cinema in scritti postumi o inediti, come le note per il corso del 1952-1953 su “Il mondo sensibile e il mondo dell’espressione”. La terza sezione si concentra sulla riflessione dell’ultimo Merleau-Ponty sulla visione e le immagini. Ciò mostra come la peculiare novità del cinema sia sempre più compresa da Merleau-Ponty non solo come storicamente convergente con un nuovo modo di concepire la filosofia, ma come un sintomo della nuova ontologia che egli stava cercando di formulare filosoficamente. (shrink)
This study was concerned with Wason's THOG task, a hypothetico-deductive reasoning problem for which performance is typically very poor ( < 20% correct). Recently, however, Needham and Amado (1995) and Koenig and Griggs (2004) have observed both facilitation and spontaneous analogical transfer effects for the Pythagoras version of this task. Based on their findings, Koenig and Griggs concluded that in addition to the separation of the data (the properties of the designated THOG) from the hypotheses that need to be generated (...) (the possible combinations of properties written down), an explicit request to generate these hypotheses is necessary to obtain significant analogical transfer. In the present study we extended the generalisability of this conclusion in three experiments with 214 undergraduate participants using O'Brien et al.'s (1990) Blackboard version of the task. We discuss the relationship of the results to dual process theories of reasoning and propose that analogical transfer may be a better criterion than task facilitation for judging participants' task understanding. (shrink)
En "Legal Reasons, Sources and Gaps", Raz señala que las lagunas jurídicas existen sólo cuando el derecho habla con voz incierta o cuando habla con muchas voces, pero que no hay lagunas cuando el derecho guarda silencio. En este último caso habría reglas de clausura, analíticamente verdaderas, que impiden la ocurrencia de esas lagunas. Según Raz, si hay una laguna en un sistema jurídico, entonces no es verdadero ni falso que exista una razón concluyente para ejecutar cierta acción. Así, una (...) de las contribuciones más importantes de Raz a la solución del problema de las lagunas jurídicas es subrayar que el discurso jurídico no está completamente controlado por la bivalencia. Sin embargo, a menudo se sostiene que el rechazo de la bivalencia conduce a contradicciones. Si esta afirmación fuese verdadera, entonces la solución de Raz al problema de las lagunas jurídicas se vería seriamente amenazada. En este artículo mostramos, con ayuda de una herramienta analítica sofisticada, i.e., la lógica de la verdad de G.H. von Wright, que el rechazo de la bivalencia sólo nos compromete a aceptar la conclusión trivial de que puede haber proposiciones que no son verdaderas ni falsas. Por esta razón, el trabajo de Raz todavía puede ser considerado un buen punto de partida para analizar las relaciones entre normas, razonamiento práctico y lagunas jurídicas. Sin embargo, también mostramos que para admitir proposiciones que no son verdaderas ni falsas, las tesis de Raz deben ser reformuladas. De otra manera, la tesis de que no existen lagunas cuando el derecho guarda silencio no sería compatible con el rechazo de la bivalencia. /// In his paper "Legal Reasons, Sources and Gaps", Raz says that legal gaps only exist when law speaks with uncertain voice or when it speaks with many voices, but there are no gaps when law is silent. In this later case, rules of closure, which are analytically true, prevent from the occurrence of gaps. According to Raz, if there is a gap in a legal system, then both the claim that there is a conclusive legal reason to perform a certain action, and its negation are neither true nor false. Therefore, one of the Raz's most important contributions to the solution of the problem of legal gaps is to remark that legal discourse is not altogether governed by the principie of bivalence. However, philosophers often claim that the denial of bivalence leads to a logical inconsistency. If this claim were true, then Raz's solution to the problem of gaps would be seriously threatened. In this paper we show--with the aid of a sophisticated analytical tool, i.e., von Wright's truth-logic--that the rejection of bivalence only commits us to accept the trivial conclusion that propositions can lack truth-values. For this reason, Raz's paper can still be regarded as a good starting-point for analyzing the relationships between norms, practical reasoning and legal gaps. However, we also show that in order to admit propositions which are neither true nor false, Raz's theses must be reformulated. Otherwise, the claim that there is no gap when law is silent would not be compatible with the rejection of bivalence. (shrink)
Igor Douven has offered an original reconstruction and defence of Putnam's model-theoretic argument against metaphysical realism. Douven's construal has notable exegetical virtues, since it makes sense of some assumptions in Putnam's argument which his opponents have considered question-begging or puzzling. In this article I provide an indirect defence of metaphysical realism, by showing why this new version of the anti-realist argument should also be rejected. The main problems in the Douven-Putnam argument come from ascribing to the realist a distorted view (...) of correspondence truth. The view entails that when no feature selects just one of all the possible interpretations of language (the relations of reference between the terms and the world) the existence of an interpretation suffices to make true a (consistent) theory. The sensible realist is not committed to this extreme conception of correspondence truth. /// Igor Douven ha presentado y defendido una reconstructión del argumento teórico-modelista de Putnam contra el realismo metafísico. Esta versión tiene ciertas virtudes exegéticas, pues hace inteligible algunos presu- puestos putnamianos que sus críticos han considerado injustificados o sorprendentes. En este artículo proporciono una defensa indirecta del realismo metafisico, mostrando por qué debe también rechazarse el argumento antirrealista bajo esta nueva forma. Los problemas principales del argumento Douven-Putnam proceden de atribuir al realista una concepción distorsionada de la idea de verdad como correspondencia. Conforme a esa concepción, la ausencia de factores que seleccionen una única interpretación del lenguaje de entre las muchas posibles (una relación de referenda entre los términos y el mundo) conlleva que la existencia de alguna interpretación ya es suficiente para hacer verdadera a una teoría que sea consistente. El realista sensato no está obligado a aceptar esa tesis. (shrink)
En esta nota crítica (i) se hace una breve descripción de cada uno de los artículos que componen Orayen: de la forma lógica al significado, (ii) se señalan algunas cuestiones que no están claras en ellos o en las réplicas de Orayen y, (iii) en la medida de lo posible, se indica si los autores desarrollan ulteriormente los problemas abordados en sus artículos. The aim of this critical note is threefold: (i) it briefly describes and comments on each of the (...) articles of Orayen: de la forma lógica al significado; (ii) identifies some issues that may not be clear enough or not fully developed whether in the articles or even in Orayen's replies; (iii) as far as possible, it refers to further studies made by the authors themselves on the same, or quite related, subjects addressed by them in their papers. (shrink)
En esta nota crítica (i) se hace una breve descripción de cada uno de los artículos que componen Orayen: de la forma lógica al significado, (ii) se señalan algunas cuestiones que no están claras en ellos o en las réplicas de Orayen y, (iii) en la medida de lo posible, se indica si los autores desarrollan ulteriormente los problemas abordados en sus artículos. The aim of this critical note is threefold: (i) it briefly describes and comments on each of the (...) articles of Orayen: de la forma lógica al significado; (ii) identifies some issues that may not be clear enough or not fully developed whether in the articles or even in Orayen's replies; (iii) as far as possible, it refers to further studies made by the authors themselves on the same, or quite related, subjects addressed by them in their papers. (shrink)
En esta nota crítica (i) se hace una breve descripción de cada uno de los artículos que componen Orayen: de la forma lógica al significado, (ii) se señalan algunas cuestiones que no están claras en ellos o en las réplicas de Orayen y, (iii) en la medida de lo posible, se indica si los autores desarrollan ulteriormente los problemas abordados en sus artículos. The aim of this critical note is threefold: (i) it briefly describes and comments on each of the (...) articles of Orayen: de la forma lógica al significado; (ii) identifies some issues that may not be clear enough or not fully developed whether in the articles or even in Orayen's replies; (iii) as far as possible, it refers to further studies made by the authors themselves on the same, or quite related, subjects addressed by them in their papers. (shrink)
En esta nota crítica (i) se hace una breve descripción de cada uno de los artículos que componen Orayen: de la forma lógica al significado, (ii) se señalan algunas cuestiones que no están claras en ellos o en las réplicas de Orayen y, (iii) en la medida de lo posible, se indica si los autores desarrollan ulteriormente los problemas abordados en sus artículos. The aim of this critical note is threefold: (i) it briefly describes and comments on each of the (...) articles of Orayen: de la forma lógica al significado; (ii) identifies some issues that may not be clear enough or not fully developed whether in the articles or even in Orayen's replies; (iii) as far as possible, it refers to further studies made by the authors themselves on the same, or quite related, subjects addressed by them in their papers. (shrink)
The transformation of the text from the pre-information technology and Gutenberg modes to the model marked by information or digital technology is such that it substantially changes not only the concept of the text but also the nature of philology itself. This paper presents and discusses the problems encountered in producing a digital edition of the Zibaldone Laurenziano, Giovanni Boccaccio’s handwritten manuscript conserved in the Laurenziana Library in Florence (Pluteo XXIX, 8). The Medieval text in general, and even more with (...) the case of a zibaldone-type text, has intrinsic characteristics that clash with the immobility and definitive nature typical of the print text. The digital edition has been defined by Lebrave as the “critical edition of the 21st century.” It can be based on hypertextuality and hypermediality, using the internet as a resource, and is perfectly able to render textual movement, restoring the text to its specific mobility. Il passaggio del testo dalla modalità pre-informatica e gutemberghiana, a quella segnata dall’informatica o digitale è tale da cambiare sostanzialmente non solo il concetto di testo ma anche la natura stessa della filologia. Il saggio presenta e discute i problemi incontrati nel lavoro volto a stabilire un’edizione critica informatizzata dello Zibaldone Laurenziano, manoscritto autografo di Giovanni Boccaccio, conservato alla Biblioteca Laurenziana di Firenze (Pluteo XXIX, 8). Il testo medievale (e ancor più un testo del tipo-zibaldone) presenta delle caratteristiche intrinseche che entrano in contraddizione con l’immobilità e la natura definitiva tipiche del testo a stampa. L’edizione informatizzata, quella che si può basare sull’ipertestualità, sull’ipermedialità e sul ricorso alla rete, quella che Jean-Louis Lebrave ha definito come “l’édition critique au XXI.e siècle” (Lebrave 127), è perfettamente in grado di rendere il movimento testuale, restituendo al testo la sua rigorosa mobilità. (shrink)
En esta nota crítica (i) se hace una breve descripción de cada uno de los artículos que componen Orayen: de la forma lógica al significado, (ii) se señalan algunas cuestiones que no están claras en ellos o en las réplicas de Orayen y, (iii) en la medida de lo posible, se indica si los autores desarrollan ulteriormente los problemas abordados en sus artículos. The aim of this critical note is threefold: (i) it briefly describes and comments on each of the (...) articles of Orayen: de la forma lógica al significado; (ii) identifies some issues that may not be clear enough or not fully developed whether in the articles or even in Orayen's replies; (iii) as far as possible, it refers to further studies made by the authors themselves on the same, or quite related, subjects addressed by them in their papers. (shrink)
En esta nota crítica (i) se hace una breve descripción de cada uno de los artículos que componen Orayen: de la forma lógica al significado, (ii) se señalan algunas cuestiones que no están claras en ellos o en las réplicas de Orayen y, (iii) en la medida de lo posible, se indica si los autores desarrollan ulteriormente los problemas abordados en sus artículos. The aim of this critical note is threefold: (i) it briefly describes and comments on each of the (...) articles of Orayen: de la forma lógica al significado; (ii) identifies some issues that may not be clear enough or not fully developed whether in the articles or even in Orayen's replies; (iii) as far as possible, it refers to further studies made by the authors themselves on the same, or quite related, subjects addressed by them in their papers. (shrink)
“Partout et nulle part”. L’ambiguïté explorée à partir de la phénoménologie et de la danseOn ménage ici, à l’aide du concept d’ambiguïté, une rencontre entre le théâtre dansé de Pina Bausch et la phénoménologie de Merleau-Ponty. Le concept d’ambiguïté est au centre de la philosophie de Merleau-Ponty, qu’on a d’ailleurs pu considérer comme une « philosophie de l’ambiguïté ». Néanmoins, le concept phénoménologique d’ambiguïté n’a pas encore été discuté dans la littérature secondaire. Cette étude distingue plusieurs sens de l’ambiguïté dans (...) la Phénoménologie de la perception, avant de se tourner vers la différence entre bonne et mauvaise ambiguïté, telle que Merleau-Ponty a pu la proposer.Il apparaîtra que la chorégraphie de Pina Bausch et la philosophie de Merleau-Ponty sont deux voies d’approche complémentaires des différentes dimensions de l’ambiguïté :les dimensions corporelle, spatiale et culturelle. L’étude montre que l’approche merleau-pontienne de l’ambiguïté et l’approche par Pina Bausch du théâtre dansé parviennent toutes deux à instaurer un type de communication humaine ne s’évanouissant ni dans un relativisme vide ni dans un universalisme formel : « Ce qu’il faut comprendre, c’est que je suis présent ici et maintenant et, pour la même raison, présent ailleurs et toujours, et aussi que je m’absente d’ici et de maintenant, ainsi que de tout lieu et de tout temps. L’ambiguïté n’est pas une imperfection de la conscience ou de l’existence, c’est leur définition même » (PhP).“Ovunque e in nessun luogo”. Esplorare l’ambiguità con la fenomenologia e la danzaProponiamo qui, sul filo del concetto di ambiguità, un incontro tra il teatro danza di Pina Bausch e la fenomenologia di Merleau-Ponty. Il concetto fenomenologico di ambiguità, pur non essendo stato veramente discusso nella letteratura critica, risulta centrale nella filosofia di Merleau-Ponty, che è stata appunto definita filosofia dell’ambiguità.Questo saggio individua i diversi significati di ambiguità contenuti in Fenomenologia della percezione, prima di rivolgersi alla differenza tra buona e cattiva ambiguità, così come viene proposta da Merleau-Ponty.Si scoprirà come il lavoro coreografi co di Pina Bausch e la filosofia merleaupontiana siano due modi complementari di approcciare le diverse dimensioni dell’ambiguità: ambiguità corporea, ambiguità spaziale, ambiguità culturale. Il saggio sostiene infatti la tesi che l’approccio merleaupontiano all’ambiguità e l’approccio di Pina Bausch al teatro-danza trovino entrambi delle modalità per stabilire un tipo di comunicazione umana che riesca a non collassare né in un vuoto relativismo né in un universalismo formalistico: “Dobbiamo comprendere che la medesima ragione mi rende presente qui ed ora e presente altrove e sempre, assente da qui e da ora e assente da ogni luogo e da ogni tempo. Questa ambiguità non è un’imperfezione della coscienza o dell’esistenza, ma ne è una definizione” (Fenomenologia della percezione). (shrink)
This paper takes up Richard Kearney's work The God Who May Be, specifically in the context of postmodern debates concerning epistemological claims regarding the other. Kearney's hermeneutics of religion attempts to forge a middle path between ontotheological philosophies of religion and various quasi-religious manifestations of postmodernism; however, my main concern is to address certain points of disagreement between Kearney and proponents of a deconstructive "religion without religion" principally Jacques Derrida and John D. Caputo. The main issue at stake is just (...) how other God is, which is itself a specific case of a broader question concerning otherness per se. Caputo et al. claim that religious assertions about God are fundamentally undecidable, which means that they are "infinitely translatable" and "substitutable," that we can never tell what is a translation of what, but the ultimate point is that it "does not matter" The undecidable nature of religious claims includes the very claim that religion is a discourse about God, which is why deconstructive religion without religion is a messianic hope for "the impossible" devoid of any content. Kearney objects that such radical undecidability leaves us lost in the desert ofkhora with no way to distinguish, even imperfectly and provisionally, between God and Satan, good and evil, the widow and the terrorist. In this paper I claim that Kearney succeeds in finding this via tertia between the Scylla of dogmatism and the Charybdis of complete indeterminacy by thinking God in two important ways: as persona-prosopon (which avoids confusing God with khora or monstrosity) and as posse (which keeps us from dogmatism). /// O presente artigo toma em particular consideração a obra de Richard Kearney The God Who May Be, especificamente no contexto dos debates pós-modernos acerca do estatuto epistemológico da alteridade. A abordagem hermeneutica que Kearney faz da religião procura estabelecer um caminho médio entre as filosofias ontoteológicas da religião e várias manifestações quase-religiosas do pós-modernismo. O autor do artigo, contudo, pretende estabelecer alguns pontos de desacordo entre Kearney e os defensores da "religião sem religião" típica do movimento da desconstrução, tendo em vista, sobretudo, as aportações de Jacques Derrida e de John D. Caputo. Em questão está especificamente a alteridade de Deus, ou seja, um caso específico da questão mais alargada acerca da alteridade em si mesma. Caputo, por exemplo, defende que as asserções religiosas sobre Deus são fundamentalmente indecidíveis, o que significa que elas são "infinitamente traduzíveis "e "substituíveis ", enfim, que nós nunca sabemos o que pwpriamente é tradução de quê, sendo que, no fundo, a questão em si mesma "não importa". O carácter indecidível das propostas religiosas inclui a ideia de que a religião constitui um discurso sobre Deus, razão pela qual a desconstrutora "religião sem religião "constitui uma esperança messiânica pelo "impossível" desprovida de qualquer conteúdo. Kearney objecta que uma tal indecidibilidade radical nos deixa perdidos no meio do deserto da Chora sem capacidade de distinguir, ainda que imperfeita e provisoriamente, entre Deus e Satanás, entre o bem e o mal, entre a viúva e o terrorista. Assim, o autor do artigo defende que Richard Kearney é bem sucedido em sua busca de uma via tertia entre a Cila do dogmatismo e a Caríbdis da completa indeterminação graças ao seu modo de pensar Deus por dois caminhos distintos: como pessoa-prosopon (o que impede confundir Deus com Chora ou monstruosidade) e como posse (o que nos resguarda do dogmantismo). (shrink)
En esta nota crítica (i) se hace una breve descripción de cada uno de los artículos que componen Orayen: de la forma lógica al significado, (ii) se señalan algunas cuestiones que no están claras en ellos o en las réplicas de Orayen y, (iii) en la medida de lo posible, se indica si los autores desarrollan ulteriormente los problemas abordados en sus artículos. The aim of this critical note is threefold: (i) it briefly describes and comments on each of the (...) articles of Orayen: de la forma lógica al significado; (ii) identifies some issues that may not be clear enough or not fully developed whether in the articles or even in Orayen's replies; (iii) as far as possible, it refers to further studies made by the authors themselves on the same, or quite related, subjects addressed by them in their papers. (shrink)
En esta nota crítica (i) se hace una breve descripción de cada uno de los artículos que componen Orayen: de la forma lógica al significado, (ii) se señalan algunas cuestiones que no están claras en ellos o en las réplicas de Orayen y, (iii) en la medida de lo posible, se indica si los autores desarrollan ulteriormente los problemas abordados en sus artículos. The aim of this critical note is threefold: (i) it briefly describes and comments on each of the (...) articles of Orayen: de la forma lógica al significado; (ii) identifies some issues that may not be clear enough or not fully developed whether in the articles or even in Orayen's replies; (iii) as far as possible, it refers to further studies made by the authors themselves on the same, or quite related, subjects addressed by them in their papers. (shrink)
En este artículo pretendo analizar ciertos elementos de la tematica correspondiente a la noción de parte temporal. En la primera parte estudio dicha noción y describo las tesis principales con las que los partidarios de la teoría de partes temporales se comprometen al respecto, En la segunda parte expongo algunas críticas contra la existencia de partes temporales presentadas por los partidarios de continuantes e intento mostrar que o bien estas críticas parten de ciertas confusiones que las hacen insatisfactorias o bien (...) son perfectamente salvables desde el marco tetradimensionalista. Me centro especialmente en las criticas de J.J. Thomson, P. Geach, D. Mellor y S. Haslanger, que hacen referencia a las cuestiones acerca deI supuesto carácter instantaneo de las partes temporales, su existencia ex nihilo, la analogía espacio-temporal y la causalidad humeana.In this paper some answers to certain arguments against temporal parts are presented. The first part explores the very notion of temporal part and tries to describe the main tenets that friends of temporal parts hold. The second one develops sonze criticisms that friends of continuants have expoused against those entities and argues that most of these criticisms mischaracterize the problems at issue. The discussion focuses on J.J. Thomson’s, P. Geach’s, D. Mellor’s and S. Haslanger’s arguments about the impossibility of procesualism to escape from some problematic commitents like instantaneous parts, ex nihilo existences, time-space analogies and humean causes. Nevertheless I will try to show that some of this consequences do not folIow and that some other are seen not to be as threatening as they might first have appeared. (shrink)
Ethical mysticism, by S. Coit.--The ethical import of history, by D. S. Muzzey.--The tragic and heroic in life, by W. M. Salter.--Distinctive features of the ethical movement, by A. W. Martin.--Ethical experience as the basis of religious education, by H. Neumann.--"All men are created equal," by G. E. O'Dell.--How far is art an aid to religion? by P. Chubb.--Evolution and the uniqueness of man, by H. J. Bridges.--The spiritual outlook on life, by H. J. Golding.--The ethics of Abu'l Ala al (...) Ma'arri, by N. Schmidt.--Life's unused moral force, by H. Snell.--Is the ideal real? by G. A. Smith.--Some ethical tendencies in the professions, by R. D. Kohn.--On the art of living, by W. Boerner.--The relation of the ethical ideal to social reform, by J. L. Elliott.--Concerning tolerance, by R. F. Dewey.--Ethical culture in Germany after the war, by R. Penzig.--A confession of faith, by S. B. Weston.--"Hearing the witnesses," by J. Gutmann. (shrink)
Tercer i últim volum de les memòries lliures i impertinents d’un dels filòsofs i educadors més influents de Catalunya En els dos primers volums de les seves memòries, el filòsof i pedagog Octavi Fullat s’ha revelat per a molts lectors com un dels intel·lectuals de referència del segle XX català. El seu estil, hereu de la profunda senzillesa d’Albert Camus, combina de manera inconfusible la memòria, l’assaig i la narració. Després de La meva llibertat i La meva veritat , en (...) aquest tercer i últim volum Octavi Fullat ens condueix pels secrets de l’art i la bellesa: l’emoció que pot despertar el cos d’una dona, la conversa a l’entorn d’un diàleg platònic acompanyat amb un bon vi francès o la rememoració d’una màgica nit africana. Per les pàgines d’aquest llibre hi transiten pensadors com Schopenhauer o Hegel, pintors com Van Gogh o Tintoretto, escriptors com Dante o Rilke, músics com Mozart o Beethoven i, com calia esperar, punyents al·lusions al nostre país i als seus polítics. Així, es tanca l’obra més personal d’un home que mai no ha buscat recer i que sempre ha viscut per la llibertat, per la veritat i per la bellesa. Compra La meva bellesa en E-book Web d'Octavi Fullat Octavi Fullat Nascut a Alforja (Baix Camp) el 1928, és doctor en Filosofia per la Universitat de Barcelona i catedràtic de Filosofia de l’Educació de la Universitat Autònoma de Barcelona des de 1986. Ha rebut diversos premis i, des de 1996, és membre numerari de l’Institut d’Estudis Catalans. Ha estat deixeble de Lévi-Strauss, Michel Foucault i Jean Wahl, i doctor honoris causa a Mèxic i Xile. Ha impartit cursos a diferents universitats d’Europa i Amèrica. Ha estat president del Consell Escolat de Catalunya i del Consell Superior d’Avaluació del Sistema Educatiu de Catalunya. És autor de nombrosos estudis sobre pedagogia, filosofia, ètica, antropologia i història, entre els quals destaquen, La moral atea de Albert Camus (1963), Marx y la religión (1974), Filosofías de la educación (1992), Política de la educación (1994), Antropología y Educación (1997), Els valors d’Occident (2001), El siglo postmoderno (1900-2001) (2002), L’autèntic origen dels europeus (2005), La meva llibertat (2006) i La meva veritat (2008), aquests dos últims publicats per Angle Editorial. (shrink)
The Body at the Limits of Representation. The Theory of the Body and Painting in Merleau-PontyIn Eye and Mind,” Merleau-Ponty quotes a phrase from Valéry: “the painter brings his body with him.” He interprets the corporeal experience of the artist, not only as the center of a perceptual orientation or kinesthesis, but also as the inspiration for poets and for painters. In this sense, one can place his theory of body not only within the problematic of the phenomenological constitution of (...) the perceived object, but also in the context of the deconstruction of representation or in the genealogy of “de-representation” (Lyotard). By following Merleau-Ponty’s interpretation of the works of Cézanne and Klee, we are going to see how his theory of the experience of body and the formation of their works of art meet up in his consideration of the reversibility of the visible and the invisible. When Merleau-Ponty quotes Valéry’s phrase “the painter brings his body with him,” the body of the artist is no longer “subject-body” perceiving the world in a prosaic way; rather, the body is implicated in the anonymous vision at the source from which the painter’s expression emerges. Just as nature is recounted through the poet, it has the faculty of seeing itself through the painter. In the “Methods of Natural Research,” Klee says “the resonance surpasses all the optical foundations between myself and that which opposes me,” “the united anti-optic way of the root going out of the earth, which looks at me from down below all the way up to my eyes” and of the “united non-optic way of the universe come from above.” He demonstrates that this non-optic resonance, rather than a mirror and a black screen separating the light, allows the eye to be seen as a point of junction of non-optical things and thereby it constitutes a part of the circle created by the new nature of works (eine neue Natürlichkeit des Werkes). Following what is particular to Merleau-Ponty’s thought in which the body is conceived as a principle of de-representation, one sees, by means of his intention of assessing modern artistic creation as the deconstruction of classical ontology, the overcoming of the ontology of the object. In conclusion, we note that the theory of body and of painting in Merleau-Ponty brings to light the limit of the possibility of representation in modern art, by emphasizing especially the non-perception or the transcendence that one can discern in the perceptual field. By interrogating the body of the painter and the poet, that is, the poetic body or the body as symbolism, prior to its being diverted into being a result of the brain and of the libido where the body is no longer the body visible in the world, by doing this, Merleau-Ponty has found a way of placing the body beyond representation. Poièsis is no longer mimèsis in the banal sense of imitation, and the poetic body is not the representational body. But, he has found a way of placing it still in Visibility, as if there were a hinge in this border between the visible and the invisible, in this border between representation and de-representation, a border that one cannot definitively overcome by structuring it as a dichotomy. (De-representation, but the visible. Therefore the possibility of visible de-representation in the artistic creation, in poièsis.) This hinge, which denies us an alternation, is the body, the flesh, which is the condition of thought as ontological interrogation: an ontological interrogation in the age of ir-representation, in the age of the impossibility of representation (Vorstellung) and of poem (Dichtung), in the age of crowds where the image appears as one of my fellow creatures just like the shadow cast by existence.Il corpo ai limiti della rappresentazione. La teoria del corpo e della pittura di Merleau-PontyNe L’occhio e lo spirito Merleau-Ponty cita una frase di Valéry: “il pittore si dà con il suo corpo”. Egli interpreta l’esperienza corporea dell’artista non solo come il centro di un orientamento percettivo o cinestesico, ma anche come motivo d’ispirazione per poeti e per pittori. In questo senso, si può collocare la sua teoria del corpo non solo all’interno della problematica della costituzione fenomenologica dell’oggetto percepito, ma anche nel contesto della decostruzione della rappresentazione o nella genealogia della “derappresentazione” (Lyotard). Seguendo l’interpretazione merleaupontiana delle opere di Cézanne e di Klee, vedremo come la sua teoria dell’esperienza del corpo e la formazione delle loro opere d’arte convergano nella considerazione della reversibilità del visibilee dell’invisibile. Quando Merleau-Ponty cita la frase di Valéry “il pittore si dà con il suo corpo”, il corpo dell’artista non è più un corpo soggettivo che percepisce il mondo in modo prosaico; il corpo è piuttosto implicato nella visione anonima dell’origine dalla quale emerge l’espressione del pittore. In Wege des Naturstudiums, Klee afferma che “la risonanza sorpassa tutti i fondamenti ottici tra me e ciò che mi si oppone”. Egli dimostra che questa risonanza non-ottica, piuttosto che essere uno specchio o uno schermo nero che separa la luce, permette di vedere l’occhio come un punto di giunzione di cose non ottiche e ciò costituisce una parte del circolo creato dalla nuova natura delle opere (eine neue Natürlichkeit des Werkes). Seguendo la particolarità del pensiero merleaupontiano, secondo il quale il corpo è concepito come un principio di de-rappresentazione, si nota, in virtù della sua intenzione di interpretare la creazione nell’arte moderna come la decostruzione dell’ontologia classica, il superamento dell’ontologia oggettivistica. In conclusione, osserviamo come la teoria del corpo e della pittura di Merleau-Ponty chiarisca i limiti della possibilità della rappresentazione nell’arte moderna, enfatizzando l’impercezione o la trascendenza che si può distinguere nel campo percettivo. Interrogando il corpo del pittore e del poeta – il corpo poetico o il corpo come simbolismo, a monte del suo porsi come risultato della mente o della libido, là dove il corpo non è ancora corpo visibile nel mondo – Merleau-Ponty ha trovato il mondo di collocare il corpo al di là della rappresentazione. Poièsis non è più mimesis nel senso banale d’imitazione, e il corpo poetico non è il corpo rappresentativo. Egli ha trovato il modo di posizionare il corpo nella Visibilità, come se esistesse un punto di rovesciamento situato sul confi ne tra visibile ed invisibile, ovvero sul confine tra rappresentazione e de-rappresentazione: un confine che non si può definitivamente superare se lo si continua a strutturare come dicotomia. Questo punto, che ci nega un’alternativa, è il corpo, la carne, che è condizione del pensiero come interrogazione ontologica: un’interrogazione ontologica nell’era dell’ir-rappresentazione, nell’era dell’impossibilità di rappresentare (Vorstellung) o di creare poemi (Dichtung), nell’era delle masse, in cui l’immagine appare come uno dei miei simili, come l’ombra proiettata dall’esistenza. (shrink)
This paper is an introduction to the special issue commemorating the 50th anniversary of the publication of The Structure of Scientific Revolutions by Thomas Kuhn. It introduces some main ideas of Structure, as its change in historical perspective for the interpretation of scientific progress, the role and nature of scientificcommunities, the incommensurability concept, or the new-world problem, and summarizes some philosophical reactions. After this introduction, the special issue includes papers by Alexander Bird, Paul Hoyningen-Huene and George Reisch on different aspects (...) of Kuhn’s work.Este artículo es una introducción al número monográfico que conmemora el 50º aniversario de la publicación de La estructura de las revoluciones científicas de Thomas Kuhn. En la introducción se presentan algunas de las ideas principales del libro, como su cambio de perspectiva histórica para la interpretación del progreso científico, el papel y naturaleza de las comunidades científicas, el concepto de inconmensurabilidad o el problema del cambio de mundo, y se resumen algunas reacciones filosóficas a las mismas. Tras la introducción, el número monográfico está compuesto por artículos de Alexander Bird, Paul Hoyningen-Huene y George Reisch que versan sobre diversos aspectos de la obra de Kuhn. (shrink)
How much can and should be said about the beginning of Wittgenstein's Philosophical Investigations (PI) on the basis of its very first section alone? Is the only thing worth mentioning that it is designed to introduce the topic for the rest of the book - may this be a "pre-philosophical", "pre-theoretical", "Augustinian" picture of Ianguage (Baker/Hacker, Kenny, Katz, Canfield et al.) or a mentalistic picture of the use of language (Savigny)? These ways of interpreting leave too many aspects of the (...) text untouched. Some of these are: Why does Wittgenstein quote just from the Confessions if his only interest was to get a picture of language? How about Wittgenstein's different ways of dealing with the quotation from Augustine? Trying to answer these questions means to develop a new, more complicated picture o f the beginning of the PI. (shrink)
En esta nota crítica (i) se hace una breve descripción de cada uno de los artículos que componen Orayen: de la forma lógica al significado, (ii) se señalan algunas cuestiones que no están claras en ellos o en las réplicas de Orayen y, (iii) en la medida de lo posible, se indica si los autores desarrollan ulteriormente los problemas abordados en sus artículos. The aim of this critical note is threefold: (i) it briefly describes and comments on each of the (...) articles of Orayen: de la forma lógica al significado; (ii) identifies some issues that may not be clear enough or not fully developed whether in the articles or even in Orayen's replies; (iii) as far as possible, it refers to further studies made by the authors themselves on the same, or quite related, subjects addressed by them in their papers. (shrink)
En la gran producció filosòfica d?Eusebi Colomer, s?hi poden distingir tres grans centres d?interès particularment destacats. En primer lloc, la seva dedicació a l?estudi del pensament de Ramon Llull i de Nicolau de Cusa. La seva tesi doctoral va mostrar les influències lul·lianes en l?obra de Nicolau de Cusa a partir de les anotacions autògrafes en què el jove Nicolau es feia ressò de les coses que més li interessaven de Llull. El segon gran centre d?interès el van constituir, naturalment, (...) els grans corrents de la filosofia alemanya moderna i contemporània. Des dels anys d?estudiant s?havia familiaritzat particularment amb l?idealisme, la fenomenologia i la filosofia de l?existència. Finalment, el seu tercer centre d?interès va ser el diàleg filosòfico-teològic. Colomer lamentava profundament el divorci produït entre la filosofia i la teologia. Adaptant una coneguda formulació de Kant, pensava que la teologia sense filosofia és cega, però que la filosofia sense teologia és buida. Format en la tradició metafísica espiritualista i defensor de l?humanisme cristià, Colomer es trobava, però, a les antípodes de qualsevol sectarisme o dogmatisme. La seva formació, el seu tarannà i, segurament, els seus enormes coneixements de la història de la filosofia, li havien conferit una gran capacitat per al diàleg. Ell no veia el diàleg com un recurs o com una tàctica, sinó com un element constitutiu de l?ésser humà. \n. (shrink)
Les divers visages du mouvement. Questions phénoménologiques et ontologiques sur le rapport entre la perception, l’expression et le mouvement dans le cours de Merleau-PontyLe monde sensible et le monde de l’expressionLe cours professé par Merleau-Ponty dans l’année 1952-53 est encore inédit, mais grâce au travail de Emmanuel de Saint Aubert et Stefan Kristensen il est possible de le lire en transcription en vue de sa publication. Ce cours, inaugurant les leçons au Collège de France, contient des analyses détaillées concernant la (...) relation entre monde sensible perceptif et monde de l’expression (non seulement linguistique). Il s’agit d’analyses importantes, possédant un caractère programmatique en vue des recherches effectuées ensuite par Merleau-Ponty jusqu’à l’époque de Le visible et l’invisible. Au sein de cette analyse une place importante est réservée au thème du mouvement, d’abord étudié en tant que médiateur entre perception et pensée, mais vite devenu question centrale du cours.Merleau-Ponty aborde le problème du mouvement par rapport à sa manifestation, considérée comme originale et non pas réductible à des éléments plus fondamentaux qu’elle, tels que l’espace et du temps. Il étudie ensuite le sujet du mouvement, en le liant avec le concept de schéma corporel, ce qui est amplement illustré et contient des développements intéressants à l’égard de la Phénoménologie de la perception. Enfin il étudie la question de la représentation du mouvement dans la peinture et le cinéma.Toutes ces approches au problème du mouvement esquissent, sans le dire ouvertement, la question de sa signification ontologique. Dans cet essai, j’ai essayé d’articuler cette question, en essayant d’en extraire les différentes valeurs: celle relative au statut du mouvement, celle portant sur la relation entre le mouvement et la manifestation, à savoir la manifestation comme mouvement, et enfin celle de la pluralité de sens ontologique inhérente à la conception de Merleau-Ponty, avec une attention particulière aux concepts d’altération, métamorphose, trace de l’être.De la discussion des ses remarques tout aussi pénétrantes que réticentes on est amené à conclure que Merleau-Ponty a vu la possibilité d’une ontologie «cinétique», c’est à dire d’une signification ontologique radicale du mouvement, mais sans arriver à une formulation explicite de cette perspective. Perspective qui semble refaire surface dans les oeuvres et dans les leçons suivantes, sans jamais recevoir une définition accomplie.I molti volti del movimento. Problemi fenomenologici e ontologici relativi alla relazione tra percezione, espressione e movimento nel corso su Il mondo sensibile e il mondo dell’espressione di M. Merleau-PontyIl corso tenuto da Merleau-Ponty nell’anno accademico 1952-53 è ancora inedito ma grazie al lavoro di Emmanuel de Saint Aubert e Stefan Kristensen è ora divenuto possibile leggerne la trascrizione in vista della sua pubblicazione. Questo corso, inaugurale delle lezioni al Collège de France, contiene analisi dettagliate relative al problema del rapporto tra mondo sensibile percettivo e mondo dell’espressione (anche ma non soltanto linguistica). Si tratta di analisi importanti anche per il carattere programmatico che esse posseggono in riferimento alle successive indagini condotte da Merleau-Ponty fino all’epoca della redazione di Il visibile e l’invisibile. All’interno di tali analisi un posto importante è riservato al tema del movimento, inizialmente indagato nella sua valenza di mediazione tra percezione e pensiero, ma presto assurto a tema centrale della riflessione.Merleau-Ponty discute il problema del movimento in relazione alla sua manifestazione, ritenuta originaria e non riconducibile, o peggio riducibile, a elementi più fondamentali come lo spazio e il tempo. Indaga poi il soggetto del movimento, articolandolo in connessione alla nozione di schema corporeo, che viene illustrata ampiamente e contiene interessanti sviluppi rispetto a Fenomenologia della percezione. Infine studia la questione della rappresentazione del movimento in pittura e nel cinema.Tutti questi approcci al movimento delineano, senza esplicitarla apertamente, la questione della valenza ontologica del movimento. In questo saggio ho provato ad articolare tale questione cercando di estrarne le diverse valenze: quella relativa allo statuto del movimento, quella concernente il nesso tra movimento e manifestazione, ossia la manifestazione come movimento; infi ne quella della pluralità di sensi ontologici intrinseca alla trattazione di Merleau-Ponty, con un’attenzione particolare per le nozioni di alterazione, metamorfosi, traccia d’essere.Dall’analisi di queste osservazioni insieme penetranti e reticenti mi pare di poter concludere che Merleau-Ponty abbia intravisto la possibilità di una ontologia “cinetica”, cioè di un significato ontologico radicale del movimento, senza però arrivare ad una formulazione esplicita di tale prospettiva. Prospettiva che sembra a tratti riaffiorare nelle opere e nelle lezioni successive, senza mai ricevere una compiuta definizione. (shrink)
Dispositionalism says that the colours are dispositions to produce certain sorts of experiences in perceivers—that colours are secondary qualities, on one use of that term. Recently dispositionalism has been under attack on the ground that “colours do not look like dispositions” (Dancy 1986, Boghossian and Velleman 1989, McGinn 1996; see also McGinn 1983, 132-6, and Johnston 19921). In response, Langsam has argued that, on the contrary, “colours d o look like dispositions” (2000, 74).2 This note makes three claims. First, neither (...) side has made its case. Secondly, it’s true—on one interpretation—that colours do not look like dispositions. Thirdly, this does not show that dispositionalism is false. (shrink)
Los estudios de géneros discursivos han prestado poca atención a las tesis o seminarios producidos para la obtención del grado de licenciatura. En este artículo se describe, desde el enfoque del genre analysis (Swales, 1990), la organización retórica del marco referencial de un conjunto de 30 tesis de pregrado elaboradas por estudiantes de la carrera de Trabajo Social de la UCSC. Se identifican cuatro movidas retóricas: teórico, conceptual, empírico y normativo. Se observa que cada una tiene propósitos diferentes sobre cuestiones (...) teóricas, prácticas y legales relacionadas con el problema social que aborda cada tesis. Se advierte la presencia de algunos pasos retóricos recursivo y, al mismo tiempo, un fuerte compromiso de la investigación con la resolución de un problema social real. Studies of discourse genre have paid little attention to graduation theses produced by undergraduate students. This article describes, from a genre analysis approach (Swales, 1990), the rhetorical organization of the reference framework of a set of 30 undergraduate theses prepared by social work students at the UCSC. The study identifies four rhetorical moves: theoretical, conceptual, empirical, and normative. It is observed that each move has different purposes on theoretical, practical, and legal issues related to the social problem addressed by each thesis. The presence of recursive rhetorical steps is apparent, along with a strong commitment to solving real social problems through research. (shrink)
Se indaga la relación que se da en la República entre los dos significados de ousia: como propiedad en el sentido de posesiones y riqueza, o en el sentido de esencia o sustancia. Aparte de las relaciones económicas asociadas al préstamo, al intercambio y al interés, se examina la función que, respecto de la ousia, cumple la moneda en la economía como recurso para disociar la riqueza de las posesiones, con lo cual logra un nivel de universalidad y equivalencia equiparable (...) al del propio ser. The article inquires into the relation established in the Republic between the two meanings of ousia: property in the sense of possessions and wealth, and essence or substance. Besides the economic relations associated with loans, exchange, and interest, the paper examines the role of currency in the economy, with respect to ousia, as a means of dissociating wealth from possessions, thus achieving a degree of universality comparable to that of being itself. (shrink)
Imagine a gadget, call it “brain-ovision,” for brain scanning that doesn’t create pictures of brains at all. That’s right, no orbs spattered with colorful “activations” that need to be interpreted by neuroanatomists. Instead, with brain-o-vision, what a brain sees is what you get—an image of what that brain is experiencing. If the person who owns the brain is envisioning lunch, up pops a cheeseburger on the screen. If the person is reading a book, the screen shows the words. For that (...) matter, if the brain owner is feeling pain, perhaps brain-o-vision could reach out and swat the viewer with a rolled-up newspaper. Brain-ovision could give us access to another person’s consciousness (1). Technologies for brain-o-vision are beginning to seem possible. We are learning how brain activations map onto emotions, memories, and mental processes, and it won’t be long before we might translate activations into Google searches for images of what the brain is thinking. There is a specific brain area linked with face perception (2), for instance, and even a neuron that fires when it sees Jennifer Aniston (3). So why, in principle, shouldn’t we be able to scan a brain and discover when it is looking at her—and eventually even learn what she’s wearing? Of course, it may be many years to the beta version. But imagine that everything works out and brain-o-vision goes on sale at Wal- Mart. Could the device solve the problem of whether consciousness causes behavior? With direct evidence of a person’s consciousness, we could do science on the question. We could observe regularities in the relation between consciousness (say, a thought of sipping coffee) and behavior (the actual drink). If the consciousness always preceded the behavior (and never occurred without being followed by the behavior), we could arrive at the inductive inference of causation and, as scientists, be quite happy that we had established a causal connection. (shrink)
This paper introduces a hybrid model that combines connectionist, symbolic, and reinforcement learning for tackling reactive sequential decision tasks by a situated agent. Both procedural skills and high-level symbolic representations are acquired through an agent's experience interacting with the world, in a bottom-up direction. It deals with on-line learning, that is, learning continuously from on-going experience in the world, without the use of preconstructed data sets or preconceived concepts. The model is a connectionist one based on a two-level approach proposed (...) earlier. Acknowledgements: This work is supported in part by O ce of Naval Research grant N00014-95-1-0440. (shrink)
Este artículo brinda algunas respuestas y alternativas a ciertos problemas y propuestas en el área de la teoría democrática. El ensayo tiene como enfoque la cuestión de distinguir sistemas que pueden parecer democráticos sin serlo de sistemas realmente democráticos. Develando algunos actores disfrazados del discurso democrático en América Latina, el artículo argumenta que es preferible la regla de la mayoría como base para la identificación del bien común por medio del interés general, que reglas de minorías, consentimiento total o bases (...) constitucionales opuestas al gobierno de la mayoría. Esto se hace sin desestimar a las minorías ni las constituciones, ni lo ideal de la unanimidad. Simplemente las ubica. La investigación incluye una nueva respuesta al problema de la supuesta irracionalidad de la democracia identificada originalmente por Platón y después formalizada por Arrow. (shrink)
This review essay looks at two important recent books on the empirical social science of inequality, Richard Wilkinson and Kate Pickett's The Spirit Level and John Hills et al .'s Towards a More Equal Society? , situating these books against the important work of Michael Marmot on epidemiology and health inequalities. I argue that political philosophy can gain a great deal from careful engagement with empirical research on the nature and consequences of inequality, especially in regard to empirical work on (...) the relationship between socioeconomic inequality, status, self-respect, domination, autonomy, the quality of social relations, and societal health outcomes. The essay also raises some methodological questions about the approach taken by Wilkinson and Pickett, as well as questioning the ways in which their argument is (or is not) best understood as being fundamentally egalitarian in character. It concludes with some reflections, prompted by Hills et al ., on the lessons that should be learned by egalitarians from the experience of the Blair and Brown governments in the UK. (shrink)
Oleg Grabar has argued that there was not a system of visual symbols in Islamic culture; consequently it is difflcult to hold that an Islamic architecture exists; that is, if we were to stand before a mosque and try to experience it aesthetically or see what kind of building it is we would not be able to say that it is a mosque. In this paper we argue against this proposition. We, first, present a brief analysis of Grabar's view. Second, (...) we critically evaluate this view. Third, we explicate how the mosque as an architectural type embodies uniquely Islamic symbols. We shall illustrate this point by an analysis of one basic Islamic symbol: the Mihrab. The thesis we defend is that there are basic Islamic symbols and that these symbols inhere in the mosque. It is this fact that lends credibility to the claim that an Islamic architecture exists. /// Oleg Grabar defendeu a tese de que não existe um sistema de símbolos visuais na cultura islâmica; consequentemente, é difícil defender a existência de uma arquitectura islâmica; ou seja, se estivéssemos diante de uma mesquita e tentássemos fazer uma experiência estética da mesma ou analisar que tipo de edifício se trata, não seríamos capazes de dizer que se trata de uma mesquita. No presente artigo, os autores argumentam contra esta proposição. Em primeiro lugar, os autores começam por apresentar uma breve análise do ponto de vista de Grabar. Em segundo lugar, avaliam criticamente esta posição. Em terceiro lugar tentam explicar até que ponto a mesquita como tipo arquitectónico apenas incorpora símbolos islâmicos. Os autores exemplificam este ponto mediante a análise de um dos símbolos básicos do Islamismo: o Mihrab. O artigo defende, portanto, a tese de que existem símbolos islâmicos básicos e de que estes símbolos estão presentes na mesquita. Ora é precisamente este facto que dá credibilidade à afirmação de que existe uma arquitectura islâmica propriamente dita. (shrink)
��This paper investigates how an evolutionary al- gorithm with an indirect encoding exploits the property of phenotypic regularity, an important design principle found in natural organisms and engineered designs. We present the first comprehensive study showing that such phenotypic regularity enables an indirect encoding to outperform direct encoding con- trols as problem regularity increases. Such an ability to produce regular solutions that can exploit the regularity of problems is an important prerequisite if evolutionary algorithms are to scale to high-dimensional real-world (...) problems, which typically contain many regularities, both known and unrecognized. The indirect encoding in this case study is HyperNEAT, which evolves artificial neural networks (ANNs) in a manner inspired by concepts from biological development. We demonstrate that, in contrast to two direct encoding controls, HyperNEAT produces both regular behaviors and regular ANNs, which enables HyperNEAT to significantly outperform the direct encodings as regularity increases in three problem domains. We also show that the types of regularities HyperNEAT produces can be biased, allowing domain knowledge and preferences to be injected into the search. Finally, we examine the downside of a bias toward regularity. Even when a solution is mainly regular, some irregularity may be needed to perfect its functionality. This insight is illustrated by a new algorithm called HybrID that hybridizes indirect and direct encodings, which matched HyperNEAT’s performance on regular problems yet outperformed it on problems with some irregularity. HybrID’s ability to improve upon the performance of HyperNEAT raises the question of whether indirect encodings may ultimately excel not as stand-alone algorithms, but by being hybridized with a further process of refinement, wherein the indirect encoding produces patterns that exploit problem regu-. (shrink)
Reasoning about concurrent programs involves representing the information that concurrent processes manipulate disjoint portions of memory. In sophisticated applications, the division of memory between processes is not static. Through operations, processes can exchange the implied ownership of memory cells. In addition, processes can also share ownership of cells in a controlled fashion as long as they perform operations that do not interfere, e.g., they can concurrently read shared cells. Thus the traditional paradigm of distributed computing based on locations is replaced (...) by a paradigm of concurrent computing which is more tightly based on program structure. Concurrent Separation Logic with Permissions, developed by O’Hearn, Bornat et al., is able to represent sophisticated transfer of ownership and permissions between processes. We demonstrate how these ideas can be used to reason about fine-grained concurrent programs which do not employ explicit synchronization operations to control interference but cooperatively manipulate memory cells so that interference is avoided. Reasoning about such programs is challenging and appropriate logical tools are necessary to carry out the reasoning in a reliable fashion. We argue that Concurrent Separation Logic with Permissions provides such tools. We illustrate the logical techniques by presenting the proof of a concurrent garbage collector originally studied by Dijkstra et al., and extended by Lamport to handle multiple user processes. (shrink)
Ceci et al.'s (2006) findings remind us that tenure rarely serves its intended purpose. I argue that tenure often fails in part because many faculty members possess an insufficient appreciation for the heuristic value of controversy in science and other disciplines. Using two case examples from clinical/personality psychology, I show how controversial positions can draw sharp criticism while facilitating scientific progress. (Published Online February 8 2007).
The “A-not-B” error is consistent with an old memory principle, Jost's Law. Quantitative properties of the effect can be explained by a dynamic model for habituation that is also consistent with Jost. Piaget was well aware of the resemblance between adult memory errors and the “A-not-B” effect and, contrary to their assertions, Thelen et al.'s analysis of the object concept is much the same as his, though couched in different language.
Der Beitrag zeigt, dass sich Nietzsches erkenntnistheoretische Position als konventionalistisch, pluralistisch, pragmatisch und evolutionär charakterisieren lässt. In diesen wesentlichen Punkten antizipiert sie moderne Ansätze, wie am Beispiel Carnaps Induktiver Logik gezeigt wird. In der sog. CLFunktion beruhen die Behauptungen über L auf s y n t h e t i s c h - a p r i o r i s c h e n Annahmen, die den Uniformitätsgrad des Gegenstandbereiches betreffen. Diese Annahmen lassen sich als konventionelle Festsetzungen deuten, (...) die sich nach den erzielten pragmatischen Erfolgen richten. Es ist naheliegend anzunehmen, dass sich ein adäquates L in der Praxis nach evolutionären Mechanismen herauskristallisiert. Dennoch bleibt stets ein ganzes Kontinuum möglicher konventioneller Bestimmungen von L als rationale Alternative bestehen. (shrink)
Summary It is well known that Hempels âclassicalâ approach to scientific explanation leads to a lot of difficulties with regard to the real world of inquiry, especially to that of the humanities. Seen against this background alternative views on explanation have become more and more attractive during the last years. The present paper deals with a recent contribution made by O. Schwemmer (a representative of the âErlanger Schuleâ). His conception of explanation is explicitly meant to apply to the actual practice (...) of the humanities. Contradicting Schwemmer's own claim it is argued that his logic of explanation is not applicable and not relevant to the work of the humanities. The examples are taken from philology. (shrink)
In this article I propose to understand inertia in art as a “disposition to meaning”. I compare inertia in art with that of a face of a person recently deceased. To acquaintances, i.e. to family and friends, it holds a promise of memories (of the deceased); to all the others the corpse offers the possibility of a projection of meanings. Art is made of plain, or extra-ordinary stuff, which is turned into artistic material. The artist is to bring the inert (...) potency of stuff to artistic life, and to turn it into something that is expressive. If she is successful, then the work will offer its audience a concentrated, absorbing experience. Art is autonomous in that the aimed for experience is morally neutral. In the view of many contemporary artists, such experiences fail art’s deeper significance: absorbing experiences are, simply, too easy. If artists want to really move the audience (to emotion), or so they feel, they should also move the audience into action. Wanting to achieve this is not just difficult; it is a paradox. (shrink)
A metafisica traditional de Descartes, Kant e Moore tern a pretensão de possuir um conhecimento certo sobre o Eu e sobre o Mundo. Em Sobre a Certeza, Wittgenstein critica esta metafisica de forma radical, pois, segundo ele, a metafisica traditional confunde as "proposições gramaticais" com proposições metafisicas. Por esta razão o presente artigo concentra-se sobre a estrutura das "proposições gramaticais" e as suas diferenças em relação a orações com conteúdo proposicional e a pretensão de verdade. Na prossecução desta andlise o (...) artigo procura responder a questões como as seguintes: "Em que consiste a semantica pragática de Wittgenstein?" "Qual a relação entre "proposicoes gramaticais" e proposições empiricas?" e "Em que medida proposições gramaticais podem determinar uma visdo do mundo?". /// Traditional metaphysics by Descartes, Kant and Moore claims to have a certain knowledge of the I and of the world In Über Gewißheit Wittgenstein criticizes this metaphysics radically: traditional metaphysics misunderstands "grammatical sentences" as metaphysical sentences. This is why the following examination focuses on the structure of "grammatical sentences "and their differences to sentences with propositional contents and a claim to truth In this examination we will also have to answer questions like: "What does Wittgenstein's pragmatic semantics consist of?", "What is the relationship between ' grammatical sentences' and empirical sentences?" and "In which respect do ' grammatical sentences' determine a world view? ". (shrink)
Zur Zeit des Hl. Thomas von Aquin war es nicht leicht andere Religionen zu verstehen. Besonders auch deswegen nicht, weil die Verbreitung der Religion mit Macht und Krieg verbunden war. Aber gerade Thomas hat die sogenannte „Heidnische Lehre“ des Aristoteles in das Christentum eingeführt. In den Augen vieler orthodoxen Christen war dies ein unverzeihlicher Fehler. Mit dieser Lehre ist auch das Naturrecht (moralisch natürliche Gesetz) in die katholische Theologie eingeführt worden. Aber die Aristotelische Wiedereinführung (wenn nicht Revolution) in die christliche (...) Philosophie ist bis heute nicht ohne Hindernisse geschehen. Chesterton meint, dass Thomas korrigiert Platon mit Aristoteles, der die Dinge so genommen hat, wie er sie vorgefunden hat. Thomas nimmt die Dinge so, wie sie Gott geschaff en hat. Trotz allem ist es sehr wertvoll zu denken, dass die Wahrheit und der Glaube nicht im Widerspruch stehen können, und alles was die Wissenschaft ans Licht der Welt bringt, kann nicht im Widerspruch gegenüber dem Glauben sein. In den Werken des Hl. Thomas ist immer die Welt der positiven Schöpfung gegenwärtig. In dieser Arbeit möchten wir die Bedingungen der Zeit des Dialogs mit dem Islam und dem Judentum als Hintergrund für die Zusammenfassung der Summa contra Gentiles analysieren nach den Gedanken von M.-D. Chenu, O. H. Pesch, J. Weisheipl, K. G. Chesterton und anderen, die uns ein Bild über die nicht einfache aber trotzdem erreichbare Begegnung mit anderen Religionen zeigen und auch die Gefahr aufzeigen, die sich in einer nicht konsequenten Philosophie birgt. (shrink)
