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  1. Semir Zeki, John Paul Romaya, Dionigi M. T. Benincasa & Michael F. Atiyah (2014). The Experience of Mathematical Beauty and its Neural Correlates. Frontiers in Human Neuroscience 8.
  2. Semir Zeki (2013). Clive Bell's “Significant Form” and the Neurobiology of Aesthetics. Frontiers in Human Neuroscience 7.
  3. Semir Zeki & Tomohiro Ishizu (2013). The “Visual Shock” of Francis Bacon: An Essay in Neuroesthetics. Frontiers in Human Neuroscience 7.
  4. Semir Zeki (2007). A Theory of Micro-Consciousness. In Max Velmans & Susan Schneider (eds.), The Blackwell Companion to Consciousness. Blackwell. 580--588.
  5. Semir Zeki & Oliver Goodenough (eds.) (2006). Law and the Brain. OUP Oxford.
    The past 20 years have seen unparalleled advances in neurobiology, with findings from neuroscience being used to shed light on a range of human activities - many historically the province of those in the humanities and social sciences - aesthetics, emotion, consciousness, music. Applying this new knowledge to law seems a natural development - the making, considering, and enforcing of law of course rests on mental processes. However, where some of those activities can be studied with a certain amount of (...)
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  6. K. Moutoussis, Alexander Maier, Semir Zeki & Nikos K. Logothetis (2005). Seeing Invisible Motion: Responses of Area V5 Neurons in the Awake-Behaving Macaque. Soc. For Neurosci. Abstr 390 (11).
    Moutoussis, K., A. Maier, S. Zeki and N. K. Logothetis: Seeing invisible motion: responses of area V5 neurons in the awake-behaving macaque. Soc. for Neurosci. Abstr. 390.11, 1 (11 2005) Abstract.
     
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  7. Semir Zeki (2004). The Neurology of Ambiguity. Consciousness and Cognition 13 (1):173-196.
  8. Semir Zeki (2003). The Disunity of Consciousness. Trends in Cognitive Sciences 7 (5):214-218.
  9. Semir Zeki (2002). Neural Concept Formation & Art Dante, Michelangelo, Wagner Something, and Indeed the Ultimate Thing, Must Be Left Over for the Mind to Do. Journal of Consciousness Studies 9 (3):53-76.
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  10. Semir Zeki (2001). Closet Reductionists. Trends in Cognitive Sciences 5 (2):45-46.
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  11. Semir Zeki (2001). Localization and Globalization in Conscious Vision. Annual Review of Neuroscience 24:57-86.
  12. Semir Zeki (1999). Art and the Brain. Journal of Consciousness Studies 6 (6-7):6-7.
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  13. Semir Zeki, S. Aglioti, D. McKeefry & G. Berlucchi (1999). The Neurological Basis of Conscious Color Perception in a Blind Patient. Proceedings of the National Academy of Sciences of the United States of America 96 (24):14124-14129.
  14. Semir Zeki & Andreas Bartels (1999). Toward a Theory of Visual Consciousness. Consciousness and Cognition 8 (2):225-59.
    The visual brain consists of several parallel, functionally specialized processing systems, each having several stages (nodes) which terminate their tasks at different times; consequently, simultaneously presented attributes are perceived at the same time if processed at the same node and at different times if processed by different nodes. Clinical evidence shows that these processing systems can act fairly autonomously. Damage restricted to one system compromises specifically the perception of the attribute that that system is specialized for; damage to a given (...)
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  15. Semir Zeki & D. H. Ffytche (1998). The Riddoch Syndrome: Insights Into the Neurobiology of Conscious Vision. Brain 121:25-45.
  16. Semir Zeki (1996). The Motion Vision of the Blind and the Modularity of Consciousness. Transactions of the Medical Society of London 112:11-18.
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  17. J. L. Barbur, J. D. G. Watson, R. D. G. Frackowiak & Semir Zeki (1993). Conscious Visual Perception Without V. Brain 116:1293-1302.
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