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Sarah E. Worth [19]Sarah Elizabeth Worth [1]
  1. Sarah E. Worth (1997). Wittgenstein's Musical Understanding. British Journal of Aesthetics 37 (2):158-167.
  2.  10
    Sarah E. Worth & Jennifer McMahon Railey (1998). Susan L. Feagin: Reading with Feeling: The Aesthetics of Appreciation. Journal of Value Inquiry 32 (4):579-581.
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  3.  21
    Sarah E. Worth (2000). Philosophy of Mass Art. Teaching Philosophy 23 (1):91-93.
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  4.  58
    Sarah E. Worth (2008). Storytelling and Narrative Knowing: An Examination of the Epistemic Benefits of Well-Told Stories. Journal of Aesthetic Education 42 (3):pp. 42-56.
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  5.  25
    Sarah E. Worth (2004). Fictional Spaces. Philosophical Forum 35 (4):439–455.
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  6.  26
    Sarah E. Worth (2000). Aristotle, Thought, and Mimesis: Our Responses to Fiction. Journal of Aesthetics and Art Criticism 58 (4):333-339.
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  7.  20
    Sarah E. Worth (2007). The Dangers of da Vinci, or the Power of Popular Fiction. Philosophy in the Contemporary World 14 (1):134-143.
    Philosophers of literature direct their studies to the moral, cognitive, and emotional aspects of our involvement with fiction. In spite of this, they rarely engage works of popular fiction. In this paper I use The Da Vinci Code as a case study of the impact of popular fiction on readers in terms of these three areas. Although this book will never be considered good literature, its impact is far reaching. l address concerns dealing with the fiction/non-fiction distinction as weIl as (...)
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  8.  33
    Sarah E. Worth (2001). Jerrold Levinson, Aesthetics and Ethics: Essays at the Intersection. [REVIEW] Journal of Value Inquiry 35 (4):565-570.
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  9.  32
    Sarah E. Worth, Art and Epistemology. Internet Encyclopedia of Philosophy.
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  10.  7
    Sarah E. Worth (2004). Narrative Understanding and Understanding Narrative. Contemporary Aesthetics 2.
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  11.  19
    Sarah E. Worth (2004). The Ethics of Exhibitions: On the Presentation of Religious Art. Journal of Aesthetics and Art Criticism 62 (3):277–284.
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  12.  20
    Sarah E. Worth & Jennifer McMahon Railey (1998). Susan L. Feagin: Reading with Feeling: The Aesthetics of Appreciation. [REVIEW] Journal of Value Inquiry 32 (4):579-581.
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  13.  9
    Sarah E. Worth (1998). The Interpretation of Music. Review of Metaphysics 51 (4):942-942.
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  14.  11
    Sarah E. Worth (2004). The Aesthetics of Mimesis: Ancient Texts and Modern Problems Stephen Halliwell Princeton, NJ: Princeton University Press, 2002, Ix + 424 Pp., $24.95 Paper. [REVIEW] Dialogue 43 (01):194-.
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  15.  6
    Sarah E. Worth (2010). Fact, Fiction, or Fraud; Faked Memoirs From Frey to Wilkomirski. Southwest Philosophy Review 26 (1):27-33.
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  16. Sarah E. Worth (2004). The Aesthetics of Mimesis Ancient Texts and Modern Problems. Dialogue 43 (1):194-194.
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  17. Sarah E. Worth (forthcoming). Thomas Munro Vs. The All American Blue Dishwasher. Journal of Aesthetic Education.
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  18. Sarah E. Worth (forthcoming). Understanding the Objects of Music. Journal of Aesthetic Education.
     
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  19. Sarah E. Worth (1997). Wi1tgenstein’s Musical Understanding. Southwest Philosophy Review 13 (2):101-111.
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