Search results for 'Sigurd Ibsen' (try it on Scholar)

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  1. Sigurd Ibsen (1911/1972). Human Quintessence. Freeport, N.Y.,Books for Libraries Press.
    1911. The philosophical writings of Sigurd Ibsen, son of the famous dramatist Henrik Ibsen.
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  2.  89
    S. Holm, P. Gjersoe, G. Grode, O. Hartling, K. E. Ibsen & H. Marcussen (1996). Ethical Reasoning in Mixed Nurse-Physician Groups. Journal of Medical Ethics 22 (3):168-173.
    OBJECTIVES: To study the ethical reasoning of nurses and physicians, and to assess whether or not modified focus groups are a valuable tool for this purpose. DESIGN: Discussion of cases in modified focus groups, each consisting of three physicians and three nurses. The discussion was taped and analysed by content analysis. SETTING: Five departments of internal medicine at Danish hospitals. SAMPLE: Seven discussion groups. MAIN MEASUREMENTS: Ethical content of statements, style of statements, time used by each participant. RESULTS: Danish physicians (...)
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  3. B. Sigurd (1976). Converse Terms in Swedish. In Nils Erik Enkvist & Viljo Kohonen (eds.), Reports on Text Linguistics: Approaches to Word Order. [Åbo Akademi] 9.
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  4.  20
    Johannes Brinkmann (2009). Using Ibsen in Business Ethics. Journal of Business Ethics 84 (1):11 - 24.
    To celebrate the 100th anniversary of Norwegian playwright Henrik Ibsen's death, during 2006 quite a number of cultural events were launched (cf. http://www.ibsen.net/). The article suggests celebrating Ibsen as a potentially useful resource for business ethics teaching. Departing from a short presentation of Ibsen's plays An enemy of the people and A doll's house the main focus of this paper is on two selected scenes from the latter piece -both as raw material for developing scenarios for (...)
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  5.  2
    Ralph Leck (2005). Enemy of the People: Simmel, Ibsen, and the Civic Legacy of Nietzschean Sociology. The European Legacy 10 (3):133-147.
    The fall of Communism continued an ongoing weakening of Marxist ideology, which had been hegemonic among the European Left since the Great War. While the decline of Marxist thought can be justly seen negatively as the historical correlative of globalization, this decline has also produced cultural space for a re-evaluation of non-Marxist critiques of capitalist civilization. One example of a powerful non-Marxist critique of capitalist civilization is Georg Simmel's sociology of money culture. Before turning to Simmel's radical critique, this essay (...)
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  6.  14
    Raffaella Colombo (2012). Will and Sacrifice: Victimary Representations in Ibsen's Rosmersholm. Contagion: Journal of Violence, Mimesis, and Culture 19 (1):167-177.
    In his short essay, “Some Character-Types Met With in Psycho-Analytic Work,” published in 1916 in the review Imago, Freud identifies Ibsen’s drama Rosmersholm (1886) as a perfect example of an Oedipus complex in a modern setting. The story is well known. After the suicide of his wife Beata, brought about by the impossibility of bearing children and by the misery of an existence sacrificed to social and religious duties, John Rosmer, a Protestant pastor, has lost his old faith and (...)
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  7.  5
    Kimmo Sarje (2011). Façades and Functions Sigurd Frosterus as a Critic of Architecture. Nordic Journal of Aesthetics 22 (40-41).
    Alongside his work as a practising architect, Sigurd Frosterus (1876–1956) was one of Finland’s leading architectural critics during the first decades of the 20th century. In his early life, Frosterus was a strict rationalist who wanted to develop architecture towards scientific ideals instead of historical, archaeological, or mythological approaches. According to him, an architect had to analyse his tasks of construction in order to be able to logically justify his solutions, and he must take advantage of the possibilities of (...)
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  8.  45
    Bradford McCall (2011). Creation Set Free: The Spirit as Liberator of Nature. By Sigurd Bergmann. Heythrop Journal 52 (2):349-350.
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  9.  21
    Vincent J. Balice (1976). Chesterton and Ibsen. The Chesterton Review 2 (2):215-225.
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  10.  5
    Charles Leland (1976). Ibsen, Chesterton and Shaw: A Misunderstanding All Around. The Chesterton Review 3 (1):35-42.
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  11.  13
    Ted Geier (2014). Aesth/Ethics in Environmental Change: Hiking Through the Arts, Ecology, Religion and Ethics of the Environment. Edited by Sigurd Bergmann, Irmgard Blindow, and Konrad Ott. Environmental Philosophy 11 (1):131-135.
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  12.  9
    G. K. Chesterton (2003). The Medievalism of Ibsen. The Chesterton Review 29 (3):323-325.
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  13.  20
    Rainer Forst (2007). The Injustice of Justice: Normative Dialectics According to Ibsen, Cavell and Adorno (Translated by Mario Wenning). Graduate Faculty Philosophy Journal 28 (2):39-51.
  14.  3
    William Mishler (1994). Sacrificial Nationalism in Henrik Ibsen's The Pretenders. Contagion: Journal of Violence, Mimesis, and Culture 1 (1):127-138.
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  15.  7
    W. R. Halliday (1937). Sigurd Agrell: Die Pergamenische Zauberscheibe und das Tarockspiel. Pp. 130; 68 figures. (Bulletin de la Société Royale des Lettres de Lund, 1935–1936, IV.) Lund: Gleerup, 1936. Paper, 3s. [REVIEW] The Classical Review 51 (01):42-.
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  16. Kristin Gjesdal (2007). Ibsen And Hegel On Egypt And The Beginning Of Great Art. Bulletin of the Hegel Society of Great Britain 55:67-86.
     
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  17.  11
    Tanner Capps (2012). In the Beginning Is the Icon: A Liberative Theology of Images, Visual Arts, and Culture by Bergmann, Sigurd. Journal of Aesthetics and Art Criticism 70 (2):241-242.
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  18. Frank Schalow (1991). Bruce G. Shapiro, Divine Madness and the Absurd Paradox: Ibsen's Peer Gynt and the Philosophy of Kierkegaard Reviewed By. Philosophy in Review 11 (2):134-135.
     
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  19.  5
    Michael Boylan, Denise Inge, Frederic Jameson, Scott Barry Kaufman, James C. Kaufman, Dominic Mciver Lopes, Jean-Francois Lyotard, Adrian Pabst, Angus Paddison & Fiona Price (2010). BENTON, MICHAEL. Literary Biography An Introduction.(London: Wiley-Blackwell). 2009. Pp. 280.£ 60.00 (Hbk). BERGMANN, SIGURD. In the Beginning is the Icon: A Liberative Theology of Images, Visual Arts and Culture.(London: Equinox Publishing Limited). 2009. Pp. 256.£ 50.00 (Hbk). [REVIEW] British Journal of Aesthetics 50 (1):119.
  20.  9
    William P. Cunningham (2000). Listening to the Wilderness: The Life and Work of Sigurd F. Olson. Ethics, Place and Environment 3 (3):323 – 329.
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  21.  2
    A. D. Fitton Brown (1969). David Grene: Reality and the Heroic Pattern: Last Plays of Ibsen, Shakespeare, and Sophocles. Pp. Xiv+169. Chicago: University of Chicago Press 1967. Cloth, $5.00. [REVIEW] The Classical Review 19 (01):107-108.
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  22.  3
    M. S. Gilliland (1893). Book Review:Four Lectures on Henrik Ibsen, Dealing Chiefly with His Metrical Works. Philip H. Wicksteed; The Quintessence of Ibsenism. G. Bernard Shaw. [REVIEW] Ethics 3 (3):399-.
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  23.  4
    Anne-Marie Stanton-Ife (1998). Happiness and Duty in Ibsen's Brand. Angelaki 3 (1):127 – 135.
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  24.  2
    John R. Williams (2012). Ecological Hermeneutics: Biblical, Historical and Theological Perspectives. Edited by David G. Horrell , Cherryl Hunt , Christopher Southgate and Francesca Stavrakopoulou. Pp. Xii, 333, London, T & T Clark, 2010, £24.99. Ecological Awareness: Exploring Religion, Ethics and Aesthetics. Edited by Sigurd Bergmann and Heather Eaton [Studies in Religion and the Environment, Vol. 3]. Pp. Ii, 263, Berlin, Germany, LIT Verlag, 2011, €29.90. [REVIEW] Heythrop Journal 53 (5):898-900.
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  25. Ludwig Binswanger (1954). Henrik Ibsen, und das problem der elbstrealisation in der Kunst. Revue de Métaphysique et de Morale 59 (4):454-454.
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  26. Roger B. Dooley (1961). The Ibsen View. Renascence 13 (4):207-207.
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  27. Angel Flores (1939). Henrik Ibsen, a Marxist Analysis. Science and Society 3 (2):274-277.
     
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  28. Edward R. Haymes (1992). Jesse L. Byock, Trans., The Saga of the Volsungs: The Norse Epic of Sigurd the Dragon Slayer. Berkeley, Los Angeles, and Oxford: University of California Press, 1990. Pp. Ix, 145; 2 Maps. $30 (Cloth); $8.95 (Paper). [REVIEW] Speculum 67 (3):643-644.
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  29. Roger Howard (1994). The Ibsen Cycle. History of European Ideas 18 (1):138-139.
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  30. William A. Johnsen (1996). Ibsen's Drama of Self-Sacrifice. Contagion: Journal of Violence, Mimesis, and Culture 3 (1):141-161.
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  31. William Johnson (1921). Yanko Lavrin, Ibsen and His Creation: A Psycho-Critical Study. [REVIEW] Hibbert Journal 20:815.
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  32. Peter Kemp (1979). Le précurseur de Henrik Ibsen. Quelques aspects de la découverte de Kierkegaard en France. Les Etudes Philosophiques 2:139.
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  33. N. Lash (1996). Die Religionswissenschaft und das Christentum: Eine historische Untersuchung ueber das Verhaeltnis von Religionswissenschaft und Theologie (Sigurd Hjelde). Heythrop Journal 37:483-483.
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  34. Henri Lichtenberger (2000). L'individualismo Di Ibsen. la Società Degli Individui 8.
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  35. Mary Graham Lund (1960). The Existentialism of Ibsen. Pacific Philosophical Quarterly 41 (3):310.
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  36. Virginia Taylor Mccormick (1922). Ibsen's Portraiture of Women. Pacific Philosophical Quarterly 3 (3):157.
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  37. Jerome Neu (1988). Life-Lies and Pipe Dreams, Self-Deception in Ibsen The'wild Duck'and Oneill The'iceman Cometh'. Philosophical Forum 19 (4):241-269.
     
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  38. G. Bernard Shaw (1892). Four Lectures on Henrik Ibsen. M. S. Gilliland. [REVIEW] Ethics 3:399.
     
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  39. Raffaele Vacca (2006). Ibsen nel centenario della morte. Studium 102 (4):619-622.
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  40. Merold Westphal (1985). Ibsen, Hegel, and Nietzsche. Clio 14 (4).
     
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  41. Raymond J. Wilson (2008). Striving and Accepting Limits As Competing Meta-Virtues: Goethe's Faust and Ibsen's The Wild Duck. Analecta Husserliana 96:123-134.
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  42. Forrest Wood (1970). Kierkegaardian Light on Ibsen's Brand. Pacific Philosophical Quarterly 51 (3):393.
     
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  43. Hub Zwart (2004). Environmental Pollution and Professional Responsibility: Ibsen's A Public Enemy as a Seminar on Science Communication and Ethics. Environmental Values 13 (3):349-372.
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  44. H. A. E. Zwart (2000). The Birth of a Research Animal: Ibsen's The Wild Duck and the Origin of a New Animal Science. Environmental Values 9 (1):91-108.
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  45.  19
    Lee Congdon (2008). For Neoclassical Tragedy: György Lukács's Drama Book. Studies in East European Thought 60 (1/2):45 - 54.
    Before he joined the Communist Party, the young György Lukács published an outstanding history of the modern drama in which he combined sociological analysis with aesthetic judgment. By doing so he called his countrymen's attention to a new and insightful approach to the study of literature. At the same time, he made a strong case for the superiority of neoclassical tragedy—largely inspired by personal experience.
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  46. Susan Mendus (1998). Out of the Doll's House Reflections on Feminism and Autonomy. University of York, Department of Politics.
     
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  47.  4
    Eugene Garaventa (1998). Drama. Business Ethics Quarterly 8 (3):535-545.
    The concept of business ethics has continued to remain a major item on the agenda of corporate America for the last twenty years. Regrettably, this longevity of interest has not been matched by equal attention to the pedagogical methods and techniques used to address these issues. The current mode of teaching business ethics generally involves reliance on “war stories,” case studies, andseminars. Today’s dynamic environment creates pressures for higher levels of ethical behavior by business. Many ethical challenges faced by contemporary (...)
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  48. Lewis Vaughn & Louis Pojman (eds.) (2010). The Moral Life: An Introductory Reader in Ethics and Literature. OUP USA.
    Now in its fourth edition, Louis P. Pojman and Lewis Vaughn's acclaimed The Moral Life: An Introductory Reader in Ethics and Literature brings together an extensive and varied collection of eighty-five classical and contemporary readings on ethical theory and practice. Integrating literature with philosophy in an innovative way, the book uses literary works to enliven and make concrete the ethical theory or applied issues addressed. Literary works by Angelou, Camus, Hawthorne, Huxley, Ibsen, Le Guin, Melville, Orwell, Styron, Tolstoy, and (...)
     
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  49.  12
    Alison Sinclair (2008). Social Imaginaries: The Literature of Eugenics. Studies in History and Philosophy of Science Part C 39 (2):240-246.
    This paper starts from a premise relating to the act of fictional writing about eugenics and the way it may be understood as the embodiment and enactment of social imaginaries. It proposes that literature frequently, if not habitually, expresses the underside of what is expressed in public discourse. That is, far from being the implement of state policy or intervention, it acts in counterpoint to the state, constituting a type of social fantasy in that it explores through the realm of (...)
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  50. Louis P. Pojman & Lewis Vaughn (eds.) (2007). The Moral Life: An Introductory Reader in Ethics and Literature. Oxford University Press.
    Featuring new selections chosen by coeditor Lewis Vaughn, the third edition of Louis P. Pojman's The Moral Life: An Introductory Reader in Ethics and Literature brings together an extensive and varied collection of ninety-one classical and contemporary readings on ethical theory and practice. Integrating literature with philosophy in an innovative way, the book uses literary works to enliven and make concrete the ethical theory or applied issues addressed in each chapter. Literary works by Camus, Hawthorne, Hugo, Huxley, Ibsen, Le (...)
     
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