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  1. Ivan Gaskell & Salim Kemal (forthcoming). Michael Baxandall, Patterns of Intention, 1985. British Journal of Aesthetics 27.
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  2. Salim Kemal (forthcoming). Aristotle's Poetics in Avicenna's Commentary. Oxford Studies in Ancient Philosophy.
     
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  3. Keith Ansell Pearson, Babette Babich, Eric Blondel, Daniel Conway, Ken Gemes, Jürgen Habermas, Salim Kemal, Paul S. Loeb, Mark Migotti, Wolfgang Müller-Lauter, Alexander Nehamas, David Owen, Robert Pippin, Aaron Ridley, Gary Shapiro, Alan Schrift, Tracy Strong, Christine Swanton & Yirmiyahu Yovel (2006). Nietzsche's on the Genealogy of Morals: Critical Essays. Rowman & Littlefield Publishers.
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  4. Salim Kemal (2001). Aristotle's Poetics, the Poetic Syllogism, and Philosophical Truth in Averroës Commentary. Journal of Value Inquiry 35 (3):391-412.
  5. Salim Kemal & Ivan Gaskell (eds.) (2000). Politics and Aesthetics in the Arts. Cambridge University Press.
    This volume brings together new essays from distinguished scholars in a variety of disciplines - philosophy, history, literary studies, art history - to explore various ways in which aesthetics, politics and the arts interact with one another. Politics is an elastic concept, covering an oceanic breadth of mechanisms for conducting relations between empowered groups, and these essays offer a range of perspectives, including nations, classes, and gendered subjects, which examine the imbrication of politics with arts. Together they demonstrate the need (...)
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  6. Salim Kemal (1999). Aesthetic Licence: Foucault's Modernism and Kant's Post-Modernism. International Journal of Philosophical Studies 7 (3):281 – 303.
    Recently criticism and theory have maintained that Kant's aesthetic theory is central to modernism, and have used Foucault's archaeology to interrogate that modernism. This paper suggests that archaeology ultimately cannot escape Kant's hold because it depends on Kantian theses. The first section will consider how a recent exponent of an 'archaeological' viewpoint characterizes Kant's theory and will set out the critical role Kant ascribes to art. The second section compares Kant and Foucault to argue that despite appearances their projects turn (...)
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  7. Salim Kemal (1998). Kant, Morality and Society. Kantian Review 2:14-50.
  8. Salim Kemal, Ivan Gaskell & Daniel W. Conway (eds.) (1998). Nietzsche, Philosophy and the Arts. Cambridge University Press.
    Nietzsche's writings have shaped much contemporary reflection on the relation between philosophy and art. This book brings together a number of distinguished contributors to examine his aesthetic account of the origins and ends of philosophy. They discuss the transformative power which Nietzsche ascribes to aesthetic activity, including his aesthetic justification of existence and its fusion of social and personal existence, and they investigate his experiments with an 'aesthetic politics' and a politicisation of aesthetics. Together their essays set out the ground (...)
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  9. Salim Kemal (1997). Kant's Aesthetic Theory: An Introduction. St. Martin's Press.
    Salim Kemal clarifies the nature of aesthetic judgements and their epistemological status, and examines the scope of Kant's justification of their validity.
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  10. Salim Kemal (1997). The Need for Plans, Projects and Reasoning About Ends: Kant and Williams. International Journal of Philosophical Studies 5 (2):187 – 215.
    Critics deny that Kant's moral theory has the resources it needs to guide our actual actions. They reject the power of reason to establish moral rules and they propose alternative notions of person and project. This paper first develops aspects of Kant's moral theory, setting out briefly his notions of personality and the primacy of moral reason. Second it considers an alternative account that has been influential in recent Anglo-American philosophy to show that its understanding of persons and projects fails (...)
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  11. Salim Kemal (1994). Lectures on Logic. Review of Metaphysics 47 (3):624-625.
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  12. Salim Kemal (1994). The Genesis of Kant's "Critique of Judgment" (Review). Journal of the History of Philosophy 32 (3):504-505.
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  13. Salim Kemal & Ivan Gaskell (eds.) (1993). Explanation and Value in the Arts. Cambridge University Press.
    Explanation and Value in the Arts offers penetrating studies by art historians, literary theorists, and philosophers, of issues central to explaining works of literature and painting. The first chapters look at the sources of interest in the fine arts and point to the intimate relation between aesthetic and other values. The next contributions develop the interaction between value and explanation in the study of the arts, including considerations of the nature of creativity and the principles for the explanations of works. (...)
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  14. Salim Kemal & Ivan Gaskell (1993). Interests, Values and Explanations. In Salim Kemal & Ivan Gaskell (eds.), Explanation and Value in the Arts. Cambridge University Press. 1--42.
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  15. Salim Kemal & Ivan Gaskell (eds.) (1993). Landscape, Natural Beauty, and the Arts. Cambridge University Press.
    In Landscape, Natural Beauty, and the Arts, a distinguished group of scholars probes the complex structure of aesthetic responses to nature. Each of the chapters refines and expands the terms of discussion, and together they enrich the debate with insights from art history, literary criticism, geography and philosophy. To explore the interrelation between our conceptions of nature, beauty and art, the contributors consider the social construction of nature, the determination of our appreciation by artistic media, and the duality of nature's (...)
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  16. E. J. Leiden, Michael Fuss, Har Gibb, Jh Kramers, Salim Kemal, Richard Kieckehefer, George D. Bond, Bk Matilal, Oxford Oxford & W. Montgomery Watt (1992). AL-AZMEH, A.(1990) Ibn Khaldun, London, Routledge. ALON, ILAI (1991) Socrates in Mediaeval Arabic Literature, Leiden, EJ Brill. BENN, CHARLES D.(1991) The Cavern Mystery Transmission, Hawaii, University of Hawaii Press. BHARADWAJA, VK (1990) Form and Validity in Indian Logic, Shimla, Indian Institute of Advanced Study. BLACK, DEBORAH L.(1990) Logic and Aristotle's Rhetoric and Poetics in Mediaeval Arabic Philosophy. [REVIEW] Asian Philosophy 2 (1):117.
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  17. Salim Kemal (1991). Kant, Community and the Evil Poem. Revue Internationale de Philosophie 45 (176):24-38.
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  18. Salim Kemal (1991). The Kantian Sublime: From Morality to Art (Review). Journal of the History of Philosophy 29 (3):500-502.
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  19. Salim Kemal (1990). Arabic Philosophy and the West. Continuity and Interaction. Review of Metaphysics 44 (1):137-139.
  20. Salim Kemal & Ivan Gaskell (1987). Book Reviews. [REVIEW] British Journal of Aesthetics 27 (2):183-184.
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  21. Salim Kemal (1986). Arabic Poetics and Aristotle's Poetics. British Journal of Aesthetics 26 (2):112-123.
  22. Salim Kemal (1986). Kant and Fine Art: An Essay on Kant and the Philosophy of Fine Art and Culture. Oxford University Press.
    Integrating Kant's ideas on aesthetics and morality, Dr. Kemal explains how Kant's theories emphasize that art is critical to the development of culture and community goals. He clarifies Kant's often obscure efforts to justify artistic judgements and demonstrates Kant's claim that they have their own necessity. Containing explanations of many difficult terms present in Kant's Critique of Judgment, this study is a valuable guide to understanding Kant's association of beauty and morality.
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  23. Salim Kemal (1983). Aesthetic Necessity, Culture and Epistemology. Kant-Studien 74 (2):176-205.
  24. Salim Kemal (1980). The Importance of Artistic Beauty. Kant-Studien 71 (1-4):488-507.
  25. Salim Kemal (1979). The Significance of Natural Beauty. British Journal of Aesthetics 19 (2):147-166.
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  26. Salim Kemal (1976). Systematic Ideas in Aesthetics: (II) (Expression and Idealism in Kant's Aesthetics). British Journal of Aesthetics 16 (1):68-80.
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  27. Salim Kemal (1975). Book Reviews. [REVIEW] British Journal of Aesthetics 15 (2):183-184.
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  28. Salim Kemal (1975). Systematic Ideas in Aesthetics: (I) Presentation and Expression in Kant's Aesthetics. British Journal of Aesthetics 15 (2):144-158.
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