1. Sarah Kember (2012). Ubiquitous Photography. Philosophy of Photography 3 (2):331-348.
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  2. Mariam Fraser, Sarah Kember & Celia Lury (eds.) (2006). Inventive Life: Approaches to the New Vitalism. Sage.
    This book demonstrates how and why vitalism—the idea that life cannot be explained by the principles of mechanism—matters now. Vitalism resists closure and reductionism in the life sciences while simultaneously addressing the object of life itself. The aim of this collection is to consider the questions that vitalism makes it possible to ask: questions about the role and status of life across the sciences, social sciences, and humanities and questions about contingency, indeterminacy, relationality and change. All have special importance now, (...)
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  3. Sarah Kember (2003). Cyberfeminism and Artificial Life. Routledge.
    Cyberfeminism and Artificial Life examines construction, manipulation and re-definition of life in contemporary technoscientific culture. It takes a critical political view of the concept of life as information, tracing this through the new biology and the changing discipline of artificial life and its manifestation in art, language, literature, commerce and entertainment. From cloning to computer games, and incorporating an analysis of hardware, software and 'wetware', Sarah Kember demonstrates how this relatively marginal field connects with, and connects up global networks of (...)
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