Search results for 'Sean Hagberg' (try it on Scholar)

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  1. Sean Hagberg (1997). Edwin Hutchins, Cognition in the Wild. Minds and Machines 7 (3):456-460.score: 120.0
  2. Garry Hagberg (2008). Describing Ourselves: Wittgenstein and Autobiographical Consciousness. Oxford University Press.score: 60.0
    The voluminous writings of Ludwig Wittgenstein contain some of the most profound reflections of recent times on the nature of the human subject and self-understanding - the human condition, philosophically speaking. Describing Ourselves mines those extensive writings for a conception of the self that stands in striking contrast to its predecessors as well as its more recent alternatives. More specifically, the book offers a detailed discussion of Wittgenstein's later writings on language and mind as they hold special significance for the (...)
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  3. Garry L. Hagberg (2010). The Thinker and The Draughtsman: Wittgenstein, Perspicuous Relations, and ‘Working on Oneself’. Royal Institute of Philosophy Supplement 85 (66):67-81.score: 30.0
    In 1931, in the remarks collected as Culture and Value, Wittgenstein writes: ‘A thinker is very much like a draughtsman whose aim it is to represent all the interrelations between things.’ At a glance it is clear that this analogy might contribute significantly to a full description of the autobiographical thinker as well. And this conjunction of relations between things and the work of the draughtsman immediately and strongly suggests that the grasping of relations is in a sense visual, or (...)
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  4. Mole Christopher & Dorrance Kelly Sean (2006). On the Demonstration of Blindsight in Monkeys. Mind Language 21 (4):475-483.score: 30.0
    : The work of Alan Cowey and Petra Stoerig is often taken to have shown that, following lesions analogous to those that cause blindsight in humans, there is blindsight in monkeys. The present paper reveals a problem in Cowey and Stoerig ’ s case for blindsight in monkeys. The problem is that Cowey and Stoerig ’ s results would only provide good evidence for blindsight if there is no difference between their two experimental paradigms with regard to the sorts of (...)
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  5. Garry Hagberg (ed.) (2008). Art and Ethical Criticism. Blackwell.score: 30.0
    A timely and philosophically significant contribution to modern aesthetics featuring some of the best contemporary work in philosophical studies of literature, moral beliefs, and thinking in art Reflects the importance of a moral life of engagement with works of art Forms part of the prestigious New Directions in Aesthetics series, which confronts the most intriguing problems in aesthetics and the philosophy of art today.
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  6. Garry Hagberg & Walter Jost (eds.) (2010). A Companion to the Philosophy of Literature. Wiley-Blackwell.score: 30.0
    This monumental collection of new and recent essays from an international team of eminent scholars represents the best contemporary critical thinking relating to both literary and philosophical studies of literature. Helpfully groups essays into the field's main sub-categories, among them ‘Relations Between Philosophy and Literature’, ‘Emotional Engagement and the Experience of Reading’, ‘Literature and the Moral Life’, and ‘Literary Language’ Offers a combination of analytical precision and literary richness Represents an unparalleled work of reference for students and specialists alike, ideal (...)
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  7. Garry Hagberg (2003). On Philosophy as Therapy: Wittgenstein, Cavell, and Autobiographical Writing. Philosophy and Literature 27 (1):196-210.score: 30.0
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  8. Garry Hagberg (2002). On Representing Jazz: An Art Form in Need of Understanding. Philosophy and Literature 26 (1):188-198.score: 30.0
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  9. G. L. Hagberg (2011). Thinking of Others: On the Talent for Metaphor, by Ted Cohen. Mind 119 (476):1145-1151.score: 30.0
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  10. Garry Hagberg (2004). Wittgenstein Underground. Philosophy and Literature 28 (2):379-392.score: 30.0
    : This paper argues that Dostoevsky's Notes from Underground makes a fundamental point that runs directly counter to the received popular image of the work; i.e. the understanding that Notes describes a consciousness reflecting on itself, hermetically sealed within its own Cartesian interior. In truth, a closer reading shows that the mind depicted therein is profoundly relational and situated in a particularized context, and that this discursive mind characterizes what Wittgenstein says about mental privacy in the context of the private (...)
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  11. Garry Hagberg, Wittgenstein's Aesthetics. Stanford Encyclopedia of Philosophy.score: 30.0
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  12. Garry L. Hagberg (2010). On Rhythm. Journal of Aesthetics and Art Criticism 68 (3):281-284.score: 30.0
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  13. Garry Hagberg (1984). Aristotle's "Mimesis" and Abstract Art. Philosophy 59 (229):365 - 371.score: 30.0
    Does non-representational art itself constitute a refutation of any theory of art based upon mimesis or imitation? Our intuitions regarding this question seem to support an affirmative answer: it appears impossible to account for abstract and non-representational art in terms of imitation, because, to put the problem simply, if nothing is copied in a work of art then there can be nothing essentially imitative about it. The very notion of abstract imitative art seems self-contradictory.
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  14. Garry Hagberg (2000). Foreword: Improvisation in the Arts. Journal of Aesthetics and Art Criticism 58 (2):95-97.score: 30.0
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  15. Garry L. Hagberg (2002). What, After All, is a Work of Art? British Journal of Aesthetics 42 (2):206-209.score: 30.0
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  16. Garry Hagberg (2002). Davidson, Self-Knowledge, and Autobiographical Writing. Philosophy and Literature 26 (2):354-368.score: 30.0
  17. Garry Hagberg (1984). Understanding Happiness. Mind 93 (372):589-591.score: 30.0
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  18. Garry L. Hagberg (2007). Review of Ray Monk, How to Read Wittgenstein. [REVIEW] Philosophical Quarterly 57 (228):491–495.score: 30.0
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  19. Garry Hagberg (1995). Book Review: Meaning and Interpretation: Wittgenstein, Henry James, and Literary Knowledge. [REVIEW] Philosophy and Literature 19 (2).score: 30.0
  20. Garry Hagberg (1984). Art and the Unsay Able: Langer's Tractarian Aesthetics. British Journal of Aesthetics 24 (4):325-340.score: 30.0
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  21. Garry L. Hagberg (2012). Editor's Note. Philosophy and Literature 36 (1):iv-v.score: 30.0
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  22. Garry Hagberg (1987). Creation as Translation. Journal of Aesthetics and Art Criticism 46 (2):249-258.score: 30.0
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  23. Garry L. Hagberg (2006). Review of Stephen Davies, Themes in the Philosophy of Music. [REVIEW] Notre Dame Philosophical Reviews 2006 (1).score: 30.0
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  24. Denis Dutton & Garry Hagberg (2002). War of the Worldviews. Philosophy and Literature 26 (1).score: 30.0
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  25. Garry Hagberg (1992). Listening to Music By Martyn Evans London: Macmillan, 1990, Viii + 160 Pp., £35.00. [REVIEW] Philosophy 67 (259):123-.score: 30.0
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  26. Garry Hagberg (1986). Art as Thought: The Inner Conflicts of Aesthetic Idealism. Philosophical Investigations 9 (4):257-273.score: 30.0
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  27. G. L. Hagberg (2006). Philosophy and Literature: A Book of Essays. British Journal of Aesthetics 46 (4):428-431.score: 30.0
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  28. Garry Hagberg (1986). Music and Imagination. Philosophy 61 (238):513 - 517.score: 30.0
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  29. G. L. Hagberg (2010). Self-Expression. British Journal of Aesthetics 50 (1):107-109.score: 30.0
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  30. Garry Hagberg (2005). Leporello's Question. Philosophy and Literature 29 (1):180-199.score: 30.0
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  31. Garry Hagberg (2006). Jazz Improvisation : A Mimetic Art ? Revue Internationale de Philosophie 4:469-485.score: 30.0
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  32. Garry L. Hagberg (2010). Self-Expression. British Journal of Aesthetics 50 (1):107-109.score: 30.0
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  33. Garry Hagberg (1989). Wittgenstein, Henry James, and Epistemological Fiction. Philosophy and Literature 13 (1):75-95.score: 30.0
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  34. Eva Gunilla Benzein, Margaretha Hagberg & Britt-Inger Saveman (2008). 'Being Appropriately Unusual': A Challenge for Nurses in Health-Promoting Conversations with Families. Nursing Inquiry 15 (2):106-115.score: 30.0
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  35. Garry Hagberg (1990). Book Reviews. [REVIEW] British Journal of Aesthetics 30 (3):287-288.score: 30.0
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  36. Garry L. Hagberg (2006). Autobiographical Memory: Wittgenstein, Davidson, and the 'Descent Into Ourselves'. In David Rudrum (ed.), Literature and Philosophy: A Guide to Contemporary Debates. Palgrave Macmillan.score: 30.0
  37. Garry L. Hagberg & Walter Jost (2010). Introduction. In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.score: 30.0
     
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  38. Garry L. Hagberg (2010). In a New Light: Wittgenstein, Aspect-Perception, and Retrospective Change in Self-Understanding. In William Day & Víctor J. Krebs (eds.), Seeing Wittgenstein Anew. Cambridge University Press.score: 30.0
  39. Garry L. Hagberg (2008). Jazz Improvisation and Ethical Interaction : A Sketch of the Connections. In Garry Hagberg (ed.), Art and Ethical Criticism. Blackwell Pub..score: 30.0
     
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  40. Garry L. Hagberg (2001). Metaphor. In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.score: 30.0
     
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  41. Garry L. Hagberg (2010). Self-Defining Reading : Literature and the Constitution of Personhood. In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.score: 30.0
     
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  42. Garry L. Hagberg (2011). The Self Rewritten : The Case of Self-Forgiveness. In Christel Fricke (ed.), The Ethics of Forgiveness: A Collection of Essays. Routledge.score: 30.0
     
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  43. Garry Hagberg (2002). The self, speaking. Revue Internationale de Philosophie 1 (219):9-47.score: 30.0
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  44. Sean O'Brien (1997). Video Tools for Teaching Ethics: Two Video Reviews by Sean O'Brien. Journal of Mass Media Ethics 12 (2):120 – 122.score: 12.0
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  45. Peter VanInwagen (2005). Reply to Sean Carroll. Faith and Philosophy 22 (5):636-640.score: 12.0
    Sean Carroll argues that we should endorse atheism since there are no good reasons for affirming the more complex thesis of theism over the less complexthesis of materialism. However, this argument relies on an epistemological minimalism we should reject.
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  46. Robert Greenleaf Brice (2013). “Aesthetic Scaffolding”: Hagberg and Wittgensteinian Certitude. American Catholic Philosophical Quarterly 87 (3):397-409.score: 12.0
    In the penultimate chapter of his book, Art as Language, G. L. Hagberg presents an argument against Arthur Danto, George Dickie, and other advocates of the Institutional Theory (IT), arguing that a tension exists within the theory. Through conferral, a spokesperson declares what artifacts are accepted into the artworld. Hagberg finds this problematic because, while the criterion one uses is something that the later Wittgenstein would endorse, it points back to an essentialism that he clearly rejected. But (...) believes he can avoid this problem by applying Wittgenstein’s notion of certainty to specific artifacts in aesthetics. By relying on Wittgenstein’s notion of certitude, however, he exposes himself to a tension that exists in On Certainty: is certainty natural, or is it social? Although the propositions Hagberg uses have the potential to become certain, he treats them as if they begin that way. In this paper I present two ways in which Wittgenstein classifies or understands certainty: a bottom-up approach, where certainty is part of our natural and instinctual predisposition, and a top-down approach, where certainty is acquired through positive reinforcement. I believe Hagberg fails to appreciate this distinction as well as the consequences for his claim. (shrink)
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  47. Jon Baldwin (2003). Other Bother: The Alien in Science Fiction Cinema, on Aliens R Us: The Other in Science Fiction Cinema , Edited by Ziauddin Sardar and Sean Cubitt. Film-Philosophy 7 (3).score: 12.0
    _Aliens R Us: The Other in Science Fiction Cinema_ Edited by Ziauddin Sardar and Sean Cubitt London: Pluto Press, 2002 ISBN 0-7453-1544-5 (hb) 0-7453-1539-9 (pbk) 208 pp.
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  48. Ciara Breathnach (forthcoming). 'Heavier the Interval Than the Consummation': Bronchial Disease in Seán Ó Ríordáin's Diaries. Medical Humanities:2013-010386.score: 12.0
    Narratives of the experience of pulmonary tuberculosis (TB) are relatively rare in the Irish context. A scourge of the early twentieth century, TB was as much a social as a physically debilitating disease that rendered sufferers silent about their experience. Thus, the personal diaries and letters of Irish poet, Seán Ó Ríordáin, (1916–1977) are rare. This article presents translations of his personal papers in a historico-medical context to chronicle Ó Ríordáin’s experience of a life marred by respiratory disease. Familiar to (...)
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  49. Richard Misek (2005). Analogue Film, Digital Discourse, on Sean Cubitt's The Cinema Effect. Film-Philosophy 9 (3).score: 12.0
    Sean Cubitt _The Cinema Effect_ Cambridge, Massachusetts: MIT Press, 2004 ISBN 0-262-03312-7 456 pp.
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  50. Tomáš Tatranský, Sophie Loidolt, Eric Sean Nelson, Lawrence Petch, Rolf Kühn, Yves Mayzaud, Denisa Butnaru, Andreea Parapuf, Jassen Andreev & Adrian Niţţ (2006). Claire Katz & Lara Trout (Ed.), Emmanuel Levinas. Critical Assessments of Leading Philosophers_ (Tomás Tatranský)Thomas Bedorf, Andreas Cremonini (Hrsg.), _Verfehlte Begegnung. Levinas Und Sartre Als Philosophische Zeitgenossen_(Sophie Loidolt)Samuel Moyn, _Origins of the Other: Emmanuel Levinas Between Revelation and Ethics_ (Eric Sean Nelson)Pascal Delhom & Alfred Hirsch (Hrsg.), _Im Angesicht der Anderen. Levinas' Philosophie des Politischen_(Sophie Loidolt)Sharon Todd, _Learning From the Other: Levinas, Psychoanalysis and Ethical Possibilities in Education_(Lawrence Petch)_Michel Henry, Le Bonheur de Spinoza, Suivi De: Etude Sur le Spinozisme de Michel Henry, Par Jean-Michel Longneaux_ (Rolf Kühn)Jean-Francois Lavigne, _Husserl Et la Naissance de la Phénoménologie (1900-1913). Des Recherches Logiques aux Ideen: La Genèse de l'Idéalisme Transcendantal Phénoménologique_ (Yves Mayzaud)Denis Seron, _Objet Et Signification (Denisa Butnaru)Dan Zahavi, Sara Heinämaa and Hans Ruin (Eds.). [REVIEW] Studia Phaenomenologica 6:453-487.score: 12.0
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