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  1. Sean Gaston (2013). The Concept of World From Kant to Derrida. Rowman & Littlefield International.
  2. Sean Gaston (2012). The Fables of Pity: Rousseau, Mandeville and the Animal-Fable. Derrida Today 5 (1):21-38.
    Prompted by Derrida's work on the animal-fable in eighteenth-century debates about political power, this article examines the role played by the fiction of the animal in thinking of pity as either a natural virtue (in Rousseau's Second Discourse) or as a natural passion (in Mandeville's The Fable of the Bees). The war of fables between Rousseau and Mandeville – and their hostile reception by Samuel Johnson and Adam Smith – reinforce that the animal-fable illustrates not so much the proper of (...)
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  3. Sean Gaston (2011). Conrad and the Asymmetrical Duel. Angelaki 15 (2):39-53.
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  4. Sean Gaston (2010). Conrad and the Asymmetrical Duel: Thoughts for the Times on War and Death. Angelaki 15 (2):39-53.
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  5. Sean Gaston (2009). Derrida, Literature and War: Absence and the Chance of Meeting. Continuum.
    A series of intervals -- Calculating on absence -- An inherited dis-inheritance -- Absence as pure possibility -- (Not) meeting Heidegger -- La chance de la rencontre -- (Mis)chances -- War and its other -- Conrad and the asymmetrical duel -- (Not) meeting without name.
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  6. Sean Gaston (2009). Geoffrey Bennington, Other Analyses: Reading Philosophy (2004), 448pp, $12.00, ISBN-10: 0-9754996-1-0, ISBN-13: 978-0-9754996-1-0 Geoffrey Bennington, Deconstruction is Not What You Think, and Other Short Pieces and Interviews (2005), 273pp, $10.00, ISBN-10: 0-9754996-3-7, ISBN-13: 978-0-9754996-3-. [REVIEW] Derrida Today 79 (2):123-130.
  7. Sean Gaston (2009). Geoffrey Bennington, Other Analyses: Reading Philosophy (2004), 448pp, 12.00,ISBN-10:0-9754996-1-0,ISBN-13:978-0-9754996-1-0GeoffreyBennington,DeconstructionisNotWhatYouTh ink,Andothershortpiecesandinterviews(2005),273pp, 10.00, ISBN-10: 0-9754996-3-7, ISBN-13: 978-0-9754996-3-4. [REVIEW] Derrida Today 79 (2):123-130.
  8. Sean Gaston (2008). A Palintropic Genealogy of the Diaphanous Exactitude of Pe(N)Ser. Derrida Today 1 (2):212-228.
    Derrida frequently comments on the need to read and reread the texts of the tradition, to be always starting again with them. In On Touching – Jean-Luc Nancy Derrida offers another reading of (he starts again with) Aristotles's De Anima. By paying attention to the play of the palintropic, diaphanous, exactitude and ‘penser’ in Derrida's text, this paper seeks to show how important Aristotle is for Derrida in this book and in any deconstruction of the sense of touch. *.
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  9. Sean Gaston (2008). (Not) Meeting Without Name. Symploke 16 (1):107-125.
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  10. Sean gaston (2002). Derrida and the Ruins of Disinterest. Angelaki 7 (3):105 – 118.
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